This is a comprehensive tutorial on how to draw an array of cartoon faces. This is the latest in the bestselling 'How to Draw' series, from master cartoonist and prolific author Chris Hart. It includes step-by-step instructions and diagrams to accommodate beginners. The personality of a cartoon character begins with the face: the head, the features, the expressions. Get that right and you can create a memorable personality. Bestselling How to Draw author Christopher Hart presents the ultimate tutorial on the topic in masterful detail, covering characters both male and female, from babies to adults, in all shapes and sizes. His accessible, step-by-step demonstrations go through all the features and explain how to build a character. You can: explore appealing cartoon head types; see how to create a variety of eyes, brows, mouths, and popular hairstyles; and learn how to turn the head in different directions while maintaining a character's visual integrity. An introductory section discusses essential shading techniques while a bonus section shows the basics of drawing the entire body.

Successful storyboards and poignant characters have the power to make elusive thoughts and emotions tangible for audiences. Packed with illustrations that illuminate and a text that entertains and informs, Prepare to Board, 3rd edition presents the methods and techniques of animation master, Nancy Beiman, with a focus on pre-production, story development and character design. As one of the only storyboard titles on the market that explores the intersection of creative character design and storyboard development, the third edition is an invaluable resource for both beginner and intermediate artists.

Key Features

Adapt key techniques, tips and tricks of experienced character designers and storyboard artists with 30 years of experience to your film, television and animation projects.

Save time and money with workflow solutions and avoid common mistakes and problems with troubleshooting tips.

Implement creative solutions for your own projects with this invaluable resource for beginner and intermediate artists with examples of what a good storyboard and character design should look like and example of poorly designed storyboards. and tricks.

Further your artistic skill development with an interactive, companion website which will includes video tutorials, examples of animatics and good and bad pitching techniques.

Table of Contents

Chapter 1 First Catch Your Rabbit: Creating Concepts and Characters

Chapter 2 How Storyboard Took Over the Movies (And Television)Live Action and Animation Boards

Chapter 3 Putting Yourself into Your Work

Chapter 4 Situation and Character Driven Stories

Chapter 5 Treat ‘em rough: beginning character design and setting story rules

Chapter 6 Appealing or Appalling? Developing your Characters

Chapter 7 Working with Multiple Characters

Chapter 8 Beauties and Beasts: Creating Character Contrasts in Design

Chapter 9 Color and Design in Storytelling

Chapter 10 Starting Story Sketch: Compose Yourself

Chapter 11 Boarding Time: Getting with the Story Beat

Chapter 12 Roughing It: Basic Staging

Chapter 13 The Big Picture: Creating Story Sequences

Chapter 14 Patterns in Time: Pacing Action on Rough Boards

Chapter 15 Present Tense: Creating a Performance on Storyboards

Chapter 16 Color My World: Art Direction and Storytelling

Chapter 17 Show and Tell: Presenting Your Storyboards

Chapter 18 Talking Pictures: Assembling a Leica, Story Reel or Animatic with a Scratch Track

Chapter 19 Team Storyboard: Working on Group Projects

Chapter 20 Maquette Simple: Modeling Characters in Three Dimensions

Chapter 21 Building a Better Mouse: Creating Final Model Sheets

Chapter 22 Screen and Screen Again: Preparing for Production

Chapter 23 Appendices: Animated Interviews

Although the suggestion that graphic narrative represents an important literary form still causes debate in academic circles, in recent years comics scholarship has emerged into wider contexts. This collection considers various literary approaches to graphic narrative and sequential art. The essays examine the politics of comic form and narrative, the ways in which graphic narrative and sequential art ""cross over"" into other forms and genres, and how these articulations challenge the ways we read and interpret texts. By bringing literary theory to bear on graphic narrative and balancing readings of individual texts with larger ideas about comics scholarship as a whole, this work explores our understanding of the form itself and its engagement with political culture.

The graphic novel form is the fastest growing area of publishing. Stephen Weiner provides a history of the genre, from its origins in the world of comic books to the current roller coaster phenomenon.

