A publishing sensation, the publication of Victor Klemperer's diaries brings to light one of the most extraordinary documents of the Nazi period. 'A classic ... Klemperer's diary deserves to rank alongside that of Anne Frank's' SUNDAY TIMES 'I can't remember when I read a more engrossing book' Antonia Fraser 'Not dissimilar in its cumulative power to Primo Levi's, is a devastating account of man's inhumanity to man' LITERARY REVIEW The son of a rabbi, Klemperer was by 1933 a professor of languages at Dresden. Over the next decade he, like other German Jews, lost his job, his house and many of his friends. Klemperer remained loyal to his country, determined not to emigrate, and convinced that each successive Nazi act against the Jews must be the last. Saved for much of the war from the Holocaust by his marriage to a gentile, he was able to escape in the aftermath of the Allied bombing of Dresden and survived the remaining months of the war in hiding. Throughout, Klemperer kept a diary. Shocking and moving by turns, it is a remarkable and important account.

The history of spatial identities in the Third Reich is best approached not as the history of a singular ideology of place, but rather, as a history of interrelated spaces. National Socialists, it is clear, attached great importance to place: it was at the heart of their utopian political project, which was about re-making territories as well as people's relationships with them. But in this project, Heimat, region and Empire did not constitute separate realms for political interventions. Rather, in the Third Reich, as in the preceding periods of German history, Heimat, region and Empire were constantly imagined, constructed and re-moulded through their relationship with one another. This collection brings together an exciting mixture of international scholars who are currently pursuing cutting-edge research on spatial identities under National Socialism. They uncover more differentiated spatial imaginaries at the heart of Nazi ideology than were previously acknowledged, and will fuel a growing scepticism about generic national narratives.

The extraordinary experiences of ordinary people-their suffering and their unimaginable bravery-are the subject of Judy Glickman Lauder's remarkable photographs. Beyond the Shadows responds to the world's looking the other way as the Nazis took power and their hate-fueled nationalism steadily turned to mass murder. In the context of the horror of the Holocaust, it also tells the uplifting story of how the citizens and leadership of Denmark, under occupation and at tremendous risk to themselves, defied the Third Reich to transport the country's Jews to safety in Sweden. Over the past thirty years, Glickman Lauder has captured the intensity of death camps in Germany, Poland, and Czechoslovakia, in dark and expressive photographs, telling of a world turned upside down, and, in contrast, the redemptive and uplifting story of the "Danish exception." Including texts by Holocaust scholars Michael Berenbaum and Judith S. Goldstein, and a previously unpublished original text by survivor Elie Wiesel, Beyond the Shadows demonstrates passionately what hate can lead to, and what can be done to stand in its path. "This is photography and storytelling for our times, about what hate leads to, and how we can stand up to it. Beyond the Shadows is powerful and revealing, and sharply relevant to all of us who believe in the human family." - Sir Elton John

The Bloomsbury Companion to Holocaust Literature is a comprehensive reference resource including a wealth of critical material on a diverse range of topics within the literary study of Holocaust writing. At its centre is a series of specially commissioned essays by leading scholars within the field: these address genre-specific issues such as the question of biographical and historical truth in Holocaust testimony, as well as broader topics including the politics of Holocaust representation and the validity of comparative approaches to the Holocaust in literature and criticism. These original essays are complemented by a host of other features designed to benefit scholars and students within this subject area, including a substantial section detailing new and emergent trends within the literary study of the Holocaust, a concise glossary of major critical terminology, and an annotated bibliography of relevant research material. The volume will be of interest and value to scholars and students of Holocaust literature, memorial culture, Jewish Studies, genocide studies, and twentieth and twenty-first century literature more broadly.Contributors: Victoria Aarons, Jenni Adams, Michael Bernard-Donals, Matthew Boswell, Stef Craps, Richard Crownshaw, Brett Ashley Kaplan and Fernando Herrero-Matoses, Adrienne Kertzer, Erin McGlothlin, David Miller, and Sue Vice.

