For fans of Peter Bagge (b. 1957) and his bracing satirical writing and drawing, this collection offers a perfect means to track how he describes his career choices, work habits, preoccupations, and comedic sensibility since the 1980s. Featuring a new interview and much previously unavailable material, this book delivers insightful, occasionally gossipy, sometimes funny, and often tart conversations. His career has intersected with the modern history of comics, from underground comix and indie comics to comics journalism and graphic nonfiction. Bagge's detailed, garrulous, and often grotesquely funny (and discomfiting) work harks back to the underground generation, recalling Robert Crumb and Gilbert Shelton, while also pointing forward to the emergence of alternative comics as a distinct genre. His signature series, the rawly humorous Hate (1990-1998) and his editorship (1983-1986) of the often outrageous Weirdo magazine, founded by Crumb, established Bagge as a leading voice in alternative comics, and his rude, wildly expressive cartooning makes him a counterpoint to the still introspection of recent literary graphic novels. In his career over three decades, Bagge has left his mark on various formats and genres, as a prolific cartoonist, an accomplished musician, and a sometime essayist, editor, and animator. While his creative output encompasses autobiographical comics, graphic nonfiction, magazine illustrations, gag cartoons, minicomics, political commentary, superhero parodies, comic strips, animated videos, and one-page humor pieces, Bagge stands out for creating continuity-based graphic stories that revolve around sharply defined, over-the-top fictional characters. Libertarians know him for his comics journalism, as his graphic biography of Margaret Sanger in 2013 reaches new audiences. While some have lazily branded Bagge as a grunge-era visual satirist, his creative restlessness and expanding body of work make it difficult to confine him within any single genre, cultural niche, or historical moment.

By early 1963 the foundations of the Marvel Universe had been laid. Following the introduction of the Fantastic Four in 1961 came the amazing (Spider-Man), the astonishing (Ant-Man), the strange (Doctor, that is), the incredible (Hulk), the invincible (Iron Man) and the mighty (Thor). Still, Marvel editor in chief Stan Lee realized something was missing. "I was writing these characters and I thought it would fun to put them together in a team," he recalled. So Lee and artist Jack Kirby assembled Iron Man, Ant-Man and the Wasp, Thor, and the Hulk to create the Avengers. Right away it was clear this team was different. If the Fantastic Four were family, then the Avengers were the co-workers you didn't choose. Not everyone got along-the Hulk fought with everyone-but working together they could defeat the baddest of Marvel's bad guys, like Loki, Kang the Conqueror, the Masters of Evil, and Immortus. The lineup was ever changing: The Hulk departed, Captain America joined, and Ant-Man grew up to become Giant-Man. Then, remarkably, villains Hawkeye, Quicksilver, and the Scarlet Witch became heroes-and Avengers-and the group's founding members shockingly departed, leaving Captain America to lead the newly-minted heroes. Relive the classic early adventures of Avengers Nos. 1-20 in an XXL-sized edition that's bigger than the Hulk's fist, weightier than Thor's hammer, and with more extras than Iron Man's armor. TASCHEN has attempted to create an ideal representation of these books as they were produced at the time of publication. The most pristine pedigreed comics have been cracked open and photographed for reproduction in close collaboration with Marvel and the Certified Guaranty Company. Each page has then been digitally remastered using modern retouching techniques to correct problems with the era's inexpensive, imperfect printing-as if hot off of a world-class 1960s printing press. Accompanying the stories are an original foreword by Marvel Studios President Kevin Feige and an in-depth history by the Eisner Award-winning writer Kurt Busiek that's illustrated with original art, little-seen photographs, and rare documents. This mighty collection about Earth's Mightiest Heroes is worthy of Tony Stark's library-or yours. Also available in a Collector's Edition of 1,000 numbered copies. (c) 2022 MARVEL About the series MARVEL COMICS LIBRARY is an exclusive, long-term collaboration between TASCHEN and Marvel. The rarest classic comics, including Spider-Man, Avengers, and Captain America are meticulously reproduced in their original glory, in extra-large format. The library offers collectors a once-in-a-lifetime opportunity to lay their hands on the world's most desirable comics. Each volume includes an essay by a comic book historian along with hundreds of photos and artifacts, including rare original comic book artwork.

