Mrs Porter keeps a pet shop full of animals. But one day she comes to work and finds that the animals have escaped.

Key Stage 2 Comprehension provides a unique collection of stimulating texts that appeal strongly to both boys and girls, together with questions that both build and stretch comprehension skills and widen vocabulary. Comprising four one-per-child activity books and providing more than 72 texts in total, the series encourages children to pay close attention to literal meaning, make inferences and deductions, observe how writing is structured and identify literary devices. A separate Teacher's Guide is also available. Book 4 reflects the broadening interests and word power of young people who will soon move to secondary school, or have now done so. It includes: non-fiction texts covering the discovery in Russia of a long-extinct mammoth, shells and their origins and the life of explorer Robert Scott, the poignant 'last letter' from Scott to his widow, classic poetry from Rudyard Kipling, Edward Thomas, Edward Lear and William Wordsworth, a short extract from the play 'Hamlet' by William Shakespeare, riveting fiction from R.L. Stevenson, Thomas Hardy, Daniel Defoe and Charles Dickens and absorbing autobiographies and biographical fiction from Roald Dahl and Alison Prince.

Each of the plays in this book is a complete dramatic work balanced for a two-actor performance. Lengths vary from ten to thirty minutes. Many different types of roles from liberated women to bumbling detectives, from childhood sweethearts to homeless immigrants. Many styles: slapstick comedy, modern drama, satire, character study and tragedy. No royalties required. Plays are divided into three sections: 1, Plays for Men and Women, 3. Plays for Men Only and 3. Plays for Women Only. Especially good for classroom and workshop use. Scripts are excellent for secondary and university-level forensic competitions. Some of the plays include: For Men And Women--My Friend Never Said Goodbye, The Cabble from Calcutta. For Men Only--Sherlock Holmes: 10 Minutes to Doom. A Death in the Family. For Women Only--My Baby, The Day Mother Left Home.

The authors who contributed to this text believe that young adult literature (YAL) can meet the Common Core's push to include literacy across content areas, as well as meet the standards in creative and effective ways. This text is intended to give educators a resource to aid them in creating a literacy curriculum. The included chapters written by experts from different universities across the country offer a variety of methods for using YAL to meet the standards while connecting with students. Following a framework first chapter introducing the importance of YAL and discussing its relevance, other authors tackle various ways to teach it. Each chapter may suggest different strategies and rationales for utilizing YAL, but each shares a common purpose with the others: to promote the efficacy of YAL to engage students while at the same time meeting the rigorous standards set forth by the Common Core.

Help your students develop the skills and understanding to succeed in IGCSE (R) Literature in English. The Student Book provides an ideal companion to the Cambridge IGCSE (R) and IGCSE (R) (9-1) course for first examination in 2020, giving students the tools they need to tackle their own set texts in depth and tackle examinations with confidence. Exam Board: Cambridge Assessment International Education Level & Subject: IGCSE Literature in English (0475), IGCSE (9-1) Literature in English (0992) First teaching: September 2018 First examination: June 2020 This title is endorsed by Cambridge Assessment International Education. Build the fundamental skills and understanding: The first part of the book introduces the essential skills, concepts and terminology. The second part of the book shows students how to apply these skills to poetry, prose and drama. Help all students make good progress. Chapters move from teaching the underlying skills and concepts to asking students to apply them in passage-based, discursive and unseen tasks. Regular 'Check your progress' features help your classes to measure their progress, while annotated responses show them how to improve. Support all learners with clear differentiation. Introductory chapters build learners' confidence, the main chapters offer greater depth, while extension lessons help all students reach their full potential. Practical for the classroom: the book is clearly organised into lessons and packed with activity. Each two- or four-page section in our Student Book is supported by a double-page lesson plan in the Teacher Guide. Engage students with rich, varied, text extracts from a variety of periods and cultures. Texts representing the different genres in the syllabus allow students to compare writers' choices and their effects. Flexible for teachers: the clear book structure and lesson headings allow teachers to dip in to find lessons to build into their own schemes of work.

There have been many great and enduring works of literature by Caribbean authors over the last century. The Caribbean Contemporary Classics collection celebrates these deep and vibrant stories, overflowing with life and acute observations about society. Over our way lies a world of flame trees and hot beaches rimmed with hills, of raucous laughter in the market and shouts in the street, of bare feet running down dusty lanes and across burnt savannahs, splashing beside the boats of fishermen or inching up the ringed bark of coconut trees. A long way, full of laughing, weeping, blessing, cursing, explaining, quarrelling, accusing and lamenting. We cannot see the beginnings or ends of our way, but we can tell some of the stories of what happens over our way: stories which we alone can tell, stories about our friendships, our lonelinesses, our games, our crimes, our sorrows and joys, our triumphs and dreams. Suitable for readers aged 11 and above.

