Design and Science addresses the inter-relationship, in both historical and contemporary contexts, between design thinking and design processes and scientific and medical research methods. Contributors address the parallels between research methodologies in design and the sciences, both of which involve the recognition of an issue, conceptualisation of ways to resolve it, and then the modelling and implementation of a viable solution. Much research across various scientific disciplines follows a similar pattern. Thematic sections explore visualisation, visual narrative and visual metaphor; biodesign and biomimicry; makers and users in design and science, and data visualisation, discussing the role of data from nature as an ultimate source of design.

Over the course of the past century, the kitchen, more than any other room in the modern dwelling, has been the focus of intensive aesthetic and technological innovation. Historically, European and American kitchens were often drab, poorly ventilated, and hidden from view in a basement or annex. Toward the end of the nineteenth century, however, the kitchen became a central concern of modernism and a testing ground for new materials and technologies. Since then, the room has come to articulate and at times actively challenge societal relationships to food, consumerism, the domestic role of women, and even international politics. "Counter Space" examines the twentieth-century transformation of the kitchen through the collection of The Museum of Modern Art, featuring a wide variety of design objects, architectural plans, posters, archival photographs and artworks--ranging from the iconic Frankfurt Kitchen, mass-produced for German public housing estates in the aftermath of World War I, to an electric tea kettle, heat-resistant glass wares, and colorful plastics, such as Tupperware and Japanese artificial food. With an introductory essay by Juliet Kinchin, Curator in MoMA's Department of Architecture and Design, this volume is a lively exploration of the kitchen as a barometer of changing technology, aesthetics, and ideologies.

The work of Kohn Pedersen Fox is international in scope, collaborative in design, and a product of individual voices focused on a single objective - making an architecture, of our time, which creates strong bonds with the the specific place it occupies. While William Pedersen founded the firm, with partners Gene Kohn and Shelley Fox, he never aspired to be a 'director of design.' They had the components with Gene's entrepreneurial drive, Shelley's management and Bill's design leadership - to be a large firm. 'Directing' the work of a large firm was not Bill's desire, instead he wanted to focus on a body of work which he could call his own. The example that work set would inspire others, and it did. Now there are several voices leading their design - all of them rose to their position within the office. The purpose of this book is to define the work of one of the voices - Bill Pedersen's. Pedersen has worked with many different designers, in close collaboration, throughout his career, though his work speaks with a singular voice. Here it is represented chronologically and concludes with the latest phase - furniture. Working from the largest scale to the smallest has always been a preoccupation of those who lead design in KPF. Many of Pedersen's architectural heroes designed chairs, and he strives to follow in their footsteps.

The Chinese title of this book reads "The Profound Reflection of Brushpots: A Collector's Enlightenment" literally, citing reference to the book Imperial Profound & Reflective Encyclopedia commissioned by Emperor Kangxi of the Qing Dynasty, and The Collected Works of Long Ying, published during the reign of Emperor Wanli, Ming Dynasty. The word "Profound" was chosen meticulously to highlight the breadth and variety of the brush pots collected, and the proposition of their illustrations. The author's intent to make this book an encyclopedia of brush pots was fairly explicit. On the other hand, "reflection" comes from a mirror, which shows how you look and who you are. It represented the collector's experience in soul-searching and self-reflection during his journey of art appreciation. Text in English and Chinese.

A master furniture maker, designer, sculptor, and educator, Wendell Castle is in his sixth decade of a fruitful and creative career that began in 1958 and that parallels the emergence and growth of the American studio craft movement. The solo exhibition at the Museum of Arts and Design that this book accompanies runs from October 20 2015 to February 28 2016.

Die Methode "Quality Function Deployment" (QFD) ist eine Methode, die kompromisslos am Nutzen der Kunden orientiert ist. Sie zeigt zum einen die Starken und Schwachen im Wettbewerbsumfeld und zum anderen den Stand der Technik bzw. den Zustand der Realisierung der Kundenanforderungen. Die Ergebnisse werden grafisch und damit ubersichtlich in einem "Qualitatshaus" zusammengefasst. Auf diese Weise koennen gezielt Wettbewerbsvorteile im Markt und in der Technik erzielt werden. Diese Methode ist universell einsetzbar. Dies zeigen exemplarisch Beispiele aus der Technik, der Dienstleistungsbranche (z. B. Krankenhauser) oder Bildungseinrichtungen (z. B. Schulen und Hochschulen).

