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Books > Children's & Educational > Language & literature > English (including English as a school subject) > English literary criticism > General
Teachers and prospective teachers read children's books, but that
reading is often done as a "teacher" - that is, as planning for
instruction - rather than as a "reader" engaged with the text.
Children's Books for Grown-Up Teachers models the kind of thinking
about teaching and learning - the sort of curriculum theorizing -
accomplished through teachers' interactions with the everyday
materials of teaching. It starts with children's books, branches
out into other youth culture texts, and subsequently to thinking
about everyday life itself. Texts of curriculum theory describe
infrastructures that support the crafts of inquiry and learning,
and introduce a new vocabulary of poaching, weirding, dark matter,
and jazz. At the heart of this book is a method of reading; Each
reader pulls idiosyncratic concepts from children's books and from
everyday life. Weaving these concepts into a discourse of
curriculum theory is what makes the difference between "going
through the motions of teaching" and "designing educational
experiences. This book was awarded the 2009 AERA Division B
(Curriculum Studies) Outstanding Book Award.
This edition of one of Shakespeareas best known and most frequently
performed plays argues for Julius Caesar as a new kind of political
play, a radical departure from contemporary practice, combining
fast action and immediacy with compelling rhetorical language, and
finding a clear context for its study of tyranny in the last decade
of the reign of Elizabeth 1. The richly experimental verse and the
complex structure of the play are analysed in depth, and a strong
case is made for this to be the first play to be performed at
Shakespeareas Globe Theatre. 'Daniell's edition is a hefty piece of
serious scholarship that makes a genuine contribution.' Eric
Rasmussen, University of Nevada at Reno, Shakespeare Survey 'This
is a stimulating new look at a play which is too often exhibited in
a critical museum.' Paul Dean, English Studies
This wordless picture book, by leading South African illustrator,
Piet Grobler, creates a visual fantasy that will enhance young
learner's appreciation and enjoyment of colour
Khumi is about to leave home to go away to school, but before he
goes, he learns about the history of his family and the sacrifices
his mother has mad to secure his future.
Thoroughly updated editions to meet the needs of the Key Stage 3
and GCSE classrooms. Enhanced accessibility for all students with
clear navigation through the texts, spacious page design and new
activities. Brand-new support and activities to match the new GCSE
English 2010 curriculum. Durable hardback editions for longevity.
This is about our African animals, their need for water to stay
alive and where they go to find it.
Mrs Porter keeps a pet shop full of animals. But one day she comes
to work and finds that the animals have escaped.
The authors who contributed to this text believe that young adult
literature (YAL) can meet the Common Core's push to include
literacy across content areas, as well as meet the standards in
creative and effective ways. This text is intended to give
educators a resource to aid them in creating a literacy curriculum.
The included chapters written by experts from different
universities across the country offer a variety of methods for
using YAL to meet the standards while connecting with students.
Following a framework first chapter introducing the importance of
YAL and discussing its relevance, other authors tackle various ways
to teach it. Each chapter may suggest different strategies and
rationales for utilizing YAL, but each shares a common purpose with
the others: to promote the efficacy of YAL to engage students while
at the same time meeting the rigorous standards set forth by the
Common Core.
Help your students develop the skills and understanding to succeed
in IGCSE (R) Literature in English. The Student Book provides an
ideal companion to the Cambridge IGCSE (R) and IGCSE (R) (9-1)
course for first examination in 2020, giving students the tools
they need to tackle their own set texts in depth and tackle
examinations with confidence. Exam Board: Cambridge Assessment
International Education Level & Subject: IGCSE Literature in
English (0475), IGCSE (9-1) Literature in English (0992) First
teaching: September 2018 First examination: June 2020 This title is
endorsed by Cambridge Assessment International Education. Build the
fundamental skills and understanding: The first part of the book
introduces the essential skills, concepts and terminology. The
second part of the book shows students how to apply these skills to
poetry, prose and drama. Help all students make good progress.
Chapters move from teaching the underlying skills and concepts to
asking students to apply them in passage-based, discursive and
unseen tasks. Regular 'Check your progress' features help your
classes to measure their progress, while annotated responses show
them how to improve. Support all learners with clear
differentiation. Introductory chapters build learners' confidence,
the main chapters offer greater depth, while extension lessons help
all students reach their full potential. Practical for the
classroom: the book is clearly organised into lessons and packed
with activity. Each two- or four-page section in our Student Book
is supported by a double-page lesson plan in the Teacher Guide.
Engage students with rich, varied, text extracts from a variety of
periods and cultures. Texts representing the different genres in
the syllabus allow students to compare writers' choices and their
effects. Flexible for teachers: the clear book structure and lesson
headings allow teachers to dip in to find lessons to build into
their own schemes of work.
Exam Board: SQA Level: National 5 Subject: English First Teaching:
September 2014 First Exam: June 2015 This play, a set text for
National 5 English, is the story of three women in war-torn
Belfast. Although their men have been killed or imprisoned for
their political activities, everyday life must go on. However, the
arrival of a disturbing young girl and the revelations which follow
threaten to disrupt their friendship. The main themes are largely
domestic - relationships between women and within families, dreams
and homemaking. The language is colloquial with Irish idioms, and
many contemporary references, and there is a poignant ending. The
play is aimed at students of English, particularly those studying
National 5 English. In 1991 Rona Munro won the Susan Smith
Blackburn Award and "The Evening Standard" Most Promising
Playwright Award for "Bold Girls".
