After the success of his richly illustrated Encyclopaedia of Cottage, Farm, and Villa Architecture and Furniture (1833), which is also reissued in this series, the landscape gardener John Claudius Loudon (1783 1843) received a great deal of correspondence from interested readers. This prompted him and the Encyclopaedia's contributors to publish this supplement in 1842. Loudon and his colleagues had continued to study a range of rural buildings - from homes to farms and schools - in England and Scotland, while at the same time receiving architectural designs and detailed letters from North America and Australia. The supplement draws on this wealth of material to discuss developments in the use of building materials as well as innovations in design. The focus is on cottages, farms, pubs, schools and almshouses. Construction methods and furnishings are also discussed. As with the volume it supplements, this work contains a plethora of detailed illustrations."

This major new book with essays by prominent scholars presents the austere and simply styled objects of the Shakers in context of their faith and community at Mt. Lebanon, N.Y., the spiritual centre of the Shaker world. Outstanding examples of furniture, textiles, tools, machinery, books, drawings, ephemera and other objects, as well as historic images and new photography of the rooms and landscapes of various Shaker sites, bring the rich world of the Shakers to life. The materials were drawn primarily from the collection of the Shaker Museum and Library, Mt. Lebanon, the largest, broadest and deepest collection of Shaker material in the world. For 160 years, from 1787 to 1947, the Shakers at Mt. Lebanon led the largest and most successful utopian communal society in America. From this central community developed the Shakers' ideals of equality of labour, gender, and race, as well as communal property, freedom, and pacifism. While the book provides a rich historical overview as seen through objects made and used at Mt. Lebanon, it also includes a section on the last active Shaker community, at Sabbathday Lake, Maine. The catalogue's select plates of Shaker objects and sensuous interior shots will be accompanied by an exhibition checklist, bibliography, and index.

taken specially for Conran Octopus by Si mon lee: 28 below, 29 below, 37 above, 44 I: TElEPHONES above, 45, 46 below, 53 below, 65 below. AND PENS 23 We would like to thank the following for their cooperation: The Conran Shop Cousins Design, New York Design Museum Environment Bridget Kinally Lisa Krohn and Tucker 2: DESK Veimeister, Smart Design, New York ACCESSORIES 3S Lefax Plus Corporatlon, Tokyo SCP Seccose, Milanfldeas for Llving, London Every effort has been made to trace the copyright holders and we apologize in advance for any 3:0FFICE unintentional omission and would be pleased to insert the MACHINES 49 appropriate acknowledgment in any subsequent edition of this publication. AUTHORS' ACKNOWLEDGMENTS The authors wish to thank all those manufacturers and designers who answered queries and 4: FURNITURE AND searched through their archives, the supportive and professional lIGHTING 61 staff at Conran Octopus and Sir Terence Conran for his personal mterest and guidance. NOTE TO READER Names of objects and designers printed in roman or bold type BIOGRAPHIES 72 denote that a photograph of the object or a biography of the designer can be found elsewhere In the book. INDEX 80 6 HOME OFFICE WORK/NG FROM HOMf Working from home is on the increase in Europe and North Americo. A convergence of new technologies, economic changes and social demands is dramaticolly reshaping the living patterns which have dominated much of the twentieth centu

Jeder weiss, was Konstruieren ist und dennoch weiss es keiner Im Rahmen dieses Buches soll eine mogliche Antwort auf die Frage Was ist Konstruieren? gegeben werden. Mit diesem Buch wird das spezielle Ziel verfolgt, die wissenschaftstheoretischen Grundlagen des Konstruierens zu erarbeiten, um hiermit sowohl eine Grundlage fur zukunftige CAD Systeme zu entwickeln als auch Potentiale zur Verbesserung von Konstruktionsprozessen aufzuzeigen.