If you have designs for wonderful machines in mind, but aren't sure how to turn your ideas into real, engineered products that can be manufactured, marketed, and used, this book is for you. Engineering professor and veteran maker Tom Ask helps you integrate mechanical engineering concepts into your creative design process by presenting them in a rigorous but largely nonmathematical format. Through mind stories and images, this book provides you with a firm grounding in material mechanics, thermodynamics, fluid dynamics, and heat transfer. Students, product and mechanical designers, and inventive makers will also explore nontechnical topics such as aesthetics, ethnography, and branding that influence product appeal and user preference. Learn the importance of designing functional products that also appeal to users in subtle ways Explore the role of aesthetics, ethnography, brand management, and material culture in product design Dive into traditional mechanical engineering disciplines related to the behavior of solids, liquids, and gases Understand the human factors of design, such as ergonomics, kinesiology, anthropometry, and biomimicry Get an overview of available mechanical systems and components for creating your product

Globalization affects every aspect of our lives, from what we buy to what we eat to what we study-and the study of design history is no exception. Programs in art, architecture, and interior design all face the challenge of providing students with information from around the world. History of Furniture: A Global View covers the major historical movements in furniture design (from prehistoric periods through contemporary times) and includes parts of the world that traditional history books ignore or underserve, such as Africa and China. It presents the achievements of Western furniture designers, not in isolation from the rest of the globe, but in vibrant contact with it. For example, students will learn about the influence of Islamic design on Romanesque style and Thailand's interpretation of Art Nouveau. In short, this comprehensive book with a global perspective focuses on the evolution of furniture from ancient history through postmodernism.

A comprehensive introduction to designing services according to the needs of the customer or participants, this book addresses a new and emerging field of design and the disciplines that feed and result from it. Despite its intrinsic multidisciplinarity, service design is a new specialization of design in its own right. Responding to the challenges of and providing holisitic, creative and innovative solutions to increasingly complex contemporary societies, service design now represents an integrative and advanced culture of design. All over the world new design studios are defining their practice as service design while long established design and innovation consultancies are increasingly embracing service design as a key capacity within their offering. Divided into two parts to allow for specific reader requirements, Service Design starts by focusing on main service design concepts and critical aspects. Part II offers a methodological overview and practical tools for the service design learner, and highlights fundamental capacities the service design student must master. Combined with a number of interviews and case studies from leading service designers, this is a comprehensive, informative exploration of this exciting new area of design.

Trimmings are often overlooked as mere details of a furnished interior but in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic. This book, the first of its kind, traces their history in Britain and Ireland from 1320 to 1970, examining the design and usage of tassels, fringe, braid (woven lace), gimp and cord and their dependence on French fashion. Lavishly illustrated with new photography, the substantial text links surviving items in historic houses and museums to written evidence, paintings, drawings and other primary sources to provide a firm framework for dating pieces of less-certain provenance. The importance of the 'laceman', the maker of these trimmings, is also examined within an economic and social context, together with the relationship to the upholsterer and interior decorator in the creation of a fashionable room.

"We need new concepts for trade fairs as places of chance encounters. This might also be showrooms and brand worlds in places where people and ideas converge. What we need are open forums for critical and competent dialogue." You will find lots of demands like this one expressed by Ranger Design in this special edition: The industry has given us an outlook of the near future and shows what they have achieved in the last few months, where they had to find alternatives, what new concepts evolved and how the trade fair format has changed in recent times. Text in English and German.