Packed with 100+ inventive groupings, hierarchies, and infographics, The DC Comics Book of Lists offers a creative way of looking at both the well-known and obscure histories of the top heroes and villains from the DC Universe across 80+ years. Each entry in this book celebrates another corner of DC's past, present, and future. It revels in the rich tapestry of DC's characters and history. Or histories, for that matter. Each first meeting of Batman and Superman is listed, as are highlights of Hawkman's many reincarnations and Jimmy Olsen's transformations. The craziest things Harley Quinn has ever done? They're ranked. The DC Comics Book of Lists also lists the many alternate futures of DC, from Kingdom Come to the Great Disaster, and each of the Legion of Super-Heroes reboots (presented as a handy flow chart to account for Time Trapper's Pocket Universe, the Five Years Later era, and the Geoff Johns era "retroboot"). Illustrated with full-color comic book art throughout, each page of The DC Book of Lists presents a new discovery or way of looking at cherished characters.

Get ready every "Futurama" and Matt Groening fan, here comes Futurama-O-Rama, the very FIRST comic compilation based on the Emmy-nominated television show "Futurama." It's a long way from making a pizza delivery on New Year's Eve to the bustling cityscape of New York in the 31st century, but for Phillip J. Fry it only took one little cryogenically frozen nap. Awakening in a future imagined by "The Simpsons" creator Matt Groening, Fry finds a job at an interplanetary messenger service and falls in with Leela, a sexy one-eyed space orphan, and Bender, an alcoholic misanthropic robot programmed to bend things. Blast off with this all-new Futurama comics collection, and leap feet first into a fun-filled future!

Just over 225 years ago, one of the most incredible odysseys in human history took place. 1,500 men and women were crammed aboard 11 ships and transported to the other side of the planet. They were criminals, outcasts, renegades: the scum of England. Having travelled over 24,000km, across three oceans, they arrived at a country that did not yet exist. For some, it was a one-way trip to hell; for others, it proved an unexpected chance of a new life. Bollee and Nicloux's 500-page masterpiece is an accurate, perceptive and sympathetic account of the birth of Australia.

Canadian Graphic: Picturing Life Narratives presents critical essays on contemporary Canadian cartoonists working in graphic life narrative, from confession to memoir to biography. The contributors draw on literary theory, visual studies, and cultural history to show how Canadian cartoonists have become so prominent in the international market for comic books based on real-life experiences. The essays explore the visual styles and storytelling techniques of Canadian cartoonists, as well as their shared concern with the spectacular vulnerability of the self. Canadian Graphic also considers the role of graphic life narratives in reimagining the national past, including Indigenous-settler relations, both world wars, and Quebec's Quiet Revolution.Contributors use a range of approaches to analyze the political, aesthetic, and narrative tensions in these works between self and other, memory and history, individual and collective. An original contribution to the study of auto/biography, alternative comics, and Canadian print culture, Canadian Graphic proposes new ways of reading the intersection of comics and auto/ biography both within and across national boundaries.

A deluxe collection of Marvel Comics superhero posters from renowned comics artist Alex Ross From Angel to Wolverine, all your favorite Marvel Comics superheroes are featured in this exclusive collection of painted portraits by Alex Ross-one of most respected and influential artists working in comics. This first-ever collection of these iconic images includes 35 ready-to-frame, removeable art prints-perfect for longtime Marvel fans and those just discovering these classic heroes for the first time-as well as commentary by Ross, preliminary sketches, and a bonus four-page gatefold of the portraits, assembled into a mural that was commissioned for Marvel's New York City offices. These heroic posters showcase the Marvel superheroes as you've never seen them before-as realistic as any on the silver screen-painted in the award-winning, breathtaking style that made Alex Ross famous.

