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Books > Children's & Educational > Language & literature > English (including English as a school subject) > English literary criticism > General
This edition of The Tempest is especially designed for students,
with accessible on-page notes and explanatory illustrations, clear
background information, and rigorous but accessible scholarly
credentials.This edition includes illustrations, preliminary notes,
reading lists (including websites) and classroom notes, allowing
students to master Shakespeare's work.
There have been many great and enduring works of literature by Caribbean authors over the last century. The Caribbean Contemporary Classics collection celebrates these deep and vibrant stories, overflowing with life and acute observations about society. Old Story Time is a Caribbean classic, providing brilliantly entertaining theatre about race, identity, malice, and the redeeming power of love. In this enthralling drama, we progress with Len from poor scholarship boy to successful accountant. We see a similar but opposite shift in George, from wealthy, well-connected schoolboy to double-dealing crook. Len's mother Miss Aggy, the girls he first loves, and the woman he eventually marries, many destinies are entwined with Len's. Misunderstandings can be dangerous, and trust and love need some help to win through. With the help of Pa Ben, our far-seeing narrator, can things end well? Trevor Rhone was a leading dramatist in Jamaica. His sparkling and original talent has won acclaim from critics and audiences worldwide. Suitable for readers aged 14 and above.
This fantastic range of fiction for Shared, Guided and Independent reading gives you stories your children will love to read over and over again. Gaelic and Scottish teaching support also accompanies this reading series.
Each book contains 32 weeks of work, arranged into four units. Seven weeks of each unit begin with a new ‘Skill Focus’, addressing a key language concept. Each day, the first two questions will reinforce and consolidate this language concept. The rest of the daily questions will cover common skills of English. Energise your English programme through comprehensive and structured daily English practice to consolidate learners' ability to read and write. Build learners’ confidence through improved mastery of spelling, punctuation, phonics, word knowledge and grammar. Target confusing words and common errors in writing and help your learners to achieve better results.
Ketso worries all the time: about passing Grade 11, about being the head of his family, about his friends and their sugar daddies – and most of all about how he can follow his late mother’s advice and grow up to be confident and independent. How can he be someone who is ‘stepping solo’? Ketso’s harsh yet hopeful story reaches a dramatic climax, when a shocking secret is revealed after a hostage situation.
Enthralling readers with books like Treasure Island, Robert Louis Stevenson is an enduring force in the world of fiction. This book presents study plans with activities that should encourage children to: analyze features of text; clarify their ideas; plan their own adaptation of a book and more.
This CGP Text Guide contains everything you need to write top-grade essays about John Steinbeck's 'Of Mice and Men'. Inside, you'll find clear, thorough notes on the novel's context, plot, characters, themes and the writer's techniques - with quick questions, in-depth questions and exam-style questions included at the end of every section. There's also detailed exam advice to help you improve your grades, plus a cartoon-strip summary to remind you of all the important plot points! A separate Foundation Level version of this Text Guide is also available - see 9781847627216.
This book contains everything that year 7-9 students need to know about William Shakespeare's "Twelfth Night", all presented in a helpful and entertaining way to make study easier. There are clear notes on the plot, characters, and language, plus practice questions to make sure you understand the main points. There's also a section of exam advice to help you improve your grades.
Jane Austen's "Pride and Prejudice" (1813) is perhaps her most
popular novel. A work of comedy, wit, romance, it is also haunted
by ironic shadows and dark anxieties as Austen traces the fortunes
of central character Elizabeth Bennet.
This book will support children as they: * Write a school report for a Victorian pupil * Compile the biography of a real-life circus performer- "The Human Canon Ball" * Produce a letter to complain about the after-effects of the Victorian remedy carbolic smoke balls
Robert Morrison sets Pride and Prejudice within the social contexts of female conduct books and political tales of terror and traces criticism of the novel from the nineteenth century to the present, including material on the 1995 film adaptation. Extensive introductory comment and annotation complement extracts from critical and contextual texts. The book concludes with fourteen widely studied passages from Pride and Prejudice, reprinted with editorial comment.
This eye-opening study draws attention to the largely neglected form of the early modern prologue. Reading the prologue in performed as well as printed contexts, Douglas Bruster and Robert Weimann take us beyond concepts of stability and autonomy in dramatic beginnings to reveal the crucial cultural functions performed by the prologue in Elizabethan England. While its most basic task is to seize the attention of a noisy audience, the prologue's more significant threshold position is used to usher spectators and actors through a rite of passage. Engaging competing claims, expectations and offerings, the prologue introduces, authorizes and, critically, straddles the worlds of the actual theatrical event and the 'counterfeit' world on stage. In this way, prologues occupy a unique and powerful position between two orders of cultural practice and perception. Close readings of prologues by Shakespeare and his contemporaries, including Marlowe, Peele and Lyly, demonstrate the prologue's role in representing both the world in the play and playing in the world. Through their detailed examination of this remarkable form and its functions, the authors provide a fascinating perspective on early modern drama, a perspective that enriches our knowledge of the plays' socio-cultural context and their mode of theatrical address and action.
Young children will enjoy the sound of the words read to them by an adult, older children will be stimulated to improve and increase their vocabularies, while adults will delight in the charming alliterations and imagery. Bright, detailed illustrations highlight the flora, fauna, places and customs of Africa.
This series contains poetry and prose anthologies composed of writers from across the English-speaking world. Parts of Songs of Ourselves Volume 1 are set for study in Cambridge IGCSE (R), O Level and Cambridge International AS & A Level Literature in English syllabuses. The anthology includes work from over 100 poets, combining famous names - such as William Wordsworth, Maya Angelou and Seamus Heaney - with lesser-known voices. This helps students create fresh and interesting contrasts as they explore themes that range from love to death.
