A Sunday Times Book of the Year 'Three and a half millennia of British Maritime history, from the Middle Bronze Age to the early 20th century ... This book is written with passion and sympathy. It will live with me for a very long time' Francis Pryor, author of The Fens If Britain's maritime history were embodied in a single ship, she would have a prehistoric prow, a mast plucked from a Victorian steamship, the hull of a modest fishing vessel, the propeller of an ocean liner and an anchor made of stone. We might call her Asunder, and, fantastical though she is, we could in fact find her today, scattered in fragments across the country's creeks and coastlines. In his moving and original new history, Tom Nancollas goes in search of eleven relics that together tell the story of Britain at sea. From the swallowtail prow of a Bronze Age vessel to a stone ship moored at a Baroque quayside, each one illuminates a distinct phase of our adventures upon the waves; each brings us close to the people, places and vessels that made a maritime nation. Weaving together stories of great naval architects and unsung shipwrights, fishermen and merchants, shipwrecks and superstition, pilgrimage, trade and war, The Ship Asunder celebrates the richness of Britain's seafaring tradition in all its glory and tragedy, triumph and disaster, and asks how we might best memorialize it as it vanishes from our shores.

The book provides the first, complete overview of the American merchant marine during World War I: the rapid expansion of trans-Atlantic shipping; a record of shipbuilding between 1914-1918, including the revival of sailing vessel construction and wood and concrete freighters; profiles of the companies that operated ships; a record of all losses at sea from enemy action; highlights of the experiences of mariners with U-boat commanders and crews, mines, and aircraft attacks; and the role of the Naval Overseas Transportation Service.

This book is a detailed comparative study of the decorative work - figurehead, topside ornamentation and stern gallery design - carried by the ships of the major maritime states of Europe in the zenith of the sailing era. It covers both warships and the most prestigious merchant ships, the East Indiamen of the great chartered companies. The work began life in the year 2000 when the author was commissioned to carry out research for an ambitious project to build a full-size replica of a Swedish East Indiaman, which produced a corpus of information whose relevance stretched way beyond the immediate requirements of accurately decorating the replica. In tracking the artistic influences on European ship decoration, it became clear that this was essentially the story of the baroque style, its dissemination from France, and its gradual transformation into distinct national variations in Britain, the Netherlands, Denmark and Sweden. It is an inherently visual subject and the book illustrates developments with numerous photographs of contemporary ship models, paintings and plans, as well as the author's own interpretive illustrations of details. As the first major work on the topic for nearly a century, it will be of obvious appeal to ship modellers and historians, but with comparative examples drawn from architecture and sculpture, it also makes a broader contribution to the history of the applied arts.

In 1973 David Christie moved house from Essex to Scotland, but it wasn't till 1974 that he discovered the joys of sailing on Calmac's ships. An initial sail on King George V at Oban in her last season was a great introduction but mostly, over the next three years, I focussed on Queen Mary on the Clyde, now safely back in Glasgow at the Science Centre. Most of the Clyde piers are covered, with emphasis on Rothesay. Ferries also feature with old and new on the Rothesay and Dunoon runs and the smaller boats at Largs. The west coast features with Oban as the main terminal, then Mallaig, before a session on the pre-bridge Skye ferries. A single visit to Ullapool finishes this journey back to the seventies.

France produced some of the finest and best-decorated passenger ships of the twentieth century. Beginning in 1912 with the four-funnel France, the nostalgic voyage continues with the great and grand transatlantic liners of the French Line, the CGT. These include the famous Ile-de-France, Normandie and Liberte, as well as the lesser passenger ships of the French Line. In addition, focus is given to Compagnie de Navigation Sud-Atlantique, Transports Maritimes and Chargeurs Reunis operating important South American routes and to Messageries Maritimes running in Africa, the East and the South Pacific. Packed full of nostalgic reminiscence of great ship days gone by, the book explores majestic liners, mail boats to Africa and colonial steamers to Saigon. Presenting many previously unpublished images alongside insightful text and anecdotes, William H. Miller brings the reader on board France's greatest transatlantic liners.

New York Harbor: where the grandest, fastest and most celebrated luxury liners gather and have gathered since the nineteenth century. With Luxury Liner Row, and being one of the largest natural harbours in the world, this is certainly a special place for all those that consider themselves shipping enthusiasts, or even for those that just enjoy the finer things in life. Here Andrew Britton uses his unrivalled collection of ephemera, photographs and illustrations to present New York Harbor as it has never been seen before. See into a bygone age when this was the busiest ocean liner port in the world and Manhattan saw the arrival of such greats as Olympic, Ile de France, Liberte and the Cunard Queens.

