The tale of high adventure in the farmyard that became the hit movie Babe is a captivating play for children young and old. A leading writer of children's plays brings the heartwarming story of the piglet who rises to fame at the Grand Challenge Sheep Dog Trials to the stage in a dramatization that allows for flexible casting.Large flexible cast

This book seeks to help teachers ensure that children develop an awareness of the prejudice expressed in books and other reading material that they encounter. Political correctness in this area is easily caricatured, yet more needs to be done to ensure that children's books deal fairly with bias in relation to gender, race, language disability, and age. The author reviews recent work which aims to counter prejudice in children's literature and traces the historical and theoretical basis of this work. Equality issues and stereotyping in a wide range of books -- old and new, popular and classic -- are also discussed.

The focus throughout the text is on the practical ways in which teachers and librarians can help children to develop an awareness of bias, so that they are less likely to adopt the prejudices consciously or subconsciously expressed by the authors they experience.

When Missus produces fifteen puppies, Cruella is enraptured and has the Badduns kidnap the litter. Distraught, Pongo and Missis enlist support on the Twilight Barking and encounter many adventures before rescuing their own pups - and a great many more.Large flexible cast

This series contains poetry and prose anthologies composed of writers from across the English-speaking world. Parts of Stories of Ourselves Volume 1 are set for study in Cambridge IGCSE (R), O Level and International AS & A Level Literature in English courses. Each short story in this collection has its own unique voice and point of view. They may differ in form, genre, style, tone and origin, but all have been chosen because of their wide appeal. Written in English by authors from different countries and cultures, the anthology includes works by Charles Dickens, H.G. Wells, Virginia Woolf, Graham Greene, V.S. Naipaul, R.K Narayan, Janet Frame, Raymond Carver, Jhumpa Lahiri, Annie Proulx and many others.

Enid Blyton's name is synonymous with children's stories, none being more famous than NODDY. David Wood, the acclaimed children's dramatist, draws upon the most entertaining and instructive of the twenty-four books for this popular adaptation. Exploiting the excitement of life theatre with imaginative staging, music, light, puppetry and lots of audience participation, the play will be a hit with all, whether they know Noddy or not.

The House with the Green Shutters is a dark, provocative novel, shining a harsh and unforgiving light into the inner recesses of small-town Scotland at the turn of the last century. Written as a response to social change, and as an antidote to the sentimentality of the 'Kailyard' school, the author called it "a brutal and bloody work" - although a thread of sly humour runs through the book as well. Iain Crichton Smith's Scotnote explores this post-romantic masterpiece through a precise analysis of themes, characters, structure and language, and is ideal for senior school pupils and students.

An adaption of Robert Swindell's novel intended for Key Stage 3. The nightmare Fliss had before the school trip is becoming a chilling reality. The hotel where they are staying holds a sinister secret, but none of the teachers will believe what Fliss has seen. Can Fliss save Ellie-May?

Welcome to Poetryland: Teaching Poetry Writing to Young Children draws from Shelley Savren's forty years of teaching poetry writing in grades pre-K-6 and to focus populations, including gifted and special education students, students in after school programs and at art museums, and homeless, abused, or neglected students. Each chapter begins with a student quote and an original poem, followed by heartfelt stories of working with that particular group, and concludes with lesson plans, complete with introductions of poetic concepts, model poems by professionals, open-ended writing assignments, methods for sharing and critiquing, and one or two student poems. Designed for use in a classroom, this book features thirty-eight lesson plans and twenty-three additional poetry-writing workshop ideas. It provides guidance and inspiration for anyone who wants to teach poetry writing to children. "I wish Shelley would teach the whole world poetry." -1st grade student. "I want to be a poetry writer when I grow up." -2nd grade student. "What I found out about myself was that I have an imagination. And a good one." -6th grade student.

Combining the views of experts in both classroom practice and reading theory, "The Reading for Real Handbook" is a practical guide to a "real reading" or apprenticeship approach to beginning reading. It explores a range of topics including the choice of books, the importance of social context, parental involvement, assessment and record-keeping, and how to help children who don't make a good start with a "real reading approach". It contains advice both for teachers already committed to a storybook approach, and for those who make use of a scheme or schemes but wish to include a greater use of stories.

Published in 1983, this book considers how films are used in secondary school as teaching aids in English and Film courses. Based on a dissertation presented to Temple University, the book tackles three main questions: firstly, it explores the ways that film is used be secondary school English teachers as an adjunct to instruction. Secondly it surveys the number and types of courses offered in film study and filmmaking in specific secondary schools. Thirdly it compares and contrasts the extent and degree of teaching about film as an artistic medium of communication.

CO-PUBLISHED BY ROUTLEDGE AND THE NATIONAL COUNCIL OF TEACHERS OF ENGLISH Bringing together arts-integrated approaches, literacy learning, and classroom-based research, this book explores ways upper elementary, middle, and high school teachers can engage their students physically, cognitively, and emotionally in deep reading of challenging texts. With a focus on teaching about the Holocaust and Anne Frank's diary-part of the U.S. middle school literary canon-the authors present the concept of layering literacies as an essential means for conceptualizing how seeing the text, being the text, and feeling the text invite adolescents to learn about difficult and uncomfortable literature and subjects in relation to their contemporary lives. Offering a timely perspective on arts education advocacy, Chisholm and Whitmore demonstrate the vital need to teach through different modalities in order to strengthen students' connections to literature, their schools, and communities. Accessible strategies are illustrated and resources are recommended for teachers to draw on as they design arts-based instruction for their students' learning with challenging texts.