Nicholas Garland writes: There are many snatches of songs and lines of poetry which lodge in your memory, and that you find running through your head when you're not thinking of anything much. They are companionable, like old friends. I don't remember how I learned a couple of the verses included here; probably I picked them up at school. A year or so ago, I looked them up on the internet and found that they, and two other verses like them, had been included in The Poet's Tongue, an anthology edited by W.H. Auden and John Garrett. They were not exactly as I remembered them, but perhaps, like folk songs, they never have existed in a fixed version. Auden and Garrett do not say anything about their origin, but at the end of the four verses add the words and so ad infinitum ... I wrote down and illustrated the two I remembered, and began inventing the rest.

Timed for the 50th anniversary, a collectible portfolio featuring 12 ready-to-frame reproductions of the iconic Marvel Comics black light posters The Marvel Super Heroes are here! Fans will light up when they see this psychedelic, collectible portfolio featuring 12 frameable black light posters of celebrated Marvel Comics characters, including Captain America, Spider-Man, the Hulk, Thor, Iron Man, the Fantastic Four, and Doctor Strange, illustrated by legendary artists Jack Kirby, Gene Colan, Tom Palmer, and others. First printed in 1971 by Marvel Comics and the famed black light publisher Third Eye, Inc., 12 rare images from the original series of 24 are reproduced here for the first time. Also included is a brief history of Third Eye and their Marvel Comics black light publishing by historian and former Marvel editor in chief Roy Thomas, along with images of the original comic book art featured on the posters. This vibrant, far-out collection is perfect for fans who are looking to brighten their lives. Features include: 12 high-quality reproduction posters ready-to-frame in standard 20" x 30" frames Printed in fluorescent inks for viewing in black light Fully designed keepsake packaging for safe storing Brief history of the posters and the original comic book art by historian and former Marvel editor in chief Roy Thomas

Contributions by Georgiana Banita, Colin Beinecke, Harriet Earle, Ariela Freedman, Liza Futerman, Shawn Gilmore, Sarah Hamblin, Cara Koehler, Lee Konstantinou, Patrick Lawrence, Philip Smith, and Kent Worcester A carefully curated, wide-ranging edited volume tracing Art Spiegelman's exceptional trajectory from underground rebellion to mainstream success, Artful Breakdowns: The Comics of Art Spiegelman reveals his key role in the rise of comics as an art form and of the cartoonist as artist. The collection grapples with Spiegelman's astonishing versatility, from his irreverent underground strips, influential avant-garde magazine RAW, the expressionist style of the comics classic Maus, the illustrations to the Jazz Age poem "The Wild Party," and his response to the September 11 terrorist attacks to his iconic cover art for the New Yorker, his children's books, and various cross-media collaborations. The twelve chapters cut across Spiegelman's career to document continuities and ruptures that the intense focus on Maus has obscured, yielding an array of original readings. Spiegelman's predilection for collage, improvisation, and the potent protest of silence shows his allegiance to modernist art. His cultural critique and anticapitalist, antimilitary positions shed light on his vocal public persona, while his deft intertextual strategies of mixing media archives, from comics to photography and film, amplify the poignance of his works. Developing new approaches to Spiegelman's comics-such as the publication history of Maus, the history of immigration and xenophobia, and the cartoonist's elevation of children's comics-the collection leaves no doubt that despite the accolades his accessible comics have garnered, we have yet to grasp the full range of Spiegelman's achievements in the realm of comics and beyond.

Contributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie Ludlow, Marcela Murillo, Sho Ogawa, Pauline J. Reynolds, Stefanie Snider, J. Richard Stevens, Justin Wigard, Daniel F. Yezbick, and Jing ZhangMonsters seem to be everywhere these days, in popular shows on television, in award-winning novels, and again and again in Hollywood blockbusters. They are figures that lurk in the margins and so, by contrast, help to illuminate the center - the embodiment of abnormality that summons the definition of normalcy by virtue of everything they are not. Samantha Langsdale and Elizabeth Rae Coody's edited volume explores the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. To analyze monstrous women is not only to examine comics, but also to witness how those constructions correspond to women's real material experiences. Each section takes a critical look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. Featured are essays on such comics as Faith, Monstress, Bitch Planet, and Batgirl and such characters as Harley Quinn and Wonder Woman. This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters.