KRAUS FAMILY AWARD WINNER FOR BEST AUTOBIOGRAPHY AND MEMOIR AT THE NATIONAL JEWISH BOOK AWARDS WINNER OF THE DAYTON LITERARY PEACE PRIZE 'Beautifully told' John le Carre 'More than just history' Michael Palin 'Truly exceptional' Jon Snow 'Absolutely remarkable' Edmund de Waal In this remarkably moving memoir, Ariana Neumann dives into the secrets of her father's past: years spent hiding in plain sight in wartorn Berlin, the annihilation of dozens of family members in the Holocaust, and the courageous choice to build anew. 'The darkest shadow is beneath the candle.' As a child in Venezuela, Ariana Neumann is fascinated by the enigma of her father, who appears to be the epitome of success and strength, but who wakes at night screaming in a language she doesn't recognise. Then, one day, she finds an old identity document bearing his picture - but someone else's name. From a box of papers her father leaves for her when he dies, Ariana meticulously uncovers the extraordinary truth of his escape from Nazi-occupied Prague. She follows him across Europe and reveals his astonishing choice to assume a fake identity and live out the war undercover, spying for the Allies in Berlin - deep in the 'darkest shadow'. Having known nothing of her father's past, not even that he was Jewish, Ariana's detective work also leads to the shocking discovery that a total of twenty-five members of the Neumann family were murdered by the Nazis. Spanning nearly ninety years and crossing oceans, When Time Stopped is a powerful and beautifully wrought memoir in which Ariana comes to know the family that has been lost - and, ultimately, her own beloved father.

Based on never previously explored personal accounts and archival documentation, this book examines life and death in the Theresienstadt ghetto, seen through the eyes of the Jewish victims from Denmark. "How was it in Theresienstadt?" Thus asked Johan Grun rhetorically when he, in July 1945, published a short text about his experiences. The successful flight of the majority of Danish Jewry in October 1943 is a well-known episode of the Holocaust, but the experience of the 470 men, women, and children that were deported to the ghetto has seldom been the object of scholarly interest. Providing an overview of the Judenaktion in Denmark and the subsequent deportations, the book sheds light on the fate of those who were arrested. Through a micro-historical analysis of everyday life, it describes various aspects of social and daily life in proximity to death. In doing so, the volume illuminates the diversity of individual situations and conveys the deportees' perceptions and striving for survival and 'normality'. Offering a multi-perspective and international approach that places the case of Denmark into the broader Jewish experience during the Holocaust, this book is invaluable for researchers of Jewish studies, Holocaust and genocide studies, and the history of modern Denmark.

This is the first attempt to explain how Jewish doctors survived extreme adversity in Auschwitz where death could occur at any moment. The ordinary Jewish slave labourer survived an average of fifteen weeks. Ross Halpin discovers that Jewish doctors survived an average of twenty months, many under the same horrendous conditions as ordinary prisoners. Despite their status as privileged prisoners Jewish doctors starved, froze, were beaten to death and executed. Many Holocaust survivors attest that luck, God and miracles were their saviors. The author suggests that surviving Auschwitz was far more complex. Interweaving the stories of Jewish doctors before and during the Holocaust Halpin develops a model that explains the anatomy of survival. According to his model the genesis of survival of extreme adversity is the will to live which must be accompanied by the necessities of life, specific personal traits and defence mechanisms. For survival all four must co-exist.

Dachau and the SS studies the concentration camp guards at Dachau, the first SS concentration camp and a national 'school' of violence for its concentration camp personnel. Set up in the first months of Adolf Hitler's rule, Dachau was a bastion of the Nazi 'revolution' and a key springboard for the ascent of Heinrich Himmler and the SS to control of the Third Reich's terror and policing apparatus. Throughout the pre-war era of Nazi Germany, Dachau functioned as an academy of violence where concentration camp personnel were schooled in steely resolution and the techniques of terror. An international symbol of Nazi depredation, Dachau was the cradle of a new and terrible spirit of destruction. Combining extensive new research into the pre-war history of Dachau with theoretical insights from studies of perpetrator violence, this book offers the first systematic study of the 'Dachau School'. It explores the backgrounds and socialization of thousands of often very young SS men in the camp and critiques the assumption that violence was an outcome of personal or ideological pathologies. Christopher Dillon analyses recruitment to the Dachau SS and evaluates the contribution of ideology, training, social psychology and masculine ideals to the conduct and subsequent careers of concentration camp guards. Graduates of the Dachau School would go on to play a central role in the wartime criminality of the Third Reich, particularly at Auschwitz. Dachau and the SS makes an original contribution to scholarship on the pre-history of the Holocaust and the institutional organisation of violence.

