From the beginning, controversies have swirled around the ways in which both Robert Kirkman's comics and AMC's series of The Walking Dead represent race, gender, and sexuality. This collection of essays will be the first to address those controversies in a sustained way. Critics and fans have protested that identity politics in The Walking Dead have veered toward the decidedly conservative, offering up traditional understandings of masculinity, femininity, heterosexuality, racial hierarchy, and white supremacy. And while some critics acknowledge that the series has undeniably evolved toward less conventional representations, there is still much more to be said. All of the essays in our collection explore the complicated nature of relationships among the survivors as they adapt to the conditions of a new world-and, in the end, characters demonstrate often surprising permutations of identity, consistently serving to comment on identity politics in our own world. While individual chapters in this collection sometimes agree and sometimes disagree with the critics of The Walking Dead, together they offer a rich view of how gender, race, class, and sexuality intersect in complex new ways in the TV series and the comics.

Meet the zombies and all their undead friends in this new ghoulish activity book from Jason Ford. Design a zombie diner menu, learn to draw a vampire, cause chaos with scary spiders, and much more!

It's no secret that most New Yorker readers flip through the magazine to look at the cartoons before they ever lay eyes on a word of the text. But what isn't generally known is that over the decades a growing cadre of women artists have contributed to the witty, memorable cartoons that readers look forward to each week. Now Liza Donnelly, herself a renowned cartoonist with The New Yorker for more than twenty years, has written this wonderful, in-depth celebration of women cartoonists who have graced the pages of the famous magazine from the Roaring Twenties to the present day. An anthology of funny, poignant, and entertaining cartoons, biographical sketches, and social history all in one, Funny Ladies offers a unique slant on 20th-century and early 21st-century America through the humorous perspectives of the talented women who have captured in pictures and captions many of the key social issues of their time. As someone who understands firsthand the cartoonist's art, Donnelly is in a position to offer distinctive insights on the creative process, the relationships between artists and editors, what it means to be a female cartoonist, and the personalities of the other New Yorker women cartoonists, whom she has known over the years. Funny Ladies reveals never-before-published material from The New Yorker archives, including correspondence from Harold Ross, Katharine White, and many others. In addition, Donnelly has interviewed all of the living female cartoonists, many of their male counterparts, and editors and writers: David Remnick, Roger Angell, Lee Lorenz, Harriet Walden (legendary editor Harold Ross's secretary), Bob Mankoff, Eldon Dedini, Dana Fradon, Frank Model, Bob Weber, Sam Gross, Gahan Wilson, Joe Farris, among others. Combining a wealth of information with an engaging and charming narrative, plus more than seventy cartoons, along with photographs and self-portraits of the cartoonists, Funny Ladies beautifully portrays the art and contributions of the brilliant female cartoonists in America's greatest magazine.

This book looks at the representation of female characters in French comics from their first appearance in 1905. Organised into three sections, the book looks at the representation of women as main characters created by men, as secondary characters created by men, and as characters created by women. It focuses on female characters, both primary and secondary, in the francophone comic or bande dessinee, as well as the work of female bande dessinee creators more generally. Until now these characters and creators have received relatively little scholarly attention; this new book is set to change this status quo. Using feminist scholarship, especially from well-known film and literary theorists, the book asks what it means to draw women from within a phallocentric, male-dominated paradigm, as well as how the particular medium of bande dessinee, its form as well as its history, has shaped dominant representations of women. This is the first book to study the representation of women in the French-language drawn strip. There are no other works with this specific focus, either on women in Franco-Belgian comics, or on the drawn representation of women by men. This is a very useful addition to both general discussions of French-language comics, and to discussions of women's comics, which are focused on comics by women only. As it is written in English, and due to the popularity of comic art in Britain and the United States, this book will primarily appeal to an Anglo-American market. However, the cultural and gender studies approach this text employs (theoretical frameworks still not widely seen in non-Anglophone studies of the bande dessinee) will ensure that the text is also of interest to a Franco-Belgian audience. With a focus on an art-form which also inspires a lot of public (non-academic) enthusiasm, it will also appeal to fans of the bande dessinee (or wider comic art medium) who are interested in the representation of women in comic art, and to comics scholars on a broad scale.