David Scott Kastan lucidly explores the remarkable richness and the ambitious design of King Henry IV Part 1 and shows how these complicate any easy sense of what kind of play it is. Conventionally regarded as a history play, much of it is in fact conspicuously invented fiction, and Kastan argues that the non-historical, comic plot does not simply parody the historical action but by its existence raises questions about the very nature of history. The full and engaging introduction devotes extensive discussion to the playas language, indicating how its insistent economic vocabulary provides texture for the social concerns of the play and focuses attention on the central relationship between value and political authority.

Nineteenth-century America and the world of Samuel L. Clemens, better known as Mark Twain, come to life as children journey back in time with this history- and literature-laden activity book. The comprehensive biographical information explores Mark Twain as a multi-talented man of his times, from his childhood in the rough-and-tumble West of Missouri to his many careers--steamboat pilot, printer, miner, inventor, world traveler, businessman, lecturer, newspaper reporter, and most important, author--and how these experiences influenced his writing. Twain-inspired activities include making printer's type, building a model paddlewheel boat, unmasking a hoax, inventing new words, cooking cornpone, planning a newspaper, observing people, and writing maxims. An extensive resource section offers information on Twain's classics, such as "Tom Sawyer" and "The Adventures of Huckleberry Finn," as well as a listing of recommended web sites to explore.

This is a book about the power of poetry to speak about the central themes of what it is to be a human being. The first part is an anthology of specially selected poems; the second part provides detailed notes for teachers on how to use these poems in the classroom.;The poems in the book are about morality: how we get on, or don't get on, with each other; how we feel when we are alone; the destruction of the world we live in; childhood; celebration; fear; death; mystery. Sharing these poems helps us to understand ourselves, and to express ourselves. The poems are selected to help to break down the barriers between curriculum subjects, and to be specially useful for religious education and personal, social and moral education. There is a mixture of the classic, the traditional and the new here, but all of the selected poems show the true power of poetry to express feelings about things that matter.

Professional poets spend many hours crafting a finished piece of work, yet we expect children in school to sit down and write when they are told to, whether they feel inspired or not. This series of four books is a toolkit to help you build a positive framework for children to read, write, understand and enjoy poetry - to bring a creative spark to the poetry classroom. A combination of featured poems, creative ideas, structured lesson plans and differentiated photocopiable activity sheets gives the series a uniquely flexible approach - which means you can use the materials in any classroom context. If you're wary of poetry, if you think it's boring, or if you're nervous about teaching poetry, then you've chosen the right book. Key themes covered in BOOK 4: Language and Performance are moods and feelings through the use of effective language; nonsense and humorous verse; the continuity and links between ancient and modern, between nursery and playground rhymes and Shakespeare; whatever our ability, there is a place for everyone on the poetry 'ladder'; and performance poetry. Other books in the series are: BOOK 1:Words and Wordplay; BOOK 2: Rhymes, Rhythms and Rattles;and BOOK 3: Style, Shape and Structure.

This series offers a unique interactive approach that will encourage learners to become involved in the interactive process of these plays, whilst exposing them to the atmosphere and history of the age, in a fun and stimulating way. An extensive amount of background and supporting material is offered in a user-friendly way with exciting features make the plays become visually real. Each exciting page offers: -complete text done in an attractive double-page spread layout a glossary of what the words and phrases mean thought-provoking notes and activities on each page that: explain difficult language, explore characters, themes, words and images, provide useful background information and stimulate thoughts on how to stage the play. This series also offers activities at the end of each act to facilitate understanding. At the back of each book, notes are included, providing information on the world of William Shakespeare.

A small child is making his way through the jungle, first walking, then creeping, running, leaping, swinging and finally wading. As he goes, he hears various noises - ssssss, grrrrrrr, trump trump, roarrrrr, chitter chatter, snap snap - after each of which the page is turned to reveal the animal responsible. Text and artwork combine to encourage audience participation on the levels of both sound and movement - and to create a guessing game.

Exam Board: SQA Level: National 5 and Higher Subject: English First teaching: September 2017 (N5) / September 2018 (Higher) First exams: Summer 2018 (N5) / Summer 2019 (Higher) Understand, analyse, evaluate, succeed. This study and revision guide takes you through every aspect of The Cone-Gatherers, with exam advice for the National 5 and Higher English Critical Reading papers. Fully up to date with SQA's latest exam requirements, this book is written by an expert who knows what exam success looks like. > Develop understanding of plot, structure, characterisation, themes and language. Clear explanations and detailed commentary are supported by definitions of key terms and unfamiliar words > Build critical and analytical skills. Students are encouraged to think more deeply about the text and consider the writers' ideas, choices and techniques > Receive advice on the Scottish Texts section of the exam. Sample questions with model answers and examiner-style commentary are supported by additional practice questions for students to do > Prepare for the Critical Essay section of the exam. With tips and examples for planning, structuring and writing a top-grade essay, plus practice essay questions for students to answer > Remember key quotations. A selection of quotes are highlighted throughout, so students can use them in the exam to make comparisons between different parts of the text > Review your learning. Quick questions at the end of each chapter check students' understanding of the text

