This wide-ranging survey of experimental methods in phonetics and phonology shows the insights and results provided by different methods of investigation, including laboratory-based, statistical, psycholinguistic, computational-modeling, corpus, and field techniques. The five chapters in the first part of the book examine the recent history and interrelations of theory and method. The remaining 18 chapters are organized into parts devoted to four key current areas of research: phonological universals; phonetic variation and phonological change; maintaining, enhancing, and modeling phonological contrasts; and phonological knowledge. The book provides fresh insights into the findings and theoretical advances that emerge from experimental investigation of phonological structure and phonological knowledge, as well as critical perspectives on experimental methods in the perception, production, and modeling of speech.
This book will be a valuable asset for all researchers into the sound structure of language, including scholars and advanced students of phonetics, phonology, speech science, psycholinguistics, and applied linguistics.

This is the first comprehensive account of the segmental phonology of Hungarian in English. Part I introduces the general features of the language. Part II examines its vowel and consonant systems, and its phonotactics (syllable structure constraints, transsyllabic constraints, and morpheme structure constraints). Part III describes the phonological processes that vowels, consonants, and syllables undergo and/or trigger. The authors provide a new analysis of vowel harmony as well as discussions of vowel length alternations, palatalization, voice assimilation, and processes targeting nasals and liquids. The final chapters cover processes conditioned by syllable structure, and briefly describe a selection of surface phenomena.
This authoritative account of the sound pattern of this unique language will interest phonologists and advanced students throughout the world.

This book presents the first cross-linguistic study of the phenomenon of infixation, typically associated in English with words like "im-bloody-possible," and found in all the world's major linguistic families. Infixation is a central puzzle in prosodic morphology: Professor Yu explores its prosodic, phonological, and morphological characteristics, considers its diverse functions, and formulates a general theory to explain the rules and constraints by which it is governed. He examines 154 infixation patterns from over a hundred languages, including examples from Asia, Europe, Africa, New Guinea, and South America. He compares the formal properties of different kinds of infix, explores the range of diachronic pathways that lead to them, and considers the processes by which they are acquired in first language learning. A central argument of the book concerns the idea that the typological tendencies of language may be traced back to its origins and to the mechanisms of language transmission. The book thus combines the history of infixation with an exploration of the role diachronic and functional factors play in synchronic argumentation: it is an exemplary instance of the holistic approach to linguistic explanation.
Alan Yu's pioneering study will interest phonologists and morphologists of all theoretical persuasions, as well as typologists and historical linguists.

This book presents an experimental-phonetic approach to the study of intonation, defined as the ensemble of pitch variations in speech. It brings together in a single volume a detailed explication of the stylization method used in the analysis of intonation; theoretical insights and the experimental evidence that supports them, the results of physiological measurements that substantiate hypotheses about the production of intonation; and applications arising from the research. Johan't Hart, Rene Collier and Antonie Cohen argue that a perception-oriented approach, carried out by studying the perceptual consequences of deliberate manipulations of the speech signal, is the only way in which it can be decided what, out of the abundant information in the acoustic domain, is important for the listener and hence may be relevant for communication. The method they employ is fruitful not only for the analysis of Dutch, but also of British English, German and Russian intonation.

Sound symbolism is the study of the relationship between the sound of an utterance and its meaning. In this interdisciplinary collection of new studies, twenty-four leading scholars discuss the role of sound symbolism in a theory of language. They consider sound-symbolic processes in a wide range of languages from Europe, Asia, Africa, Australia, and North and South America. Beginning with an evocative typology of sound-symbolic processes, they go on to examine not only the well-known areas of study, such as onomatopoeia and size-sound symbolism, but also less frequently discussed topics such as the sound-symbolic value of vocatives and of involuntary noises, and the marginal areas of "conventional sound symbolism", such as phonesthemes. The book concludes with a series of studies on the biological basis of sound symbolism, and draws comparisons with the communication systems of other species. This is a definitive work on the role of sound symbolism in a theory of language. The wide-ranging new research presented here reveals that sound symbolism plays a far more significant role in language than scholarship has hitherto recognized.

