Surveying irreverent and controversial representations of the Holocaust - from Sylvia Plath and the Sex Pistols to Quentin Tarantino and Holocaust comedy - Matthew Boswell considers how they might play an important role in shaping our understanding of the Nazi genocide and what it means to be human.

How does scale affect our understanding of the Holocaust? In the vastness of its implementation and the sheer amount of death and suffering it produced, the genocide of Europe's Jews presents special challenges for historians, who have responded with work ranging in scope from the world-historical to the intimate. In particular, recent scholarship has demonstrated a willingness to study the Holocaust at scales as focused as a single neighborhood, family, or perpetrator. This volume brings together an international cast of scholars to reflect on the ongoing microhistorical turn in Holocaust studies, assessing its historiographical pitfalls as well as the distinctive opportunities it affords researchers.

The first book-length study to critically examine the recent wave of Hitler biopics in German cinema and television. A group of international experts discuss films like "Downfall" in the context of earlier portrayals of Hitler and draw out their implications for the changing place of the Third Reich in the national historical imagination.

Over 16 million copies sold worldwide 'One of the most remarkable books I have ever read' Susan Jeffers One of the outstanding classics to emerge from the Holocaust, Man's Search for Meaning is Viktor Frankl's story of his struggle for survival in Auschwitz and other Nazi concentration camps. Today, this remarkable tribute to hope offers us an avenue to finding greater meaning and purpose in our own lives.

In the last two decades our empirical knowledge of the Holocaust has been vastly expanded. Yet this empirical blossoming has not been accompanied by much theoretical reflection on the historiography. This volume argues that reflection on the historical process of (re)constructing the past is as important for understanding the Holocaust-and, by extension, any past event-as is archival research. It aims to go beyond the dominant paradigm of political history and describe the emergence of methods now being used to reconstruct the past in the context of Holocaust historiography.

In the last two decades our empirical knowledge of the Holocaust has been vastly expanded. Yet this empirical blossoming has not been accompanied by much theoretical reflection on the historiography. This volume argues that reflection on the historical process of (re)constructing the past is as important for understanding the Holocaust-and, by extension, any past event-as is archival research. It aims to go beyond the dominant paradigm of political history and describe the emergence of methods now being used to reconstruct the past in the context of Holocaust historiography.

The lens of apartheid-era Jewish commemorations of the Holocaust in South Africa reveals the fascinating transformation of a diasporic community. Through the prism of Holocaust memory, this book examines South African Jewry and its ambivalent position as a minority within the privileged white minority. Grounded in research in over a dozen archives, the book provides a rich empirical account of the centrality of Holocaust memorialization to the community's ongoing struggle against global and local antisemitism. Most of the chapters focus on white perceptions of the Holocaust and reveals the tensions between the white communities in the country regarding the place of collective memories of suffering in the public arena. However, the book also moves beyond an insular focus on the South African Jewish community and in very different modality investigates prominent figures in the anti-apartheid struggle and the role of Holocaust memory in their fascinating journeys towards freedom.

In 1943, on orders from the German Air Ministry, young physicist Peter P. Wegener left the Russian front and reported to the Baltic village of Peenemunde. His assignment was to work at the supersonic wind tunnels of the rocket laboratories of the German Army. Here Wernher von Braun led a team that developed the V-2, the world's first large rocket-powered guided missile, and laid much of the groundwork for postwar rocket development.;In this book, Wegener recounts his experiences during Hitler's time, World War II, and his years at Peenemunde. He tells how he was working one night in August 1943 when the allies bombed the laboratories, but left the wind tunnels undamaged. The tunnels were moved to Bavaria, and Wegener was ordered to follow in 1944. After the war, the tunnels were moved again - this time to the United States, accompanied by the author and other German scientists. Shortly before the end of the war, Wegener visited Germany's underground V-2 production plant to retrieve archival material on aerodynamics that had been stored in caves for safekeeping.;He described the appalling history of the concentration camps where SS guards watched over inmates who toiled underground in inhuman conditions and often did not survive. A photo essay enhances this memoir.

