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Books > Social sciences > Sociology, social studies > Social groups & communities > Social classes > General
Vietnam annually sends a half million laborers to work at low-skill jobs abroad. Angie Ngoc Tran concentrates on ethnicity, class, and gender to examine how migrant workers belonging to the Kinh, Hoa, Hre, Khmer, and Cham ethnic groups challenge a transnational process that coerces and exploits them. Focusing on migrant laborers working in Malaysia, Tran looks at how they carve out a third space that allows them a socially accepted means of resistance to survive and even thrive at times. She also shows how the Vietnamese state uses Malaysia as a place to send poor workers, especially from ethnic minorities; how it manipulates its rural poor into accepting work in Malaysia; and the ways in which both countries benefit from the arrangement. A rare study of labor migration in the Global South, Ethnic Dissent and Empowerment answers essential questions about why nations export and import migrant workers and how the workers protect themselves not only within the system, but by circumventing it altogether.
First published in 1999, this much-needed volume powerfully re-evaluates attitudes to the 'deserving and 'undeserving' poor and aims to investigate social workers' attitudes and actions towards poverty issues, social service users who have needed financial help and to question whether learning about poverty is an integrated part of social work students' training and social workers' in-service training. Monica Dowling has experience of being a social work student and social worker, as well as a social work teacher and researcher. In an age when increasing numbers of undergraduate and postgraduate students are unemployed and living on benefits, Dowling reveals the true picture of the people who end up on the poverty line, reconnecting social work theory and practice.
A People's History of Classics explores the influence of the classical past on the lives of working-class people, whose voices have been almost completely excluded from previous histories of classical scholarship and pedagogy, in Britain and Ireland from the late 17th to the early 20th century. This volume challenges the prevailing scholarly and public assumption that the intimate link between the exclusive intellectual culture of British elites and the study of the ancient Greeks and Romans and their languages meant that working-class culture was a 'Classics-Free Zone'. Making use of diverse sources of information, both published and unpublished, in archives, museums and libraries across the United Kingdom and Ireland, Hall and Stead examine the working-class experience of classical culture from the Bill of Rights in 1689 to the outbreak of World War II. They analyse a huge volume of data, from individuals, groups, regions and activities, in a huge range of sources including memoirs, autobiographies, Trade Union collections, poetry, factory archives, artefacts and documents in regional museums. This allows a deeper understanding not only of the many examples of interaction with the Classics, but also what these cultural interactions signified to the working poor: from the promise of social advancement, to propaganda exploited by the elites, to covert and overt class war. A People's History of Classics offers a fascinating and insightful exploration of the many and varied engagements with Greece and Rome among the working classes in Britain and Ireland, and is a must-read not only for classicists, but also for students of British and Irish social, intellectual and political history in this period. Further, it brings new historical depth and perspectives to public debates around the future of classical education, and should be read by anyone with an interest in educational policy in Britain today.
The New York Times Bestseller A ground-breaking history of the class system in America, which challenges popular myths about equality in the land of opportunity. In this landmark book, Nancy Isenberg argues that the voters who boosted Trump all the way to the White House have been a permanent part of the American fabric, and reveals how the wretched and landless poor have existed from the time of the earliest British colonial settlements to today's hillbillies. Poor whites were central to the rise of the Republican Party in the early nineteenth century and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted white trash against newly freed slaves, which factored in the rise of eugenics - a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and Lyndon B. Johnson's Great Society; they are now offered up as entertainment in reality TV shows, and the label is applied to celebrities ranging from Dolly Parton to Bill Clinton. Marginalized as a class, white trash have always been at or near the centre of major political debates over the character of the American identity. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America's supposedly class-free society - where liberty and hard work were meant to ensure real social mobility - and forces a nation to face the truth about the enduring, malevolent nature of class.
While the clash between what has been called the "modern" and
"undeveloped" worlds has led to America's military involvement in
the Middle East and other places, few people realize the tension
between the modern and the traditional within the United States.
Beginning in the 1920's, professional intellectuals and academics
began influencing the nation's public policy on matters as diverse
as education, economics, and public health. In this thoughtful
work, David A. Horowitz analyzes the tension between the so-called
"New Class" of knowledge professionals and their critics, who
accused them of being out of touch with the common sense of
everyday people, strangers to the American Way, even
Communists.
