"A Partisan from Vilna" is the memoir of Rachel Margolis, the sole survivor of her family, who escaped from the Vilna Ghetto with other members of the resistance movement, the FPO (United Partisan Organization), and joined the Soviet partisans in the forests of Lithuania to sabotage the Nazis. Beginning with an account of Rachel's life as a precocious, privileged girl in pre-war Vilna, it goes on to detail life in the Vilna Ghetto, including the development and struggles of the FPO against the Nazis. Finally, the book chronicles the escape of a group of FPO members into the forest of Belorussia, where Rachel became a partisan fighter. Rachel Margolis received a Ph.D. in biology in and taught until the late 1980's. She then co-founded Lithuania's only real Holocaust museum, the Green House in Vilnius. She is also responsible for the discovery and transcription of the Kazimierz Sakowicz diary, published here in the US under the title, "Ponary Diary: A Bystander's Account of Mass Murder" (Yale University Press, 2004). The book opens with an introductory essay by renowned Polish historian, Antony Polonsky.

Covering the period between the Munich Agreement and the Communist Coup in February 1948, this volume provides the first full account of the Czechoslovak Government-in-Exile in London. In examining attitudes towards the Jews during World War 2 and its aftermath Jan Lani ek explores the notion that Czechoslovak treatment of the Jews was shaped by resurgent Czech and Slovak nationalism/s caused by the war and by the experience of the occupation by the German army. He challenges the official history of Czechoslovak policy towards the Jews between 1918 and 1948, which still presents Czechoslovakia as an exceptional case study of an East-Central European state that rejected antisemitism and treated the Jews decently. This groundbreaking work offers a novel, provocative analysis of the political activities and plans of the Czechoslovak exiles during and after the war years, and of the implementation of the plans in liberated Czechoslovakia after 1945.

Jewish identity in German culture remains in a critical state of flux. Analyzing its construction and perception in public discourse, the contributors of this volume discuss the works of a number of authors--from Kafka to new writers such as Irene Dische and Maxim Biller. In addition, topics covered include: American-Jewish writers in Germany, minority culture, homosexuality, and Jewish magazines.

In this collection of writings by Ze''ev Jabo tinsky, the reader is offered an insight into his thinking o n Zionism, the Hebrew language, society & economics, the Jew ish-Arab conflict and the Diaspora amongst many things '

The first twenty-four chapters of the book of Ezekiel are characterised by vehement declarations of judgement. This observation leaves the impression that Ezekiel 1-7 is devoid of references to hope and restoration. However, there is a redactional stratum in this section that supplemented the texts with material that conveys restoration and hope for the future. In Ezekiel 1-7, many of these additions focus on priestly topics. The motif of restoration in the redactional material of Ezekiel 3-5 is expressed by the reinstatement of Ezekiel in his priestly role. This editorial emphasis on Ezekiel as priest in the redactional material suggests that the redaction was influenced by Zechariah 3, a text that depicts the reinstitution of the exiled Zadokite priesthood. Moreover, the redactional material of Ezekiel 6-7 drew inspiration from the Law of the Temple in Ezekiel 43-46, as the redactors sought to enhance Ezekiel's priestly role. The study provides new insights into how redactors, who may have been associated with the Zadokite priesthood, inserted the message of hope and restoration into the literary unit Ezekiel 1-7 during the post-exilic period.

Mordechai Gebirtig was one of the most influential and popular writers of Yiddish songs and poems. Born in 1877, he became a prolific poet and song writer, using everything he saw, heard and knew about people. His legacy, therefore, is not only one of melodies and lyrics, but also a treatise on Jewish life in Poland under the benign neglect of the Austrians, the ever growing hostility of the Poles, and finally, the terror of the Germans, who destroyed the people, their culture, and, to a great measure, their memory. Schneider's book for the first time brings his work to an English-speaking audience, offering a collection of all of his major works, complete with the scores, transliterated Yiddish text, and English translation. Her book offers a rare insight into the world of Eastern European Jews, their culture, and their music.

