In the last two decades our empirical knowledge of the Holocaust has been vastly expanded. Yet this empirical blossoming has not been accompanied by much theoretical reflection on the historiography. This volume argues that reflection on the historical process of (re)constructing the past is as important for understanding the Holocaust-and, by extension, any past event-as is archival research. It aims to go beyond the dominant paradigm of political history and describe the emergence of methods now being used to reconstruct the past in the context of Holocaust historiography.

A SPECTATOR, NEW STATESMAN AND THE TIMES BOOK OF THE YEAR 'The best biography I have read in years' Philippe Sands 'Spectacular' Observer 'A remarkable portrait' Guardian W. G. Sebald was one of the most extraordinary and influential writers of the twentieth century. Through books including The Emigrants, Austerlitz and The Rings of Saturn, he pursued an original literary vision that combined fiction, history, autobiography and photography and addressed some of the most profound themes of contemporary literature: the burden of the Holocaust, memory, loss and exile. The first biography to explore his life and work, Speak, Silence pursues the true Sebald through the memories of those who knew him and through the work he left behind. This quest takes Carole Angier from Sebald's birth as a second-generation German at the end of the Second World War, through his rejection of the poisoned inheritance of the Third Reich, to his emigration to England, exploring the choice of isolation and exile that drove his work. It digs deep into a creative mind on the edge, finding profound empathy and paradoxical ruthlessness, saving humour, and an elusive mix of fact and fiction in his life as well as work. The result is a unique, ferociously original portrait.

Irmin Vinson's Some Thoughts on Hitler and Other Essays is a book about propaganda. Vinson explains how the organized Jewish community uses the memory of Adolf Hitler and the Holocaust as weapons to stigmatize the patriotism and ethnic pride not just of Germans, but of all whites, including those who fought against Hitler. In these clear, rational, and highly readable essays, Irmin Vinson demolishes this propaganda and exposes the insidious agenda behind it.

Since its completion in 1955, Alain Resnais's Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the 'concentrationary universe' which, now actualized, might release its totalitarian plague any time and anywhere? What kind of memory does the film create to warn us of the continued presence of this concentrationary universe? This international collection re-examines Resnais's benchmark film in terms of both its political and historical context of representation of the camps and of other instances of the concentrationary in contemporary cinema. Through a range of critical readings, Concentrationary Cinema explores the cinematic aesthetics of political resistance not to the Holocaust as such but to the political novelty of absolute power represented by the concentrationary system and its assault on the human condition.

."..the author has identified a significant and little examined subject for study, and displays a deep knowledge of it... Where previously the issue of Polish film and the Holocaust had been addressed in single articles or chapters on the depiction of the Holocaust in particular films, here, for the first time we have a history." Jeremy Hicks, University of London

During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska's "The Last Stage" (1948) and Aleksander Ford's "Border Street" (1949), and next explores the Polish School period, represented by Andrzej Wajda's "A Generation" (1955) and Andrzej Munk's "The Passenger" (1963). Between 1965 and 1980 there was an "organized silence" regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kie lowski's "Decalogue 8" (1988), Andrzej Wajda's "Korczak" (1990), Jan Jakub Kolski's "Keep Away from the Window" (2000), and Roman Pola ski's "The Pianist" (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland's national memory.

Marek Haltof is Professor at Northern Michigan University in Marquette. His recent books include the "Historical Dictionary of Polish Cinema" (2007), "Australian Cinema: The Screen Construction of Australia" (in Polish, 2005), "The Cinema of Krzysztof Kie lowski: Variations on Destiny and Chance" (2004), and "Polish National Cinema" (2002).

Over the decades, the Holocaust has remained a critical issue both historically and politically. This is due to the modernisation of anti-Semitism in the West, where accusations of ritual murder have long been passe and claims that the Holocaust was a hoax are de riguer, and to the government sanctions of anti-Semitism in the East in countries such as Iran. The purely scholarly problem of determining the number of victims, like other aspects of demography related to the Holocaust, have suddenly become closely embroiled in geopolitics and the phenomenon of Holocaust denial, which is now a context that has been forced upon it. This book is imbued with these connections and interrelationships. Avraham, Wolfgang Benz, Sergio Della Pergola, Mark Kupovetsky, Dieter Pohl, Aron Shneer, and the editors contribute their voices to the topic.

