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Books > Social sciences > Sociology, social studies > Ethnic studies > Jewish studies
Psychoanalysis has always grappled with its Jewish origins,
sometimes celebrating them and sometimes trying to escape or deny
them. Through exploration of Freud's Jewish identity, the fate of
psychoanalysis in Germany under the Nazis, and psychoanalytic
theories of anti-Semitism, this book examines the significance of
the Jewish connection with psychoanalysis and what that can tell us
about political and psychological resistance, anti-Semitism and
racism.
Issues of continuity, survival, and identity have generated apparently unending debates throughout the Jewish world for centuries. While similar issues arise in all Jewish communities, there are significant differences between them. This collection was designed to highlight differences as well as similarities by devoting a chapter to each of seven countries: Argentina, Australia, Canada, France, South Africa, the United Kingdom, and the United States. In four communities-those in Australia, Canada, the United Kingdom, and the United States-debates about continuity are mainly concerned with the loss of Jewish identity through assimilation. In Argentina and South Africa, the main issue is with physical survival in the face of chaotic social conditions. In France, although the situation is less dire, the community feels threatened by the rise of xenophobic political movements and the hostility of Arab groups. Apart from external factors, all the contributors review debates over the relative importance of religion and ethnic identity, and the contrasting positions taken by religious leaders and secularists. While the study offers no clear-cut answers, it does aim to broaden the debate by exposing national differences.
New York City's main Arab communities exemplify the continuity and change that has taken place throughout the city's rich history. The Museum of the City of New York, in partnership with the Middle East Institute at Columbia University and a group of local Arab and non-Arab scholars, activists and educators, undertook a long overdue exploration of New York's Arab populations. The result is a revealing collection of writings and photographs that document and tell the stories of these communities.
Twentieth century continental thinkers such as Bergson, Levinas and Jonas have brought fresh and renewed attentions to Jewish ethics, yet it still remains fairly low profile in the Anglophone academic world. This collection of critical essays brings together the work of established and up-and-coming scholars from Israel, the United States, and around the world on the topic of Jewish religious and philosophical ethics. The chapters are broken into three main sections - Rabbinics, Philosophy, and Contemporary Challenges. The authors address, using a variety of research strategies, the work of both major and lesser-known figures in historical Jewish religious and philosophical traditions. The book discusses a wide variety of topics related to Jewish ethics, including "ethics and the Mishnah," "Afro Jewish ethics," "Jewish historiographical ethics," as well as the conceptual/philosophical foundations of the law and virtues in the work of Martin Buber, Hermann Cohen, and Baruch Spinoza.The volume closes with four contributions on present-day frontiers in Jewish ethics. As the first book to focus on the nature, scope and ramifications of the Jewish ethics at work in religious and philosophical contexts, this book will be of great interest to anyone studying Jewish Studies, Philosophy and Religion.
Assessing the impact of fin-de-siecle Jewish culture on subsequent developments in literature and culture, this book is the first to consider the historical trajectory of Austrian-Jewish writing across the 20th century. It examines how Vienna, the city that stood at the center of Jewish life in the Austrian Empire and later the Austrian nation, assumed a special significance in the imaginations of Jewish writers as a space and an idea. The author focuses on the special relationship between Austrian-Jewish writers and the city to reveal a century-long pattern of living in tension with the city, experiencing simultaneously acceptance and exclusion, feeling "unheimlich heimisch" (eerily at home) in Vienna.
"We will be judged in our own time and in the future by measuring the aid that we, inhabitants of a free and fortunate country, gave to our brethren in this time of greatest disaster." This declaration, made shortly after the pogroms of November 1938 by the Jewish communities in Sweden, was truer than anyone could have forecast at the time. Pontus Rudberg focuses on this sensitive issue - Jewish responses to the Nazi persecutions and mass murder of Jews. What actions did Swedish Jews take to aid the Jews in Europe during the years 1933-45 and what determined their policies and actions? Specific attention is given to the aid efforts of the Jewish Community of Stockholm, including the range of activities in which the community engaged and the challenges and opportunities presented by official refugee policy in Sweden.
