The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of The Tempest, David Lindley has thoroughly revised the Introduction to take account of the latest developments in criticism and performance. He has also added a completely new section on casting in recent productions of the play. The complex questions this new section raises about colonisation, racial and gender stereotypes and the nature of theatrical experience are explored throughout the introduction. Careful attention is paid to dramatic form, stagecraft, and the use of music and spectacle in The Tempest, a play that is widely regarded as one of Shakespeare's most elusive and suggestive. A revised and updated reading list completes the edition.

"The Two Gentlemen of Verona "is commonly agreed to be Shakespeare's first comedy, and probably his first play. A comedy built around the confusions of doubling, cross-dressing, and identity, it is also a play about the ideal of male friendship and what happens to those friendships when men fall in love. William Carroll's engaging introduction focuses on the traditions and sources that stand behind the play and explores Shakespeare's unique and bold treatment of them. Carroll first explores the early modern discourse of male friendship and relates it to the play's unsettling ending. Special attention is given to the strong female figure of Julia and the controversial final scene. He goes on to discuss various other relevant topics: the influence of the Prodigal Son story on the play, the problem of using a boy in drag (for the first time in a Shakespearean comedy) to depict Julia, and Shakespeare's debt to Ovid and John Lyly in using the theme of metamorphosis. Next, the editor explores the use of letters; the portrayal and breed of Crab, the play's infamous dog; the complex geography of the story; and the play's dramaturgy. Carroll concludes with an extensive look at the play's theatrical and critical afterlife, and a discussion of the original text and date. This edition of "The Two Gentlemen of Verona" also includes one appendix (a casting chart), and a list of abbreviations and references. The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the play's foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader.

Originally published in 1913, this book of English prose for school children forms part of a two-volume series: the first volume contains selections for preparatory and elementary schools; the second volume contains selections for secondary and high schools. Both texts cover a broad variety of literary styles, moving chronologically from the late-medieval period through to the nineteenth century, explanatory notes being provided where necessary. The selections were arranged by Percy Lubbock (1879-1965), a renowned essayist, critic and biographer, who became Henry James's editor after his death.

Originally published in 1913, this book of English prose for school children forms part of a two-volume series: the first volume contains selections for preparatory and elementary schools; the second volume contains selections for secondary and high schools. Both texts cover a broad variety of literary styles, moving chronologically from the late-medieval period through to the nineteenth century, explanatory notes being provided where necessary. The selections were arranged by Percy Lubbock (1879-1965), a renowned essayist, critic and biographer, who became Henry James's editor after his death.

I will wear my heart upon my sleeve for daws to peck at... A great retelling of this tragic tale of jealousy and human frailty. With Notes on Shakespeare and the Globe Theatre, and Jealousy in Othello. The tales have been retold using accessible language and with the help of Tony Ross's engaging black-and-white illustrations, each play is vividly brought to life allowing these culturally enriching stories to be shared with as wide an audience as possible. Have you read all of The Shakespeare Stories books? Available in this series: A Midsummer Night's Dream, Macbeth, Romeo and Juliet, The Tempest, Hamlet, Twelfth Night, Antony and Cleopatra, Much Ado About Nothing, The Merchant of Venice, Henry V, Julius Caesar, As You Like It, Othello, The Taming of the Shrew, Richard III, and King Lear.

Andrew Matthews brings another historical tale to life for young readers. With Notes on Shakespeare and the Globe Theatre and Villainy in Richard III. The tales have been retold using accessible language and with the help of Tony Ross's engaging black-and-white illustrations, each play is vividly brought to life allowing these culturally enriching stories to be shared with as wide an audience as possible. Have you read all of The Shakespeare Stories books? Available in this series: A Midsummer Night's Dream, Macbeth, Romeo and Juliet, The Tempest, Hamlet, Twelfth Night, Antony and Cleopatra, Much Ado About Nothing, The Merchant of Venice, Henry V, Julius Caesar, As You Like It, Othello, The Taming of the Shrew, Richard III, and King Lear.

A delightful story about a little boy called Mandla who goes to the market to sell a carving he has made. but no-one is taking any notice of him. Then Namdi has a plan.

Let's Do Poetry in Primary School is a fun, accessible and very practical guide to give teachers the tools, the mindset and the confidence to put poetry at the heart of the classroom, and everyday learning. The book includes games and warm-ups, ideas for cross-curricular activities, an anthology of age appropriate poems, tools for reading and performing poems, setting up a poetry-rich classroom and ultimately, shows all it takes is six or so poetic forms with which to create language-rich and expressive responses to all the topic and curricular work that you cover in the academic year.