Sarah, nine years old, endures yet another air-raid in the street shelter in Blitz-torn England. At the same time nine-year old Claude is practising an escape should their house in occupied France be raided by the Gestapo. Sarah and Claude, Jews, and their families experience the devastating effects of Nazi Germany. The children are deeply traumatised, Sarah by the fate of her mother during an air-raid and Claude by the 'disappearance' of his family. The effects of their tragic experiences are played out very differently. The early lives of the children, though in different cultures and different circumstances, manifest very similar parallel experiences. It is only when the two central characters meet as adults that the effects of the trauma show themselves clearly and very dramatically. The novel traces four generations of the two families through to the final powerful and moving outcome.

Paris was home to one of the key European initiatives to document and commemorate the Holocaust, the Centre de documentation juive contemporaine . By analysing the earliest Holocaust narratives and their reception in France, this study provides a new understanding of the institutional development of Holocaust remembrance in France after the War.

Survival in Auschwitz: If This Is a Man is a book written by the Italian author, Primo Levi. It describes his experiences in the concentration camp at Auschwitz during the Second World War.

Levi, then a 25-year-old chemist, spent 10 months in Auschwitz before the camp was liberated by the Red Army. Of the 650 Italian Jews in his shipment, Levi was one of only twenty who left the camps alive. The average life expectancy of a new entrant was three months.

This truly amazing story offers a revealing glimpse into the realities of the Holocaust and its effects on our world.

Heinz Hartmann, a young, ambitious medical student, had fulfilled all the requirements for his degree in medicine except one - Aryan descent. As a Jew in the Germany of the 1930's, Hartmann saw his professors flee the country or be shipped off to concentration camps, Jewish-owned stores and homes looted and vandalised, and musicians forbidden to play music by Jewish composers. Because Hartmann was not allowed to graduate from a German medical school, he earned his M.D. degree at the University of Berne in Switzerland. But he later returned to Germany to marry Herta, a young nurse. Two weeks after the wedding, Hartmann and scores of other Jewish men were rounded up, loaded on to trains, and sent to Buchenwald. Hartmann was one of the more fortunate prisoners of the Nazis. In 1939, he was released from the camp and undertook the complicated, expensive, and dangerous procedures necessary to free his wife and himself from Germany to go to the United States. He then began his long and distinguished career as a general practitioner and his unending search for the meaning of Judaism. In "Once a Doctor, Always a Doctor", the author tells of the struggles, tragedies, and joys of his life with a spirit of innocence and good-heartedness. His narrative is filled with poignant, sometimes simple, often warm and funny stories about his early medical practice, his family life, the similarities and differences he has discovered between various religions, and the 'missionaries' who have tried to convert him. This book enlightens, delights, and inspires. It is the story of a sensitive, compassionate man - a doctor who has spent his life caring for the sick and healing the scars left by the Nazis.

Deportations by train were critical in the Nazis' genocidal vision of the "Final Solution of the Jewish Question." Historians have estimated that between 1941 and 1944 up to three million Jews were transported to their deaths in concentration and extermination camps. In his writings on the "Final Solution," Raul Hilberg pondered the role of trains: "How can railways be regarded as anything more than physical equipment that was used, when the time came, to transport the Jews from various cities to shooting grounds and gas chambers in Eastern Europe?" This book explores the question by analyzing the victims' experiences at each stage of forced relocation: the round-ups and departures from the ghettos, the captivity in trains, and finally, the arrival at the camps. Utilizing a variety of published memoirs and unpublished testimonies, the book argues that victims experienced the train journeys as mobile chambers, comparable in importance to the more studied, fixed locations of persecution, such as ghettos and camps.

"A Partisan from Vilna" is the memoir of Rachel Margolis, the sole survivor of her family, who escaped from the Vilna Ghetto with other members of the resistance movement, the FPO (United Partisan Organization), and joined the Soviet partisans in the forests of Lithuania to sabotage the Nazis. Beginning with an account of Rachel's life as a precocious, privileged girl in pre-war Vilna, it goes on to detail life in the Vilna Ghetto, including the development and struggles of the FPO against the Nazis. Finally, the book chronicles the escape of a group of FPO members into the forest of Belorussia, where Rachel became a partisan fighter. Rachel Margolis received a Ph.D. in biology in and taught until the late 1980's. She then co-founded Lithuania's only real Holocaust museum, the Green House in Vilnius. She is also responsible for the discovery and transcription of the Kazimierz Sakowicz diary, published here in the US under the title, "Ponary Diary: A Bystander's Account of Mass Murder" (Yale University Press, 2004). The book opens with an introductory essay by renowned Polish historian, Antony Polonsky.

