Meet Little Nemo, a diminutive hero of comic narrative, but one of the greatest dream voyagers of the 20th century. The master creation of Winsor McCay (1869-1934), restless sleeper Nemo inspired generations of artists with his weekly adventures from bed to Slumberland, a realm of colorful companions, psychedelic scenery, and thrilling escapades. Nemo's creator Winsor McCay was a founding figure in the modern American entertainment industry, above all with his revolutionary comics, which set standards for panel layout and storytelling technique, timing and pacing, and architectural and other detail that left an inestimable influence on subsequent artists, including Robert Crumb and Federico Fellini. TASCHEN's sumptuous Winsor McCay - The Complete Little Nemo collects, in full, glorious color, all 549 episodes of Little Nemo. In the illustrated essay, art historian and comics expert Alexander Braun places Winsor McCay's life and work within the cultural history of the U.S. media and entertainment industry, and explores the immense art historical value of McCay's dream narrative. At once an adventure story, visual delight, and piece of cultural history, this publication is a tremendous monument to one of the most innovative pioneers-and one of the most intrepid explorers-of comic history.

Since the creation of the comic book, there has been a lot of legal conflict and confusion where concepts such as public domain, unincorporated entities and moral rights are involved. As a result, comics creators are frequently concerned about whether they are protecting themselves. There are many questions and no single place to find the answers - that is, until now. Entertaining as it instructs, this book seeks to provide those answers, examining the legal history of comics and presenting information in a way that is understandable to everyone. While not seeking to provide legal advice, or case history this book presents the legal background in plain English, and looks at the stories behind the cases. Every lawsuit has a story and every case has lessons to be learned. As these lessons are explored, the reader will learn the importance of contracts, the precautions necessary when working with public domain characters, and the effects of censorship.

Written in straightforward, jargon-free language, A Concise Dictionary of Comics guides students, researchers, readers, and educators of all ages and at all levels of comics expertise. It provides them with a dictionary that doubles as a compendium of comics scholarship. A Concise Dictionary of Comics provides clear and informative definitions for each term. It includes twenty-five witty illustrations, and pairs most defined terms with references to books, articles, book chapters, and other relevant critical sources. All references are dated and listed in an extensive, up-to-date bibliography of comics scholarship. Each term is also categorized according to type in an index of thematic groupings. This organization serves as a pedagogical aid for teachers and students learning about a specific facet of comics studies and as a research tool for scholars who are unfamiliar with a particular term but know what category it falls into. These features make A Concise Dictionary of Comics especially useful for critics, students, teachers, and researchers, and a vital reference to anyone else who wants to learn more about comics.

Two strangers, both reading the same novel, share a fleeting glance between passing subway cars. A bookstore owner locks eyes with a neighbor as she receives an Amazon package. Strangers are united by circumstance as they wait on the subway stairs for a summer storm to pass. Instantly recognizable, Adrian Tomine's illustrations and comics have been appearing for over a decade in the pages (and on the cover) of The New Yorker. New York Drawings is a loving homage to the city that Tomine, a West Coast transplant, has called home for the past seven years. This lavish, beautifully-designed volume collects every cover, comic and illustration that he has produced for The New Yorker to date, along with an assortment of other rare and uncollected illustrations and sketches. Complete with notes and annotations by the author, New York Drawings will also feature an all-new introductory comic (in the style of the final two pages of Optic Nerve #12).

An eagerly awaited album that comes out annually, this year's collection of Zapiro's editorial cartoons was hugely well-received by South Africans and rose to become the bestselling book in the country. Full of delightful satire, the cartoons are informed by a sense of truth and dignity even while tackling sensitive issues and attacking public figures, particularly those in the ruling party. For news hounds who follow current affairs around the globe, this book provides an education on the issues and a bounty of deft political humor.