The variation that a speech sound undergoes under the influence of neighbouring sounds has acquired the well-established label coarticulation. The phenomenon of coarticulation has become a central problem in the theory of speech production. Much experimental work has been directed towards discovering its characteristics, its extent and its occurrence across different languages. This book is a major study of coarticulation by a team of international researchers. It provides a definitive account of the experimental findings to date, together with discussions of their implications for modelling the process of speech production. Different components of the speech production system (larynx, tongue, jaw, etc.) require different techniques for investigation and a whole section of this book is devoted to a description of the experimental techniques currently used. Other chapters offer a theoretically sophisticated discussion of the implications of coarticulation for the phonology-phonetics interface.

'Markedness' refers to the tendency of languages to show a preference for particular structures or sounds. This bias towards 'marked' elements is consistent within and across languages, and tells us a great deal about what languages can and cannot do. This pioneering study presents a groundbreaking theory of markedness in phonology. De Lacy argues that markedness is part of our linguistic competence, and is determined by three conflicting mechanisms in the brain: (a) pressure to preserve marked sounds ('preservation'), (b) pressure to turn marked sounds into unmarked sounds ('reduction'), and (c) a mechanism allowing the distinction between marked and unmarked sounds to be collapsed ('conflation'). He shows that due to these mechanisms, markedness occurs only when preservation is irrelevant. Drawing on examples of phenomena such as epenthesis, neutralization, assimilation, vowel reduction and sonority-driven stress, Markedness offers an important new insight into this essential concept in the understanding of human language.

This book concisely describes ways in which today's standard British English speech differs from the upper-class accent of the last century, Received Pronunciation, which many now find old-fashioned or even comic. In doing so it provides a much-needed update to the existing RP-based descriptions by which the sound system of British English is still known to many around the world. The book opens with an account of the rise and fall of RP, before turning to a systematic analysis of the phonetic developments between RP and contemporary Standard Southern British (SSB) in vowels, consonants, stress, connected speech and intonation. Topics covered include the anti-clockwise vowel shift, the use of glottal stops, 'intrusive r', vocal fry and Uptalk. It concludes with a Mini Dictionary of well over 100 words illustrating the changes described throughout the book, and provides a chart of updated IPA vowel symbols. This book is an essential resource for anyone interested in British pronunciation and sound change, including academics in phonetics, phonology, applied linguistics and English language; trainers of English teachers; English teachers themselves; teachers of voice and accent coaches; and students in those areas.

In Slavic Prosody, first published in 1998, Professor Bethin gives a coherent account of the Slavic languages at the time of their differentiation and relates these developments to issues in phonological theory. First Professor Bethin argues that the syllable structure of Slavic changed before the fall of the jers and suggests that intrasyllabic and intersyllabic reorganization in Late Common Slavic was far more significant for Slavic prosody than the loss of weak jers. She then makes a case for the existence of a bisyllabic prosodic domain in Late Common Slavic and trochaic metrical organization. Finally, she explores the implications of Slavic data for phonological theory, discussing sonority, skeletal structure, the representation of length and prominence, and language typology in some detail.

This book considers the interaction of morphological and phonological determinants of linguistic form and the degree to which one determines the other. It considers the operation of canonical forms, the invariant syllabic shapes of morphemes and the defining characteristic of prosodic
morphology. Dr Downing presents an original theory which she tests on data from a wide variety of languages. Her book will be of central interest to scholars and advanced students of phonology and morphology, and of linguistic theory more generally.

Why are there more English words ending in -ness than ending in -ity? What is it about some endings that makes them more widely usable than others? Can we measure the differences in the facility with which the various affixes are used? Does the difference in facility reflect a difference in the way we treat words containing these affixes in the brain? These are the questions examined in this book. Morphological productivity has, over the centuries, been a major factor in providing the huge vocabulary of English and remains one of the most contested areas in the study of word-formation and structure. This book takes an eclectic approach to the topic, applying the findings for morphology to syntax and phonology. Bringing together the results of twenty years' work in the field, it provides new insights and considers a wide range of linguistic and psycholinguistic evidence.