This is the story of a young man caught in the whirlwind of the Holocaust, who survives a chain of events so harrowing they almost defy belief. As a boy, Joe Rosenblum watches as the Nazi overlords tighten their grip on his small Polish town. Narrowly escaping mass executions that take his own brother, Rosenblum is first sheltered by a local Gentile family, then takes refuge with Russian partisans. Once captured by the Germans, he begins a journey through three concentration camps-Majdanek, Auschwitz, and Dachau. Living by his wits, a courier for the camp underground, Rosenblum is able to help other prisoners, and even to save children selected for the gas chambers. Eventually he finds himself working for the infamous Dr. Mengele. In a bizarre twist of fate, the Angel of Death is persuaded to perform life-saving surgery on Rosenblum-perhaps making him the only Jew to be saved by the deadly doctor's skills. A remarkable man who danced on the razor's edge of history, Rosenblum did not merely survive the Holocaust, but rose above it by radiating hope and humanity-by defying the darkness.

As the Nazis swept across Europe during World War II, Jewish victims wrote diaries in which they grappled with the terror unfolding around them. Some wrote simply to process the contradictory bits of news they received; some wrote so that their children, already safe in another country, might one day understand what had happened to their parents; and some wrote to furnish unknown readers in the outside world with evidence against the Nazi regime.
Were these diarists resisters, or did the process of writing make the ravages of the Holocaust even more difficult to bear? Drawing on an astonishing array of unpublished and published diaries from all over German-occupied Europe, historian Alexandra Garbarini explores the multiple roles that diary writing played in the lives of these ordinary women and men. A story of hope and hopelessness, "Numbered Days" offers a powerful examination of the complex interplay of writing and mourning. And in these heartbreaking diaries, we see the first glimpses of a question that would haunt the twentieth century: Can such unimaginable horror be represented at all?

The interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of 'palimpsestic memory', which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which oblige us to perceive cultural memory not in terms of its singular attachment to a particular event or bound to specific ethno-cultural or national communities but as a dynamic process of transfer between different moments of racialized violence and between different cultural communities. The structure of the book allows for both the theoretical elaboration of this paradigm for cultural memory and individual case-studies of novels and films.

Reading a wide range of novels from post-war Germany to Israeli, Palestinian and postcolonial writers, The Politics of Jewishness in Contemporary World Literature is a comprehensive exploration of changing cultural perceptions of Jewishness in contemporary writing. Examining how representations of Jewishness in contemporary fiction have wrestled with such topics as the Holocaust, Israeli-Palestinian relations and Jewish diaspora experiences, Isabelle Hesse demonstrates the 'colonial' turn taken by these representations since the founding of the Jewish state. Following the dynamics of this turn, the book demonstrates new ways of questioning received ideas about victimhood and power in contemporary discussions of postcolonialism and world literature.

Whether it's a novel, memoir, diary, poem, or drama, a common thread runs through the literature of the Nazi Holocaust--a motif of personal testimony to the dearness of humanity. With that perspective the expert authors of Encyclopedia of Holocaust Literature undertake profiling 128 of the most influential first generation authors who either survived, perished, or were closely connected to the Holocaust. Arranged alphabetically by author, all of the entries answer the same basic questions about the author and his or her work: What is the nature of the author's literary response to the Holocaust? What is his or her place in Holocaust literature? What does the author's work contribute to an understanding of the Holocaust? What is distinctive about the author's work? What are some key moments in the author's life? What issues does the author's work pose for the reader? To address these questions, the entries are generally organized into three primary divisions: (1) an opening section on why the author's work has a significant or distinctive place in Holocaust literature, (2) a second section containing information on the author's biography, and (3) a critical examination of the highlights of the author's work. In most cases, the third section is the longest, since the focus of the encyclopedia is the literature, not the author.

The Encyclopedia is intended for all students and teachers of the Holocaust, regardless of their levels of learning. Avenues for further research are incorporated at the conclusion of each entry and in a comprehensive bibliography of primary works of Holocaust literature and a second bibliography of critical studies of Holocaust literature.