Delve behind the scenes of artist Eric Guillon's artwork for Illumination and Entertainment's popular films, including Despicable Me, Sing, and upcoming The Secret Life of Pets 2. Illumination Entertainment has produced some of this century's most popular and successful animated films all over the world. Artist Eric Guillon helped design many of the most beloved and iconic characters for these films, such as Gru and the Mininons from Despicable Me, the adorable animals in The Secret Life of Pets, and more. Explore behind the scenes of Eric Guillon's artwork with this comprehensive coffee table book, which delves into Guillon's creative process and Illumination Entertainment's hit films. The Illumination Art of Eric Guillon features never-before-seen concept art, sketches, film stills, and other unique graphics, tracing the animation process from start to finish, and examines Guillon's many different roles, ranging from art director, character designer, and production designer to co-director.

Few scholars nursed on the literary canon would dispute that knowledge of Western literature benefits readers and writers of the superhero genre. This analysis of superhero comics as Romance literature shows that the reverse is true--knowledge of the superhero romance has something to teach critics of traditional literature. Establishing the comic genre as a cousin to Arthurian myth, Spenser, and Shakespeare, it uses comics to inform readings of The Faerie Queene, The Tempest, Malory's Morte and more, while employing authors like Ben Johnson to help explain comics by Alan Moore, Jack Kirby, and Grant Morrison and characters like Iron Man, the Hulk, the X-Men, and the Justice League. Scholars of comics, medieval and Renaissance literature alike will find it appealing.

Following in the successful paw and hoof prints of The Daily Zoo: Volume One comes another exotic menagerie of creative fauna from Hollywood artist Chris Ayers. The Daily Zoo 2 offers more furry and feathered friends along with continuing reflections on his life as an artist and cancer survivor. And, as with Volume 1 and perhaps more so, regardless of your artistic experience, this book will leave you inspired to grab the nearest pencil, pen, brush or crayon and start drawing ... for fun and perhaps as a way to bring healing!

The Ages of the Avengers: Essays on Earth's Mightiest Heroes in Changing Times examines stories from one of Marvel Comic's most popular franchises in light of the contemporary cultures when those comic books originally produced. With essays that address tales from some of the very first issues of The Avengers through Avengers Arena, which concluded in 2014, five decades of comic books are analyzed by popular culture scholars. Audience expectations for entertainment have fluctuated dramatically throughout the years, and comic book creators have been forced to adapt to shifting hopes, fears, and concerns amongst readers. Like any popular culture product, issues of the Avengers are reflective of the time period when they were produced, and the comic books have adapted to changing times to avoid becoming relics of a bygone era. In this collection, essays examine Avengers storylines such as the Korvac Saga, Civil War, and Secret Invastion, scrutinize key characters including the Black Panther and Hank Pym, and explore how real world events such as the Cuban Missile Crisis, the Vietnam War, the end of the Cold War, and 9/11 influenced the popular entertainment being produced and consumed in America.

The comic book has become an essential icon of the American Century, an era defined by optimism in the face of change and by recognition of the intrinsic value of democracy and modernization. For many, the Middle Ages stand as an antithesis to these ideals, and yet medievalist comics have emerged and endured, even thrived alongside their superhero counterparts. Chris Bishop presents a reception history of medievalist comics, setting them against a greater backdrop of modern American history. From its genesis in the 1930s to the present, Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century.

A hilarious, colourful collection of straight-talking, no-nonsense advice from very sassy cats Favourite suggestions include: * Embrace "Procatstination": F*** it off and do it tomorrow * Focus on the sh*t you can control (like naps) * Shine so bright that those b*tches need sunglasses Cats have lived the right way for centuries, it's about time we started listening to them.

Witness what the gods do after dark in the fifth volume of a stylish and contemporary reimagining of one of the best-known stories in Greek mythology, featuring exclusive behind-the-scenes content from creator Rachel Smythe.

"You want to know about The Bringer of Death."