100 iconic images to celebrate 50 years of the Mr Men and Little Miss! The Mr Men and Little Miss have been delighting children for 50 years with their charming and funny antics. This unique collection contains 100 postcards, each one featuring a different image from the Mr Men and Little Miss books created from 1971 onwards. From Mr Tickle's extraordinarily long arms to Little Miss Naughty's cheeky grin, there are lots of fun postcards to send, share and enjoy.

From the mangaka who told his life story in A Drifting Life, and gave you Abandon the Old in Tokyo and The Push Man and Other Stories, comes this collection of gekiga of the 1970s which have never before been translated into English. Personally selected for publication exclusively by Landmark Books by Tatsumi, the stories strip away the gloss of the Japanese Economic Miracle to reveal the stresses, desires and angst of the millions of young people who flocked to the cities where life was not what it was promised to be.Compared to Tatsumi's earlier stories, this collection paints a much more pessimistic world. The stories run on a different beat. The banality of modern life and its values bleed through.Yoshihiro Tatsumi plumbs the depths of the lost Japanese youth of the 1970s. Today, 'youth' of every age group appreciates Yoshihiro Tatsumi. They are attracted to him because they connect with the struggles and the darkness of modern life which he portrays.

Explore the greatest art from five decades of Marvel's Black Widow comics with this deluxe art book. Having first appeared as an enemy of Tony Stark in the pages of Tales of Suspense #52 in 1964, Natasha Romanoff, aka Black Widow, has gone on to become one of Marvel Comics' best-loved characters and a key member of the Avengers. Fearless, deadly, and unstoppable, Black Widow is known for her formidable espionage skills as well as her crimson hair and iconic costume. This deluxe book will explore the creation and evolution of the character through interviews with the writers and artists who brought her to life over the last fifty years, plus a jaw-dropping selection of art that showcases why she is one of the most dynamic characters in the Marvel Comics Universe.

Established how-to-draw author and artist J.C. Amberlyn's guide to drawing adorable Japanese-style characters and their chibi sidekicks in all the popular manga genres - shojo; shounen; magical girls; fantasy; mecha; school life; and horror. Bring your imagination to life. In her second manga book, best-selling author J.C. Amberlyn focuses on favorite manga archetype characters, with a fun and lively how-to-draw book aimed at beginners. Every genre of manga has its typical characters - plucky hero and heroine; school boys and girls; funny friend/sidekick; serious warrior; young innocent; bishounen; genki girls; chibis; chibi animals; cat girls/cat boys; magical girls; adorable animals; strong/scary animals; gothic characters; fantasy characters - and they are all here along with the step-by-step drawing instructions needed to give even beginners the direction they need to create the favorite characters they can't get enough of. A final chapter on backgrounds, scenery, and the environment will further give readers the information they need to pull everything together and create their own manga characters and the worlds they live in. Includes 23 step-by-step demonstrations and exercises. J.C. Amberlyn takes you through everything you need to know to create your favorite manga characters from Japanese comics or design your own. Includes in-depth instruction on character types, drawing the head and face, expressions, bodies and gestures, settings, scenes and samples.

This is a comprehensive tutorial on how to draw an array of cartoon faces. This is the latest in the bestselling 'How to Draw' series, from master cartoonist and prolific author Chris Hart. It includes step-by-step instructions and diagrams to accommodate beginners. The personality of a cartoon character begins with the face: the head, the features, the expressions. Get that right and you can create a memorable personality. Bestselling How to Draw author Christopher Hart presents the ultimate tutorial on the topic in masterful detail, covering characters both male and female, from babies to adults, in all shapes and sizes. His accessible, step-by-step demonstrations go through all the features and explain how to build a character. You can: explore appealing cartoon head types; see how to create a variety of eyes, brows, mouths, and popular hairstyles; and learn how to turn the head in different directions while maintaining a character's visual integrity. An introductory section discusses essential shading techniques while a bonus section shows the basics of drawing the entire body.