Ceri's humorous but meaningful message accompanied by Ralph's sensational paintings will satisfy art-lovers and conservationists alike. Following on from Extinct Boids and Nextinction, Critical Critters is the third in this epic trilogy of books dedicated to extinct and critically endangered animals from cartoonist Ralph Steadman and film-maker Ceri Levy - the GONZOVATIONISTS. Expect plenty more of what made the first two books so successful - unpredictable nonsense beasts, irreverent jokes, a diary-style record of the creative mayhem, and around 100 spectacular illustrations by Ralph of critically endangered mammals, insects, fish, lizards and trees – a stunning collection, with a serious conservation message.

Blab World is the new incarnation of the celebrated art & comics annual Blab "It's like the New Yorker for Mutants," proclaimed the Los Angeles Reader. Blab World defies description: neither book or magazine, it is obviously a work of art. Over the last decade, BLAB has accrued countless design awards and honors. Founded in 1986 by acclaimed Chicago-based graphic designer and art director Monte Beauchamp, Blab World has evolved from a digest-sized comics mag into a beautifully designed and printed keepsake. Over the years BLAB has featured such (now celebrated) illustrators and painters as Chris Ware, Gary Baseman, The Clayton Brothers, SHAG, Camille Rose Garcia, Mark Ryden, and many, many more. Blab World also features selections of "found" graphic ephemera such as Depression-era matchbook covers, Valmor cosmetic labels, vintage decals, and European devil postcards. Blab World is an annual publication. Blab World Number 1 contains the following: The main feature is Artpocalypse (Artists Interpret End Times) Featuring: Mark Ryden, Joe Sorren, Kris Kuksi, Femke Hiemstra, Ron English, Natalia Fabia, Alex Gross, Sue Coe, Gary Taxali, Gary Baseman, Ryan Heshka, Owen Smith, Martin Wittfooth, Yoko D'Holbachie, Andy Kehoe, Travis Lampe, Jean-Pierre Roy, John Pound, Andrea Dezso, Edel Rodriguez, Fred Stonehouse, Spain (ZAP ) Rodriguez, and MANY MORE Other articles include: SKULL A history of the skull motif on the covers of Pre-Code Comics, Pulps, and Paperback books, lavishly illustrated throughout. By Bill North, Senior Curator, Marianna Kistler Beach Museum of ArtCOVERING WEIRDOA loving analysis of R. Crumb's Weirdo Covers by Steven Heller, columnist for The New York Times Book Review and the author of more than 100 books on design and popular culture. AXE THE AXIS Propaganda Caricature Art of World War IIby WW II Historian Jim Lowes Artist profiles include: BALLPOINT BRAVURA: Drawings by C.J. Pyleby Bill North, Senior Curator, Marianna Kistler Beach Museum of ArtCOLLODION / NOIDOLLOC The Wetplate Collodion Photography of Kari Laine McCluskey by Monte Beauchamp Sequential Art: The Dreaded Mothman of West Virginia / Mark ToddThe Neurotic Art Collector / Greg ClarkeQUICKSAND The Tumultuous Life of Isabelle Eberhardt / Nora KrugFour Horsemen / Peter KuperSlime Molds / Geoffrey GrahnThe Life of an Artist / Sergio RuzzierFetal Elvis' Art Empire / Mark Landman

The art of Dennis Larkins ranges from retro-kitsch paintings of multi-dimensional landscapes to his legendary and iconic series of Grateful Dead concert posters. Larkins' images were forever burned into the pop psyche by the groundbreaking stage monoliths he created for promoter Bill Graham. At last, here is a definitive collection of Larkins' works - four decades of his creative growth and expression distilled in to a gorgeous, full-color hardcover. Startling Art is an in-depth look at an artist immersed in the visual vernacular of pop surrealism, uniquely drawn from a life lived in the trenches of pop culture.

