Colourful and visually appealing to help engage and inspire your students. Full of motivating activities, with opportunities for Assessment for Learning. Glossaries help make poems accessible for all your students. Uses a wide range of poetry styles with well-known classics and more contemporary poetry, as required in the National Curriculum. Provides coverage of Framework objectives for teaching English to help you deliver the KS3 strategy. Helps with pupil's progression throughout KS3 and transition from KS3 to GCSE.

These are professional-level comedy monologs, but they can be easily performed by talented high school actors. Most all of the characterizations can be effectively performed by either sex. The emphasis is on comedy and social satire. Nothing is sacred, yet all monologs are within the boundaries of good taste. In most instances the monologist is making fun of his/her own dilemmas of everyday living. Good contest material. Excellent for classroom use. Each monolog is three to five minutes long. Some of the monologs: History of New York City, How I Spent My Summer Vacation, The Fanatical Spectator, Trains of Nightmarish Thoughts, Letter to an Escaper, Musical Intros. What Does Your Handwriting Tell You? Mr. Know-It-All.

Catherine comes home to Knysna from boarding school for the summer, but although she loves the lagoon and hills around the Heads, she is very lonely. Until she meets Frans – a strange young man who accepts her friendship without seeming to give anything in return. It is only when Frans turns to her for help that she realises how his sadness is connected to the past of her own family.

Exam Board: AQA Level & Subject: GCSE English Language, GCSE English Literature First teaching: September 2015 Next exams: June 2023 AQA approved Teach AQA's GCSEs in English Literature and English Language as one coherent course with Student Books that help students to build and apply the skills that underpin both qualifications. Offer your students the right level of challenge. The Core Student Book provides an excellent foundation in the skills and knowledge required for both courses. Help all students make good progress. Each chapter follows the hierarchy of skills and knowledge in the mark schemes, so students have a clear sequence of learning. End-of-chapter 'Apply your skills' practice tasks, annotated answers and self-assessment guidance helps students understand how to improve their work. Get to grips with the new specifications with expert suggestions from leading professionals as to how you could plan and teach the course. Our practical, ready-made resources can be used in your first years of teaching the specifications, and edited and adapted to your requirements. Save time updating your English Language resources with our comprehensive selection of passages from nineteenth- to twenty-first century literature and literary non-fiction, perfect for building students' confidence in tackling unseen texts. Engage all learners with a rich and exciting approach to English Literature that takes students step-by-step through the fundamentals of how to analyse, interpret and write critically about literature to provide a starting point for your own in-depth exploration of your chosen set texts.

Can sexual restraint be good for you? Many Victorians thought so. This book explores the surprisingly positive construction of sexual restraint in an unlikely place: late nineteenth-century Decadence. Reading Decadent texts alongside Victorian writing about sexual health, including medical literature, adverts, advice books, and periodical articles, it identifies an intellectual Paterian tradition of sensuous continence, in which 'healthy' pleasure is distinguished from its 'harmful' counterpart. Recent work on Decadent sexuality concentrates on transgression and subversion, with restraint interpreted ahistorically as evidence of repression/sublimation or queer coding. Here Sarah Green examines the work of Walter Pater, Lionel Johnson, Vernon Lee, and George Moore to outline a co-extensive alternative approach to sexuality where restraint figured as a productive part of the 'aesthetic life', or a practical ethics shaped by aesthetic principles. Attending to this tradition reveals neglected connections within and beyond Decadence, bringing fresh perspective to its late nineteenth- and twentieth-century reception.

This CGP Text Guide contains everything you need to write top-grade essays about Willy Russell's 'Blood Brothers'. It's suitable for all GCSE English exams, including the new ones starting in summer 2017. Inside, you'll find clear, thorough notes on the play's context, plot, characters, themes and the writer's techniques - with quick questions, in-depth questions and exam-style questions included at the end of every section. There's also detailed exam advice to help you improve your grades, plus a cartoon-strip summary to remind you of all the important plot points!

Performing Restoration Shakespeare embraces the performative and musical qualities of Restoration Shakespeare (1660-1714), drawing on the expertise of theatre historians, musicologists, literary critics, and - importantly - theatre and music practitioners. The volume advances methodological debates in theatre studies and musicology by advocating an alternative to performance practices aimed at reviving 'original' styles or conventions, adopting a dialectical process that situates past performances within their historical and aesthetic contexts, and then using that understanding to transform them into new performances for new audiences. By deploying these methodologies, the volume invites scholars from different disciplines to understand Restoration Shakespeare on its own terms, discarding inhibiting preconceptions that Restoration Shakespeare debased Shakespeare's precursor texts. It also equips scholars and practitioners in theatre and music with new - and much needed - methods for studying and reviving past performances of any kind, not just Shakespearean ones.