For fans of Peter Bagge (b. 1957) and his bracing satirical writing and drawing, this collection offers a perfect means to track how he describes his career choices, work habits, preoccupations, and comedic sensibility since the 1980s. Featuring a new interview and much previously unavailable material, this book delivers insightful, occasionally gossipy, sometimes funny, and often tart conversations. His career has intersected with the modern history of comics, from underground comix and indie comics to comics journalism and graphic nonfiction. Bagge's detailed, garrulous, and often grotesquely funny (and discomfiting) work harks back to the underground generation, recalling Robert Crumb and Gilbert Shelton, while also pointing forward to the emergence of alternative comics as a distinct genre. His signature series, the rawly humorous Hate (1990-1998) and his editorship (1983-1986) of the often outrageous Weirdo magazine, founded by Crumb, established Bagge as a leading voice in alternative comics, and his rude, wildly expressive cartooning makes him a counterpoint to the still introspection of recent literary graphic novels. In his career over three decades, Bagge has left his mark on various formats and genres, as a prolific cartoonist, an accomplished musician, and a sometime essayist, editor, and animator. While his creative output encompasses autobiographical comics, graphic nonfiction, magazine illustrations, gag cartoons, minicomics, political commentary, superhero parodies, comic strips, animated videos, and one-page humor pieces, Bagge stands out for creating continuity-based graphic stories that revolve around sharply defined, over-the-top fictional characters. Libertarians know him for his comics journalism, as his graphic biography of Margaret Sanger in 2013 reaches new audiences. While some have lazily branded Bagge as a grunge-era visual satirist, his creative restlessness and expanding body of work make it difficult to confine him within any single genre, cultural niche, or historical moment.

Blockheads, Beagles, and Sweet Babboos: New Perspectives on Charles M. Schulz's "Peanuts" sheds new light on the past importance, ongoing significance, and future relevance of a comics series that millions adore: Charles M. Schulz's Peanuts. More specifically, it examines a fundamental feature of the series: its core cast of characters. In chapters devoted to Charlie Brown, Snoopy, Lucy, Franklin, Pigpen, Woodstock, and Linus, author Michelle Ann Abate explores the figures who made Schulz's strip so successful, so influential, and-above all-so beloved. In so doing, the book gives these iconic figures the in-depth critical attention that they deserve and are long overdue. Abate considers the exceedingly familiar characters from Peanuts in markedly unfamiliar ways. Drawing on a wide array of interpretive lenses, Blockheads, Beagles, and Sweet Babboos invites readers to revisit, reexamine, and rethink characters that have been household names for generations. Through this process, the chapters not only demonstrate how Schulz's work remains a subject of acute critical interest more than twenty years after the final strip appeared, but also how it embodies a rich and fertile site of social, cultural, and political meaning.

Blockheads, Beagles, and Sweet Babboos: New Perspectives on Charles M. Schulz's "Peanuts" sheds new light on the past importance, ongoing significance, and future relevance of a comics series that millions adore: Charles M. Schulz's Peanuts. More specifically, it examines a fundamental feature of the series: its core cast of characters. In chapters devoted to Charlie Brown, Snoopy, Lucy, Franklin, Pigpen, Woodstock, and Linus, author Michelle Ann Abate explores the figures who made Schulz's strip so successful, so influential, and-above all-so beloved. In so doing, the book gives these iconic figures the in-depth critical attention that they deserve and are long overdue. Abate considers the exceedingly familiar characters from Peanuts in markedly unfamiliar ways. Drawing on a wide array of interpretive lenses, Blockheads, Beagles, and Sweet Babboos invites readers to revisit, reexamine, and rethink characters that have been household names for generations. Through this process, the chapters not only demonstrate how Schulz's work remains a subject of acute critical interest more than twenty years after the final strip appeared, but also how it embodies a rich and fertile site of social, cultural, and political meaning.