The first edition of British Canals was published in 1950 and was much admired as a pioneering work in transport history. Joseph Boughey, with the advice of Charles Hadfield, has previously revised and updated the perennially popular material to reflect more recent changes. For this ninth edition, Joseph Boughey discusses the many new discoveries and advances in the world of canals around Britain, inevitably focussing on the twentieth century to a far greater extent than in any previous edition of this book, while still within the context of Hadfield's original work.

In 2020, the Cunard Line celebrates its 180th anniversary. One of the most famous transatlantic shipping companies, Cunard is beloved on both sides of the Atlantic, as well as around the world. Cunard pioneered many new technologies and launched the largest and fastest liners of their day. During both world wars the Cunarders answered the call of duty and transported thousands of troops to support the Allies. Today, the enduring history of this great shipping line has carried on into the twenty-first century, with the three current Queens celebrating Cunard's heritage, while a new ship is under construction. This new paperback edition is updated to cover events since the line's 175th anniversary. With new and updated stories from people involved with line, Cunard's 180-year history is shared in stunning photographs and engaging text to explore the legacy of the great Cunarders.

"""Als im Jahre 1874 S.M.S. ""Gazelle"" auf eine zweijahrige Reise mit dem Auftrage entsendet wurde, einerseits die fur die Beobachtung des im Dezember 1874 stattfindenden Venus-Durchganges bestimmte deutsche Expedition nach den Kerguelen-Inseln zu bringen und selbst sich an diesem Beobachtungen zu betheiligen, andererseits zur Forderung der Meereskunde und maritimen Wissenschaften physikalische und oceanographische Forschungen anzustellen, lag es noch nicht in der Absicht, die Resultate der Forschungen zu einem besonderen Werke zusammenzufassen und zu veroffentlichen. Erst spater, einige Jahre nach der Expedition, als man das reichhaltige und werthvolle, auf der Reise gesammelte Material ubersah, machte sich das Bedurfniss geltend, dasselbe weiter zu verarbeiten und einem einheitlichen Werke zusammenzustellen."" Das Werk ist in funf Teile untergliedert."

Despite being the largest of the legendary Olympic-class trio, Britannic is often overlooked in comparison to Olympic and Titanic. Launched on the eve of war in February 1914, Britannic would never see service on the White Star Line's express service for which she was built. Instead, His Majesty's Hospital Ship Britannic became vital to the thousands of injured and sick troops who needed transporting back to Britain from the Mediterranean theatre of war. However, her life was cut short when she was suddenly wracked by a mysterious explosion on 21 November 1916 and sank in less than an hour - three times faster than her sister ship Titanic - and yet, thanks to the improvements in safety heralded by the tragedy of her sister, 1,032 of 1,062 on board survived. In this updated and expanded edition of The Unseen Britannic, Simon Mills incorporates previously unseen material to tell a tale of heroism in the First World War and a remarkable ship, which is finally beginning to emerge from the shadow of the Titanic.

The 'ShipCraft' series provides in-depth information about building and modifying model kits of famous warship types. Lavishly illustrated, each book takes the modeller through a brief history of the subject class, then moves to an extensive photographic survey of either a high-quality model or a surviving example of the ship. Hints on building the model, and on modifying and improving the basic kit, are followed by a section on paint schemes and camouflage, featuring numerous colour profiles and highly-detailed line drawings. The strengths and weaknesses of available kits of the ships are reviewed, and the book concludes with a section on research references - books, monographs, large-scale plans and relevant websites.The Yamato class battleships of the Imperial Japanese Navy were the largest warships of the Second World War and the largest battleships ever constructed, displacing 78,800 tonnes. They also carried the largest naval artillery ever fitted to a warship - 18in guns. Neither Yamato nor her sistership Musashi made much impact on the War. Musashi was sunk during the battle of Leyte Gulf while Yamato, deployed in a deliberate suicide attack on Allied forces at the battle of Okinawa, was finally sunk by US carrier-based aircraft; Not 300 of her 3,330 crew survived.