Edward Koren is best known for his cartoons and covers for "The New Yorker" magazine. This book explores the full range of the art he has produced during the past five decades: original drawings for cartoons and illustrated books as well as prints and posters. A variety of finished drawings are included--figures that emerged from the commedia dell'arte, fanciful beasts that might occupy a diorama in the American Museum of Natural History, cyclists pedaling through cities and countryside--all documenting the inventive play of the artist's imagination through the motion of his pen or pencil.

David Rosand is Meyer Schapiro Professor of Art History at Columbia University. Diana Fane is curator emerita of the arts of the Americas at the Brooklyn Museum.

Beautiful, original art collection from D.Gray-man series creator Katsura Hoshino! Enter the fictional 19th-century world of D.Gray-man with lavish color artwork from its creator, Katsura Hoshino, showcasing her graphic novel and magazine covers and more! Additionally, this book features insightful Q&As between Hoshino and two manga creators who inspire her: Takeshi Obata, the artist behind Hikaru no Go, Bakuman and the smash hit Death Note; and Osamu Akimoto, the creator of Kochira Katsushika-ku Kameari Koen Mae Hashutsujo. Kochira has been serialized in the best-selling boy's manga magazine in the world, Weekly Shonen Jump, for 35 years and is the magazine's longest-running manga series. Includes an exclusive, double-sided, full-color poster. Enter the fictional 19th-century world of D.Gray-man with lavish color artwork from its creator, Katsura Hoshino, showcasing her graphic novel and magazine covers and more! Additionally, this book features insightful Q&As between Hoshino and two manga creators who inspire her: Takeshi Obata, the artist behind Hikaru no Go, Bakuman and the smash hit Death Note; and Osamu Akimoto, the creator of Kochira Katsushika-ku Kameari Koen Mae Hashutsujo. Kochira has been serialized in the best-selling boy's manga magazine in the world, Weekly Shonen Jump, for 35 years and is the magazine's longest-running manga series. Includes an exclusive, double-sided, full-color poster.

Marvel Studios' approach to its Cinematic Universe-beginning with the release of Iron Man (2008)-has become the template for successful management of blockbuster film properties. Yet films featuring Marvel characters can be traced back to the 1940s, when the Captain America serial first appeared on the screen. This collection of new essays is the first to explore the historical, textual and cultural context of the larger cinematic Marvel universe, including serials, animated films, television movies, non-U.S. versions of Marvel characters, films featuring characters licensed by Marvel, and the contemporary Cinematic Universe as conceived by Kevin Feige and Marvel Studios. Films analyzed include Transformers (1986), Howard the Duck (1986), Blade (1998), Planet Hulk (2010), Iron Man: Rise of Technovore (2013), Elektra (2005), the Conan the Barbarian franchise (1982-1990), Ultimate Avengers (2006) and Ghost Rider (2007).

Distinguishing the graphic novel from other types of comic books has presented problems due to the fuzziness of category boundaries. Against the backdrop of prototype theory, the author establishes the graphic novel as a genre whose core feature is complexity, which again is defined by seven gradable subcategories: 1) multilayered plot and narration, 2) multireferential use of color, 3) complex text-image relation, 4) meaning-enhancing panel design and layout, 5) structural performativity, 6) references to texts/media, and 7) self-referential and metafictional devices. Regarding the subcategory of narration, the existence of a narrator as known from classical narratology can no longer be assumed. In addition, conventional focalization cannot account for two crucial parameters of the comics image: what is shown (point of view, including mise en scene) and what is seen (character perception). On the basis of Francois Jost's concepts of ocularization and focalization, this book presents an analytical framework for graphic novels beyond conventional narratology and finally discusses aspects of subjectivity, a focal paradigm in the latest research. It is intended for advanced students of literature, scholars, and comics experts.