An intriguing analysis of how place constructs memory and how memory constructs place, "Remembering the Holocaust" shows how visiting sites such as Auschwitz shapes the transfer of Holocaust memory from one generation to the next. Through the discussion of a range of memoirs and novels, including "Landscapes of Memory" by Ruth Kluger, "Too Many Men" by Lily Brett, " The War After" by Anne Karpf and "Everything is Illuminated" by Jonathan Safran Foer, "Remembering the Holocaust "reveals the pivotal yet complicated role of place in each generation's writing about the Holocaust.This book provides an insightful and nuanced investigation of the effect of the Holocaust upon families, from survivors of the genocide to members of the second and even third generations of families involved. By deploying an innovative combination of generational and literary study of Holocaust survivor families focussed on place, "Remembering the Holocaust" makes an important contribution to the field of Holocaust Studies that will be of interest to scholars and anyone interested in Holocaust remembrance.

The Handbook of Polish, Czech, and Slovak Holocaust Fiction aims to increase the visibility and show the versatility of works from East-Central European countries. It is the first encyclopedic work to bridge the gap between the literary production of countries that are considered to be main sites of the Holocaust and their recognition in international academic and public discourse. It contains over 100 entries offering not only facts about the content and motifs but also pointing out the characteristic fictional features of each work and its meaning for academic discourse and wider reception in the country of origin and abroad. The publication will appeal to the academic and broader public interested in the representation of the Holocaust, anti-Semitism, and World War II in literature and the arts. Besides prose, it also considers poetry and theatrical plays from 1943 through 2018. An introduction to the historical events and cultural developments in Poland, Czechoslovakia, Czech, and Slovak Republic, and their impact on the artistic output helps to contextualise the motif changes and fictional strategies that authors have been applying for decades. The publication is the result of long-term scholarly cooperation of specialists from four countries and several dozen academic centres.

Covering the period between the Munich Agreement and the Communist Coup in February 1948, this volume provides the first full account of the Czechoslovak Government-in-Exile in London. In examining attitudes towards the Jews during World War 2 and its aftermath Jan Lani ek explores the notion that Czechoslovak treatment of the Jews was shaped by resurgent Czech and Slovak nationalism/s caused by the war and by the experience of the occupation by the German army. He challenges the official history of Czechoslovak policy towards the Jews between 1918 and 1948, which still presents Czechoslovakia as an exceptional case study of an East-Central European state that rejected antisemitism and treated the Jews decently. This groundbreaking work offers a novel, provocative analysis of the political activities and plans of the Czechoslovak exiles during and after the war years, and of the implementation of the plans in liberated Czechoslovakia after 1945.

Based on the heart-breaking true story of Cilka Klein, Cilka's Journey is a million copy international bestseller and the sequel to the No.1 bestselling phenomenon, The Tattooist of Auschwitz 'She was the bravest person I ever met' Lale Sokolov, The Tattooist of Auschwitz In 1942 Cilka Klein is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp. The Commandant at Birkenau, Schwarzhuber, notices her long beautiful hair, and forces her separation from the other women prisoners. Cilka learns quickly that power, even unwillingly given, equals survival. After liberation, Cilka is charged as a collaborator by the Russians and sent to a desolate, brutal prison camp in Siberia known as Vorkuta, inside the Arctic Circle. Innocent, imprisoned once again, Cilka faces challenges both new and horribly familiar, each day a battle for survival. Cilka befriends a woman doctor, and learns to nurse the ill in the camp, struggling to care for them under unimaginable conditions. And when she tends to a man called Alexandr, Cilka finds that despite everything, there is room in her heart for love. Cilka's Journey is a powerful testament to the triumph of the human will. It will move you to tears, but it will also leave you astonished and uplifted by one woman's fierce determination to survive, against all odds. Don't miss Heather Morris's next book, Stories of Hope. Out now. - - - - - - - - 'Her truly incredible story is one to be read by everyone.' Sun 'Cilka's extraordinary courage in the face of evil and her determination to survive against the odds will stay with you long after you've finished reading this heartrending book.' Sunday Express 'Her courage and determination to survive makes for a heartrending read.' Daily Mirror

This bold intervention into the debate over the memory and post-memory of the Holocaust both scrutinises recent academic theories of post-Holocaust trauma and provides a new reading of literary and architectural memory texts related to the Holocaust.