Under the Swastika in Nazi Germany begins in flames in 1933 with Adolf Hitler taking power and ends in the ashes of total defeat in 1945. Kristin Semmens tells that story from five different perspectives over five chronologically distinct phases in the Third Reich's lifespan. The book offers a much-needed integrated history of insiders and outsiders - Nazis, accomplices, supporters, racial and social outsiders and resisters - that captures the complexity of Germans' lives under Hitler. Incorporating recent research and the voices of those who often remain silent in histories of this period, Under the Swastika in Nazi Germany delivers an up to date, engaging and accessible introduction. Its narrative is further supported by well-chosen images, some familiar and others rarely seen. By revealing the potent combination of coercion and consent at work during the dictatorship, the book allows a deeper understanding of Nazi Germany and provides a vital platform for further inquiry into these twelve years of German history.

This book explores, for the first time, the impact of the Holocaust on the gender identities of Jewish men. Drawing on historical and sociological arguments, it specifically looks at the experiences of men in France, Holland, Belgium, and Poland. Jewish Masculinity in the Holocaust starts by examining the gendered environment and ideas of Jewish masculinity during the interwar period and in the run-up to the Holocaust. The volume then goes on to explore the effect of Nazi persecution on various elements of male gender identity, analysing a wide range of sources including diaries and journals written at the time, underground ghetto newspapers and numerous memoirs written in the intervening years by survivors. Taken together, these sources show that Jewish masculinities were severely damaged in the initial phases of persecution, particularly because men were unable to perform the gendered roles they expected of themselves. More controversially, however, Maddy Carey also shows that the escalation of the persecution and later enclosure - whether through ghettoisation or hiding - offered men the opportunity to reassert their masculine identities. Finally, the book discusses the impact of the Holocaust on the practice of fatherhood and considers its effect on the transmission of masculinity. This important study breaks new ground in its coverage of gender and masculinities and is an important text for anyone studying the history of the Holocaust.

"A meticulous and shattering investigation of eight horrific pictures..."-L'Arche In December 1941, on a shore near the Latvian city of Liepaja, Nazi death squads (the Einsatzgruppen) and local collaborators murdered in three days more than 2,700 Jews. The majority were women and children, most men having already been shot during the summer. The perpetrators took pictures of the December killings. These pictures are among the rare photographs from the first period of the extermination, during which over 800 000 Jews from the Baltic to the Black Sea were shot to death. By showing the importance of photography in understanding persecution, Nadine Fresco offers a powerful meditation on these images while confronting the essential questions of testimony and guilt. From the forward by Dorota Glowackay: Straddling the boundary between historical inquiry and personal reflection, this extraordinary text unfolds as a series of encounters with eponymic Holocaust photographs. Although only a small number of photographs are reproduced here, Fresco provides evocative descriptions of many well-known images: synagogues and Torah scrolls burning on the night of Kristallnacht; deportations to the ghettos and the camps; and, finally, mass executions in the killing fi elds of Eastern Europe. The unique set of photographs included in On the Death of Jews shows groups of women and children from Liepaja (Liepaja), shortly before they were killed in December 1941 in the dunes of Shkede (Skede) on the Baltic Sea. In the last photograph of the series, we see the victims' bodies tumbling into the pit.