Parsifal (or Sir Percival) was a Knight of King Arthur. His story is told by the troubadours of France and Germany, notably Chretien de Troyes and Wolfram von Eschenbach. The Parsifal story stands between the past age that looked for secrets of the spirit and the coming age that was going to search for the secrets of matter. In this engaging retelling of the legend of Parsifal, Charles Kovacs's critical commentary offers Steiner-Waldorf educators an unrivalled insight into teaching the story of Parsifal and will aid in lesson planning. Based on Kovacs's extensive teachers' notes, this informative book places the Parsifal story in its greater social and historical context. In the Steiner-Waldorf Education curriculum this story is recommended for Class 11 (age 16-17) as a way of introducing world literature and one of the central problems of our time -- the imperative to learn to ask the right questions.
With supportive guidelines for Key Stages 2 and 3 this book offers
active approaches for teaching pre-twentieth century literature
with confidence. Key texts including "The Odyssey," "Hamlet" and
"The Rime of the Ancient Mariner" are explained in a very practical
and accessible way. This text allows for creativity amongst pupils
at the same time as improving their reading and writing abilities
within the literacy strategy objectives and KS3 English framework
guidelines.
Packed full of every type of poem you can think of, this quirky, wonderful collection of poems from Roger Stevens and Steven Withrow, with fantastic funny illustrations from Katie Abey, is a great way to get kids excited about poetry! "It wasn't me-or was it He, My evil, evil, evil twin? I didn't mean to be so mean. There goes my evil twin again." Join poets Roger Stevens and Steven Withrow for this magical mixture of poems. Sometimes funny, sometimes serious there's something here for everyone. Just remember though - whatever happens... it's not my fault! Book band: Dark Blue Ideal for ages 9-10
This edition brings together Jonson's four great comedies in one volume. Volpone, which was first performed in 1606, dramatizes the corrupting nature of greed in an exuberant satire set in contemporary Venice. The first production of Epicene marked the end of a year-long closure of the theatres because of an epidemic of Plague in 1609; its comedy affirms the consolatory power of laughter at such a time. The Alchemist (1610) deploys the metaphors of alchemical transformation to emphasize the mutability of the characters and ther relationships. In Bartholomew Fair (1614) Jonson ebroils the visitors to the fair in its myriad temptations, exposing the materialistic impulses beneath the apparent godliness of jacobean Puritans. Under the General Editorship of Michael Cordner of the University of York, the texts of the plays have been newly edited and are presented with modernized spelling and punctuation. Stage directions have been added to facilitate the reconstruction of the plays' performance, and there is a scholarly introduction, detailed annotation, and a glossary.
Historical fiction has a great deal to offer as its readers and devotees have always known. The time is ripe however for the historical novel and historical picture book to be promoted more emphatically so that many more are made aware of the delight and learning to be found in the genre. The editors of this book invited authors, academic writers and teachers to reflect on the nature, scope, range and richness of historical fiction for children. What is collected here provides an overview of the field, a consideration of significant writers of historical fiction from the nineteenth century onwards, a sense of the various historical eras commonly explored (Stone Age to World War 2), a discussion of commonly raised issues, themes and topics such as child labor, slavery and migration, and a forum for writers to reveal their insights into the writing of historical fiction. Julian Atterton, Berlie Doherty, Michael Foreman and Philip Pullman have made contributions. It provides evidence of children and students engaging creatively with historical fiction.
The apples gather for a ceremonious party, Rosie is ready to be picked from the tree and united with her loving parents, Mr and Mrs Russet. But amongst the guests are Bad Apples who send the party into disarray, then the dastardly Pieman arrives looking for fresh apples and the hunt is on.
One of Shakespeare's later plays, best described as a
tragic-comedy, the play falls into two distinct parts. In the first
Leontes is thrown into a jealous rage by his suspicions of his wife
Hermione and his best-friend, and imprisons her and orders that her
new born daughter be left to perish. The second half is a pastoral
comedy with the "lost" daughter Perdita having been rescued by
shepherds and now in love with a young prince. The play ends with
former lovers and friends reunited after the apparently miraculous
resurrection of Hermione. John Pitcher's lively introduction and
commentary explores the extraordinary merging of theatrical forms
in the play and its success in performance. As the recent Sam
Mendes production at the Old Vic shows, this is a play that can
work a kind of magic in the theatre. For more than a century
educators, students and general readers have relied on The Arden
Shakespeare to provide the very best scholarship and most
authoritative texts available.
Bored with playing school kiddish tricks on one another, the grotesque, satisfyingly revolting couple Mr and Mrs Twit turn their attentions to capturing and training a family of monkeys, the Muggle-Wumps, for a circus act. The monkey's cruel incarceration in a cage is avenged when the birds trick the Twits into believing the world has turned upside-down. The Twits join in, aided by the birds who drop glue on their hair, and the audience is encouraged to play their part in freeing the monkeys.
What's the hook? This award-winning title provides a moving insight into life and conditions for a black family in apartheid South Africa. This edition contains a revised introduction by author Beverly Naidoo, which provides an insight into her own experiences and the inspiration for the novel. A sequence of photographs from the period is also included, to help pupils understand the harsh realities faced by Naledi and Tiro. What are the themes? Individual vs. society, families and different cultures. Teaching points Ideal for thought-provoking multicultural work. Provides numerous opportunities for exploring narrative devices, characterisation and the wider historical context of the novel. New versions of the author's essay and introduction provide an ideal opportunity for developing pupils' cultural and critical understanding.
Norman Robbins pantomime tells the traditional story in which his own wacky style combines with the traditional elements to provide a script that is hilarious and imaginative, with plenty of opportunities for cast and technical crews to show their mettle. The production can be as elaborate or as simple as facilities permit and directors are free to make their own choice of songs and music.Large flexible cast |
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