Das Buch beinhaltet verschiedene Forschungsthemen aus dem Bereich der Fahrzeugtechnik mit dem Schwerpunkt Fahrwerk. Mit der Funktionsintegration durch einen achsschenkelintegrierten Bremssattel wird eine Idee nach Patentanmeldung aufgegriffen und mittels konstruktiver Ausgestaltung einer Bewertung fur moegliche Einsatzzwecke an verschiedenen Achsen unterzogen. Ein bislang nur vereinzelt berucksichtigtes NVH-Thema stellt die Charakterisierung der Pkw-Dampferreibung bei geringen Bewegungsamplituden dar, wo Untersuchungen ohne wechselseitige Beeinflussung im Gesamtbauteil eroertert werden. Ein aktueller Trend zur Reduzierung von Verschleiss an Bremsscheiben besteht in ihrer Beschichtung. In einem Beitrag werden die Auswirkungen eines neuen Beschichtungsverfahrens auf Eigenfrequenz- und Dampfungsverhalten der Komponenten diskutiert und zusatzlich in einem weiteren Kapitel die Untersuchungsmethodik zur Spannungsermittlung in beschichteten Bremsscheiben vorgestellt. Konkrete Loesungen zur Wirksamkeit von Hitzeschutzmaterialien gegen Strahlungs- und Konvektionswarme sind im letzten Artikel zu finden, um temperatursensible Fahrzeugkomponenten gegen UEberlastung zu schutzen.

Craig Martin addresses the transgressive or deviant aspects of design: design that straddles the divide between the licit and illicit, the legal and illegal, in a variety of ways. Martin argues that design is not necessarily for the social good, but that it is immersed in the social realm in all its contradictions and confusions. Through a series of case studies he explores a wide range of social practices that employ illicit forms of design thinking, including: early computer hacking and present-day hacker culture in which everyday objects are repurposed and deliberately misused; the cultures of reproduction, counterfeit and pirated versions of classic and luxury designs; and the use of material practices by smugglers to conceal drugs within consumer goods and luggage. Deviant Design contends that these amateur and illicit practices challenge the normative idea of the professional designer or maker. Rather than being reliant on the services of institutionalized design professionals, the adhocist practitioner displays forms of innovative design knowledge in understanding how artefacts have an inherent potential to be misused or repurposed.

Materials are the stuff of design. From the very beginning of human history, materials have been taken from the natural world and shaped, modified, and adapted for everything from primitive tools to modern electronics. This renowned book by noted materials engineering author Mike Ashby and industrial designer Kara Johnson explores the role of materials and materials processing in product design, with a particular emphasis on creating both desired aesthetics and functionality. The new edition will feature even more of the highly useful "materials profiles" that give critical design, processing, performance and applications criteria for each material in question. The reader will find information ranging from the generic and commercial names of each material, its physical and mechanical properties, its chemical properties, its common uses, how it is typically made and processed, and even its average price. And with improved photographs and drawings, the reader will be taken even more closely to the way real design is done by real designers, selecting the optimum materials for a successful product.
The best guide ever published on the on the role of materials, past and present, in product development, by noted materials authority Mike Ashby and professional designer Kara Johnson--now with even better photos and drawings on the Design ProcessSignificant new section on the use of re-cycled materials in products, and the importance of sustainable design for manufactured goods and servicesEnhanced materials profiles, with addition of new materials types like nanomaterials, advanced plastics and bio-based materials

The book explores the design boom in the Pacific Northwest, the fundamental principles to this creative field and over 40 remarkable makers and designers behind this extraordinary area of design. Set against striking photography, the book navigates the landscape and settings which inspires this area and talks with leading designers in the industry. The Pacific Northwest is paving a new path in the design world with a rich and varied set of designers producing outstanding pieces and trends. IDS Vancouver is the centre-point for all things design in the Pacific Northwest and we are pleased to present their first book. Including contributions from ANDlight, Base Modern, Niels Bendtsen, Bosque Design, Becki Chan, Pat Christie, Brent Comber, Electric Coffin, Dahlhaus Studio, Fieldwork, fruitsuper, The Granite, Phil Gray, Hinterland Design, John Hogan, Shawn Hunt, Jeff Martin Joinery, Knauf and Brown, Karen Konzuk, Merkled Studio, molo, Darin Montgomery, PHLOEM STUDIO, Pigeon Toe, Shawn Place, Charlotte Pommet and Elliot Kendall, Propellor, Selek, Sholto Design Studio, Studio Gorm, Cathy Terepocki and Annie Tung. About IDS Vancouver Founded in 2004 by Jason Heard, IDS Vancouver has grown in size and in ambition at equal pace with the city it is so proud to support. Taking place once a year in September the IDS Vancouver design fair has grown to include diverse programing and workshops for youth, for students and for the design trade as well as collaborative installations and experiences both off site and on. Drawing attention to the region as a heavy hitting design destination, IDS Vancouver actively engages with and participates at other international fairs all year long as a way to profile the talent of the region and to source and stay informed with design internationally.