Das Buch fuhrt allgemeinverstandlich in die Problemstellung ein und entwickelt schrittweise anhand zahlreicher Beispiele aus dem historischen Kontext die wissenschaftstheoretischen Grundlagen fur eine Auseinandersetzung mit dem Begriff des Konstruierens. Um eine adaquate Abbildung von Konstruktionsprozessen auf CAD-Systeme zu gewahrleisten und die theoretischen Grundlagen hierfur zu entwickeln, werden wesentliche Merkmale fur eine Konstruktionstheorie im Unterschied zum klassischen Theoriebegriff in den Naturwissenschaften analysiert und darauf aufbauend werden mogliche Konstruktionslogiken fur Schlussfolgerungsprozesse in CAD-Systemen aufgezeigt. Auf dieser Grundlage wird der Stand der wichtigsten Konstruktionstheorien in der internationalen Diskussion dargestellt und eingeordnet. Den Abschluss bildet ein Vorschlag zu einer interdisziplinaren Konstruktionstheorie.

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The book provides an in-depth knowledge on how a product is designed and developed by Product Designers. This has been achieved through a case study of one product the Post Box. This product was chosen for the study primarily due to its simple and non-technical nature as that would make it easy for the readers to comprehend the design process. At the same time the Post Box posed all the challenges a designer would face while creating a new product.
Through a step by step process the book gradually takes the reader through the design and development journey right from understanding the product, identifying the user need through market research, comprehending client s brief, generating product ideas and concepts to development of prototype, manufacturing and final performance of the product. Interestingly, the book also includes how the product had to be modified after its initial launch as a large section of the public failed to identify it as a Post Box
To make the book more stimulating, innovative case studies with interesting facts, figures and pictures on related issues like origin and evolution of Post Boxes in India and abroad are included. They are presented separately in boxes and columns without interrupting the flow of the core subject matter. The narrative and the language is simple and lucid and possibly balanced with a vivid formatting and layout that is easy on the eye.

Borrowing its title from the French national motto, "Liberty, Equality, and Fraternity" provides a vibrant picture of design in France from the 1940s to today. A catalogue for a 2011 exhibition presented by The Wolfsonian-Florida International University in collaboration with M/M and Alexandra Midal, it investigates how objects embody the ideas that have defined French public life for more than two centuries. Featured objects include furniture, industrial design and craft by some of the most celebrated French designers of the present and recent past, including Roger Tallon, Pierre Paulin, Philippe Starck and the Bouroullec Brothers. "Liberty, Equality, and Fraternity" includes essays by Marianne Lamonaca, Emilia Philippot and Alexandra Midal, each providing a framework for understanding French design and its relationship to national identity. A visual essay, organized in nine thematic clusters, offers color images of each object in the exhibition.

This is a unified collection of important recent results for the design of robust controllers for uncertain systems, primarily based on H8 control theory or its stochastic counterpart, risk sensitive control theory. Two practical applications are used to illustrate the methods throughout.

What do Ford Motor Company, Steelcase, Scania, Goodyear, Novo Nordisk, and Philips Electronics have in common? They all need to get their best ideas to market as fast as possible. They need to achieve the mastery of innovation. When these companies needed to accelerate time-to-market, get more new products to customers, and improve their ROI from investments in R&D, they turned to Lean Product Development to help them master the process of innovation. By adapting Lean ideas to their specific product development challenges, they learned how to focus innovation on the problems that would maximize customer and business value, and deliver on their best ideas. Winner of a Shingo Research and Professional Publication Award! The Mastery of Innovation: A Field Guide to Lean Product Development describes the experiences of 19 companies that have achieved significant results from Lean Product Development. Their stories show that Lean Product Development delivers results: Ford Motor Company completely reinvented its Global Product Development System and put decades of knowledge about automotive design at its engineers' fingertips DJO Global, a medical device company, more than tripled the number of products they released to the market and cut development time by 60% Playworld Systems cut time-to-market in half-twice The diverse set of North American and European case studies in this book range from very small product development organizations (three engineers) to very large (more than 10,000). Some of the industries represented include automotive, medical devices, industrial products, consumer electronics, pharmaceuticals, scientific instruments, and aerospace. These companies have generously shared their knowledge about Lean Product Development to help you get your best ideas to market faster.