Gebirtig's most famous song Es Brent--It's Burning--was written in response to a 1936 pogrom. It became a stirring hymn for the survivors of the Holocaust, who felt that the words suited their own situation very well. Gebirtig himself was shot in the Cracow Ghetto in June 1942. Neither he nor any of his close family survived the war. However, as this volume shows, his songs and poems remain an enduring voice for a Jewish community nearly lost to the Nazis. They constitute a precious legacy for anyone interested in the world of Eastern Europe Jews, their culture, and their music.

Investigates why, of all the British Romantic poets, Byron is the most frequently translated into Hebrew and Yiddish and how Jews used translations of Byron's works to help construct a new Jewish identity. Scholars of Byron, Jewish identity, and those interested in translation and reception studies will appreciate this insightful volume.

While Jews are commonly referred to as the "people of the book," American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political agendas; and imagine new possibilities for themselves as individuals, artists, and Jews. Dancing Jewish delineates this rich history, demonstrating that Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but that they have also played a critical and unacknowledged role in the history of Jews in the United States. By examining the role dance has played in the struggle between Jewish identification and integration into American life, the book moves across disciplinary boundaries to show how cultural identity, nationality, ethnicity, and gender are formed and performed through the body and its motions. A dancer and choreographer, as well as an historian, Rebecca Rossen offers evocative analyses of dances while asserting the importance of embodied methodologies to academic research. Featuring over fifty images, a companion website, and key works from 1930 to 2005 by a wide range of artists-including David Dorfman, Dan Froot, David Gordon, Hadassah, Margaret Jenkins, Pauline Koner, Dvora Lapson, Liz Lerman, Sophie Maslow, Anna Sokolow, and Benjamin Zemach-Dancing Jewish offers a comprehensive framework for interpreting performance and establishes dance as a crucial site in which American Jews have grappled with cultural belonging, personal and collective histories, and the values that bind and pull them apart.

The papers of the volume investigate how authoritative figures in the Second Temple Period and beyond contributed to forming the Scriptures of Judaism, as well as how these Scriptures shaped ideal figures as authoritative in Early Judaism. The topic of the volume thus reflects Ben Wright's research, who-especially with his work on Ben Sira, on the Letter of Aristeas, and on various problems of authority in Early Jewish texts-creatively contributed to the study of the formation of Scriptures, and to the understanding of the figures behind these texts.

Deportations by train were critical in the Nazis' genocidal vision of the "Final Solution of the Jewish Question." Historians have estimated that between 1941 and 1944 up to three million Jews were transported to their deaths in concentration and extermination camps. In his writings on the "Final Solution," Raul Hilberg pondered the role of trains: "How can railways be regarded as anything more than physical equipment that was used, when the time came, to transport the Jews from various cities to shooting grounds and gas chambers in Eastern Europe?" This book explores the question by analyzing the victims' experiences at each stage of forced relocation: the round-ups and departures from the ghettos, the captivity in trains, and finally, the arrival at the camps. Utilizing a variety of published memoirs and unpublished testimonies, the book argues that victims experienced the train journeys as mobile chambers, comparable in importance to the more studied, fixed locations of persecution, such as ghettos and camps.