Mention Shaft and most people think of Gordon Parks' seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes' iconic theme music. But the black private dick who inspired the blaxploitation film genre actually made his debut on the printed page as the creation of a white novelist. Ernest Tidyman was a seasoned journalist down on his luck when he decided to try his hand at fiction. Shaft was the result, giving Tidyman the break he was looking for. He went on to become an Academy Award winning screenwriter and respected film producer. Based on extensive research of Tidyman's personal papers, this book tells the story of Shaft from the perspective of his creator. The author provides new insight and analysis of the writing of the Shaft novels, as well as the production of the films and TV series. First-ever coverage of the forgotten Shaft newspaper comic strip includes previously unseen artwork. Shaft's recent reappearance on the printed page is discussed, as well as his imminent return to the big screen.

Do you want to learn how to draw manga characters from scratch? Then look no further! Aimed specifically at beginners, this book includes examples from the main genres of manga characters and will teach you how to draw different characters in distinct poses. Starting with simple exercises and gradually getting more complicated, there are sections covering Kodomo (child), Shonen (teenage boy), Shojo (teenage girl) and Seinen (youth) characters to practise. To help you along the way, there are clear step-by-step instructions, with 10 exercises for each genre. Friendly chibis also pop up every so often to offer tips and advice to keep in mind while you are drawing. Extensive advice on finishing techniques ranges from colouring by computer, using pen and ink, paintbrush, felt-tip pen and pencils, both in black and white and colour. For the best start to your manga-drawing journey, this book will inspire you to explore and improve your skills.

This book shows you how to accurately render human faces and emotions to create complex characters and add compelling immediacy to your work. The ability to draw realistic and powerful facial expressions is essential for every manga artist. All artists will tell you that human faces are the most important and challenging element of any drawing. How to Create Manga: Drawing Facial Expressions is an essential resource for artists who want to bring their skills to the next level. Thirteen professional Japanese artists have contributed their expertise to this book, which contains 1,250 drawings, with several detailed tips and comments on every drawing. It includes a comprehensive opening section on all the basic expressions budding manga artists need to master. Sections dedicated to detailed emotions and playing up the intensity and drama of more animated facial expressions follow. Tuttle's How to Create Manga series guides users through the process of reaching a professional-looking final drawing through actual sketch progressions, practical tips and common missteps to avoid. Other books in the series include How to Create Manga: Drawing the Human Body, How to Create Manga: Drawing Clothing and Accessories and How to Create Manga: Drawing Action Scenes and Characters.

A new theoretical framework that critiques many of the assumptions of comics studies It has become an axiom in comic studies that "comics is a language, not a genre." But what exactly does that mean, and how is discourse on the form both aided and hindered by thinking of it in linguistic terms? In Comics and Language, Hannah Miodrag challenges many of the key assumptions about the "grammar" and formal characteristics of comics, and offers a more nuanced, theoretical framework that she argues will better serve the field by offering a consistent means for communicating critical theory in the scholarship. Through engaging close readings and an accessible use of theory, this book exposes the problems embedded in the ways critics have used ideas of language, literature, structuralism, and semiotics, and sets out a new and more theoretically sound way of understanding how comics communicate. Comics and Language argues against the critical tendency to flatten the distinctions between language and images and to discuss literature purely in terms of story content. It closely examines the original critical theories that such arguments purport to draw on and shows how they in fact point away from the conclusions they are commonly used to prove. The book improves on the field's use of existing scholarly disciplines and furthers the ongoing sophistication of the field. It provides animated and insightful analyses of a range of different texts and takes an interdisciplinary approach. Comics and Language will appeal to the general comics reader and will prove crucial for specialized scholars in the fields of comics, literature, cultural studies, art history, and visual studies. It also provides a valuable summary of the current state of formalist criticism within comics studies and so presents the ideal text for those interested in exploring this growing area of research. Hannah Miodrag, Leicester, United Kingdom, is a postdoctoral fellow of English at the University of Leicester. Her work has been published in the International Journal of Comic Art, Studies in Comics, and PEER English: The Journal of New Critical Thinking.