Speech is the principal supporting medium of language. In this book Pierre-Yves Oudeyer considers how spoken language first emerged. He presents an original and integrated view of the interactions between self-organization and natural selection, reformulates questions about the origins of speech, and puts forward what at first sight appears to be a startling proposal - that speech can be spontaneously generated by the coupling of evolutionarily simple neural structures connecting perception and production. He explores this hypothesis by constructing a computational system to model the effects of linking auditory and vocal motor neural nets. He shows that a population of agents which used holistic and unarticulated vocalizations at the outset are inexorably led to a state in which their vocalizations have become discrete, combinatorial, and categorized in the same way by all group members. Furthermore, the simple syntactic rules that have emerged to regulate the combinations of sounds exhibit the fundamental properties of modern human speech systems. This original and fascinating account will interest all those interested in the evolution of speech.

This 1991 book was the first extended study written within the framework of Government Phonology. Following the presentation of the main aspects of this theory, the process of vowel-zero alternations is addressed and analysed together with the idea that phonological processes are determined by principles of Universal Grammar along with parameters that distinguish languages. By using predominantly the alternation between schwa and zero in French, Monik Charette demonstrates that vowel-zero alternations are neither cases of insertion nor of deletion. Rather, they involve the interpretation of 'empty nuclei', i.e. nuclei with no segmental content, which must be licensed by proper government. It is when proper government fails to apply that a vowel is realized. Dr Charette also gives consideration to the constraints to which proper government is subject. She argues that these constraints result from phonological principles in conflict. This book represents a major development in the analysis of phonological processes. The extension of grammatical principles and parameters to phonological phenomena is well argued, and will interest theoretical phonologists and specialists of French alike.

Phonological Structure and Phonetic Form brings together work from phonology, phonetics, speech science, electrical engineering, psycholinguistics and sociolinguistics. The chapters in this book are organized in four topical sections. The first is concerned with stress and intonation; the second with syllable structure and phonological theory; the third with phonological features; and the fourth with 'phonetic output'. This is the third in the series Papers in Laboratory Phonology. The two previous volumes, like the conferences from which they were derived, have been influential in establishing Laboratory Phonology as a discipline in its own right. Phonological Structure and Phonetic Form will be equally important in making readers aware of the range of research relevant to questions of linguistic sound structure.

The essays in this volume are all original contributions dealing in one way or another with the analysis of prosody - primarily intonation and rhythm - and the role it plays in everyday conversation. They take as their methodological starting point the contention that the study of prosody must begin with genuine interactional rather than pre fabricated laboratory data. Through close empirical analysis of recorded material from genuine English, German, and Italian conversations, the prosody emerges here as a strategy deployed by interactants in the management of turn-taking and floor-holding; in the negotiation of conversational activities such as repair, assessments, announcements, reproaches, and news receipts; and in the keying of the tone or modality of interactional sequences.

Douglas Biber's new book extends and refines the research and methodology reported in his ground breaking Variation Across Speech and Writing (CUP 1988). In Dimensions of Register Variation he gives a linguistic analysis of register in four widely differing languages: English, Nukulaelae Tuvaluan, Korean, and Somali. Using the multi-dimensional analytical framework employed in his earlier work, Biber carries out a principled comparison of both synchronic and diachronic patterns of variation across the four languages. Striking similarities as well as differences emerge, allowing Biber to predict for the first time cross-linguistic universals of register variation. This major new work will provide the foundation for the further investigation of cross-linguistic universals governing the pattern of discourse variation across registers, and will be of wide interest to any scholar interested in style, register and literacy.