This volume is part of a new series of novels, plays and stories at GCSE/Key Stage 4 level, designed to meet the needs of the National Curriculum syllabus. Each text includes an introduction, pre-reading activities, notes and coursework activities. Also provided is a section on the process of writing, often compiled by the author. The fabulous parties at Gatsby's mansion are legendary; guests dance until dawn at the home of their mystery host. But whose face is he searching for in the crowds? What secret sorrow lies behind his great fortune? And what was it that made Gatsby "great"?

Bringing together strands of public discourse about valuing personal achievement at the expense of social values and the impacts of global capitalism, mass media, and digital culture on the lives of children, this book challenges the potential of science and business to solve the world's problems without a complementary emphasis on social values. The selection of literary works discussed illustrates the power of literature and human arts to instill such values and foster change. The book offers a valuable foundation for the field of literacy education by providing knowledge about the importance of language and literature that educators can use in their own teaching and advocacy work.

This is a full length pantomime, entirely traditional with lots of humour and with its own original and delightful score by Eric Gilder which is available separately. The large number of both amateur and professional groups who present Crocker and Gilder pantomimes regularly every year is unmistakable proof of their success. Vocal score on sale.Large flexible cast

A story of ambition and failure, "325,000 Francs "is remarkable for its dramatic construction, vivid characterization and clear, economical style. Psychological interest centers on the relationship between the characters of Bernard and Marie-Jeanne, but they are also shown in their social setting. The presence of an observer-narrator involves the reader in a challenging way, while leaving open the interpretation of a novel which, in Vailland's words has, "toutes les faces possibles de la realite."

One of Shakespeare's later plays, best described as a tragic-comedy, the play falls into two distinct parts. In the first Leontes is thrown into a jealous rage by his suspicions of his wife Hermione and his best-friend, and imprisons her and orders that her new born daughter be left to perish. The second half is a pastoral comedy with the "lost" daughter Perdita having been rescued by shepherds and now in love with a young prince. The play ends with former lovers and friends reunited after the apparently miraculous resurrection of Hermione. John Pitcher's lively introduction and commentary explores the extraordinary merging of theatrical forms in the play and its success in performance. As the recent Sam Mendes production at the Old Vic shows, this is a play that can work a kind of magic in the theatre. For more than a century educators, students and general readers have relied on The Arden Shakespeare to provide the very best scholarship and most authoritative texts available.
The Third Series editions' added emphasis on all aspects of Shakespeare performance extended the Arden editions readership to also become the preferred text for theatre professionals.

The Reading for Real Handbook was very well received by both teachers and literacy specialists when it was published in 1992. Since its first publication there have been significant changes in the field of 'reading', not least of which has been governmental demands for higher standards in reading and the resultant National Literacy Strategy (NLS). As well as providing invaluable help for teachers struggling with the National Literacy Strategy and the Literacy Hour, several other new topics of interest are also addressed, including teaching fiction/non-fiction inside and outside the Literacy Hour, integrating reading, writing and spelling work, involving parents, assessment and working with slower readers.

Written for London's Theatre Royal, Stratford East, this pantomime combines all the traditional elements with original characterizations, imaginative and innovative staging ideas and witty, melodic songs.5 women, 7 men

Muriel Spark's arch, subversive novel entertains us with its amusing, nostalgic evocation of the 1930s schooldays of a group of middle-class Edinburgh girls - then forces us to face up to the easy surface charms, and darker undercurrents, of Miss Jean Brodie's perfect self-assurance. David Robb's SCOTNOTE study guide untangles the many aspects of this novel - historical, political, psychological and religious - and is an ideal guide for senior school pupils and students at all levels.

This book takes a fresh look at secondary urban English classrooms and at what happens when students and their teachers explore literature collaboratively. By closely examining what happens in English lessons, minute by minute, it reveals how literary texts function not as a valorised heritage to be transmitted, but as a resource for the students' work of cultural production and contestation. The reading that is undertaken in classrooms has tended to be construed as either a poor substitute or merely a preparation for other reading, particularly for that paradigmatic literacy event, the absorbed and simultaneously discriminating consumption of the literary text by the independent, private reader. This book argues for a different understanding of what constitutes reading, an understanding that is informed by historical and ethnographic perspectives and by psychological and semiotic theory. It presents the case for a conception of reading as an active, collaborative process of meaning-making and for a fully social model of learning. Drawing extensively on data gathered through classroom observation and filming of English lessons taught over the course of a year by two teachers in a London secondary school, the book explores students' engagement with literary texts and the pedagogy that facilitates this engagement. The book offers new insights into reading, and reading literature in particular. It challenges the paradigm of reading that is offered in government policy and the assumption, common to much work within the field of 'new literacies', that 'schooled literacy' is the already-known, the default, against which the alternative literacy practices of homes and communities can be defined. It will be valuable reading for researchers, teachers, teacher educators and postgraduate students, and will have particular appeal for those with an interest in the fields of English studies and literacy.

Includes the full French text, accompanied by French-English vocabulary. Notes and a detailed introduction in English put the work in its social and historical context.

This is a full-length pantomime, entirely traditional with lots of humour and with its own original and delightful score by Eric Gilder which is available separately. The large number of both amateur and professional groups who present Crocker and Gilder pantomimes regularly every year is unmistakable proof of their success. 2 women, 2 men, 11 women or men

First published in 1985. Routledge is an imprint of Taylor & Francis, an informa company.