"The definitive educational title to bring readers through the journey of comic strips from the perspective of British history... a whole new world of information and staggeringly beautiful art." - Comic Beat This wildly entertaining and educational tome is a journey through the history of British comics - from the birth of the 20th century to the 80s invasion of American comics by the likes of Brian Bolland, Dave Gibbons and Kevin O' Neill (to name but a few), right up to today's up-and-coming British art stars and the talents of tomorrow. Revealing the extraordinary history of the UK's prolific comic book industry from the 19th Century to the 21st, this ground breaking volume celebrates the incredible artists who made a huge impact on British comics and would go on to revolutionize the industry on a global scale. Featuring a Who's Who of talent, including Brian Bolland, Yvonne Hutton, Dave Gibbons, celebrated greats such as Don Lawrence and lost masters like Reg Bunn and Shirley Bellwood. Author and 2000 AD artist David Roach takes us on a journey through time detailing the surprising and fascinating evolution of the art from its humble beginnings to its current world-conquering status. Including artwork from a vast number highly-acclaimed artists, carefully scanned from original artwork, Masters of British Comic Art is the definitive study and celebration of a beloved industry.

Contributions by Kenneth Baker, Jaqueline Berndt, Albert Boime, John Carlin, Benoit Crucifix, David Deitcher, Michael Dooley, Damian Duffy, M. C. Gaines, Paul Gravett, Diana Green, Karen Green, Doug Harvey, Charles Hatfield, M. Thomas Inge, Leslie Jones, Denis Kitchen, Jonah Kinigstein, John A. Lent, Dwayne McDuffie, Andrei Molotiu, Alvaro de Moya, Kim A. Munson, Cullen Murphy, Gary Panter, Trina Robbins, Antoine Sausverd, Rob Salkowitz, Art Spiegelman, Scott Timberg, Carol Tyler, Brian Walker, Alexi Worth, Joe Wos, and Craig Yoe Through essays and interviews, Kim A. Munson's anthology tells the story of the over-thirty-year history of the artists, art critics, collectors, curators, journalists, and academics who championed the serious study of comics, the trends and controversies that produced institutional interest in comics, and the wax and wane and then return of comic art in museums. Audiences have enjoyed displays of comic art in museums as early as 1930. In the mid-1960s, after a period when most representational and commercial art was shunned, comic art began a gradual return to art museums as curators responded to the appropriation of comics characters and iconography by such famous pop artists as Andy Warhol and Roy Lichtenstein. From the first-known exhibit to show comics in art historical context in 1942 to the evolution of manga exhibitions in Japan, this volume regards exhibitions both in the United States and internationally. With over eighty images and thoughtful essays by Denis Kitchen, Brian Walker, Andrei Molotiu, Paul Gravett, Art Spiegelman, Trina Robbins, and Charles Hatfield, among others, this anthology shows how exhibitions expanded the public dialogue about comic art and our expectation of "good art"-displaying how dedicated artists, collectors, fans, and curators advanced comics from a frequently censored low-art medium to a respected art form celebrated worldwide.

Works by the great artist of "Luther Arkwright," "The Tale of One Bad Rat" and, most recently, "Alice in Sunderland." From illustrations, covers to comics, Talbot presents his best.