John Jennings (b. 1970) is perhaps best known for his collaboration with Damian Duffy on the New York Times bestseller and Eisner Award-winning graphic novel adaptation of Octavia Butler's Kindred. However, Jennings is also a graphic designer and comic book scholar who, throughout his career, has conducted several interviews that shed light on the importance of Black Speculative narratives. The most enlightening of his interviews are brought together in John Jennings: Conversations. As a collective these interviews explore folklore, systemic racism, his Mississippi roots, and the phrase Jennings cocreated, the Ethnogothic. Jennings discusses the necessity for black heroes, not just for the sake of diversity, but for inclusiveness, touching on the conventions he has cofounded, such as the Schomburg Center's Black Comic Book Festival in Harlem. He addresses the struggle to be financially compensated for work, and he speaks at length about how being a professor informs his craft where he continues to examine black stereotypes in popular culture with courses of his own design. As a group the interviews in John Jennings: Conversations give a picture of a black man forging a way where comic books have afforded him a means to carve out an important space for people of color.

#1 New York Times bestselling author and creator Catana Chetwynd's latest collection of comics illustrates the moments a relationship "levels up" and all the intimate, special, and amusing adventures those milestones entail. Author of Little Moments of Love, Snug, and In Love & Pajamas, Catana Chetwynd imparts her relationship wisdom once again with her latest collection of comics. This time, she explores the momentous steps of a relationship--whether it be moving in together, the reality of facing time apart, or even officially committing to one another--all while shining a light on the joy those moments can offer. Catana's unmistakable illustration and writing styles make even the most mundane tasks, like mowing the lawn or deciding whose turn it is to cook dinner, seem charming. Her relatable content is elevated in a fresh and humorous way that only Catana's comics can do.

This popular title is relaunched in June 2006 with a fresh new cover design. Packed with two-colour step-by-step illustrations, this comprehensive guide provides all the techniques needed to master the art of drawing animated cartoons. Learn to Draw Animated Cartoons includes everything from developing human and animal characters to making your cartoons move. All the fundamentals are covered, to give the reader a sound foundation in drawing and animation techniques, with step-by-step illustrations demonstrating how to put them into practice. The book includes accessible and practical information on: Tools and equipment, including camcorders and PCs Giving your cartoons weight, speed and body Key drawings, special effects and animation Creating a plot and storyboard Perfect for total beginners, Learn to Draw Animated Cartoons will also be valuable for experienced artists seeking to improve their cartoon drawing skills.

Although the suggestion that graphic narrative represents an important literary form still causes debate in academic circles, in recent years comics scholarship has emerged into wider contexts. This collection considers various literary approaches to graphic narrative and sequential art. The essays examine the politics of comic form and narrative, the ways in which graphic narrative and sequential art ""cross over"" into other forms and genres, and how these articulations challenge the ways we read and interpret texts. By bringing literary theory to bear on graphic narrative and balancing readings of individual texts with larger ideas about comics scholarship as a whole, this work explores our understanding of the form itself and its engagement with political culture.

The graphic novel form is the fastest growing area of publishing. Stephen Weiner provides a history of the genre, from its origins in the world of comic books to the current roller coaster phenomenon.

Nicholas Garland writes: There are many snatches of songs and lines of poetry which lodge in your memory, and that you find running through your head when you're not thinking of anything much. They are companionable, like old friends. I don't remember how I learned a couple of the verses included here; probably I picked them up at school. A year or so ago, I looked them up on the internet and found that they, and two other verses like them, had been included in The Poet's Tongue, an anthology edited by W.H. Auden and John Garrett. They were not exactly as I remembered them, but perhaps, like folk songs, they never have existed in a fixed version. Auden and Garrett do not say anything about their origin, but at the end of the four verses add the words and so ad infinitum ... I wrote down and illustrated the two I remembered, and began inventing the rest.