Die Additive Fertigung hat seit Jahren Ihren Status als Technologie zum Rapid Prototyping uberwunden und Einzug in die Serienfertigung von Bauteilen, Werkzeugen und Ersatzteilen gehalten. Diese disruptiv veranderte Perspektive auf die Technologien der Additiven Fertigung fuhrt zu Herausforderungen fur Material- und Prozessentwicklung, aber vor allem zu Chancen fur voellig neue Loesungen in der Konstruktion, durch z. B. bionische Formgebung, integrierte Effekte und gradierte Materialien. Dieses Buch gibt im Kontext einen Einblick in die aktuelle Forschung und Entwicklung zum Thema "Konstruktion fur die Additive Fertigung 2020" im deutschsprachigen Raum und wendet sich an Experten in Forschung und Wirtschaft. Es verschriftlicht die Vortrage und Diskussionen auf unserem diesjahrigen Workshop am Laserzentrum Hannover e.V. mit den Schwerpunkten: Spezifikation von Bauteilen und Prozessen, Methoden zur Abschatzung der Bauteileignung, Innovative Anwendungen der Additiven Fertigung sowie Entwicklung von Konzepten und Entwurfen. Der Workshop wurde unterstutzt durch Niedersachsen Additiv und die Wissenschaftliche Gesellschaft fur Produktentwicklung e.V.

Additive Fertigungsverfahren besitzen hohes Potential fur die Entwicklung hochleitungsfahiger Bauteile in unterschiedlichsten Anwendungsgebieten. Die hohe Anzahl an geometrischen Freiheitsgraden macht jedoch den Einsatz von Designalgorithmen unumganglich. In der vorliegenden Arbeit wird das Generative Design von multiphysikalisch beanspruchten Bauteilen anhand von Kuhlkoerpern unter erzwungener Konvektion vorgestellt. Dies umfasst die systematische Entwicklung des geometrischen und simulativen Modells sowie die Optimierung zur Leistungssteigerung des Bauteils.

A survey by Nicklaus Pevsner in the 1930s estimated that some 80-90% of manufactured goods in England were shoddy and poorly designed. When it came to furniture only a handful of manufacturers would have escaped such condemnation. Prime among these was Heals of Tottenham Court Road - manufacturer, retailer, and, with its top floor Mansard Gallery, the Mecca for Home Counties cognoscenti of 'modernism'. Most furniture manufacturers advertised their wares in the press but Heal's was a rare exception in the industry in its use of posters. Heal's posters not only relay the saga of a pioneering enterprise but provide a shorthand history of what was happening in the design and retailing of furniture and furnishings in Britain in the 20th century.

Does your organization support creativity&#8212or squash it? If you read nothing else on cultivating creativity at work, read these 10 articles. We've combed through hundreds of Harvard Business Review articles and selected the most important ones to help you ignite the creative spark across your organization. This book will inspire you to: Discover the elements of creativity and learn how to influence them Harness the creative potential of a diverse team Encourage curiosity and experimentation Avoid breakdowns in creative collaboration Overcome the fear that blocks your innate creativity Bring breakthrough ideas to life This collection of articles includes "Reclaim Your Creative Confidence" by Tom Kelley and David Kelley; "How to Kill Creativity" by Teresa Amabile; "How Pixar Fosters Collective Creativity" by Ed Catmull; "Putting Your Company's Whole Brain to Work" by Dorothy Leonard and Susaan Straus; "Find Innovation Where You Least Expect It" by Tony McCaffrey and Jim Pearson; "The Business Case for Curiosity" by Francesca Gino; "Bring Your Breakthrough Ideas to Life" by Cyril Bouquet, Jean-Louis Barsoux, and Michael Wade; "Collaborating with Creative Peers" by Kimberly D. Elsbach, Brooke Brown-Saracino, and Francis J. Flynn; "Creativity Under the Gun" by Teresa Amabile, Constance Noonan Hadley, and Steven J. Kramer; "Strategy Needs Creativity" by Adam Brandenburger; and "How to Build a Culture of Originality" by Adam Grant. HBR's 10 Must Reads paperback series is the definitive collection of books for new and experienced leaders alike. Leaders looking for the inspiration that big ideas provide, both to accelerate their own growth and that of their companies, should look no further. HBR's 10 Must Reads series focuses on the core topics that every ambitious manager needs to know: leadership, strategy, change, managing people, and managing yourself. Harvard Business Review has sorted through hundreds of articles and selected only the most essential reading on each topic. Each title includes timeless advice that will be relevant regardless of an ever‐changing business environment.