Exam Board: Edexcel, AQA, OCR & WJEC Eduqas Level: GCSE 9-1
Subject: English Suitable for the 2023 exams Complete revision and
practice to fully prepare for the GCSE grade 9-1 exams Revision
that Sticks! Collins GCSE 9-1 English Language and Literature
Complete All-in-One Revision and Practice uses a revision method
that really works: repeated practice throughout. A revision guide,
workbook and practice paper in one book! With clear and concise
revision for every topic, plus seven practice opportunities,
Collins offers the best revision at the best price. Includes: quick
tests as you go end-of-topic practice questions topic review
questions later in the book mixed practice questions at the end of
the book more topic-by-topic practice in the workbook a complete
exam-style paper free Q&A flashcards to download online free
ebook version
Catherine comes home to Knysna from boarding school for the summer,
but although she loves the lagoon and hills around the Heads, she
is very lonely. Until she meets Frans – a strange young man who
accepts her friendship without seeming to give anything in return.
It is only when Frans turns to her for help that she realises how
his sadness is connected to the past of her own family.
This CGP book is packed with realistic bite-sized practice tests
for the Reading part of the KS1 SATs. Each one starts with a
fiction text, a non-fiction text or a poem, followed by SATs-style
questions. There are also score sheets to help measure progress,
plus full answers and a mark scheme at the back of the book.
Matching KS1 10-Minute Test books are available for Grammar,
Punctuation & Spelling (9781782947066) and Maths
(9781782947080).
This is a book about the power of poetry to speak about the central
themes of what it is to be a human being. The first part is an
anthology of specially selected poems; the second part provides
detailed notes for teachers on how to use these poems in the
classroom.;The poems in the book are about morality: how we get on,
or don't get on, with each other; how we feel when we are alone;
the destruction of the world we live in; childhood; celebration;
fear; death; mystery. Sharing these poems helps us to understand
ourselves, and to express ourselves. The poems are selected to help
to break down the barriers between curriculum subjects, and to be
specially useful for religious education and personal, social and
moral education. There is a mixture of the classic, the traditional
and the new here, but all of the selected poems show the true power
of poetry to express feelings about things that matter.
Professional poets spend many hours crafting a finished piece of
work, yet we expect children in school to sit down and write when
they are told to, whether they feel inspired or not. This series of
four books is a toolkit to help you build a positive framework for
children to read, write, understand and enjoy poetry - to bring a
creative spark to the poetry classroom. A combination of featured
poems, creative ideas, structured lesson plans and differentiated
photocopiable activity sheets gives the series a uniquely flexible
approach - which means you can use the materials in any classroom
context. If you're wary of poetry, if you think it's boring, or if
you're nervous about teaching poetry, then you've chosen the right
book. Key themes covered in BOOK 4: Language and Performance are
moods and feelings through the use of effective language; nonsense
and humorous verse; the continuity and links between ancient and
modern, between nursery and playground rhymes and Shakespeare;
whatever our ability, there is a place for everyone on the poetry
'ladder'; and performance poetry. Other books in the series are:
BOOK 1:Words and Wordplay; BOOK 2: Rhymes, Rhythms and Rattles;and
BOOK 3: Style, Shape and Structure.
Designed for practicing and student teachers working with a wide
range of narrative fiction in infant and junior classrooms, this
book highlights the creative and expressive aspects of children's
engagement with literature, is written in the context of National
Curriculum English at Key Stages 1 and 2 and with full attention
paid to the National Literacy Framework, and provides Literacy Hour
projects complete with lesson notes and plans for each age group.
The author shows how storytelling, drama and the arts can be
used to bring texts to life, making the acquisition of literacy
skills a more enriching and enduring experience. This text is a
companion to Teaching Poetry in the Primary School by the same
author.
The launching of Sputnik in 1957 sparked an education movement that
stressed the importance of curricular rigor and standardization as
a means to improve education and bolster national defense. Within
six months of Sputnik's launch, Congress passed the National
Defense Education Act (NDEA) that approved an unprecedented amount
of federal funding toward the math, science, and foreign language
disciplines. The teaching of English was left out and through the
leadership of the National Council of Teachers of English (NCTE),
the discipline maneuvered public relations and political
connections in its quest to acquire federal funds. In doing so, the
NCTE mimicked strategies that galvanized funding for math, science,
and foreign language disciplines by arguing the importance of the
teaching of English for national security and advocating for a
teaching model that aligned with Cold War Era pedagogical trends.
These tactics marked a major shift in how the NCTE advocated for
the teaching of English. In the early twentieth century, the
organization embraced student-centered education practices
connected to the ideas of progressive educators. This perspective
continued with the creation and expansion of life adjustment
education during the 1930s and 40s. During this era, many NCTE
authors recommended this movement that advocated connecting
education to future adult experiences. Following Sputnik, NCTE
leaders supported content-centered reforms. Instead of curriculum
recommendations based in discovering and fostering relevant student
experiences, the NCTE's focus became adjusting student learning to
predefined skills it thought all students should possess. This
trend was supported by conceptions of Cold War education models,
including those advocated by their rival English organization, the
Modern Language Association (MLA). The MLA had successfully worked
with federal actors in attaining funding for foreign language
training institutes and the NCTE's collaboration with the MLA
represented a shift in adopting ideas it was previously opposed to
promoting. Despite their efforts, the NCTE was not a part of NDEA
reauthorization in 1961 the federal government, led by U.S.
Commissioner of Education, Sterling McMurrin, funded
teacher-training institutes for the study of English through a
program called ""Project English."" The 1960s continued with the
NCTE representing stronger content-centered ideas before shifting
in less than a decade as indicated by the materials produced by the
1966 Anglo- American Conference on English at Dartmouth. Here, NCTE
leaders reassessed their beliefs after meeting with British
educators who advocated student-centered curriculum models and
reintroduced benefits of experiential education. These ideas would
manifest into student- centered curriculum models during the late
1960s and 1970s.
This is an anthology of South African poetry spanning several
centuries, but with an emphasis on the contemporary.
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