This book provides the reader with a comprehensive, relevant, and visually rich insight into the world of research methods specifically aimed at product designers. It includes practical case studies and tutorials that will inform, inspire and help you to conduct product design research better. Product designers need a comprehensive understanding of research methods as their day-to-day work routinely involves them observing people, asking questions, searching for information, making and testing ideas, and ultimately generating 'solutions' to 'problems'. Manifest in the design process is the act of research. Huge technological advances in information, computing and manufacturing processes also offer enormous opportunities to product designers such as the development of 'intelligent' products and services, but at the same time raise important research questions that need to be dealt with. Product designers are, in many ways, best placed to address these challenges because of the manner in which they apply their design thinking to problems. This book demonstrates in a clear, highly visual and structured fashion how research methods can support product designers and help them address the very real issues the world currently faces in the 21st century.

New in paperback, this is an in-depth survey of today's best design and art production using digital technology in creative and unexpected ways. Troika, a multi-disciplinary art and design practice showcase nearly eighty of the world's most innovative designers and their designs, from crystal chandeliers displaying text messages to tooth implants which allow for near telepathic communication. Paola Antonelli, of The Museum of Modern Art, New York, contributes a foreword and interviews with four of the brightest lights in the field: Dunne & Raby, Ron Arad, Steven Sacks and Mashiko Kusahara. No design professional will be able to ignore this innovative book.

taken specially for Conran Octopus by S, mon Lee: 5 top. 22-23. 29 below. 30-31. 43 I: CHINA 23 above. 53 left. 58. 71 We would like to thank the following for their cooperation: The Conran Shop Design Museum Rosenthal Sasaki Every effort has been made to trace the copyright holders and we apologize In advance for any 2: METALWARE 37 unintentional omission and would be pleased to Insert the appropriate acknowledgment In any subsequent edition of thIS publication. AUTHORS' ACKNOWLEDGMENTS The authors wish to thank all those manufacturers and designers 3: GLASS 49 who answered queries and searched through their archives. the supportive and professional staff at Conran Octopus and Sir Terence Conran for his personal interest and guidance. NOTE TO READER Names of objects and deSigners printed In roman or bold type denote that a photograph of the 4: CUTLERY AND object or a biography of the designer can be found elsewhere in PLASTICS 61 the book. BIOGRAPHIES 72 INDEX 80 6 TABLEWARE THE SIGNIFICANCE OF TABLEWARE DESIGN The way we eat and entertain, and the objects we put on our tables relate to the most fundamental cultural rituals of our society. Over centuries the rite of dining has evolved into a complex social activity in which rules are obeyed and customs observed. Table manners and table objects say a lot about us - the cultures to which we belong, the economic systems to which we adhere and our sense of our own style and status."

This book defines, develops, and examines the foundations of the APQP (Advanced Product Quality Planning) methodology. It explains in detail the five phases, and it relates its significance to national, international, and customer specific standards. It also includes additional information on the PPAP (Production Part Approval Process), Risk, Warranty, GD&T (Geometric Dimensioning and Tolerancing), and the role of leadership as they apply to the continual improvement process of any organization. Features Defines and explains the five stages of APQP in detail Identifies and zeroes in on the critical steps of the APQP methodology Covers the issue of risk as it is defined in the ISO 9001, IATF 16949, the pending VDA, and the OEM requirements Presents the role of leadership and management in the APQP methodology Summarizes all of the change requirements of the IATF standard