Blab World is the new incarnation of the celebrated art & comics annual Blab "It's like the New Yorker for Mutants," proclaimed the Los Angeles Reader. Blab World defies description: neither book or magazine, it is obviously a work of art. Over the last decade, BLAB has accrued countless design awards and honors. Founded in 1986 by acclaimed Chicago-based graphic designer and art director Monte Beauchamp, Blab World has evolved from a digest-sized comics mag into a beautifully designed and printed keepsake. Over the years BLAB has featured such (now celebrated) illustrators and painters as Chris Ware, Gary Baseman, The Clayton Brothers, SHAG, Camille Rose Garcia, Mark Ryden, and many, many more. Blab World also features selections of "found" graphic ephemera such as Depression-era matchbook covers, Valmor cosmetic labels, vintage decals, and European devil postcards. Blab World is an annual publication. Blab World Number 1 contains the following: The main feature is Artpocalypse (Artists Interpret End Times) Featuring: Mark Ryden, Joe Sorren, Kris Kuksi, Femke Hiemstra, Ron English, Natalia Fabia, Alex Gross, Sue Coe, Gary Taxali, Gary Baseman, Ryan Heshka, Owen Smith, Martin Wittfooth, Yoko D'Holbachie, Andy Kehoe, Travis Lampe, Jean-Pierre Roy, John Pound, Andrea Dezso, Edel Rodriguez, Fred Stonehouse, Spain (ZAP ) Rodriguez, and MANY MORE Other articles include: SKULL A history of the skull motif on the covers of Pre-Code Comics, Pulps, and Paperback books, lavishly illustrated throughout. By Bill North, Senior Curator, Marianna Kistler Beach Museum of ArtCOVERING WEIRDOA loving analysis of R. Crumb's Weirdo Covers by Steven Heller, columnist for The New York Times Book Review and the author of more than 100 books on design and popular culture. AXE THE AXIS Propaganda Caricature Art of World War IIby WW II Historian Jim Lowes Artist profiles include: BALLPOINT BRAVURA: Drawings by C.J. Pyleby Bill North, Senior Curator, Marianna Kistler Beach Museum of ArtCOLLODION / NOIDOLLOC The Wetplate Collodion Photography of Kari Laine McCluskey by Monte Beauchamp Sequential Art: The Dreaded Mothman of West Virginia / Mark ToddThe Neurotic Art Collector / Greg ClarkeQUICKSAND The Tumultuous Life of Isabelle Eberhardt / Nora KrugFour Horsemen / Peter KuperSlime Molds / Geoffrey GrahnThe Life of an Artist / Sergio RuzzierFetal Elvis' Art Empire / Mark Landman

"I Am Not of This Planet" is a series of drawings and paintings from an early figure in the underground comix scene, Gary Arlington. Contains works of art made during the early 1970s as well as recent creations. Ninety pages jam packed with eye popping art and photos of Gary. Contains snippets of pages from his unpublished diaries. Gary Arlington, 72, has spent his entire life in the San Francisco Bay Area. He opened the first comic book shop in America in San Francisco in the 1960s. His shop became a meeting place for young artists and helped inspire and launch the careers of many famous figures in underground comix.

Horror comics were among the first comic books published--ghastly tales that soon developed an avid young audience, along with a bad reputation. Parent groups, psychologists, even the U.S. Government joined in a crusade to wipe out the horror comics industry--and they almost succeeded. Yet the genre survived and flourished, from the 1950s to today. This history covers the tribulations endured by horror comics creators and the broader impact on the comics industry. The genre's ultimate success helped launch the careers of many of the biggest names in comics. Their stories and the stories of other key players are included, along with a few surprises.