The Jews of Hungary is the first comprehensive history in any language of the unique Jewish community that has lived in the Carpathian Basin for eighteen centuries, from Roman times to the present. Noted historian and anthropologist Raphael Patai, himself a native of Hungary, tells in this pioneering study the fascinating story of the struggles, achievements, and setbacks that marked the flow of history for the Hungarian Jews. He traces their seminal role in Hungarian politics, finance, industry, science, medicine, arts, and literature, and their surprisingly rich contributions to Jewish scholarship and religious leadership both inside Hungary and in the Western world. In the early centuries of their history Hungarian Jews left no written works, so Patai had to piece together a picture of their life up to the sixteenth century based on documents and reports written by non-Jewish Hungarians and visitors from abroad. Once Hungarian Jewish literary activity began, the sources covering the life and work of the Jews rapidly increased in richness. Patai made full use of the wealth of information contained in the monumental eighteen-volume series of the Hungarian Jewish Archives and the other abundant primary sources available in Latin, German, Hebrew, Hungarian, Yiddish, and Turkish, the languages in vogue in various periods among the Jews of Hungary. In his presentation of the modern period he also examined the literary reflection of Hungarian Jewish life in the works of Jewish and non-Jewish Hungarian novelists, poets, dramatists, and journalists. Patai's main focus within the overall history of the Hungarian Jews is their culture and their psychology. Convinced that what is most characteristic of a people is the culture which endows its existence with specific coloration, he devotes special attention to the manifestations of Hungarian Jewish talent in the various cultural fields, most significantly literature, the arts, and scholarship. Based on the available statistical data Patai shows that from the nineteenth century, in all fields of Hungarian culture, Jews played leading roles not duplicated in any other country. Patai also shows that in the Hungarian Jewish culture a specific set of psychological motivations had a highly significant function. The Hungarian national character trait of emphatic patriotism was present in an even more fervent form in the Hungarian Jewish mind. Despite their centuries-old struggle against anti-Semitism, and especially from the nineteenth century on, Hungarian Jews remained convinced that they were one hundred percent Hungarians, differing in nothing but denominational variation from the Catholic and Protestant Hungarians. This mindset kept them apart and isolated from the Jewries of the Western world until overtaken by the tragedy of the Holocaust in the closing months of World War II.

During the era of Jewish mass migration from Eastern Europe (from the 1880s until the First World War), Switzerland played an important role in absorbing immigrants. Though located at the periphery of the main migration routes, the federal state with its liberal policies on foreigners became a key destination for students, revolutionaries, and travelers. The micro-studies and more general papers of this volume approach the topic in its transnational, local, linguistic, gendered, and ideological dimensions and from various disciplinary angles. They interweave and facilitate a novel take on the transitory spatial history and the Lebenswelt of East European Jews in Switzerland. Topics of this volume range - among others - from the location of Switzerland on the map of East European Jewish politics (Bundism, Socialism, Yiddishism, Zionism), conflicting performative cultures of Jewish and Russian revolutionaries, the Swiss Lehr- and Wanderjahre of the Jewish public intellectual Meir Wiener, the impact of Geneva on the Zionist Hebrew writer Ben Ami, the Russian-Jewish students' colonies in Berne and Zurich and questions of individuals' integration and acculturation.

Read the Jewish Idea Daily's review here. In 1789, when George Washington was elected the first president of the United States, laymen from all six Jewish congregations in the new nation sent him congratulatory letters. He replied to all six. Thus, after more than a century of Jewish life in colonial America the small communities of Jews present at the birth of the nation proudly announced their religious institutions to the country and were recognized by its new leader. By this time, the synagogue had become the most significant institution of American Jewish life, a dominance that was not challenged until the twentieth century, when other institutions such as Jewish community centers or Jewish philanthropic organizations claimed to be the hearts of their Jewish communities. Concise yet comprehensive, The Synagogue in America is the first history of this all-important structure, illuminating its changing role within the American Jewish community over the course of three centuries. From Atlanta and Des Moines to Los Angeles and New Orleans, Marc Lee Raphael moves beyond the New York metropolitan area to examine Orthodox, Reform, Conservative, and Reconstuctionist synagogue life everywhere. Using the records of approximately 125 Jewish congregations, he traces the emergence of the synagogue in the United States from its first instances in the colonial period, when each of the half dozen initial Jewish communities had just one synagogue each, to its proliferation as the nation and the American Jewish community grew and diversified. Encompassing architecture, forms of worship, rabbinic life, fundraising, creative liturgies, and feminism, The Synagogue in America is the go-to history for understanding the synagogue's significance in American Jewish life.