Award-winning artist, writer and broadcaster Scottee grew up around mould, mice and second-hand clothes. After a chance meeting with some posh kids, his mum teaching him to talk proper and him successfully persuading his parents to take him off free school meals Scottee knew he didn't want to be common. In Class, Scottee uncovers what it is to be embarrassed about where you're from, how you can pretend to be richer than you are and explores why we all get a thrill from watching how the other half live. This is a book for the middle class, those who didn't grow up in poverty. 'This work is essential. For you and the world.' Sofie Hagen 'Class is hard to watch, it's gruelling, it sticks to you, you can feel it after it is gone. But, so is growing up poor and the experience of poverty. Scottee has made something that doesn't let you off the hook, and nor should it.' Travis Alabanza
The last night of a dysfunctional relationship precedes its one-night stand beginnings in this bittersweet heartbreak comedy. Tender, awkward and painfully funny, 'I Lost My Virginity to Chopin's Nocturne in B-Flat Minor' probes the murky line between devotion and destruction in a modern relationship. 'Chopin' is a bittersweet comedy which focuses in on the disparity between classes and how much of your self identity you would comprise for someone you love. Its fresh look at 'privilege', challenges how this is defined by both gender and upbringing, highlighting darker elements of toxic masculinity and the unhealthy nature of a dependent relationship. The piece explores a modern relationship being pulled apart by the divides of the class system and treads a murky line between devotion and destruction. It explores the politics of both the middle class and the working class, pitting them against each other to interrogate privilege, the gender divide and stereotypes. ' a delightful slice of relationship hell' - Christopher Brett Bailey 'A terrific two-hander. I'd prescribe this show for a bit of short sharp relationship counseling. - THE SCOTSMAN, * * * * 'Sebastian Gardner is a truly gifted writer, and one you will want to keep an eye on if your interest is cutting edge theatre. His dialogue bounces back and forth with unabashed vigour and viewed as a whole, I Lost My Virginity To Chopin's Nocturne in B-Flat Minor is its own symphony of modern theatre, pulling together all of the elements required for a fascinating and intuitive character study. A searing insight into modern-day relationships. 'The heated and often distressing confrontation in Act I tells us more about our characters than any other dramatic device could ever hope to achieve. - Theatre Weekly, * * * * 'There is no point in this show during which you might be tempted to wonder off in thoughts to your own life - you are riveted to the situation unfolding in front of your eyes.' -SCOTSGAY, * * * * 'An honest, bitter, and endearing portrayal of modern relationships that throws away any pretence of romanticism to create an original work. A must-see during this year's fringe.' - Ed Fringe Review, * * * *
During the summer holidays of 2009 Corey dreams of nothing but hanging around with his friends while ordering as much Morley's as possible... until Jodie comes along. Meeting her makes Corey realise the changes that are happening within his beloved Lewisham Borough and, for the first time, thinking about what path his future takes. 'Corey Bovell is a master story-teller who oozes charisma, captivating his audience throughout. He is able to truly capture those moments he describes, drawing you in, even when he's just telling you about ordering his Chicken Burger N Chips. It's a deeply personal play and this comes through in both the writing and the performance... Kwame Asiedu's direction brings it to life with energy and emotion...I hope it gets a further run so more people are able to experience this.' Dress Circle Reviews 'For 75 breathless, high energy minutes, writer/performer Corey painted a vivid picture of life on the mean streets of Lewisham, with good friends, a loving family, and the best fried chicken in South London... Corey Bovell enacts that significance with brilliant effect and makes the story of "a good boy in a bad borough" powerful and telling... I loved the powerful performance.' London Pub Theatres
Dinomania 'Wildly inventive theatre company Kandinsky return with a head-spinningly smart show about Victorian fossil hunters...No-one else makes theatre quite like this.' Time Out Dinomania was originally commissioned by New Diorama Theatre, running from 19 February to 23 March 2019. 165 million years ago, an iguanodon is killed in the heart of a rainforest. Time passes, the rainforest becomes the South Downs, and every part of the iguanodon degrades and disappears - except one tooth. 