It is Persephone's birthday, and she receives the ultimate gift: Hades confesses his desire for her, leading to their first kiss. But that doesn't necessarily make things easier for the goddess of spring, who is still in over her head in gossip-driven Olympus. Persephone feels intense guilt over the official breakup between Hades and Minthe, she is struggling to find her footing in her fast-paced job, and - worst of all - the shades of her past are slowly coming to light.

After an unexpected encounter with Apollo, Persephone flees into the depths of the Underworld. Concerned for her safety and determined to find her, Hades must team up with Artemis, Eros, and Hera, but they're working against a ticking clock. Zeus knows about the bloody secret in Persephone's past, and now the furious king of the gods will stop at nothing to bring her to justice.

This edition of Smythe's original Eisner Award-winning webcomic Lore Olympus features exclusive behind-the-scenes content and brings the Greek pantheon into the modern age in a sharply perceptive and romantic graphic novel.

This volume collects episodes 103-126 of the #1 WEBTOON comic Lore Olympus.

This anthology hosts a collection of essays examining the role of comics as portals for historical and academic content, while keeping the approach on an international market versus the American one. Few resources currently exist showing the cross-disciplinary aspects of comics. Some of the chapters examine the use of Wonder Woman during World War II, the development and culture of French comics, and theories of Locke and Hobbs in regards to the state of nature and the bonds of community. More so, the continual use of comics for the retelling of classic tales and current events demonstrates that the genre has long passed the phase of for children's eyes only. Additionally, this anthology also weaves graphic novels into the dialogue with comics.

In this groundbreaking collection of essays, interviews, and artwork, contributors draw upon a rich treasure trove of Jewish women’s comics to explore the representation of Jewish women’s bodies and bodily experience in pictorial narratives. Spanning national, cultural, and artistic borders, the essays shine a light on the significant contributions of Jewish women to comics. The volume includes major figures such as Miriam Katin, Emil Ferris, Aline Kominsky-Crumb, and Rutu Modan alongside works by artists translated for the first time into English, such as the Georgian Nino Biniashvili and the Haredi artist Batsheva Havlin. Exploring topics such as family, motherhood, miscarriages, queerness, gender and Judaism, illness, war, and the lingering impact of the Holocaust, the contributors present unique, at times deeply personal, insights into how Jewishness intersects with other forms of identity and identification. In doing so, the volume deepens our understanding of Jewish women’s experiences.

They're back and more popular than ever! The Simpsons continues to be the longest-running prime-time program still on the air, and fans and collectors are still trying to keep up with the incredible variety of toys and collectibles they've inspired. Having discovered a little extra room in his attic for stashing new acquisitions, the author of the world's first guide to Simpsons stuff, The Unauthorized Guide to the Simpsons Collectibles (of which the Copley News Service said, A book worthy of these characters...appropriately witty and well-written.), returns with more. Featuring over 460 brand new, full-color photographs of dolls, figurines, glasses, games, music, comics, promos, and much more, this slightly irreverent and totally engaging book pays homage to those endearing residents of Springfield, USA ,and is, like its predecessor, pure entertainment (Antique Week).

