A unique analysis of the intensive interest in Jewish culture of early modern Christian Humanists as a part of their comprehensive program of study of Greek, Latin, and Hebrew. The book focuses on how that interest was particularly manifested in a score of treatises on Sixteenth and Seventeenth Century Yiddish language and literature.

Even among scholars of Jewish literature, Jewish American women writers have been largely neglected. Nevertheless, these women have made an enormous contribution to literature and culture. This reference explores the extraordinary achievement of Jewish American women novelists, poets, and playwrights who have written in English. Every effort was made to provide a representative selection of writers, and the final list was determined after consultation with specialists and scholars.

The volume is composed mainly of entries arranged alphabetically by writer. Many of these women have an indisputable place in the literary canon, while others are relative newcomers to the field. Still others are being rediscovered after years of neglect. The profiles provide a biography, bibliography, and survey of criticism for each author. Each also provides an analysis of the writer's work by a scholar in Jewish American literature, women's studies, or a related field. An introductory essay defines the scope of Jewish American women's literature, while a special chapter is devoted to writers of autobiographies who document the experience of Jewish women in America.

Paths to Genocide examines the development of antisemitism from the beginnings of Christianity, through the Middle Ages, Reformation, Enlightenment and nineteenth century liberalism, nationalism and racism to the Holocaust. Focusing on major periods, places and problems in the history of European civilization, the book highlights historical contexts as it shows how religion, science, and socioeconomic forces all played a role in the evolution of antisemitism to its genocidal climax.

Although the Holocaust represents one of the worst atrocities in the history of mankind, it is thought of by many only in terms of statistics--the brutal slaughter of over 6 million lives. The art of those who suffered under the most unspeakable conditions and the art of those who reflect on the genocide remind us that statistics cannot tell the entire story. This important and diverse collection focuses on the art expression from the inferno, documenting the Holocaust through sketches of camp life drawn surreptitiously by victims on scraps of paper, and through contemporary paintings, sculpture, and personal reflections. From an informative and comprehensive perspective, this book evokes a powerful response to the 20th-century catastrophe.

Jurek Becker is one of the most important post-war German authors. His first novel, Jacob the Liar, already has the status of a classic of post-1945 European literature about the Holocaust and has been widely translated. This timely book traces the main events in Becker's unusual personal history: his childhood experiences in the Lodz Ghetto and in the concentration camps of Ravensbruck and Sachsenhausen, his life in the GDR, and his move to the West. The author reflects both on Becker's quest for his Jewish identity as well as on his achievements in terms of narrative technique, formal innovation and style. Examining Becker's treatment of the Holocaust in his novels and stories, the author highlights their central themes of hope as resistance to barbarity, the idea of memory, the inability of a survivor of the camps to overcome psychological scars, but also the provocative portrayal of Jews as oppressors who take revenge on their former persecutors. Becker's portrayal of life in former East Germany, the role of gender relations, the problems facing a writer under a socialist regime, and East-West German relations are also investigated.
As the first comprehensive assessment of Becker's life and work, this book will be essential reading for those interested in German and Holocaust literature, critical theory and German studies.

In reading popular films of the Weimar Republic as candid commentaries on Jewish acculturation, Ofer Ashkenzi provides an alternative context for a re-evaluation of the infamous 'German-Jewish symbiosis' before the rise of Nazism, as well as a new framework for the understanding of the German 'national' film in the years leading to Hitler's regime.