Eugenic Design Streamlining America in the 1930s Christina Cogdell Winner of the 2005 Edelstein Prize from the Society for the History of Technology "This is history that is relevant."--"Design Issues" "Engaging, thoughtfully researched, and well written."--"Journal of Social History" "Cogdell does much to advance our understanding of an anomalous 1930s aesthetic that has befuddled several generations of the best design historians. Her thesis is provocative, her writing is well paced, and her argument is convincing."--"Journal of American History" "An ambitious attempt to link the professionalization of industrial design with the popular eugenics movement of the 1930s. . . . A bold and truly original thesis."--"Technology and Culture" "This highly original, well written, carefully crafted, and vigorously argued volume is a notable addition to American intellectual and cultural history."--"Enterprise and Society" "A significant contribution to the field of cultural history broadly defined. Cogdell's argument is compelling, and the evidence makes a strong case for linking an important modernist artistic movement with an important--and nefarious--scientific doctrine. This book will be widely read and discussed."--Robert W. Rydell, author of "World of Fairs: The Century-of-Progress Expositions" "Christina Cogdell provocatively locates the ideology of streamlining in the popular eugenics movement of the 1930s. Tracing complex connections between personal philosophies of industrial designers and the visual rhetoric of their public design work, her cultural reading of design situates it dramatically at the intersection of science, technology, and popular culture. This book could well revolutionize the field of design history."--Jeffrey Meikle, author of "Twentieth-Century Limited: Industrial Design in America, 1925-1939" In 1939, "Vogue" magazine invited commercial designer Raymond Loewy and eight of his contemporaries--including Walter Dorwin Teague, Egmont Arens, and Henry Dreyfuss--to design a dress for the "Woman of the Future" as part of its special issue promoting the New York World's Fair and its theme, "The World of Tomorrow." While focusing primarily on her clothing and accessories, many commented as well on the future woman's physique, predicting that her body and mind would be perfected through the implementation of eugenics. Industrial designers' fascination with eugenics--especially that of Norman Bel Geddes--began during the previous decade, and its principles permeated their theories of the modern design style known as "streamlining." Christina Cogdell is Associate Professor at the University of California, Davis, where she teaches art, design, and cultural history. 2004 352 pages 6 x 9 83 illus. ISBN 978-0-8122-3824-2 Cloth $49.95s 32.50 ISBN 978-0-8122-2122-0 Paper $24.95s 16.50 World Rights American History, Technology and Engineering Short copy: In "Eugenic Design," Christina Cogdell charts new territory in the history of industrial design, popular science, and American culture in the 1930s by uncovering the links between streamline design and eugenics, the pseudoscientific belief that the best human traits could--and should--be cultivated through selective breeding.

- Written in a humorous and accessible style by an experienced designer and educator - Features over 100 colourful and engaging illustrations to demonstrate concepts - Encourages professionals and students to find creative and playful solutions to complex global issues.

Design culture foregrounds the relationships between the domains of design practice, design production and everyday life. Its focus is on contemporary designed objects and the networks between the multiple actors engaged in their shaping, functioning and reproduction. It acknowledges the rise of design and the role of the designer as key components and key challenges of the modern world. Featuring an impressive range of international case studies, ranging from examples of everyday design such as IKEA furniture and amateur graphic design, to the role of the design professional and the functioning of design within organisations, Design Culture interrogates what this emergent discipline is, its methodologies, its scope and its relationships with other fields of study. The volume's interdisciplinary approach brings fresh thinking to this fast-evolving field of study.

Furniture Design is a comprehensive guide and resource for students and furniture designers. As well as discussing pioneering contemporary and historical designs, it also provides substantive answers to designers' questions about function, materials, manufacture and sustainability, integrating guidance on all of these subjects - particularly material and manufacturing properties, in one accessible and structured volume. Many leading contemporary furniture designers from around the world are included, with case studies carefully selected to highlight the importance of both material and manufacture-led design processes. The book is also intended to provide an insight into furniture design for those considering a university education in product and industrial design.