This is a companion volume to Friedman s highly successful _British Battleship 1906 1946_ and completes his study of the Royal Navy s capital ships. Beginning with the earliest installation of steam machinery in ships of the line, the book traces the technological revolution that saw the introduction of iron hulls, armour plate, shell-firing guns and the eventual abandonment of sail as auxiliary propulsion. This hectic development finally settled down to a widely approved form of pre-dreadnought battleship, built in large numbers and culminating in the _King Edward VII_ class. As with all of his work, Friedman is concerned to explain why as well as how and when these advances were made, and locates British ship design firmly within the larger context of international rivalries, domestic politics and economic constraints. The result is a sophisticated and enlightening overview of the Royal Navy s battle fleet in the latter half of the nineteenth century. It is also well illustrated a comprehensive gallery of photographs with in-depth captions is accompanied by specially commissioned plans of the important classes by A D Baker III, and a colour section featuring the original Admiralty draughts, including a spectacular double gatefold. Norman Friedman is one of the most highly regarded of all naval writers, with an avid following, so for anyone with an interest in warships, the publication of this work will be a major event.

First published in 1944, and now reissued with new black-and-white illustrations and a foreword by Jo Bell, Canal Laureate, this book has become a classic on its subject, and may be said to have started a revival of interest in the English waterways. It was on a spring day in 1939 that L.T.C. Rolt first stepped aboard Cressy. This engaging book tells the story of how he and his wife adapted and fitted out the boat as a home, and recreates the journey of some 400 miles that they made along the network of waterways in the Midlands. It recalls the boatmen and their craft, and celebrates the then seemingly timeless nature of the English countryside through which they passed. As Sir Compton Mackenzie wrote, 'it is an elegy of classic restraint unmarred by any trace of sentiment' for a way of life and a rural landscape that have now all but disappeared.

In 1982, North Sea ferry MV Norland transported passengers and vehicles between Hull and Rotterdam. Requisitioned as a troop ship to take the 2nd Battalion, Parachute Regiment to the Falklands, the 'volunteer' merchant navy crew were told they would only go as far as the Ascension Island and that they should think of it as an extended North Sea booze-cruise run. However, without notice Norland's role was changed and it became the first vessel to enter San Carlos Water, ending up a sitting duck in 'Bomb Alley' air raids while disembarking troops and carrying out resupply runs. Narrowly escaping sinking, the ship was used as a shelter for survivors and for collecting the Gurkhas from the QE2 in South Georgia, ready for disembarking in San Carlos Bay, before repatriating Argentine POWs. Long after the surrender, MV Norland provided a ferry service between the Falklands and Ascension Island. While many in the war served an average of 100 days, for the crew of the Norland it was ten months; indeed, they were considered the first in and the last out. This is a gripping account of non-combatant volunteers railroaded into serving in a war they hadn't signed up for.

Once, the output of such yards as Harland & Wolff and Workman, Clark was vital business of national and international importance. The Harland & Wolff yard had a long association of building ships for the White Star Line, culminating in the three largest passenger vessels of the Edwardian era, Olympic, Titanic and Britannic, as well as others for the International Mercantile Marine Co. This beautifully illustrated volume from Richard P. de Kerbrech and David L. Williams covers aspects of the construction and the skilled craftsmen that worked on these ships, and many others, from the Edwardian era to the 1920s, revelling in atmospheric views of the boiler shop, foundry, machine shop and slipways, as well as many successful launchings. The rich array of images showcases the labour-intensive heavy engineering and shipyard practices that were once part of Belfast's major industry, now sadly no more.

The origins of a permanent French sailing navy can be traced to the work of Cardinal Richelieu in the 1620s, but this naval force declined rapidly in the 1650s and a virtually new _Marine Royale_ had to be re-created by Colbert from 1661\. Thereafter, Louis XIV"s navy grew rapidly to become the largest and most powerful in the world, at the same time establishing a reputation for the quality of its ship design that lasted until the end of sail. The eighteenth century was to see defeat and decline, revival and victory, but by 1786 the French Navy had emerged from its most successful naval war having frequently outfought or outmanoeuvred the British Navy in battle, and in the process making a major contribution to American independence. This book is the first comprehensive listing of these ships in English, and follows the pattern set by its companion volume on the 1786 - 1861 period in providing an impressive depth of information. It is organised by Rate, classification and class, with significant technical and building data, followed by highlights of the careers of each ship in every class. Thus for the first time it is possible to form a clear picture of the overall development of French warships throughout the whole of the sailing era. Certain to become the standard English-language reference work, its publication is of the utmost importance to every naval historian and general reader interested in the navies of the sailing era.