Following the horrors of Kristallnacht in November of 1938, frightened parents were forced to find refuge for their children, far from the escalating anti-Jewish violence. To that end, a courageous group of Belgian women organized a desperate and highly dangerous rescue mission to usher nearly 1,000 children out of Germany and Austria. Of these children, ninety-three were placed on a freight train, traveling through the night away from their families and into the relative safety of Vichy France. Ranging in age from five to sixteen years, the children along with their protectors spent a harsh winter in an abanoned barn with little food before eventually finding shelter in the isolated Chateau de la Hille in southern France. While several of the youngest children were safely routed to the United States, those who remained continued to be hunted by Nazi soldiers until finally smuggled illegally across the Swiss Alps to safe houses. Remarkably, all but eleven of the original ninety-three children survived the war due to the unrelenting efforts of their protectors and their own resilience. In The Children of La Hille, Reed narrates this stunning firsthand account of the amazing rescue and the countless heroic efforts of those who helped along the way. As one of the La Hille children, Reed recalls with poignant detail traveling from lice-infested, abandoned convents to stately homes in the foothills of the Pyrenees, always scrambling to keep one step ahead of the Nazis. Drawing upon survivor interviews, journals, and letters, Reed affectionately describes rousing afternoon swims in a nearby natural pond and lively renditions of Moliere plays performed for an audience of local farmers. He tells of heart-stopping near misses as the Vichy police roundups intensified, forcing children to hide in the woods to escape capture. The Children of La Hille gives readers an intimate glimpse of a harrowing moment in history, paying tribute to ordinary people acting in extraordinary ways.
One of the most common assumptions about World War II is that the Jews did not actively or effectively resist their own extermination at the hands of the Nazis. In this powerful book, Benjamin Ginsberg convincingly argues that the Jews not only resisted the Germans but actually played a major role in the defeat of Nazi Germany. The question, he contends, is not whether the Jews fought but where and by what means. True, many Jews were poorly armed, outnumbered, and without resources, but Ginsberg shows persuasively that this myth of passivity is solely that-a myth. The author describes how Jews resisted Nazism strongly in four major venues. First, they served as members of the Soviet military and as engineers who designed and built many pivotal Soviet weapons, including the T-34 tank. Second, a number were soldiers in the U.S. armed forces, and many also played key roles in discrediting American isolationism, in providing the Roosevelt administration with the support it needed for preparing for war, and in building the atomic bomb. Third, they made vital contributions to the Allies-the Soviet Union, the United States, and Britain-in espionage and intelligence (especially cryptanalysis), and fourth, they assumed important roles in several European anti-Nazi resistance movements that often disrupted Germany's fragile military supply lines. In this compelling, cogent history, we discover that the Jews were an important factor in Hitler's defeat.
This book, originally published as The Old East Side, is a collection of literature and documents ranging from the autobiography of the sculptor Jacob Epstein and the novels of Abraham Cahan to the reporting of William Dean Howells and the fictional reconstruction of a vanished world by Henry Roth. The world is that of the old shtetl transplanted to a new, growing country, where "the ghetto" (in the years 1881-1924) was an unstable mixture of nostalgic elements and the pressures of American economic and social reality. The productivity, both intellectual and material, of the section of New York known as the East Side during those forty years around the turn of the twentieth century has become a legend among many Jews in this country and deserves to become better known to many more of other ethnic origins. The lower East Side was paradoxically a wilderness to be traversed and a portion of that "promised land" which had been glimpsed with so much hope from afar. To wonderfully talented and observant children, like Jacob Epstein, the streets there in the 1880s were as filled with excitement as those of the Arabian Nights. To serious philosophic young men like Morris Raphael Cohen, they were as challenging as the marketplace of Athens had once been to Socrates to achieve intellectual enlightenment and the improvement of the social order. The conditions of abominable crowding and poverty described in the sociological tracts of Jacob Riis, Lillian Wald, and others are better known perhaps to the average reader than the accounts of such pleasures as the dancing schools, the Yiddish theaters, the cafes, the lectures, the literary ferment and activities, described in the pages of Abraham Cahan and Hutchins Hapgood. But all the views presented in The Jewish East Side, both dark and bright, are recognizably parts of the same picture. This book will be of value to sociologists, historians, researchers specializing in Judaic studies, and students of literature.