In this highly portable mini version of Chibi Art Class, renowned anime artist Yoai teaches you the art of chibi, step by adorable step. Chibi is Japanese slang for “short,� and popular Instagram anime artist Yoai (@yoaihime) shows you how to draw these adorable doll-like characters in Mini Chibi Art Class. Chibis are mini versions of Japanese anime and manga characters and are defined by their large heads and tiny bodies, both of which contribute to their kawaii, or cuteness, factor.   Here, you'll learn how to create chibis’ signature bodies, facial features, and props, including dreamy eyes, fun clothes and shoes, vibrant hair, colorful accessories, and lively backgrounds. You'll also learn how to color and shade your vertically challenged characters for optimal cuteness. This book also features 19 chibi tutorials with simplestep-by-step illustrations and instructions, inspiration galleries, blank body bases for you to start your own chibi drawings, and uncolored chibis for practicing coloring and shading. ​Mini Chibi Art Class is part of a series of adorable mini versions of Race Point art reference books that include Mini Kawaii Doodle Class and Mini Kawaii Doodle Cuties. Thanks to this take-anywhere crash course, soon you will be enhancing your notebooks, stationery, artwork, and more with your own unique chibi world. Mini Chibi Art Class is now in session!

North Carolina fiddler and banjo player Jim Scancarelli's extensive career as a string band musician began in the early 1960s. A founding member of the Kilocycle Kowboys, one of Charlotte's longest-lived bluegrass bands, he played banjo with the Mole Hill Highlanders, and in the 1980s formed Sanitary Cafe with fiddler Tommy Malboeuf. Through the 1970s, his annual recordings at the Union Grove Fiddlers Convention captured superlative music and performer interviews. Scancarelli also had a successful career as a freelance magazine artist and collaborated on the syndicated comic strips "Mutt and Jeff" and "Gasoline Alley," eventually taking over authorship of the latter in 1986. This biography traces his creative trajectory in music, art, radio and television, and the cartooning industry.

A breathtakingly imaginative fantasy series starring Max - a trans high school student who has to save the world as a Magical Girl ... as a boy! Although he was assigned female at birth, Max is your average trans man trying to get through high school as himself. But on top of classes, crushes and coming out, Max's life is turned upside down when his mom reveals an eons old family secret: he's descended from a long line of Magical Girls tasked with defending humanity from a dark, ancient evil! With a sassy feline sidekick and loyal gang of friends by his side, can Max take on his destiny, save the world and become the next Magical Boy? A hilarious and heartfelt riff on the magical girl genre made popular by teen manga series, Magical Boy is a one-of-a-kind fantasy series that comic readers of all ages will love.

Wonder Woman, Amazon Princess; Asterix, indefatigable Gaul; Ozymandias, like Alexander looking for new worlds to conquer. Comics use classical sources, narrative patterns, and references to enrich their imaginative worlds and deepen the stories they present. Son of Classics and Comics explores that rich interaction. This volume presents thirteen original studies of representations of the ancient world in the medium of comics. Building on the foundation established by their groundbreaking Classics and Comics (OUP, 2011), Kovacs and Marshall have gathered a wide range of studies with a new, global perspective. Chapters are helpfully grouped to facilitate classroom use, with sections on receptions of Homer, on manga, on Asterix, and on the sense of a 'classic' in the modern world. All Greek and Latin are translated. Lavishly illustrated, the volume widens the range of available studies on the reception of the Greek and Roman worlds in comics significantly, and deepens our understanding of comics as a literary medium. Son of Classics and Comics will appeal to students and scholars of classical reception as well as comics fans.