Chris Murray reveals the largely unknown and rather surprising history of the British superhero. It is often thought that Britain did not have its own superheroes, yet Murray demonstrates that there were a great many in Britain and that they were often used as a way to comment on the relationship between Britain and America. Sometimes they emulated the style of American comics, but they also frequently became sites of resistance to perceived American political and cultural hegemony, drawing upon satire and parody as a means of critique. Murray illustrates that the superhero genre is a blend of several influences, and that in British comics these influences were quite different from those in America, resulting in some contrasting approaches to the figure of the superhero. He identifies the origins of the superhero and supervillain in nineteenth-century popular culture such as the penny dreadfuls and boys' weeklies and in science fiction writing of the 1920s and 1930s. He traces the emergence of British superheroes in the 1940s, the advent of ""fake"" American comics, and the reformatting of reprinted material. Murray then chronicles the British Invasion of the 1980s and the pivotal roles in American superhero comics and film production held by British artists today. This book will challenge views about British superheroes and the comics creators who fashioned them. Murray brings to light a gallery of such comics heroes as the Amazing Mr X, Powerman, Streamline, Captain Zenith, Electroman, Mr Apollo, Masterman, Captain Universe, Marvelman, Kelly's Eye, Steel Claw, the Purple Hood, Captain Britain, Supercats, Bananaman, Paradax, Jack Staff, and SuperBob. He reminds us of the significance of many such creators and artists as Len Fullerton, Jock McCail, Jack Glass, Denis Gifford, Bob Monkhouse, Dennis M. Reader, Mick Anglo, Brendan McCarthy, Alan Moore, Grant Morrison, Dave Gibbons, and Mark Millar.

By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition. This involves not just the exploration of those properties in comics that can be meaningfully investigated with existing narrative theory, but an interpretive study of the potential in narratological concepts and analytical procedures that has hitherto been overlooked. This research monograph is, then, not an application of narratology in the medium and art of comics, but a revision of narratological concepts and approaches through the study of narrative comics. Thus, while narratology is brought to bear on comics, equally comics are brought to bear on narratology.

For fans of Peter Bagge (b. 1957) and his bracing satirical writing and drawing, this collection offers a perfect means to track how he describes his career choices, work habits, preoccupations, and comedic sensibility since the 1980s. Featuring a new interview and much previously unavailable material, this book delivers insightful, occasionally gossipy, sometimes funny, and often tart conversations. His career has intersected with the modern history of comics, from underground comix and indie comics to comics journalism and graphic nonfiction. Bagge's detailed, garrulous, and often grotesquely funny (and discomfiting) work harks back to the underground generation, recalling Robert Crumb and Gilbert Shelton, while also pointing forward to the emergence of alternative comics as a distinct genre. His signature series, the rawly humorous Hate (1990-1998) and his editorship (1983-1986) of the often outrageous Weirdo magazine, founded by Crumb, established Bagge as a leading voice in alternative comics, and his rude, wildly expressive cartooning makes him a counterpoint to the still introspection of recent literary graphic novels. In his career over three decades, Bagge has left his mark on various formats and genres, as a prolific cartoonist, an accomplished musician, and a sometime essayist, editor, and animator. While his creative output encompasses autobiographical comics, graphic nonfiction, magazine illustrations, gag cartoons, minicomics, political commentary, superhero parodies, comic strips, animated videos, and one-page humor pieces, Bagge stands out for creating continuity-based graphic stories that revolve around sharply defined, over-the-top fictional characters. Libertarians know him for his comics journalism, as his graphic biography of Margaret Sanger in 2013 reaches new audiences. While some have lazily branded Bagge as a grunge-era visual satirist, his creative restlessness and expanding body of work make it difficult to confine him within any single genre, cultural niche, or historical moment.

Explore the greatest art from over two decades of Marvel's Deadpool comics with this deluxe art book, showcasing iconic covers and other amazing art from the Marvel Comics archives. From the Deadpool Corps to team-ups with Spider-Man and other iconic Marvel Comics characters, The Art of Deadpool is the ultimate visual journey into the bizarre world of the Merc with a Mouth. An essential addition to any comic book fan's collection.

If Disney's Snow White and the Seven Dwarfs represented the Animation industry's infancy, Ed Hooks thinks that the current production line of big-budget features is its artistically awkward adolescence. While a well-funded marketing machine can conceal structural flaws, uneven performances and superfluous characters, the importance of crafted storytelling will only grow in importance as animation becomes a broader, more accessible art form. Craft Notes for Animators analyses specific films - including Frozen and Despicable Me - to explain the secrets of creating truthful stories and believable characters. It is an essential primer for the for tomorrow's industry leaders and animation artists.