197 years ago, in safe, affluent 1820s Sussex, a country doctor finds the tooth. But where does it fit in the story of an earth created by God just 6,000 years ago? Evening Standard 'Consistently smart and inventive.' The Stage 'Brilliant comic timing... I have rarely seen such an electric cast' A Younger Theatre 'This is such intelligent work from a seriously talented company' - Lyn Gardner for Stagedoor 'Sharply funny and exciting throughout' - The TLS 'For Kandinsky, this is yet another nuanced, reflective, and highly creative approach to theatre-making. Original and perceptive, this is storytelling at its best.' - Exeunt Trap Street 'Trap Street is an 80-minute show that melds an astonishing complexity of themes, a mastery of form and a deep, deep humanity ... another triumph for Kandinsky' Time Out This show premiered at New Diorama Theatre, running from 6 to 31 March 2018. It also ran at the Schaubuhne, Berlin from 5 to 7 April 2019 as part of the Festival of International New Drama (FIND) where the New York Times described it as: 'not only the highlight of the festival but one of the most ingenious pieces of new theater I have seen recently... The three-person cast deftly shifts between time periods in a mesmerizing single act that combines minimal stagecraft, improvised music and finely chiseled performances to create an anguished cry of moral outrage about neoliberal economic policies, gentrification and the erosion of the social security system.' It's 1961 and the concrete's just been poured for a brand new housing estate. It's beautiful, not because of the clean lines, indoor toilets and wide windows, but because the idea behind it is beautiful. This is the future, and it's for everyone. It's 2018 and the last tower of the estate is about to come down. The dream that saw it built has long since died and now the estate has to follow suit to make way for new buildings, based on new ideas. This is the future, whether you like it or not. 'Timely critique about the housing crisis is both angry and humane.' Evening Standard 'Compelling and intelligent' The Stage 'ferociously intelligent, poignant ... Trap Street effectively maps the process of British dreaming, and how that process is permanently written into the landscape itself.' Exeunt Kandinsky brings the company's trademark theatrical inventiveness to city life, exploring a community trying to find its way in a landscape shaped by power. TRAP STREET charts 50 years of changing attitudes to ownership and space in London, to ask what home means in 2018.
A town is in turmoil. A hospital is closing. And an MP is dead on the train tracks... Accident? Or opportunity? When a local hospital announces its closure, panic ensues. Healthcare Assistant Rhea is forced to look for work elsewhere. Local lad Aaron worries about his mum's treatment in the cancer unit. And Curtis just isn't sure where he's going to sleep. But when the three witness a horrific accident, a rare opportunity presents itself. As a dangerous decision triggers a wild chain of events, Rhea, Aaron and Curtis soon find themselves gathering power, influence and infamy - and inspiring a cohort of vigilante activists. What does it take to enact real change? And what would you sacrifice to keep it? WINNER: COMMON Award 2020 'Definitely worth seeing. Full of swagger and moral ambiguities.' - Lyn Gardner 'Amy Guyler's engagingly funny play The Nobodies reminds us that social discontent will have its expression...which offers hope that, even in the darkest times, the nobodies of the world can find ways to resist' British Theatre Guide 'Amy Guyler's script is genius, masterfully balancing stark political commentary with bold theatricality' A Younger Theatre
Nothing really matters. All the things that we do not do, have or become in our lives can be important in shaping self-identity. From jobs turned down to great loves lost, secrets kept and truths untold, people missed and souls unborn, we understand ourselves through other, unlived lives that are imaginatively possible. This book explores the realm of negative social phenomena - no-things, no-bodies, non-events and no-where places - that lies behind the mirror of experience. Taking a symbolic interactionist perspective, the author argues that these objects are socially produced, emerging from and negotiated through our relationships with others. Nothing is interactively accomplished in two ways, through social acts of commission and omission. Existentialism and phenomenology encourage us to understand more deeply the subjective experience of nothing; this can be pursued through conscious meaning-making and reflexive self-awareness. The Social Life of Nothing is a thought-provoking book that will appeal to scholars across the social sciences, arts and humanities, but its message also resonates with the interested general reader.
First published in 1999, this much-needed volume powerfully re-evaluates attitudes to the 'deserving and 'undeserving' poor and aims to investigate social workers' attitudes and actions towards poverty issues, social service users who have needed financial help and to question whether learning about poverty is an integrated part of social work students' training and social workers' in-service training. Monica Dowling has experience of being a social work student and social worker, as well as a social work teacher and researcher. In an age when increasing numbers of undergraduate and postgraduate students are unemployed and living on benefits, Dowling reveals the true picture of the people who end up on the poverty line, reconnecting social work theory and practice.