Exam Board: SQA Level: National 5 and Higher Subject: English First teaching: September 2017 (N5) / September 2018 (Higher) First exams: Summer 2018 (N5) / Summer 2019 (Higher) Understand, analyse, evaluate, succeed. This study and revision guide takes you through every aspect of Norman MacCaig's poetry, with exam advice for the National 5 and Higher English Critical Reading papers. Fully up to date with SQA's latest exam requirements, this book is written by an expert who knows what exam success looks like. > Develop understanding of language, structure and themes. Clear explanations and detailed commentary are supported by definitions of key terms and unfamiliar words > Build critical and analytical skills. Students are encouraged to think more deeply about the poems and consider the writers' ideas, choices and techniques > Receive advice on the Scottish Texts section of the exam. Sample questions with model answers and examiner-style commentary are supported by additional practice questions for students to do > Prepare for the Critical Essay section of the exam. With tips and examples for planning, structuring and writing a top-grade essay, plus practice essay questions for students to answer > Remember key quotations. A selection of quotes are highlighted throughout, so students can use them in the exam to make comparisons between different parts of the text > Review your learning. Quick questions at the end of each chapter check students' understanding of the poems

Designed for practicing and student teachers working with a wide range of narrative fiction in infant and junior classrooms, this book highlights the creative and expressive aspects of children's engagement with literature, is written in the context of National Curriculum English at Key Stages 1 and 2 and with full attention paid to the National Literacy Framework, and provides Literacy Hour projects complete with lesson notes and plans for each age group.

The author shows how storytelling, drama and the arts can be used to bring texts to life, making the acquisition of literacy skills a more enriching and enduring experience. This text is a companion to Teaching Poetry in the Primary School by the same author.

I will wear my heart upon my sleeve for daws to peck at... A great retelling of this tragic tale of jealousy and human frailty. With Notes on Shakespeare and the Globe Theatre, and Jealousy in Othello. The tales have been retold using accessible language and with the help of Tony Ross's engaging black-and-white illustrations, each play is vividly brought to life allowing these culturally enriching stories to be shared with as wide an audience as possible. Have you read all of The Shakespeare Stories books? Available in this series: A Midsummer Night's Dream, Macbeth, Romeo and Juliet, The Tempest, Hamlet, Twelfth Night, Antony and Cleopatra, Much Ado About Nothing, The Merchant of Venice, Henry V, Julius Caesar, As You Like It, Othello, The Taming of the Shrew, Richard III, and King Lear.

The launching of Sputnik in 1957 sparked an education movement that stressed the importance of curricular rigor and standardization as a means to improve education and bolster national defense. Within six months of Sputnik's launch, Congress passed the National Defense Education Act (NDEA) that approved an unprecedented amount of federal funding toward the math, science, and foreign language disciplines. The teaching of English was left out and through the leadership of the National Council of Teachers of English (NCTE), the discipline maneuvered public relations and political connections in its quest to acquire federal funds. In doing so, the NCTE mimicked strategies that galvanized funding for math, science, and foreign language disciplines by arguing the importance of the teaching of English for national security and advocating for a teaching model that aligned with Cold War Era pedagogical trends. These tactics marked a major shift in how the NCTE advocated for the teaching of English. In the early twentieth century, the organization embraced student-centered education practices connected to the ideas of progressive educators. This perspective continued with the creation and expansion of life adjustment education during the 1930s and 40s. During this era, many NCTE authors recommended this movement that advocated connecting education to future adult experiences. Following Sputnik, NCTE leaders supported content-centered reforms. Instead of curriculum recommendations based in discovering and fostering relevant student experiences, the NCTE's focus became adjusting student learning to predefined skills it thought all students should possess. This trend was supported by conceptions of Cold War education models, including those advocated by their rival English organization, the Modern Language Association (MLA). The MLA had successfully worked with federal actors in attaining funding for foreign language training institutes and the NCTE's collaboration with the MLA represented a shift in adopting ideas it was previously opposed to promoting. Despite their efforts, the NCTE was not a part of NDEA reauthorization in 1961 the federal government, led by U.S. Commissioner of Education, Sterling McMurrin, funded teacher-training institutes for the study of English through a program called ""Project English."" The 1960s continued with the NCTE representing stronger content-centered ideas before shifting in less than a decade as indicated by the materials produced by the 1966 Anglo- American Conference on English at Dartmouth. Here, NCTE leaders reassessed their beliefs after meeting with British educators who advocated student-centered curriculum models and reintroduced benefits of experiential education. These ideas would manifest into student- centered curriculum models during the late 1960s and 1970s.

This is an anthology of South African poetry spanning several centuries, but with an emphasis on the contemporary.