This book by dynamic scholars James Whisker and John Coe examines the short life of the Nazi ideologist Alfred Rosenberg, one of the most overlooked individuals in the pantheon of leaders in the Third Reich. Born to German mercantile parents in the Baltic region of the Russian Empire, he was a student in Russia during the Bolshevik Revolution. Deeply influenced by the anti-Semitic forgery The Protocols of the Elders of Zion, a propaganda pamphlet distributed by the tsar's secret police, he carried it to Germany, where he introduced it to Adolf Hitler. Rosenberg leaned heavily on heterodox Christian writings that challenged mainstream Christian thought. He revived interest in a variety of philosophies and individuals long forgotten, such as the cosmic dualistic Cathars and the mystic Master Eckart von Hochheim. Rosenberg came to view history from a perspective often called "Scientific Racism," which held that the history of humankind had been marked by a struggle between the Aryan race and their supposed inferiors. Race was the newest subject for the application of cosmic dualism, which is the spiritual belief that two fundamental concepts exist. Rosenberg identified the Nazis' task as creating a bulwark against Semitic influences from Europe generally and Germany in particular, and to do so by any means necessary. Rosenberg figured in a long anti-Jewish tradition in Germany, a tortured legacy that began with Martin Luther and continued through many of the prominent German figures of the nineteenth century. Indeed, Rosenberg considered his magnum opus, The Myth of the 20th Century, to be the logical successor work to Foundations of the 19th Century by the composer Richard Wagner's son-in-law Houston Stewart Chamberlain.

Paths to Genocide examines the development of antisemitism from the beginnings of Christianity, through the Middle Ages, Reformation, Enlightenment and nineteenth century liberalism, nationalism and racism to the Holocaust. Focusing on major periods, places and problems in the history of European civilization, the book highlights historical contexts as it shows how religion, science, and socioeconomic forces all played a role in the evolution of antisemitism to its genocidal climax.

The SS Cavalry Brigade was a unit of the Waffen-SS that differed from other German military formations as it developed a 'dual role': SS cavalrymen both helped to initiate the Holocaust in the Soviet Union and experienced combat at the front.

Deportations by train were critical in the Nazis' genocidal vision of the "Final Solution of the Jewish Question." Historians have estimated that between 1941 and 1944 up to three million Jews were transported to their deaths in concentration and extermination camps. In his writings on the "Final Solution," Raul Hilberg pondered the role of trains: "How can railways be regarded as anything more than physical equipment that was used, when the time came, to transport the Jews from various cities to shooting grounds and gas chambers in Eastern Europe?" This book explores the question by analyzing the victims' experiences at each stage of forced relocation: the round-ups and departures from the ghettos, the captivity in trains, and finally, the arrival at the camps. Utilizing a variety of published memoirs and unpublished testimonies, the book argues that victims experienced the train journeys as mobile chambers, comparable in importance to the more studied, fixed locations of persecution, such as ghettos and camps.

Jurek Becker is one of the most important post-war German authors. His first novel, Jacob the Liar, already has the status of a classic of post-1945 European literature about the Holocaust and has been widely translated. This timely book traces the main events in Becker's unusual personal history: his childhood experiences in the Lodz Ghetto and in the concentration camps of Ravensbruck and Sachsenhausen, his life in the GDR, and his move to the West. The author reflects both on Becker's quest for his Jewish identity as well as on his achievements in terms of narrative technique, formal innovation and style. Examining Becker's treatment of the Holocaust in his novels and stories, the author highlights their central themes of hope as resistance to barbarity, the idea of memory, the inability of a survivor of the camps to overcome psychological scars, but also the provocative portrayal of Jews as oppressors who take revenge on their former persecutors. Becker's portrayal of life in former East Germany, the role of gender relations, the problems facing a writer under a socialist regime, and East-West German relations are also investigated.
As the first comprehensive assessment of Becker's life and work, this book will be essential reading for those interested in German and Holocaust literature, critical theory and German studies.

Although the Holocaust represents one of the worst atrocities in the history of mankind, it is thought of by many only in terms of statistics--the brutal slaughter of over 6 million lives. The art of those who suffered under the most unspeakable conditions and the art of those who reflect on the genocide remind us that statistics cannot tell the entire story. This important and diverse collection focuses on the art expression from the inferno, documenting the Holocaust through sketches of camp life drawn surreptitiously by victims on scraps of paper, and through contemporary paintings, sculpture, and personal reflections. From an informative and comprehensive perspective, this book evokes a powerful response to the 20th-century catastrophe.

