With ribbon marker.Specifications..

Botanical Ultra Smooth is 300gsm, mould made from 50% cotton and is acid free and calcium carbonate buffered. The absence of acid guarantees excellent permanence and resistance to ageing. - The colour is a very close match to Fabriano 5, and it does contain optical brighteners to give a bright white colour. It - is ideal for botanical watercolour painting as well as charcoal, pastels and graphite.

This oil paper has been developed specifically for use with Georgian colours. Its double primed linen-textured surface offers ideal tooth not only for Georgian colours, but also for all oil paints on the market.

Pad contains 12 sheets of heavy 290gsm acid-free fine linen textured oil painting paper.

Size: 20 x 16" / 508 x 406 mm

The Hahnemühle Lana Colour range is a 45% cotton rag paper which is textured on one side and smooth on the other. The 160gsm weight paper contains 45% cotton which will allow for extra scraping and rubbing back, making it a durable surface to create your pastel paintings on.This popular paper is available in an excellent mix of soft muted tones and greys, with a number of bright colours too. The surface is acid-free (except for black) and is often used in papercutting and layered techniques. It is also suitable for oil and soft pastels, pencil, chalk, charcoal, felt tip, ink and gouache.Please note: the minimum order quantity for the paper in this range is 5 sheets.

Millford is the newest watercolour paper developed by St Cuthberts Mill. It is styled on the discontinued Whatman watercolour paper, after artists grieved the loss of this unique type of watercolour paper. It is mould made from 100% cotton (just like the original Whatman), and it's beautiful surface is created using natural woollen felts. It is deliberately created to have a high resistance to water, so it’s washes perform very differently to traditional watercolour papers.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 140lb : 22x30in : single sheet Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Pink Pig : Sketchbook : 150gsm : A5 : Black Cover : Portrait

One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards. The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work. All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.

Montval® paper was designed by the famous painter Gaspard Maillol, nephew of the sculptor Aristide Maillol, and manufactured by Canson® at his request in the early 20th century. Since then, this paper has acquired new qualities.
One of them is its great erasability: corrections can be made easily, cleaning the paper with water, using a sponge or a brush. There is no trace of watercolour left and the paper can be worked again.
Easy to use, it is accessible and suitable for everyone.

Canson® Montval® is also available as a book. With its hard cover and elegant elastic band closure, it is the ideal companion to enhance one's creativity when travelling. Its interior storage pocket is ideal to keep the most precious memories.

Our very own Eco friendly 100% cotton, internally & externally gelatine sized, deckle edged handmade paper from India.
The machinery normally used to make paper uses alot of energy, turning paper pulp into a giant roll of perfectly dry paper in barely a minute. Our handmade papers however are made from recycled cotton, they are individuallyset into the moulds and then dried slowly in the Indian sun. The water used in the production is then run off to irrigate the field neighbouring the factory. These papers are alsomade in special small moulds which allows us to produce beautiful deckle edged sheets in 1/4 & 1/2 imperial sizes. All papers are available at an unbeatable price!
1/4 and 1/2 sheets are deckled on all four sides of the 140lb & 200lb papers.

XL® Sand Grain is a paper made from organic, renewable materials. Its
special texture allows pigment retention and is an ideal paper for all
dry techniques (including pastel, charcoal, carbon, pencil...). It is a
double-sided paper, ideal for students.

This classic French paper has a mottled texture on one side and a flat surface on the other, both equally suitable for pastel, oil pastel, charcoal, chalk, pencil, watercolor, and acrylic. It is a heavyweight paper with a high cotton rag content (66%) to ensure long life without deterioration. The entire range of 42 shades are coloured in the pulp to be highly light-resistant and acid-free.

Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.

High quality drawing paper from Fabriano. 160g/m2, high rag content, acid-free, pH neutral and with high archival permanence. 36 lightfast colours. Grainy, rough paper which is neutrally sized. Very good pigment uptake and therefore best suited to soft and oil pastel but also for pencil, grey and brown chalk, gouache and acrylic.

Pastel artists will love the unique sanded surface texture of Mi-Teintes Touch as it allows for many creative possibilities and layering of pigments. A great palette of cool blues, warm earth, and grey tones are now available to support a wide range of artist creativity. Pastels, charcoal, crayons and acrylics perform beautifully.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.

It's attractive surface is created using natural woollen felts that give it a distinctive texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

This Bockingford paper has a smooth Hot Press surface

XL® Sketch is a paper that has been specially designed for art students who use large quantities of paper and do lots of sketches.
It is an acid-free, ivory-coloured paper with plenty of bulk. It is perfect for quick sketches with pencil, charcoal, red chalk, and pastel.

XL® Sketch is also available as a book. With its large spiral binding and hard cover, it is the ideal companion to enhance one's creativity when travelling.

Canson® Graduate Drawing pads feature a durable and lightly textured white drawing paper. The surface stands up to repeated rubbing out without creating lint. These pads contain 30 sheets, perfect for drawing and creating something in vibrant colours!

Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.

Fabriano Artistico watercolour papers have two deckle edges and are watermarked ‘FABRIANO+ARTISTICO’ on the short grain side. The high quality and ample offer of this paper satisfies the requirements of all professional artists and the most demanding amateurs.

Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. It is also suitable for printmaking.

News update: Fabriano Artistico watercolour paper has had a slight texture change. This will be of interest to artists who choose it for its ultra smooth surface.

XL® Sketch is a paper that has been specially designed for art students who use large quantities of paper and do lots of sketches.
It is an acid-free, ivory-coloured paper with plenty of bulk. It is perfect for quick sketches with pencil, charcoal, red chalk, and pastel.

XL® Sketch is also available as a book. With its large spiral binding and hard cover, it is the ideal companion to enhance one's creativity when travelling.

Bockingford is a beautiful English watercolour paper, traditionally made on a cylinder mould machine at St Cuthberts Mill. This is a high quality paper made using pure materials to archival standards.It's attractive surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities. This is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.

Daler-Rowney Artists' Sketchbooks are a complete range of hardback books specially developed for artists. Ebony hardback sketchbooks have either 62 sheets (A6, A5, A4) or 48 sheets (A3). All sizes contain unperforated 150gsm acid-free paper.

Professional quality masking tape. Excellent value for high quality work. Available in ½�, ¾�, 1�, 1.5�, 2�, 3�, 4�. 50 metres in length.

Clairefontaine Pastelmat Pastel Board allows you to broaden your working surface as it is rigid enough that it can be supported by an easel. It is also much easier to frame your work using the Pastel Board. The board features the well loved 360gsm acid-free Pastelmat paper which has then been bonded onto a 1.8mm board. The board is acid-free and has a white core.

Pastelmat is a premium card surface (360gsm / 170lb) specially developed for pastelists. Its unique velvety surface, made from a fine coating of cellulose fibres, has the ability to grab and hold multiple layers of even the softest pastels.

Pastelmat significantly reduces the need for fixative, which means that colours remain vibrant and fresh once applied. It has the added bonus of being gentle on both fingers and blending tools. It is acid-free and lightfast.

Pastelmat is ideal for use with all dry media - pastel sticks, PanPastel, pencils and charcoal. It is also water resistant which means that it can be used with wet media - such as acrylics and watercolour for washes and mixed media techniques.

Please note: PastelMat are sometimes subject to some small spotting and discolouration. This is to be expected due to the manufacturing process. The small talc spots can simply be removed with a stiff brush or a craft knife.