For study or revision, these guides are the perfect accompaniment to the set text, providing invaluable background and exam advice. Philip Allan Literature Guides (for GCSE) offer succinct and accessible coverage of all key aspects of the set text and are designed to challenge and develop your knowledge, encouraging you to reach your full potential. Each full colour guide: - Gives you the confidence that you know your set text inside out, with insightful coverage for you to develop your understanding of context, characters, quotations, themes and style - Ensures you are fully prepared for your exams: each guide shows you how your set text will be measured against assessment objectives of the main specification - Develops the skills you need to do well in your exams, with tasks and practice questions in the guide, and lots more completely free online, including podcasts, glossaries, sample essays and revision advice at www.philipallan.co.uk/literatureguidesonline

This volume is part of a series which uses classroom drama to teach English as a second language. Speaking the parts helps children to increase their confidence with English and no sophisticated equipment is needed.

Coleridge's theories, insights and practical criticism underlie nearly all subsequent criticism in English. It was not only that he turned decisively away from eighteenth century views (clearly and usefully surveyed in the first chapter). His powerfully general theories of the imagination and of poetic language and structure provided permanent insights. He saw the plays as organic structures of poetic effects, the product of conscious artistry. These served Shakespeare's deep human insight, both psychological and moral. Dr Badawi provides a lucid analysis of the elements of Coleridge's criticism of Shakespeare, demonstrating the relationship with his criticism generally, and bringing out its originality, its validity and its influence on our concepts of poetic language, dramatic form and our response to the whole medium.

Help your students develop the skills and understanding to succeed in IGCSE (R) Literature in English. The Student Book provides an ideal companion to the Cambridge IGCSE (R) and IGCSE (R) (9-1) course for first examination in 2020, giving students the tools they need to tackle their own set texts in depth and tackle examinations with confidence. Exam Board: Cambridge Assessment International Education Level & Subject: IGCSE Literature in English (0475), IGCSE (9-1) Literature in English (0992) First teaching: September 2018 First examination: June 2020 This title is endorsed by Cambridge Assessment International Education. Build the fundamental skills and understanding: The first part of the book introduces the essential skills, concepts and terminology. The second part of the book shows students how to apply these skills to poetry, prose and drama. Help all students make good progress. Chapters move from teaching the underlying skills and concepts to asking students to apply them in passage-based, discursive and unseen tasks. Regular 'Check your progress' features help your classes to measure their progress, while annotated responses show them how to improve. Support all learners with clear differentiation. Introductory chapters build learners' confidence, the main chapters offer greater depth, while extension lessons help all students reach their full potential. Practical for the classroom: the book is clearly organised into lessons and packed with activity. Each two- or four-page section in our Student Book is supported by a double-page lesson plan in the Teacher Guide. Engage students with rich, varied, text extracts from a variety of periods and cultures. Texts representing the different genres in the syllabus allow students to compare writers' choices and their effects. Flexible for teachers: the clear book structure and lesson headings allow teachers to dip in to find lessons to build into their own schemes of work.

This third volume of Q. D. Leavis's essays brings together pieces on hitherto unexplored aspects of Victorian literature. Most of these date from towards the end of her life and are previously unpublished. There are also essays and reviews which appeared originally in Scrutiny. Mrs Leavis focuses on the novel of religious controversy, the Anglo-Irish novel, women writers of the nineteenth century, and certain aspects of George Eliot's work. She examines these, and other relevant writing, from literary, historical and sociological points of view. The volume affords valuable new insights into nineteenth-century literature, and affirms Mrs Leavis's standing as a pioneering and penetrating critic.

Board: AQA Examination: English Language & Literature Specification: GCSE 9-1 Set Text covered: Macbeth by William Shakespeare Type: Essay Planner This book answers the question 'What do great answers look like?' with step-by-step essay plans to help achieve higher grades in the closed book AQA English Literature examination. An essential pick-up-and-check reference resource with hints and tips to plan and structure your 'great answers'. Exemplar answers to AQA English exam-style questions for Macbeth by William Shakespeare. Presented in a clear, attractive style, this title will help students to see how a great answer meets the required Assessment Objectives and to perfect their own technique. Practice questions to apply your learning Easy-to-read Matched to the Macbeth study guide - can be used together or separately Scholastic have a full suite of revision guide, study guide, app, student book, revision cards and essay planners - the most comprehensive support for GCSE set texts available!