"A well-structured, ambitious collection of essays, it will certainly be an essential read for anyone interested in the anti-Jewish policies of National Socialist Germany and their long-term consequences for postwar Europe." . H-German The robbery and restitution of Jewish property are two inextricably linked social processes. It is not possible to understand the lawsuits and international agreements on the restoration of Jewish property of the late 1990s without examining what was robbed and by whom. In this volume distinguished historians first outline the mechanisms and scope of the European-wide program of plunder, before assessing the effectiveness and historical implications of post-war restitution efforts. Integrating the abundance of new research on the material effects of the Holocaust and its aftermath, a comparative perspective is offered on both robbery and restitution, examining developments in countries such as Germany, Poland, Italy, France, Belgium, Hungary and the Czech Republic. The international and interrelated nature of property confiscation initiated by Nazi Germany and its satellite states offers new insights into the functions and beneficiaries of state sanctioned robbery. Although the extent of implementation varied, Jewish spoils were used to boost support for anti-Jewish policies and prop up ailing war finances throughout Europe. Thus the combination of personal enrichment and state plunder were two sides of the same coin. The prolonged struggles over restitution issues are confronted in the second section of the book on the basis of eight national studies. Everywhere the solution of legal and material problems was intertwined with changing national myths about the war and conflicting interpretations of justice. Even those countries that pursued extensive restitution programs using rigorous legal means were unable to compensate or comprehend fully the scale of Jewish loss. Especially in Eastern Europe, it was not until the collapse of communism that even the concept of restoring some Jewish property rights became a viable option. The legacy of robbery and restitution offers both a model for redefining the practice of human rights and keys to understanding the lingering ghosts of antisemitism in countries where few Jews remain. Martin Dean is a Research Scholar at the Center for Advanced Holocaust Studies, United States Holocaust Memorial Museum (USHMM). He is the author of Collaboration in the Holocaust, published in association with the USHMM in 2000, and of several articles on the confiscation of Jewish property. From 1992 to 1997 he worked as Senior Historian for the Metropolitan Police War Crimes Unit. Constantin Goschler teaches modern history at the Humboldt-University, Berlin. He also taught at the universities of Prague, Jena and Bochum. His main fields of interest are transitional justice in the 20th century, history of science and the history of political ideas in the 19th century. He published several articles and books on restitution and indemnification for Nazi victims. Philipp Ther teaches modern Central and Eastern European History at the European University Frankfurt/Oder, Germany. His fields of interest are comparative nationalism studies, migrations and "ethnic cleansing," postwar social history of Central Europe and most recently the history of opera theatres in the long 19th century."

On the nights of November 9 and 10, 1938, rampaging mobs throughout Germany and the newly acquired territories of Austria and Sudetenland freely attacked Jews in the street, in their homes and at their places of work and worship. At least 96 Jews were killed and hundreds more injured, as many as 2,000 synagogues were burned, almost 7,500 Jewish businesses were destroyed, cemeteries and schools were vandalized, and 30,000 Jews were arrested and sent to concentration camps. This pogrom has come to be called "Kristallnacht," "the Night of Broken Glass."
Although numerous anti-Jewish regulations had been adopted prior to Kristallnacht, these measures had only imposed restrictions on German Jews' economic activity and occupational opportunities. Prior to Kristallnacht, the Jews had little reason to believe their physical safety was at risk. That all changed 70 years ago this coming November. The events of that night were the beginning of the Holocaust.
It is fitting that a book record the events of this seminal historical event on the occasion of the 70th anniversary of Kristallnacht. This book provides an account of the incidents immediately preceding the attacks on November 9-10, an oral history that provides a minute-by-minute and hour-by-hour account of what happened during the pogroms, and an analysis of the immediate aftermath and why the Holocaust can be dated from this evening.

Sent across the ocean by their parents and taken in by foster parents and distant relatives, approximately 1,000 children, ranging in age from fourteen months to sixteen years, landed in the United States and out of Hitler's reach between 1934 and 1945. Seventy years after the first ship brought a handful of these children to American shores, the general public and many of the children themselves remain unaware of these rescues, and the fact that they were accomplished despite powerful forces in and outside the government that did not want them to occur. This is the first published account, told in the words of the children and their rescuers, to detail this unknown part of America's response to the Holocaust. It will challenge the belief that Americans did nothing to directly and actively save Holocaust victims. Judith Tydor Baumel, Holocaust scholar and sister of two rescued children, provides an introduction explaining why, when, how, and where the rescues were carried out, who the heroes and heroines were, and which individuals and organizations placed almost insurmountable obstacles in their path. This account presents both recollections and experiences recorded at the time of the rescued children, their descendants, and their rescuers. The story demonstrates what a small group of determined people can do to change the course of history.