Professional poets spend many hours crafting a finished piece of work, yet we expect children in school to sit down and write when they are told to, whether they feel inspired or not. This series of four books is a toolkit to help you build a positive framework for children to read, write, understand and enjoy poetry - to bring a creative spark to the poetry classroom. A combination of featured poems, creative ideas, structured lesson plans and differentiated photocopiable activity sheets gives the series a uniquely flexible approach - which means you can use the materials in any classroom context. If you're wary of poetry, if you think it's boring, or if you're nervous about teaching poetry, then you've chosen the right book. Key themes covered in BOOK 3: Style, Shape and Structure are style and structure, addressing regular and standard forms, the impact of layout, free form, 'found' poetry, and concrete poetry. Other books in the series are: BOOK 1:Words and Wordplay; BOOK 2: Rhymes, Rhythms and Rattles;and BOOK 4: Language and Performance.

The Reading for Real Handbook was very well received by both teachers and literacy specialists when it was published in 1992. Since its first publication there have been significant changes in the field of 'reading', not least of which has been governmental demands for higher standards in reading and the resultant National Literacy Strategy (NLS).
As well as providing invaluable help for teachers struggling with the National Literacy Strategy and the Literacy Hour, several other new topics of interest are also addressed, including teaching fiction/non-fiction inside and outside the Literacy Hour, integrating reading, writing and spelling work, involving parents, assessment and working with slower readers.

eBook available with sample pages: 0203079132

Based on a systematic sampling of nearly 2000 French and English novels from 1601 to 1830, this book's foremost aim is to ask precisely how the novel evolved. Instead of simply 'rising', as scholars have been saying for some sixty years, the novel is in fact a system in constant flux, made up of artifacts - formally distinct novel types - that themselves rise, only to inevitably fall. Nicholas D. Paige argues that these artifacts are technologies, each with traceable origins, each needing time for adoption (at the expense of already developed technologies) and also for abandonment. Like technological waves in more physical domains, the rises and falls of novelistic technologies don't happen automatically: writers invent and adopt literary artifacts for many diverse reasons. However, looking not at individual works but at the novel as a patterned system provides a startlingly persuasive new way of understanding the history and evolution of artforms.

I stand for simple justice, equal opportunity and human rights. They are indispensable elements in a democratic society and well worth fighting for.' Helen Suzman (1917-2009) is an example of courage and integrity. Throughout her 36-year career in Parliament, she stood up for what she believed was right, campaigning fearlessly against laws such as the Immorality Act, Forced Removals, the Pass Laws and the Death Penalty. By raising critical issues that would have been kept from the public, she gave a voice to those who had been silenced. Her actions went beyond the walls of Parliament too. She visited prisoners, including Nelson Mandela; met with activists, like Oliver Tambo; and sympathised with ordinary people suffering under the laws of apartheid. Read about Suzman's life of determination, wit and honesty, and how she earned the trust of the country and the respect of the world. They Fought for Freedom tells the life stories of southern African leaders who struggled for freedom and justice. In spite of the important roles they played in the history of southern Africa, most of these leaders have been largely ignored by the history books. The series tells their stories in an entertaining manner, in clear language and aims to restore them to their rightful place in history. Endorsed by the Helen Suzman Foundation

In a fresh examination of Blake's Songs of Innocence and Experience, poems which often seem strangely contradictory, Dr Gillham suggests that Blake is not stating his own thoughts and feelings but presenting 'dramatic' statements; he projects himself into other points of view, thus exploring possible states of being and feeling in which spiritual energy expresses itself. Certain eighteenth-century theories of the mind are examines, explaining the mind in terms of self-interest. Blake included this view in his vision of 'Experience'. The poems suggest, and explore the possibility that such a view, while true of the mind in one state, is not true of it in another. This other state, 'Innocence', is more outgoing, more responsible and more self-aware. The two states lead to quite different moral, religious and political beliefs, though they can use the same terms in doing so. Dr Gillham shows that poems seemingly in conflict can be seen from a consistent point of view.

Containing one of each of the titles in the Magpie playscripts at Stage 8, the plays in this pack are based on the Magpies storybooks at Stage 8. Ideal for consolidation and reading practice, they can be used with groups or individuals. They teach the conventions of drama and develop skills in reading aloud and shared reading. Each play has a cast list of between four and six characters including one or more narrators. There are six lines of text per page and suggestions for sound effects. The words are close to the original story and the artwork is completely re-drawn to show similar scenes to the original storybooks.