Just in time for the centennial of the sinking of the Titanic, this graphic deluxe edition compiles first hand accounts, testimonies, and letters by notable Titanic survivors, including Archibald Gracie, Lawrence Beesley, Elizabeth W. Shutes, and the "unsinkable" Molly Brown. Full of historically accurate details and an afterword by the grandson of Lawrence Beesley, Titanic Survivors and author of The Loss of the S.S. Titanic, it will be the gift to give die-hard Titanic buffs. Authoritative, commemorative and in a striking, luxurious package with and introduction by Titanic enthusiast and expert, Tim Maltin, this will be the authoritative work on the disaster.

"""Als im Jahre 1874 S.M.S. ""Gazelle"" auf eine zweijahrige Reise mit dem Auftrage entsendet wurde, einerseits die fur die Beobachtung des im Dezember 1874 stattfindenden Venus-Durchganges bestimmte deutsche Expedition nach den Kerguelen-Inseln zu bringen und selbst sich an diesem Beobachtungen zu betheiligen, andererseits zur Forderung der Meereskunde und maritimen Wissenschaften physikalische und oceanographische Forschungen anzustellen, lag es noch nicht in der Absicht, die Resultate der Forschungen zu einem besonderen Werke zusammenzufassen und zu veroffentlichen. Erst spater, einige Jahre nach der Expedition, als man das reichhaltige und werthvolle, auf der Reise gesammelte Material ubersah, machte sich das Bedurfniss geltend, dasselbe weiter zu verarbeiten und einem einheitlichen Werke zusammenzustellen."" Das Werk ist in funf Teile untergliedert."

About 15,000 people live permanently afloat on canals, rivers and coasts in Great Britain alone, but thousands more enjoy holidaying on boats or own them as weekend retreats in the UK and abroad. This book will feature not only static residential boats and floating dwellings but also those used as holiday homes and funky modern businesses - houseboats can range from canal boats, riverboats, narrow and wide beam boats, barges, Dutch barges, static houseboats and even seaworthy cruisers moored in marina. The book will cover stylish boats from the UK, North America, Europe and Australia. The houseboats engage the reader through their history and owners' stories, which are told in lively text and colourful images. People fall in love with boats and own them for a variety of reasons: out of affordability and necessity; a love of the water; closeness to nature and the environment; or just because they yearn for a different and more relaxed style of living/working space. This book shows how houseboats can offer an attractive, practical and alternative solution, as well as amazing and often idiosyncratic solutions to living successfully in a small space. My cool houseboat covers the following themes: stylish architectural, from San Francisco to Prague; thrifty and eclectic, as an affordable solution to conventional city dwelling; businesses, using houseboats as unusual workspaces, from a book barge to an allotment; modernist, from a Finnish floating office to an Amsterdam watervilla; recycled, ranging from an Ellis Island ferry houseboat to a converted minesweeper; and soulful, covering alternative ways of life, relaxation and recreation, from a New York City houseboat to a stylish Paris home. Word count: 25,000

An engaging account of the Cocks family and their life at Napton Lock as carpenters on the Oxford Canal for more than a hundred years. Painstaking research over many years, including parish registers, canal records and family recollections, has enabled Michael Caton to compile a detailed history of his family's role as lock carpenters from 1833 to 1937. Combining social, family and canal history, the book provides an insight into the day-to-day work of a lock carpenter and of a family living by the canal, as well as introducing history of Napton and the surrounding area. Illustrated with photos dating back to 1866, The Cocks of Napton Locks will be enjoyed by those with an interest in our canals, social and local history.

On the outbreak of war in 1914, the Royal Navy found it required more small craft than it possessed to carry out minesweeping, anti-submarine patrols and coastal defence. This led to the formation of an auxiliary force of civilian vessels, including motor pleasure boats and yachts, relatively new types of craft powered by the internal combustion engine. The inclusion of these vessels came about when a group of motor boat owners suggested to the Admiralty that their vessels could play an important role in the defence of Britain. The result was the formation of the Royal Naval Motor Boat Reserve (RNMBR) in 1912. By mid-1915, the demands of naval duty had proved too much for these quirky craft. A meeting in the USA led to their replacement by American-designed Elco motor launches (MLs), of which 550 were purchased, and these Elco launches gave great service for the rest of the war, usually officered by RNVR personnel who won three Victoria Crosses. In addition to the Elcos, in 1915 some naval officers developed the hydroplaning coastal motor boats (CMBs), which served with equal distinction in the latter part of the war. Post-war, both types saw valuable service in the occupation of the Rhineland and in the Baltic campaign, where three more VCs were won. Other countries adopted similar craft. In Italy, the MAS torpedo motor craft achieved fame and success. And in France, MLs supplied by Britain, and by Elco, played their part. Germany too utilised small motor vessels, including the torpedo-armed Luftschiffmotorboote and Fernlenkboot remotely controlled designs. And when America entered the war, she built a fleet of so-called 'sub chasers', wooden-built and designed to counter U-boats along her East Coast. The Petrol Navy tells the stirring story of these motor-driven boats at war, of their development and operations and of the many colourful characters who were their captains and crew. It will acquaint historians and enthusiasts with an important and previously untold aspect of the naval war, and will engross those with a more general interest in the First World War.