Volume XXII of the distinguished annual Studies in Contemporary Jewry explores the major and rapid changes experienced by a population known variously as "Sephardim," "Oriental" Jews and "Mizrahim" over the last fifty years. Although Sephardim are popularly believed to have originated in Spain or Portugal, the majority of Mizrahi Jews today are actually the descendants of Jews from Muslim and Arab countries in the Middle East, North Africa, and Asia. They constitute a growing proportion of Israeli Jewry and continue to revitalize Jewish culture in places as varied as France, Latin America, and the United States.
Sephardic Jewry and Mizrahi Jews offers a collection of new scholarship on the issues of self-definition and identity facing Sephardic Jewry. The essays draw on a variety of disciplines--demography, history, political science, sociology, religious and gender studies, anthropology, and literature. Contributors explore the issues surrounding the emergence and increasingly wide usage of "Mizrahi" in place of "Sephardic," as well as the invigoration of Sephardic Judaism. They look at the evolution of Sephardic politics in Israel through the dramatic rise and continuing influence of the Shas political party and its spiritual leader, Rabbi Ovadia Yosef. Other contributors examine the variegated nature of Mizrahi immigration to Israel, fictional portraits of female Mizrahi immigrants to Israel in the 1940s and 1950s, contemporary Mizrahi Israel feminism, modern Arab historiography's portrayal of Jews of Muslim lands, and the changing Sephardic halakhic tradition.

Ignaz Goldziher (1850-1921), one of the founders of modern Arabic and Islamic studies, was a Hungarian Jew and a Professor at the University of Budapest. A wunderkind who mastered Hebrew, Latin, Greek, Turkish, Persian, and Arabic as a teenager, his works reached international acclaim long before he was appointed professor in his native country. From his initial vision of Jewish religious modernization via the science of religion, his academic interests gradually shifted to Arabic-Islamic themes. Yet his early Jewish program remained encoded in his new scholarly pursuits. Islamic studies was a refuge for him from his grievances with the Jewish establishment; from local academic and social irritations he found comfort in his international network of colleagues. This intellectual and academic transformation is explored in the book in three dimensions – scholarship on religion, in religion (Judaism and Islam), and as religion – utilizing his diaries, correspondences and his little-known early Hungarian works.

What does the modern era look like to those labeled "not modern" or "traditional"? Refuting claims that their art was "old world" and "primitive," African, Native, and Jewish American writers in the early twentieth century instead developed experimental strategies of self-representation that reshaped the very form of the novel itself. Uncovering the connections and confrontations among three ethnic groups not often read in relation to one another, Kent maps out the historical contexts that have shaped ethnic American writing in the Modernist era, a period of radical dislocation from homelands and increased migration for these three ethnic groups. Rather than focus on the ways others have represented these groups, Kent restores the voices of these multicultural writers to the debate about what it means to be modern.

"How can we make sense of being born and growing up in the shadows of the Shoah without being able to speak about the unspeakable terror that killed so many in our families? As the second generation we were rarely to hear stories of love and loss or to participate in the mourning of so many who had been brutally murdered. Rather we were to grow up 'normally', and to learn to turn our backs on the past as we struggled towards future identities while imagining ourselves 'like everyone else'. Fearful of difference we were often ambivalent about Jewish identities that could threaten a sense of 'Englishness'." Exploring the painful dynamics of personal identity and belonging, Victor Jeleniewski Seidler shares the difficulties of memory. How is it possible ever really to belong and feel safe and yet remember what happened to Jewish families in Poland? How can one remember without feeling overwhelmed by the terror? Crossing boundaries in a journey to Poland enabled the author to rethink a relationship between Judaism and modernity, as well as to reflect on the painful histories between Poles and Jews. Questions about memory, identity and belonging touch the lives of many people who live in the shadows of historical trauma. Learning to think in new ways about the Shoah as a defining crisis within modernity, Seidler also helps us imagine an ethics for a postmodern time.