This book explores one of the most notorious aspects of the German system of oppression in wartime Poland: the only purpose-built camp for children under the age of 16 years in German-occupied Europe. The camp at Przemyslowa street, or the Polen-Jugendverwahrlager der Sicherheitspolizei in Litzmannstadt as the Germans called it, was a concentration camp for children. The camp at Przemyslowa existed for just over two years, from December 1942 until January 1945. During that time, an unknown number of children, mainly Polish nationals, were imprisoned there and subjected to extreme physical and emotional abuse. For almost all, the consequences of atrocities which they endured in the camp remained with them for the rest of their lives. This book focuses on the establishment of the camp, the experience of the child prisoners, and the post-war investigations and trials. It is based on contemporary German documents, post-war Polish trials and German investigations, as well as dozens of testimonies from camp survivors, guards, civilian camp staff and the camp leadership

Albert Speer was Hitler's architect before the Second World War. Through Hitler's great trust in him and Speer's own genius for organisation he became, effectively from 1942 overlord of the entire war economy, making him the second most powerful man in the Third Reich. Sentenced to twenty years imprisonment in Spandau Prison at the Nuremberg Trails, Speer attempted to progress from moral extinction to moral self-education. How he came to terms with his own acts and failures to act and his real culpability in Nazi war crimes are the questions at the centre of this book.

In simple and moving words this book for the intermediate grades tells the story of the Holocaust.

Discusses the rise of anti-Semitism in Europe, the treatment of Jews during the Holocaust, and the aftermath when the Nazi war criminals were brought to trial.

In the wake of the Second World War, how were the Allies to respond to the enormous crime of the Holocaust? Even in an ideal world, it would have been impossible to bring all the perpetrators to trial. Nevertheless, an attempt was made to prosecute some. Most people have heard of the Nuremberg trial and the Eichmann trial, though they probably have not heard of the Kharkov Trial--the first trial of Germans for Nazi-era crimes--or even the Dachau Trials, in which war criminals were prosecuted by the American military personnel on the former concentration camp grounds. This book uncovers ten "forgotten trials" of the Holocaust, selected from the many Nazi trials that have taken place over the course of the last seven decades. It showcases how perpetrators of the Holocaust were dealt with in courtrooms around the world--in the former Soviet Union, the United Kingdom, Israel, France, Poland, the United States and Germany--revealing how different legal systems responded to the horrors of the Holocaust. The book provides a graphic picture of the genocidal campaign against the Jews through eyewitness testimony and incriminating documents and traces how the public memory of the Holocaust was formed over time. The volume covers a variety of trials--of high-ranking statesmen and minor foot soldiers, of male and female concentration camps guards and even trials in Israel of Jewish Kapos--to provide the first global picture of the laborious efforts to bring perpetrators of the Holocaust to justice. As law professors and litigators, the authors provide distinct insights into these trials.

A study of the archival turn in contemporary German memory culture, drawing on recent memorials, documentaries, and prose narratives that engage with the material legacy of National Socialism and the Holocaust. With the passing of those who witnessed National Socialism and the Holocaust, the archive matters as never before. However, the material that remains for the work of remembering and commemorating this period of history is determined by both the bureaucratic excesses of the Nazi regime and the attempt to eradicate its victims without trace. This book argues that memory culture in the Berlin Republic is marked by an archival turn that reflects this shift from embodied to externalized, material memory and responds to the particular status of the archive "after Auschwitz." What remains in this late phase of memory culture is the post-Holocaust archive, which at once ensures and hauntsthe future of Holocaust memory. Drawing on the thinking of Freud, Derrida, and Georges Didi-Huberman, this book traces the political, ethical, and aesthetic implications of the archival turn in contemporary German memory culture across different media and genres. In its discussion of recent memorials, documentary film and theater, as well as prose narratives, all of which engage with the material legacy of the Nazi past, it argues that the performanceof "archive work" is not only crucial to contemporary memory work but also fundamentally challenges it. Dora Osborne is Senior Lecturer in German at the University of St Andrews.

Kurt and Sonja Messerschmidt met in Nazi Berlin, married in the Theresienstadt ghetto, and survived Auschwitz. In this book, they tell their intertwined stories in their own words. The text directly expresses their experiences, reactions, and emotions. The reader moves with them through the stages of their Holocaust journeys: persecution in Berlin, deportation to Theresienstadt and then to Auschwitz, slave labor, liberation, reunion, and finally emigration to the US. Kurt and Sonja saw the death of Jews every day for two years, but they never stopped creating their own lives. The spoken words of these survivors create a uniquely direct relationship with the reader, as if this couple were telling their story in their living room.