Amid the controversy surrounding immigration and border control, the work of California cartoonist Lalo Alcaraz (b. 1964) has delivered a resolute Latino viewpoint. Of Mexican descent, Alcaraz fights for Latino rights through his creativity, drawing political commentary as well as underlining how Latinos confront discriminationon a daily basis. Through an analysis of Alcaraz's early editorial cartooning and his strips for La Cucaracha, the first nationally syndicated, political Latino daily comic strip, author Hector D. Fernandez L'Hoeste shows the many ways Alcaraz's art attests to the community's struggles. Alcaraz has proven controversial with his satirical, sharp commentary on immigration and other Latino issues. What makes Alcaraz's work so potent? L'Hoeste marks the artist's insistence on never letting go of what he views as injustice against Latinos, the fastest growing ethnic group in the United States. Indeed, his comics predict a key moment in the future of the United States-that time when a racial plurality will steer the country, rather than a white majority and its monocultural norms. L'Hoeste's study provides an accessible, comprehensive viewinto the work of a cartoonist that deserves greater recognition, not just because Alcaraz represents the injustice and inequity prevalent in our society, but because as both a US citizen and a member of the Latino community, his ability to stand in, between, and outside two cultures affords him the clarity and experience necessary to bea powerful voice.

Learn to draw the fun way! Like almost everyone in the world, you are bursting with raw artistic talent just waiting to be released. In a few deft sweeps of your pencil, capture the character of your 'victim'. Use swift strokes to create a face that has instant appeal. Exaggerate the features to make a comical caricature. Brighten up someone's day with your own tiny bit of magic! "Yes, you can do it," says Mark Linley, "and I show you exactly how!"

An examination of the narrative and pictorial qualities of comics and how these help comics to communicate and create meaning. In Narrative Structure in Comics: Making Sense of Fragments, Barbara Postema seeks to explain how comics communicate and create meaning, with an emphasis on two aspects of comics. She first examines the pictorial quality ofcomics, which receives more emphasis than verbal/textual elements. Her second focus is upon the storytelling and narrative qualities of comics, as well as the literary explorations they provide. The "narrative structure" refersto the potential of images, the story telling capacities of panels, and the sequence of panels, in addition to the more traditional narratological concepts. Overall, the author presents a credible rationale for the way in which comics structure their narratives. At every level of communication, comics rely on gaps or absences to create meaning and guide the reader to a meaningful experience. RIT Press is pleased to announce Narrative Structure in Comics as the first book published in its Comics Monograph Series. BARBARA POSTEMA is a Postdoctoral Research Fellow at Ryerson University in Toronto, where she is working on a project about wordless comics. She has published several articles in the International Journal of Comic Art.

Laughing. Grieving. Being a kid. Even the purest expression of pleasure, the most human display of sorrow, or the simplest delight of childhood is an act of resistance if you happen to be Black. This immersive hardcover book features forty defiantly joyful illustrations by artist and educator Ajuan Mance, each artwork depicting a person of African descent going about their everyday business. Begun as Mance's personal response to the groundswell of Black Lives Matter protests in 2020, LIVING WHILE BLACK denounces the excessive surveillance, harassment, and violence aimed at Black folks engaged in the activities of everyday life-and celebrates the courage and resilience of the Black community. Fittingly, the book also features a foreword from Alicia Garza, BLM founder and principal at the Black Futures Lab. Mance's thoughtful meditation on what it's like to be Black in America makes a wonderful tool for teachers, students, activists, and parents navigating conversations about racism and resistance.

This richly illustrated work is a history, critical analysis, and celebration of the Halas and Batchelor Cartoon Studio, Britain's leading and most influential animation company from 1940 to 1995. This lavish study draws on the archives of the Halas & Batchelor Collection and looks at the studio's key works, including "Animal Farm," Britain's first full-length animated film; "The Tales of Hoffnung," with the legendary Peter Sellers; and the cult classics "Butterfly Ball," featuring the work of Beatles illustrator Alan Aldridge, and "Autobahn," with the music of Kraftwerk. The book includes an autobiographical account by Vivian Halas, daughter of the company's founders, as well as critical insights by animation professor Paul Wells. Animation worldwide is indebted to John Halas and Joy Batchelor for their outstanding work. This book explores their legacy.