Six-hundred-year-old tales with modern relevance. This stunning full-colour edition from the bestselling Cambridge School Chaucer series explores the complete text of The Merchant's Prologue and Tale through a wide range of classroom-tested activities and illustrated information, including a map of the Canterbury pilgrimage, a running synopsis of the action, an explanation of unfamiliar words and suggestions for study. Cambridge School Chaucer makes medieval life and language more accessible, helping students appreciate Chaucer's brilliant characters, his wit, sense of irony and love of controversy.

Sir David Lyndsay's A Satire of the Three Estates is the earliest complete Scottish play on record, dating from the middle of the sixteenth century. By turns funny and formal, obscene and ceremonial, and filled with sharp social commentary, it is a confident expression of dramatic prowess. John Corbett's SCOTNOTE study guide examines the historical background, explores the play's language and style, and gives a concise introduction to this key work in the Scottish theatrical tradition. These notes are suitable for senior school pupils and students at all levels.

Closely examining the relationship between the political and the utopian in five major plays from different phases of Shakespeare's career, Hugh Grady shows the dialectical link between the earlier political dramas and the late plays or tragicomedies. Reading Julius Caesar and Macbeth from the tragic period alongside The Winter's Tale and Tempest from the utopian end of Shakespeare's career, with Antony and Cleopatra acting as a transition, Grady reveals how, in the late plays, Shakespeare introduces a transformative element of hope while never losing a sharp awareness of suffering and death. The plays presciently confront dilemmas of an emerging modernity, diagnosing and indicting instrumental politics and capitalism as largely disastrous developments leading to an empty world devoid of meaning and community. Grady persuasively argues that the utopian vision is a specific dialectical response to these fears and a necessity in worlds of injustice, madness and death.

This stimulating and accessible book is intended for instructors at the junior high school, high school, and undergraduate levels who present Shakespeare's most familiar tragedies to students who are largely unfamiliar with them. Acclaimed teacher of drama Victor L. Cahn begins with a general introduction, then examines six of Shakespeare's tragedies: Romeo and Juliet, Julius Caesar, Hamlet, Othello, King Lear, and Macbeth. With attention always directed towards inspiring student interest and response, Professor Cahn provides an overview or "spine" for each work, then proceeds scene by scene, focusing on salient characters, details of language, and major themes. The volume not only is entertaining and clear, but also raises provocative points of interpretation as well as numerous questions for discussion. Underlying the project is the conviction that although the plays are most effective in performance, they can nonetheless prove compelling in the classroom, where students can appreciate that although these works are set in a distant time and place, their issues and implications remain universal.

Each book in the "New Longman Literature" series provides the complete, original text and a full range of support materials. The study material includes: the writer on writing - a section by or about the writer, exploring the process of writing; an introduction; guidance on keeping a log; a National Curriculum study programme; and a glossary.

This anthology contains a range of pre-20th-century and contemporary poems for Key Stage 3 students. Old and modern poems are juxtaposed to give students a route into pre-20th-century poetry. Activities such as group discussion and role play help make the poems accessible.

To accompany The Canterville Ghost graphic novels from Classical Comics and to help with their application in the classroom, this book is spiral-bound, making the pages easy to photocopy, and includes a CD-ROM with the pages in PDF format, ideal for whole-class teaching on whiteboards, laptops, etc or for direct digital printing. Written by a teacher, for teachers, helping to engage and involve students in the novel. Suitable for teaching ages 10-17, this book provides exercises that cover structure, understanding and character as well as key words, themes and literary techniques. It includes tasks that focus on the use of language and comprehension, there are also many cross-curriculum topics, covering areas within history, ICT, drama, reading, speaking, writing and art. An extensive Educational Links section provides further study opportunities. Devised to encompass a broad range of skill levels, this book provides many opportunities for differentiated teaching and the tailoring of lessons to meet individual needs. It includes a CD-ROM. This resource can be used alongside the Classical Comics adaptation of The Canterville Ghost as well as any traditional text. In fact, many of the activities can stand on their own as introductions to the world of Oscar Wilde.

This series of unabridged Shakespeare titles is based on the premise that students can reach a clear understanding of their work only through a close and careful reading of the text. The commentary facing each page of the text has been designed to suggest a critical interpretation of the play.

This volume is part of a series of novels, plays and stories at GCSE/Key Stage 4 level, designed to meet the needs of the National Curriculum syllabus. Each text includes an introduction, pre-reading activities, notes and coursework activities. Also provided is a section on the process of writing, often compiled by the author.