The most up-to-date critical guide mapping the history, impact, key critical issues, and seminal texts of the genre, Jewish Comics and Graphic Narratives interrogates what makes a work a "Jewish graphic narrative", and explores the form's diverse facets to orient readers to the richness and complexity of Jewish graphic storytelling. Accessible but comprehensive and in an easy-to-navigate format, the book covers such topics as: - The history of the genre in the US and Israel - and its relationship to superheroes, Underground Comix, and Jewish literature - Social and cultural discussions surrounding the legitimization of graphic representation as sites of trauma, understandings of gender, mixed-media in Jewish graphic novels, and the study of these works in the classroom - Critical explorations of graphic narratives about the Holocaust, Israel, the diasporic experience, Judaism, and autobiography and memoir - The works of Will Eisner, Ilana Zeffren, James Sturm, Joann Sfar, JT Waldman, Michel Kichka, Sarah Glidden, Rutu Modan, and Art Spiegelman and such narratives as X Men, Anne Frank's Diary, and Maus Jewish Comics and Graphic Novels includes an appendix of relevant works sorted by genre, a glossary of crucial critical terms, and close readings of key texts to help students and readers develop their understanding of the genre and pursue independent study.

"An acknowledged classic. Katz has transformed our conception of Jewish history from the 16th to the 18th century. Because of his work, we now understand that the ghetto was no longer sealed off at that time from outside opinions and that the movement towards modernity had begun long before the Jews were actually legally emancipated. Making this work available again in the revised edition is a service to scholarship and to public enlightenment."
--Arthur Hertzberg

"Since it first appeared in Hebrew in 1958, "Tradition and Crisis" has had a tremendous impact on generations of students and scholars. Katz's innovative use of sources has introduced scholars to new methodologies and opened new vistas for research. This new, unabridged translation is therefore highly welcome. It will ensure its continued use in the English-speaking world."
--Jehuda Reinharz, Richard Koret Professor of Modern Jewish History, Brandeis University

"Like a lovingly restored painting, Bernard Cooperman's new, annotated translation of Jacob Katz's classic portrait of early Jewish modernity can now be fully appreciated for the first time. An admirable achievement."
--Ivan G. Marcus

When it first appeared in Hebrew in 1958 and in English in 1961, Tradition and Crisis, Jacob Katz's groundbreaking study of Jewish society at the end of the Middle Ages, dramatically changed our perceptions of the Jewish community prior to the era of modernity. This new, unabridged translation by Bernard Dov Cooperman makes this classic available to new generations of students and scholars, together with Katz's original source notes, and an afterword and an updating bibliographic appendix by Professor Cooperman.

Katz revolutionized the field by tapping into a rich and hitherto unexplored source for reconstructing the sociology of a previous era: the responsa literature of the Rabbinic establishment during the Middle Ages. The self-governing communities of Jews in Europe dealt with issues both civil and religious. The questions and answers addressed to the rabbinic authorities and courts provide an incomparable wealth of insights into life as it was lived in this period and into the social, historical, cultural, and economic issues of the day.

How did European Jewry progress from a socially and culturally segregated society to become a component of European society at large? What were Jewish attitudes toward the Gentile world from which Jewry had been secluded for centuries? What were the bridges from the old to the new era?

Tradition and Crisis traces the roots of modernity to internal developments within the communities themselves. Katz traces the modern movements of the Haskalah (Enlightenment) in the West and Hasidism in the East, to an internal breakdown in the structure of these communities and the emergence of an alternative leadership in the wake of the Sabbatian challenge.
A dynamic work that has radically changed our view of this history, Tradition and Crisis remains the pivotal text for understanding the revolution in the entire conception of Jewish identity in the modern era.

Religious conversion - a shift in membership from one community of faith to another - can take diverse forms in radically different circumstances. As the essays in this volume demonstrate, conversion can be protracted or sudden, voluntary or coerced, small-scale or large. It may be the result of active missionary efforts, instrumental decisions, or intellectual or spiritual attraction to a different doctrine and practices. In order to investigate these multiple meanings, and how they may differ across time and space, this collection ranges far and wide across medieval and early modern Europe and beyond. From early Christian pilgrims to fifteenth-century Ethiopia; from the Islamisation of the eastern Mediterranean to Reformation Germany, the volume highlights salient features and key concepts that define religious conversion, particular the Jewish, Muslim and Christian experiences. By probing similarities and variations, continuities and fissures, the volume also extends the range of conversion to focus on matters less commonly examined, such as competition for the meaning of sacred space, changes to bodies, patterns of gender, and the ways conversion has been understood and narrated by actors and observers. In so doing, it promotes a layered approach that deepens inquiry by identifying and suggesting constellations of elements that both compose particular instances of conversion and help make systematic comparisons possible by indicating how to ask comparable questions of often vastly different situations.