A revelation and a source of hope. Background essays give a historical overview of how the early pessimistic concentration on pathology has given way to greater emphasis on survivors' adaptive potential and strengths. Many contributors stress the importance of remembering and facing the pain that memory brings, an emphasis shared by Jewish tradition. "Jewish Chronicle" This is the first comprehensive anthology on the psychological treatment of Holocaust survivors and their families. It covers the full range of current theoretical and therapeutic approaches. It is a major resource for the clinician working with Holocaust survivors and their children, persecuted and traumatized populations, and patients suffering from post-traumatic stress syndrome. The chapters are organized around differing perspectives--classical psychoanalytic, self-psychological, group, family, pastoral, empirical research, eclectic. The editors include writings not usually part of the mainstream and focus on relevant yet often unnoticed issues. This book gives its reader a good sense of how a discipline has struggled and evolved in its efforts to understand the impact of an historical event on its victims. The field's diversity of viewpoints and major controversies are put into sharp focus in this volume. It allows the reader--whether practicing clinician, academic researcher, or lay person--the opportunity to compare a wide range of approaches and draw conclusions. While primarily functioning as a resource, it will also serve as historical record to the Holocaust's unprecedented evil.
Medical experimentation on human subjects during the Third Reich raises deep moral and ethical questions. This volume features prominent voices in the filed of bioethics reflecting on a wide rang of topics and issues. Amid all contemporary discussions of ethical in science, many ethicists, historians, Holocaust specialists and medical professionals strongly feel that we should understand the past in order to make more enlightened ethical decisions.
Combines biography and analysis of Nietzche's writing from 1844-1900, exploring his critique of Christianity, Judaism, and antisemitism. Discusses psychological, ethical, and political aspects as presented in Nietzche's mature writing Thus Spoke Zarathustra, Toward the Genealogy of Morals, and the
British-Jewish writers are increasingly addressing challenging
questions about what it means to be both British and Jewish in the
twenty-first century. "Writing Jewish" provides a lively and
accessible introduction to the key issues in contemporary
British-Jewish fiction, memoirs and journalism, and explores how
Jewishness exists alongside a range of other different identities
in Britain today.
This book is a detailed critical study of Libeskind's Berlin Jewish Museum in its historical, architectural and philosophical context. Emphasizing how the Holocaust changed our perception of history, memory, witnessing and representation, it develops the notion of 'memorial ethics' to explore the Museum's difference from more conventional post-World War Two commemorative sites. The main focus is on the Museum as an experience of the materiality of trauma which engages the visitor in a performative duty to remember. Arleen Ionescu builds on Levinas's idea of 'ethics as optics' to show how Libeskind's Museum becomes a testimony to the unpresentable Other. Ionescu also extends the Museum's experiential dimension by proposing her own subjective walk through Libeskind's space reimagined as a 'literary museum'. Featuring reflections on texts by Beckett, Celan, Derrida, Kafka, Blanchot, Wiesel and Selma Meerbaum-Eisinger (Celan's cousin), this virtual tour concludes with a brief account of Libeskind's analogous 'healing project' for Ground Zero.
The most up-to-date critical guide mapping the history, impact, key critical issues, and seminal texts of the genre, Jewish Comics and Graphic Narratives interrogates what makes a work a "Jewish graphic narrative", and explores the form's diverse facets to orient readers to the richness and complexity of Jewish graphic storytelling. Accessible but comprehensive and in an easy-to-navigate format, the book covers such topics as: - The history of the genre in the US and Israel - and its relationship to superheroes, Underground Comix, and Jewish literature - Social and cultural discussions surrounding the legitimization of graphic representation as sites of trauma, understandings of gender, mixed-media in Jewish graphic novels, and the study of these works in the classroom - Critical explorations of graphic narratives about the Holocaust, Israel, the diasporic experience, Judaism, and autobiography and memoir - The works of Will Eisner, Ilana Zeffren, James Sturm, Joann Sfar, JT Waldman, Michel Kichka, Sarah Glidden, Rutu Modan, and Art Spiegelman and such narratives as X Men, Anne Frank's Diary, and Maus Jewish Comics and Graphic Novels includes an appendix of relevant works sorted by genre, a glossary of crucial critical terms, and close readings of key texts to help students and readers develop their understanding of the genre and pursue independent study.
Gellman presents a new theology of the Jews as the Chosen People, addressing self-serving ethnocentric supremacy, cultural isolation, and defamation of religions other than Judaism. This book is traditional in taking chosenness and the truth of Judaism seriously, and in eschewing a theology of multiple covenants. At the same time, it is critical, rejecting previous concepts of chosenness, and innovative, offering for the twenty-first century a fresh way of seeing the Jews' place in the world. On this foundation, Gellman suggests a new approach to inter-religious understanding from a Jewish point of view, and examines the impact of his proposal on traditional Jewish liturgy.