In The Language of Things Deyan Sudjic, Director of the Design Museum, decodes the things around us: their hidden meanings, our relationship with them, how they shape our lives and why we desire them. Design is everywhere. It seduces, pleases and inspires us. It makes us part with our money. It defines who we think we are. An iPhone, an anglepoise lamp, a Picasso, a banknote, an Armani suit, a William Morris textile, a Lucky Strike packet, a spacecraft - every object tells a story. And understanding their stories offers us a whole new way of seeing the world. 'Articulate and wonderfully knowledgeable ... for anyone who takes an interest in the world around us' Time Out 'A nightmare vision of a world drowning in objects ... witty, well observed and wide-ranging' Guardian 'An elegant, witty and free-ranging survey, from Thomas Chippendale's ponderous 18th-century manor-house furnishings to Jonathan Ive's sprightly Macintosh iBooks' Daily Telegraph 'Lively ... engaging' Evening Standard 'Readable, sharp and worthwhile' Financial Times Director of the Design Museum, Deyan Sudjic was born in London of Yugoslav parents. He is a former architecture critic for the Observer, and a visiting professor at the Royal College of Art. Sudjic was Director of the Venice Architecture Biennale in 2002 and is author of The Edifice Complex, the much-praised 100-Miles City, the best-selling Architecture Pack, The Language of Things and monographs on John Pawson, Ron Arad and Richard Rogers.

Practice-Based Design Research provides a companion to masters and PhD programs in design research through practice. The contributors address a range of models and approaches to practice-based research, consider relationships between industry and academia, researchers and designers, discuss initiatives to support students and faculty during the research process, and explore how students' experiences of undertaking practice-based research has impacted their future design and research practice. The text is illustrated throughout with case study examples by authors who have set up, taught or undertaken practice-based design research, in a range of national and institutional contexts.

The 18th century has been hailed for its revolution in consumer culture, but Material Literacy in Eighteenth-Century Britain repositions Britain as a nation of makers. It brings new attention to 18th-century craftswomen and men with its focus on the material knowledge possessed not only by professional artisans and amateur makers, but also by skilled consumers. This book gathers together a group of interdisciplinary scholars working in the fields of art history, history, literature and museum studies to unearth the tactile and tacit knowledge that underpinned fashion, tailoring and textile production. It invites us into the workshops, drawing rooms and backrooms of a broad range of creators, and uncovers how production and manual knowledge extended beyond the factories and machines which dominate industrial histories. This book illuminates, for the first time, the material literacies learnt, enacted and understood by British producers and consumers. The skills required for sewing, embroidering and the textile arts were possessed by a large proportion of the British population: men, women and children, professional and amateur alike. Building on previous studies of shoppers and consumption in the period, as well as narratives of manufacture, this collection documents the multiplicity of small producers behind Britain's consumer revolution, reshaping our understanding of the dynamics between making and objects, consumption and production. It demonstrates how material knowledge formed an essential part of daily life for eighteenth-century Britons. Craft technique, practice and production, the contributors show, constituted forms of tactile languages that joined makers together, whether they produced objects for profit or pleasure.

What do the fashionable food hot spots of Cape Town, Mumbai, Copenhagen, Rio de Janeiro, and Tel Aviv have in common? Despite all their differences, consumers in each major city are drawn to a similar atmosphere: rough wooden tables in postindustrial interiors lit by edison bulbs. There, they enjoy single-origin coffee, kombucha, and artisanal bread. This is ‘Global Brooklyn,’ a new transnational aesthetic regime of urban consumption. It may look shabby and improvised, but it is all carefully designed. It may romance the analog, but is made to be Instagrammed. It often references the New York borough, but is shaped by many networked locations where consumers participate in the global circulation of styles, flavors, practices, and values. This book follows this phenomenon across different world cities, arguing for a stronger appreciation of design and materialities in understanding food cultures. Attentive to local contexts, struggles, and identities, contributors explore the global mobility of aesthetic, ethical, and entrepreneurial projects, and how they materialize in everyday practices on the ground. They describe new connections among eating, drinking, design, and communication in order to give a clearer sense of the contemporary transformations of food cultures around the world.