Judged only as a World War Two survivor's chronicle, Millie Werber's story would be remarkable enough. Born in central Poland in the town of Radom, she found herself trapped in the ghetto at the age of fourteen, a slave laborer in an armaments factory in the summer of 1942, transported to Auschwitz in the summer of 1944, before being marched to a second armaments factory. She faced death many times; indeed she was certain that she would not survive. But she did.

Many years later, when she began to share her past with Eve Keller, the two women rediscovered the world of the teenage girl Millie had been during the war. Most important, Millie revealed her most precious private memory: of a man to whom she was married for a few brief months. He was--if not the love of her life--her first great unconditional passion. He died, leaving Millie with a single photograph taken on their wedding day, and two rings of gold that affirm the presence of a great passion in the bleakest imaginable time.

In this controversial book, the authors show how the Roman-Jewish wars were precipitated partly by Jewish demographic and religious expansion and by conflict with the Greeks and their culture. They argue that the trauma and humiliation of defeat, stimulated Jewish cultural growth, particularly in Hebrew, during and after the wars. This culture was an implicit rejection of Graeco-Roman civilization and values in favour of a more exclusivist religious cultural nationalism. This form of nationalism, though unique in the ancient world, anticipates more recent cultural national movements of defeated peoples.

The Encyclopedia of Modern Jewish Culture is an extensively updated revision of the very successful Companion to Jewish Culture published in 1989 and has now been updated throughout. Experts from all over the world contribute entries ranging from 200 to 1000 words broadly, covering the humanities, arts, social sciences, sport and popular culture, and 5000-word essays contextualize the shorter entries, and provide overviews to aspects of culture in the Jewish world. Ideal for student and general readers, the articles and biographies have been written by scholars and academics, musicians, artists and writers, and the book now contains up-to-date bibliographies, suggestions for further reading, comprehensive cross referencing, and a full index. This is a resource, no student of Jewish history will want to go without.

A representative selection from the man with the acid pen and the perfect pitch for hypocrisy, who was as much the voice of 1920s Berlin as Georg Grosz was its face. Kurt Tucholsky was a brilliant reporter, satirist, poet, lyricist, and storyteller of the Weimar Republic, a pacifist and a democrat; a fighter, lady's man, theater lover, political animal, and also an early warner against the Nazis. They hated and loathed Tucholsky, and drove him out of his country. The famed journalist became an outcast, an enemy of the state. His books were burned and banned in 1933, he died alone in Sweden. But he is not forgotten.With this extraordinary and also funny book, Tucholsky's work about his hometown Berlin is published for the first time in the United States.

American cities are today more diverse than at any time in history. The continuing flow of new immigrants has settled in urban and suburban areas that have undergone visible change in population and neighborhoods. While Chicago long served as the convenient and well-studied model for urban sociology, for many Los Angeles has become the focal point for study of the postmodern heteropolis. It is interesting that for sociologists New York City, especially its outer boroughs such as Brooklyn and Queens, has largely remained outside the intense gaze of urban study. As the nation's largest city New York has long had a mosaic of social worlds comparable to that of Chicago, and displays an ethnic diversity comparable to that of Los Angeles. Because New York City presents us with a less easily recognizable mosaic and a more free form scattering of ethnic social spaces, it is seldom thought of as a pre or post-modern "model" for other metropolitan areas. The eight articles presented in this volume represent both older and established ethnic and racial communities as well as new and emerging groups in New York City. These include Italian communities, African American, as well as newer Jewish, Caribbean, and Asian groups.