The vast majority of period ship models are built from kits, usually primarily of wood with some ready-made fittings. Although these commercial offerings have improved significantly in recent years, all of them can be enhanced in accuracy or detail by an experienced modelmaker. This book, by an expert ship modeller, distils lessons gleaned from a lifetime practising the hobby to the highest standards, setting out methods of improving basic kits and gradually developing the skills and confidence to tackle the construction of a model from scratch. Using a variety of kits as the starting point, each chapter demonstrates a technique that can be readily improved or a feature that can be replaced to the advantage of the finished model. Topics include hull planking, representing copper sheathing, many aspects of more accurate masting and rigging, and how to replace kit parts and fittings from scratch. Ultimately, the impact of a period model depends on its accuracy, and the book also provides guidance on plans and references, where to find them and how they are best used. The plank-on-frame model, sometimes with exposed frames in the Navy Board style, has always been considered the crowning achievement of period ship modelling, and this book concludes with coverage of the very latest kits that put fully framed models within the reach of ordinary mortals. Offering advice, expertise and inspiration, _Ship Models from the Age of Sail_ has something for anyone interested in building a period ship model, whatever their level of skill.

From the time of the Restoration of Charles II, when he returned to England from Breda and was presented with the yacht Mary by the burgomaster of Amsterdam, Royal yachts began to be defined as such in England and built with that special purpose in mind. They were built luxuriously and used for royal visits to the fleet, for diplomacy and for racing and cruising for pleasure. Charles II took more of an interest in the sea than any other English monarch. He built a fleet of royal yachts, fine examples of ship design and decorative art, and he can be said to have been the father of yachting and of royal yachts. His successors were less keen on the sea but travelled to Europe on missions of peace and war; and royal yachts took part in regime change several times. In 1689 Queen Mary was bought over to join her husband William of Orange and complete the Glorious Revolution'. In 1714 George I arrived from Hanover to establish a new dynasty. And in 1814, in a reverse process, King Louis XVIII was taken back to France to restore the monarchy after the defeat of Napoleon. This important new book is the first to describe the building and decoration of the yachts in such detail, using many newly discovered sources; and it is the first to describe their uses and exploits, often taking their royal passengers into controversy or danger. Besides the yachts themselves, it reveals much about the character of the kings, queens and princes involved - the impetuousness of the future William IV for example, or his brother George IV's surprising love of sailing. It describes the design, accommodation, and sailing of the yachts, as well as their captains and crews. Sailing yachts came to an end when Queen Victoria discovered that steam power was more efficient as well as more comfortable, but they revived in the form of her son Edward's cutter Britannia, and the Duke of Edinburgh's Bloodhound and Coweslip. Their legacy can be seen in the widespread sport of yachting today, and in the lavish superyachts of billionaires. This beautifully illustrated book, full of anecdote and containing detailed descriptions of dozens of royal yachts, will fascinate naval historians, ship modellers and, indeed, anyone who sets foot aboard the deck of a modern yacht.

The 'ShipCraft' series provides in-depth information about building and modifying model kits of famous warship types. Lavishly illustrated, each book takes the modeller through a brief history of the subject class, highlighting differences between sister-ships and changes in their appearance over their careers. This includes paint schemes and camouflage, featuring colour profiles and highly detailed line drawings and scale plans. The modelling section reviews the strengths and weaknesses of available kits, lists commercial accessory sets for super-detailing of the ships, and provides hints on modifying and improving the basic kit. This is followed by an extensive photographic survey of selected high-quality models in a variety of scales, and the book concludes with a section on research references - books, monographs, large-scale plans and relevant websites.The subject of this volume is the seven-ship New Orleans class, probably the US Navy's most hard-fought heavy cruisers of the War - three were sunk in action but others survived massive damage, and by 1945 three out of four of the navy's most decorated ships were of this class. Although designed within treaty limitations, they proved powerful and well-balanced ships, and their unparalleled fighting record makes them popular modelling subjects.