Designing Successful Products with Plastics: Fundamentals of Plastic Part Design provides expert insight into design considerations required to bring a concept product or part through design and ready-for-production. The book shows how integrating four key choices-materials, processes, tooling and design-in every design decision allows the designer to fully vet and optimize the design. Rather than focusing on design rules and engineering equations used during product development, the emphasis of the book is on what the designer needs to consider during the early conceptual visualization stages, and in the detailed stages of the design process. This approach will bridge the gap between the industrial designer, tasked with the 'big picture' product design and use, and the part designer, tasked with the detailed plastic part design for manufacture. Useful to both experienced and novice designers, this book brings valuable design process information through specific examples, enabling designers and engineers in the plastics industry to effectively use the available technical information to successfully design and manufacture new products.

Text in English & German. The way we sit simultaneously defines privileges, social status, power, and taboos. Parallel to the presentation of China as the guest of honour at the Frankfurt Book Fair 2009, the Museum fur Angewandte Kunst in Frankfurt presents a panorama of Chinese sitting culture through a period of five centuries. Exclusive, noble Ming chairs stand side by side with chairs of the 18th and 19th century used by the middle class of that time. Limited sitting sculptures by renowned artist designers such as Shao Fan, Freeman Lau, Kenneth Cobonpue, XYZ-Design and Ji Liwei, who is also in charge of the interior design of the Chinese pavilion at the book fair, are confronted with the bourgeois sofas and sitting of the Chinese middle class of today. The "Bastard Chairs" of migrant workers and the homeless, day-to-day seats improvised out of pure need and made of trash and leftover materials, are commented in the sitting contexts of celebrities: emperors and courtesans, politicians and pop stars, athletes and students of product design show how sitting was done formerly and is done today. It ranges from a man of letters from the Ming era to the Qianglong emperor on the throne to Mao and Nixon in characteristic armchairs in Mao's best room. The most famous contemporary Chinese artist, Ai Weiwei, will also be represented with an excerpt of his grandiose chair performance at the Dokumenta XII. Of course, product piracy, which -- as the typical Chinese dipping figure "Shanzhai" -- has mean-while adopted characteristics that define society, is also dealt with.

To achieve success in today's ever-changing and unpredictable markets, competitive businesses need to rethink and reframe their strategies across the board. Instead of approaching new product development from the inside out, companies have to begin by looking at the process from the outside in, beginning with the customer experience. It's a new way of thinking-and working-that can transform companies struggling to adapt to today's environment into innovative, agile, and commercially successful organizations.Companies must develop a new set of organizational competencies: qualitative customer research to better understand customer behaviors and motivations; an open design process to reframe possibilities and translate new ideas into great customer experiences; and agile technological implementation to quickly prototype ideas, getting them from the whiteboard out into the world where people can respond to them. In "Subject to Change: Creating Great Products and Services for an Uncertain World", Adaptive Path, a leading experience strategy and design company, demonstrates how successful businesses can - and should - use customer experiences to inform and shape the product development process, from start to finish.

Das Buch bietet eine kompakte Darstellung der computerunterstutzten Fertigung im Produktentwicklungsprozess. Der Autor stellt die wichtigsten Fertigungsverfahren, Werkzeugmaschinen und Techniken vor und zeigt die Schnittstellen zu gangigen Systemen (CAD, CAM). Weitere Aspekte sind die Prozess-Steuerung mit Fertigungsleittechnik und das Qualitatsmanagement. Das Buch richtet sich an Studierende (Automatisierungs- und Elektrotechnik, Mechatronik, Maschinenbau, Wirtschaftsingenieur) sowie an Ingenieure, die sich einen UEberblick verschaffen wollen.