Education forms a unique dimension of social status, with qualities that make it especially important to health. It influences health in ways that are varied, present at all stages of adult life, cumulative, self-amplifying, and uniformly positive. Educational attainment marks social status at the beginning of adulthood, functioning as the main bridge between the status of one generation and the next, and also as the main avenue of upward mobility. It precedes the other acquired social statuses and substantially influences them, including occupational status, earnings, and personal and household income and wealth. Education creates desirable outcomes because it trains individuals to acquire, evaluate, and use information. It teaches individuals to tap the power of knowledge. Education develops the learned effectiveness that enables self-direction toward any and all values sought, including health. For decades American health sciences has acted as if social status had little bearing on health. The ascendance of clinical medicine within a culture of individualism probably accounts for that omission. But research on chronic diseases over the last half of the twentieth century forced science to think differently about the causes of disease. Despite the institutional and cultural forces focusing medical research on distinctive proximate causes of specific diseases, researchers were forced to look over their shoulders, back toward more distant causes of many diseases. Some fully turned their orientation toward the social status of health, looking for the origins of that cascade of disease and disability flowing daily through clinics. Why is it that people with higher socioeconomic status have better health than lower status individuals? The authors, who are well recognized for their strength in survey research on a broad national scale, draw on findings and ideas from many sciences, including demography, economics, social psychology, and the health sciences. People who are well educated feel in control of their lives, which encourages and enables a healthy lifestyle. In addition, learned effectiveness, a practical end of that education, enables them to find work that is autonomous and creative, thereby promoting good health.
First published in 1999, this volume examines the 'meanings' specific child protection cases involving the familial sexual abuse of adolescent girls hold for social workers. This is achieved through a qualitative analysis of a series of interviews with social workers regarding current or recent cases. The analysis reveals various influences on social workers' practice: the organisation and administrative structure of child protection, governmental requirements to interagency coordination, the abused girl, her family, and the skills and limitations of the social worker. The findings point to a series of tensions between social workers' perceptions of appropriate intervention practice on the one hand and organisational needs, the demands of the criminal justice system and client choice on the other. This leads to recommendations for improved in-service training, including joint training for social workers and police officers, and a review of the transitional procedures between child protection and adult services.
Originally published in 1978, Schools in an Urban Community is an ethnography of the Carbrook and Hill Top area of the Attercliffe district of Sheffield before it was cleared for redevelopment. The book provides an in depth look at the community and schools of the area and provides a valued contribution to the field of social history. Using interviews with former pupils, log books and questionnaires from the local community, the book provides a valuable resource for educationists and urban historians, as well as providing a detailed examination of the relations between school and community.
Urbanisation and urban development are the focus of this
comprehensive account which introduces readers to the far-reaching
changes now taking place in Chinese cities. New and established
scholars from the fields of geography, sociology and urban
planning, including Chinese social scientists, contribute chapters
on the development of Chinese cities up to the turn of the
twenty-first century. All their work reflects the most recent
scholarship. The book's original approach links the visible changes in urban life to changes in the larger political economy of China. Conversely, broad concepts that are central to understanding the country's re-emergence on the world stage, such as the transition from socialism, market reform, and globalization, are made tangible in their effects on people's daily lives in Chinese cities and in detailed examination of how these cities have developed. Case materials are drawn from all China's major cities, but particular attention is paid to Shanghai and Hong Kong.
The author of this stunning set of essays on politics and public
policy makes crystal clear the meaning of the title. "The
revolutionaries of contemporary America do not seek to redistribute
privilege from those who have it to those who do not. These
radicals wish to arrange a transfer of power from those elites who
now exercise it to another elite, namely themselves, who do not.
This aspiring elite is of the same race (white), the same class
(upper middle and upper), and the same educational background (the
best colleges and universities) as those they wish to displace."
The image of the debauched French aristocrat of the seventeenth and eighteenth centuries is one that still has power over the international public imagination, from the unending fascination with the Marquis de Sade to the successes of the film Ridicule. Drawing on memoirs, letters, popular songs and pamphlets, and political treatises, The Enlightened and Depraved: Decadence, Radicalism, and the Early Modern French Nobility traces the origins of this powerful stereotype from between the reign of Louis XIV and the Terror of the French Revolution. The decadent and enlightened noble of early modern France, the libertine, was born in a push to transform the nobility from a warrior caste into an intelligentsia. Education itself had become a power through which the privileged could set themselves free from old social and religious restraints. However, by the late eighteenth century, the libertine noble was already falling under attack by changing attitudes toward gender, an emphasis on economic utility over courtly service, and ironically the very revolutionary forces that the enlightened nobility of the court and Paris helped awaken. In the end, the libertine nobility would not survive the French Revolution, but the basic idea of knowledge as a liberating force would endure in modernity, divorced from a single class. |
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