What do students think about Shakespeare? Classic, timeless and full of rich ideas; or difficult, impenetrable and completely uninteresting? We want young people to develop a real interest in Shakespeare, based on their understanding and engagement with the texts. A meaningful classroom discussion that enables every individual to contribute and covers a range of viewpoints, can help students' understanding of Shakespeare's plays, consolidate their learning, and increase their motivation. This highly practical book enables teachers to organise, stimulate and support group discussions that will help students to relate to the characters, and develop their own ideas about the language and meaning. Drawing on four of the most commonly taught Shakespeare plays, the book provides a broad range of exciting tried and tested resources, taking the reader through key parts of the text, along with suggestions for further activities involving writing, drama and electronic media. Features include: -Scene by scene Talking Points for each play -'Thinking Together' extension activities for group work -Guidance on developing your own Talking Points -Talking Points focusing on Shakespeare's language use Offering an accessible, thought-provoking and above all enjoyable way for students to engage with Shakespeare's plays, this book will be highly beneficial reading for English teachers and trainees.

An anthology of poems, short stories, prose extracts, and one-act plays designed to encourage reading among pupils. Suitable for secondary students.

The Broadview Anthology of Victorian Short Stories beautifully demonstrates the astonishing variety and ingenuity of Victorian short stories. This collection brings together works focused on a wide range of popular Victorian subjects in many different styles and forms (including comic, gothic, fantasy, adventure, and colonial works; science fiction; children's tales; New Woman writing; Irish yarns; stories originally published in popular periodicals; and travel stories). Both well-known and lesser-known authors are included, and both men and women are well represented. This anthology includes twenty-six annotated stories, a general introduction that discusses the history of the genre's development in relation to key socio-political issues of the Victorian era, and suggestions for secondary readings. It also includes an intriguing selection of Victorian writings on the genre by Edgar Allan Poe, Charles Dickens, Margaret Oliphant, Frederick Wedmore, and Laura Marholm Hansson.

Love hurts. Breaking up is hard to do. For all the joy that relationships and friendships can bring, showing romantic interest, establishing boundaries, and expressing identities as partners and friends isn't easy for teens. They navigate an often ugly social universe. Even commonplace struggles can derail academic focus and harm emotional health. English teachers hope to give students communication skills, a love of literature, a passport to an intellectually vibrant life rich in opportunity. Through discussions of canonical works of literature, assignment ideas, anecdotes from teaching, and student perspectives, this book outlines how an academically rigorous English class can also heal, empower, and provide wisdom for teens weathering storms in their social lives. English class is health class. Widely taught novels brim with rich lessons about courtship, love, heartbreak, sexuality, bonds, and belonging. Learning to write stories, reflections, and arguments, speak confidently, and listen critically gives students powerful tools for self-expression, advocacy, and empathy in their relationships and friendships. The stakes are high and the rewards far-reaching. Students with healthier social lives do better academically, but they also end up becoming more responsible, caring grown-ups capable of improving an adult society that too often feels unsafe and tragically bereft of compassion.

Lily, the central character, is determined to audition for the part of Lady Macbeth in the forthcoming school production. She is tired of her customary role of being behind the scenes. As she rehearses for the audition with her friends, Lily and Lady Macbeth become inextricably linked in Lily's ambition, and she wittily devises horrible ends for the other contenders for the part. Her performance with a knife at the audition stuns everyone into appalled silence. Lily retires, but she has had her moment of glory in front of her teachers and peers.

This volume is part of a series of novels, plays and stories at GCSE/Key Stage 4 level, designed to meet the needs of the National Curriculum syllabus. Each text includes an introduction, pre-reading activities, notes and coursework activities. Also provided is a section on the process of writing, often compiled by the author.

A new series of bespoke, full-coverage resources developed for the 2015 GCSE English qualifications. Developed for the 2015 AQA GCSE English Literature specification, this print Student Book provides a fresh approach to building students' skills and confidence in reading and responding to poems. Written by authors with unparalleled experience, this resource includes one unit for each of the poems in the AQA poetry anthology (Poems Past and Present), sections on comparing anthology poems and exploring unseen poems, and an in-depth exam preparation section. See also our Poetry print and digital pack, which comprises the print Student Book, the enhanced digital edition and a free Teacher's Resource.

This book recognises that modernist poetry can be both difficult and rewarding to teach. Leading scholars and poets from the UK and the US offer practical, innovative, up to date strategies for teaching the reading and writing of modernist poetry across its long diverse histories, taking in experimentation, performance, hypertext and much more --Provided by publisher.