'If Salt Has Memory' comprises essays, memoirs and fiction by Jewish writers in exile from many lands. The anthology is particularly strong on Jewish writers in exile from Iraq, Iran and South America, and includes several essays translated from Arabic.

During the high Middle Ages, the tosafists flourished in northern Europe and revolutionized the study of the Talmud. These Jewish scholars did not participate in the philosophical and religious thought that concerned Christendom, and today they are seen as having played a limited role in mystical or esoteric studies. Ephraim Kanarfogel now challenges this conventional view of the tosafists, showing that many individuals were influenced by ascetic and pietistic practices and were involved with mystical and magical doctrines. He traces the presence of these disciplines in the pre-Crusade period, shows how they are intertwined, and suggests that the widely available Hekhalot literature was an important conduit for this material. He also demonstrates that the asceticism and esotericism of the German Pietists were an integral part of Ashkenazic rabbinic culture after the failure of Rashbam and other early tosafists to suppress these aspects of pre-Crusade thinking. The identification of these various forms of spirituality places the tosafists among those medieval rabbinic thinkers who sought to supplement their Talmudism with other areas of knowledge such as philosophy and kabbalah, demonstrating the compatibility of rabbinic culture and mysticism. These interests, argues Kanarfogel, explain both references to medieval Ashkenazic rabbinic figures in kabbalistic literature and the acceptance of certain ascetic and mystical practices by later Ashkenazic scholars. Drawing on original manuscript research, Kanarfogel makes available for the first time many passages produced by lesser known tosafists and rabbinic figures and integrates the findings of earlier and contemporary scholarship, much of it published only in Hebrew. "Peering through the Lattices" provides a greater appreciation for these texts and opens up new opportunities for scholarhship in Jewish history and thought.

Music historian Irene Heskes takes a topical and chronological approach to present an exhaustive examination of the history, form and meaning of Jewish musical traditions. Chapters include: Documenting the Heritage; Bible, Liturgy, and Cantorial Art; The Musical Heritage of Sephardic and Oriental Jewry; Music of Mysticism and Piety; The Yiddish Musical World of Eastern Europe; The Holocaust Era; America; The Music of Zion and Israel; Composers and Compositions; and Women.

In two places in the First Gospel (Matt 10:5b-6; 15:24) the Messianic mission of Jesus and his disciples is limited to a group called a ~the lost sheep of the house of Israela (TM). In light of Matthewa (TM)s intense interest in Jesusa (TM) Davidic Messiahship and the Jewish Shepard-King traditions surrounding King David it is argued that the 'lost sheep of the house of Israel'refers to remnants of the former northern kingdom of Israel who continued to reside in the northern region of the ideal Land of Israel.

The historical involvement of Jews in the political Left is well known, but far less attention has been paid to the political and ideological factors which attracted Jews to the Left. After the Holocaust and the creation of Israel many lost their faith in universalistic solutions, yet lingering links between Jews and the Left continue to exist.

The Song of Songs is a fascinating text. Read as an allegory of God’s love for Israel, the Church, or individual believers, it became one of the most influential texts from the Bible. This volume includes twenty-three essays that cover the Song’s reception history from antiquity to the present. They illuminate the richness of this reception history, paying attention to diverse interpretations in commentaries, sermons, and other literature, as well as the Song’s impact on spirituality, theological and intellectual debates, and the arts.

The purpose of The Jewish Communities in New England is to inform readers about the Jewish community in each of the six New England States: Rhode Island, Connecticut, Maine, Massachusetts, New Hampshire, and Vermont. Factual, inspirational, and poetic, it serves as a scholarly guide to institutions of Jewish life in this dynamic American region. Stocked with valuable information about community, schools, restaurants, and synagogues, Keith Warwick's study will appeal to members of the Jewish community, sociologists, teachers, cultural anthropologists, and the general reader.