Contributions by Georgiana Banita, Colin Beinecke, Harriet Earle, Ariela Freedman, Liza Futerman, Shawn Gilmore, Sarah Hamblin, Cara Koehler, Lee Konstantinou, Patrick Lawrence, Philip Smith, and Kent Worcester A carefully curated, wide-ranging edited volume tracing Art Spiegelman's exceptional trajectory from underground rebellion to mainstream success, Artful Breakdowns: The Comics of Art Spiegelman reveals his key role in the rise of comics as an art form and of the cartoonist as artist. The collection grapples with Spiegelman's astonishing versatility, from his irreverent underground strips, influential avant-garde magazine RAW, the expressionist style of the comics classic Maus, the illustrations to the Jazz Age poem "The Wild Party," and his response to the September 11 terrorist attacks to his iconic cover art for the New Yorker, his children's books, and various cross-media collaborations. The twelve chapters cut across Spiegelman's career to document continuities and ruptures that the intense focus on Maus has obscured, yielding an array of original readings. Spiegelman's predilection for collage, improvisation, and the potent protest of silence shows his allegiance to modernist art. His cultural critique and anticapitalist, antimilitary positions shed light on his vocal public persona, while his deft intertextual strategies of mixing media archives, from comics to photography and film, amplify the poignance of his works. Developing new approaches to Spiegelman's comics-such as the publication history of Maus, the history of immigration and xenophobia, and the cartoonist's elevation of children's comics-the collection leaves no doubt that despite the accolades his accessible comics have garnered, we have yet to grasp the full range of Spiegelman's achievements in the realm of comics and beyond.

The art of Dennis Larkins ranges from retro-kitsch paintings of multi-dimensional landscapes to his legendary and iconic series of Grateful Dead concert posters. Larkins' images were forever burned into the pop psyche by the groundbreaking stage monoliths he created for promoter Bill Graham. At last, here is a definitive collection of Larkins' works - four decades of his creative growth and expression distilled in to a gorgeous, full-color hardcover. Startling Art is an in-depth look at an artist immersed in the visual vernacular of pop surrealism, uniquely drawn from a life lived in the trenches of pop culture.

Best-selling artist and art instructor Mark Crilley, whose YouTube manga instruction videos have received more than 10 million views and counting, presents the most complete look yet at the variety of creative options available in the world of manga. Crilley fills each chapter with gorgeous, original artwork created with a variety of tools and in a variety of manga-inspired styles. He pairs each piece with information on the materials used and the inspiration that led to its creation. Manga Art provides readers the chance to hear from one of the leading artists in the field of manga instruction, as he reveals the creative secrets behind over 100 pieces of original, never-before-seen artwork.

The artwork of Curt Swan (1920-1996) defined the look of "Superman" for over 30 years. His amazing skills of storytelling, draftsmanship and design brought a realism and sense of wonder to The Man of Steel's adventures, making them the best-selling comic books of their day. Filled with iconic artwork, this biography traces the artist's career from its beginning on features like "Gangbusters" to his widespread regard as the Dean of American comics and, later, his frustrations with an industry that viewed his dignified work as unfashionable. It features one-to-one interviews with Curt Swan's family members as well as with comics legends Joe Kubert, Carmine Infantino, Murphy Anderson and others.

The American Comic Book Chronicles continues its ambitious series of FULL-COLOR HARDCOVERS, where TwoMorrows' top authors document every decade of comic book history from the 1940s to today! Keith Dallas headlines this volume on the 1980s, covering all the pivotal moments and behind-the-scenes details of comics during the Reagan years! You'll get a year-by-year account of the most significant publications, notable creators, and impactful trends, including: The rise and fall of Jim Shooter at Marvel Comics! The ascendancy of Frank Miller as a comic book superstar with works like Daredevil, Ronin and The Dark Knight! DC Comics' reboot with Crisis on Infinite Earths and its Renaissance with a British invasion of talent like Alan Moore, Grant Morrison, and Neil Gaiman! The emergence of Direct Market-exclusive publishers like Eclipse Comics, Pacific Comics, First Comics, Comico, Dark Horse Comics and others! These are just a few of the events chronicled in this exhaustive, full-color hardcover.Taken together, American Comic Book Chronicles forms a cohesive, linear overview of the entire landscape of comics history, sure to be an invaluable resource for ANY comic book enthusiast!