"A well-structured, ambitious collection of essays, it will certainly be an essential read for anyone interested in the anti-Jewish policies of National Socialist Germany and their long-term consequences for postwar Europe." . H-German The robbery and restitution of Jewish property are two inextricably linked social processes. It is not possible to understand the lawsuits and international agreements on the restoration of Jewish property of the late 1990s without examining what was robbed and by whom. In this volume distinguished historians first outline the mechanisms and scope of the European-wide program of plunder, before assessing the effectiveness and historical implications of post-war restitution efforts. Integrating the abundance of new research on the material effects of the Holocaust and its aftermath, a comparative perspective is offered on both robbery and restitution, examining developments in countries such as Germany, Poland, Italy, France, Belgium, Hungary and the Czech Republic. The international and interrelated nature of property confiscation initiated by Nazi Germany and its satellite states offers new insights into the functions and beneficiaries of state sanctioned robbery. Although the extent of implementation varied, Jewish spoils were used to boost support for anti-Jewish policies and prop up ailing war finances throughout Europe. Thus the combination of personal enrichment and state plunder were two sides of the same coin. The prolonged struggles over restitution issues are confronted in the second section of the book on the basis of eight national studies. Everywhere the solution of legal and material problems was intertwined with changing national myths about the war and conflicting interpretations of justice. Even those countries that pursued extensive restitution programs using rigorous legal means were unable to compensate or comprehend fully the scale of Jewish loss. Especially in Eastern Europe, it was not until the collapse of communism that even the concept of restoring some Jewish property rights became a viable option. The legacy of robbery and restitution offers both a model for redefining the practice of human rights and keys to understanding the lingering ghosts of antisemitism in countries where few Jews remain. Martin Dean is a Research Scholar at the Center for Advanced Holocaust Studies, United States Holocaust Memorial Museum (USHMM). He is the author of Collaboration in the Holocaust, published in association with the USHMM in 2000, and of several articles on the confiscation of Jewish property. From 1992 to 1997 he worked as Senior Historian for the Metropolitan Police War Crimes Unit. Constantin Goschler teaches modern history at the Humboldt-University, Berlin. He also taught at the universities of Prague, Jena and Bochum. His main fields of interest are transitional justice in the 20th century, history of science and the history of political ideas in the 19th century. He published several articles and books on restitution and indemnification for Nazi victims. Philipp Ther teaches modern Central and Eastern European History at the European University Frankfurt/Oder, Germany. His fields of interest are comparative nationalism studies, migrations and "ethnic cleansing," postwar social history of Central Europe and most recently the history of opera theatres in the long 19th century."

"A remarkable study, one that I recommend to any reader fascinated by the shaping of culture and the power of the psyche."
&3151;"The Forward"

How typical of his generation was T.S. Eliot when he complained that Hitler made an intelligent anti-semitism impossible for a generation? In her new book, Loathsome Jews and Engulfing Women, novelist and critic, Andrea Freud Loewenstein examines the persistent anti-semitic tendencies in modernist, British intellectual culture. Pursuing her subject with literary, historical, and psychological analyses, Loewenstein argues that this anti-semitism must be understood in terms of its metaphorical link with misogyny.

Situated in the context of the history of Jews in Britain, Loathsome Jews and Engulfing Women begins by questioning the widespread belief that the British government was a friend to the Jews in the 30s and 40s. Loewenstein shows that, as evident in the hypocrisy of many British governmental policies prior to and during WWII, Britain actively collaborated in the Jews' destruction. Against the backdrop of this tragic complicity in the Holocaust, Loewenstein evaluates Jewish stereotypes in the works of three representative twentieth-century British thinkers and writers. Her analysis provides a revealing critique of British modernism.

In a larger sense, Loathsome Jews and Engulfing Womenexplores the riddle of prejudice. Loewenstein argues that anti-semitism is nurtured in an environment populated by other hatreds --misogyny, homophobia, and racism. To explain the interaction of these prejudices, she develops an investigative model grounded in object relations theory and informed by the works of such theoretically diverse authors as Virginia Woolf, Kate Millett, and Alice Miller. Loewenstein lucidly argues within an autobiographical framework, insisting on the need for critics to . . . look within ourselves for 'that terrible other' rather than to complacently assume that we ourselves exist outside the ideology of power.

This well-written and readable book will be of interest to many people, ranging students of British history to psychoanalysts, from historians of Jewish culture to anyone interested in feminist and literary theory.