The association of Nazism with the symbol of ultimate evil - the devil - can be found in the works of Klaus and Thomas Mann, Else Lasker-Schuler, and Rolf Hochhuth. He appears either as Satan of the Judeo-Christian tradition, or as Goethe's Mephisto. The devil is not only a metaphor, but a central part of the historical analysis. Barasch-Rubinstein looks into this phenomenon and analyzes the premise that the image of the devil had a substantial impact on Germans' acceptance of Nazi ideas. His diabolic characteristics, the pact between himself and humans, and his prominent place in German culture are part of the intriguing historical observations these four German writers embedded in their work. Whether writing before the outbreak of WWII, during the war, or after it, when the calamities of the Holocaust were already well-known, they all examine Nazism in the light of the ultimate manifestation of evil.
The Song of Songs is a fascinating text. Read as an allegory of God’s love for Israel, the Church, or individual believers, it became one of the most influential texts from the Bible. This volume includes twenty-three essays that cover the Song’s reception history from antiquity to the present. They illuminate the richness of this reception history, paying attention to diverse interpretations in commentaries, sermons, and other literature, as well as the Song’s impact on spirituality, theological and intellectual debates, and the arts.
Stairway to Paradise reveals how American Jewish entrepreneurs, musicians, and performers influenced American popular music from the late nineteenth century till the mid-1960s. From blackface minstrelsy, ragtime, blues, jazz, and Broadway musicals, ending with folk and rock 'n' roll. The book follows the writers and artists' real and imaginative relationship with African-American culture's charisma. Stairway to Paradise discusses the artistic and occasionally ideological dialogue that these artists, writers, and entrepreneurs had with African-American artists and culture. Tracing Jewish immigration to the United States and the entry of Jews into the entertainment and cultural industry, the book allocates extensive space to the charged connection between music and politics as reflected in the Jewish-Black Alliance - both in the struggle for social justice and in the music field. It reveals Jewish success in the music industry and the unique and sometimes problematic relationships that characterized this process, as their dominance in this field became a source of blame for exploiting African-American artistic and human capital. Alongside this, the book shows how black-Jewish cooperation, and its fragile alliance, played a role in the hegemonic conflicts involving American culture during the 20th century. Unintentionally, it influenced the process of decline of the influence of the WASP elite during the 1960s. Stairway to Paradise fuses American history and musicology with cultural studies theories. This inter-disciplinary approach regarding race, class, and ethnicity offers an alternative view of more traditional notions regarding understanding American music's evolution.
A challenging look at two great Jewish philosophers, and what their thinking means to our understanding of God, truth, revelation and reason. Moses Maimonides (11381204) is Jewish historys greatest exponent of a rational, philosophically sound Judaism. He strove to reconcile the teachings of the Bible and rabbinic tradition with the principles of Aristotelian philosophy, arguing that religion and philosophy ultimately must arrive at the same truth. Baruch Spinoza (163277) is Jewish historys most illustrious heretic. He believed that truth could be attained through reason alone, and that philosophy and religion were separate domains that could not be reconciled. His critique of the Bible and its teachings caused an intellectual and spiritual upheaval whose effects are still felt today. Rabbi Marc D. Angel discusses major themes in the writings of Maimonides and Spinoza to show us how modern people can deal with religion in an intellectually honest and meaningful way. From Maimonides, we gain insight on how to harmonize traditional religious belief with the dictates of reason. From Spinoza, we gain insight into the intellectual challenges which must be met by modern believers.
Abu'l-Barakat is a renowned philosopher of the Arabic-Jewish milieu who composed in his magnum opus the Kitab al-Mu'tabar, a comprehensive metaphysics which challenged the accepted notions of the traditional metaphysical philosophy. 'Abu'l-Barakat al-Baghdadi's Metaphysical Philosophy' examines the novel philosophical conceptions of the first book of the Metaphysics of the Kitab al-Mu'tabar. The aim is to present a developed conception of Abu'l-Barakat's systematic metaphysics. This is accomplished by following the order of topics discussed, while translating the relevant passages. These different topics comprise stages of cognition that move from an analysis of time, creation and causality to the conception of a higher spiritual realm of mental entities and a conception of God as the First Knower and Teacher. The epistemological and ontological conceptions are analyzed at each culminating stage. 'Abu'l-Barakat al-Baghdadi's Metaphysical Philosophy' analyzes vast portions of the metaphysical study for the first time. The book will thus be a valuable resource for all those seeking an original and broad metaphysics, and for students and scholars of Jewish and Islamic Philosophy. Furthermore, it is of importance for those seeking a metaphysics related to scientific theories and those interested in the history of science and metaphysics.
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