A new contribution to linguistic theory, this book presents a formal framework for the analysis of word structure in human language. It sets forth the network of hypotheses constituting Paradigm Function Morphology, a theory of inflectional form whose central insight is that paradigms play an essential role in the definition of a language's system of word structure. The theory comprises several unprecedented claims, chief among which is the claim that a language's realization rules serve as clauses in the definition of a paradigm function, an overarching construct which is indispensable for capturing certain kinds of generalizations about inflectional form. This book differs from other recent works on the same subject in that it treats inflectional morphology as an autonomous system of principles rather than as a subsystem of syntax or phonology and it draws upon evidence from a diverse range of languages in motivating the proposed conception of word structure.

In this provocative work, Luigi Burzio argues that many common assumptions within stress theory, and phonological theory more generally, are in fact rather arbitrary. He proposes radical departures from recent tradition. In Part I he analyzes stress in the underived English lexicon, arguing that the basic accentual groups or "feet" are not monosyllabic or bisyllabic, as often assumed, but rather bisyllabic or trisyllabic. This analysis brings significant simplifications to other recent theorizing, including the elimination of standard extrametrically and all rules destressing. In Part II Professor Burzio deals with morphologically complex words, and argues that various phenomena of stress presevation, including the apparent stress "neutrality" of a class of affixes, are all predictable reflexes of a single principle of Metrical Consistency. In addition to a superior account of stress, the proposed metrical theory yields a unitary account of a wide spectrum of vowel-length alternations, in an overall conception of phonology which is modular, like that of comtemporary syntax. The book makes a major theoretical contribution to the analysis of English word stress and to phonological theory.

Rewriting rules, derivations and underlying representations is an enduring characteristic of generative phonology. In this book, John Coleman argues that this is unnecessary. The expressive resources of context-free Unification grammars are sufficient to characterize phonological structures and alternations. According to this view, all phonological forms and constraints are partial descriptions of surface representations. This framework, now called Declarative Phonology, is based on a detailed examination of the formalisms of feature-theory, syllable theory and the leading varieties of nonlinear phonology. Dr Coleman illustrates this with two extensive analyses of the phonological structure of words in English and Japanese. As Declarative Phonology is surface-based and highly restrictive, it is consistent with cognitive psychology and amenable to straightforward computational implementation.

This accessible textbook provides a clear and practical introduction to phonetics, the study of speech. Assuming no prior knowledge of the topic, it introduces students to the fundamental concepts in phonetic science, and equips them with the essential skills needed for recognizing, describing and transcribing a range of speech sounds. Numerous graded exercises enable students to put these skills into practice, and the sounds introduced are clearly illustrated with examples from a variety of English accents and other languages. As well as looking at traditional articulatory description, the book introduces acoustic and other instrumental techniques for analysing speech, and covers topics such as speech and writing, the nature of transcription, hearing and speech perception, linguistic universals, and the basic concepts of phonology. Providing a solid foundation in phonetics, Introducing Phonetic Science will be invaluable to all students beginning courses in linguistics, speech sciences, language pathology and language therapy. Further exercises will be available on an accompanying website.

This fresh look at the philosophy of language focuses on the interface between a theory of literal meaning and pragmatics - a philosophical examination of the relationship between meaning and language use and its contexts.

Introduce students to the fundamentals of linguistic phonetics, designed to help students become proficient in phonetics and phonetic transcription. This clear, systematic, easy-to-understand text provides speech and hearing students with a thorough understanding of phonetics principles through practice. Fundamentals of Phonetics uses in-text exercises and supplemental audio recordings to teach the practical skills necessary to successfully perform phonetic transcription of individuals using the International Phonetic Alphabet (IPA). Students learn about the transcription of consonants and vowels, connected speech, and individuals with speech sound disorders. A chapter on speech acoustics introduces spectrograms and the acoustic characteristics of speech sounds. Students also learn how to transcribe individuals who display regional and ethnic dialectal variation of speech, including those who have learned to speak English as a second language. Throughout the text are included chapter objectives, learning exercises, in-class and take-home assignments, online resources, and study questions that will help students learn, process, and practice the material presented in the text. Note: The text does not come with the audio cd. To order the audio CD packaged with the text, use ISBN 0134204816. There are 3 CDs in the package.

Using examples from a wide variety of languages, this book reveals why speakers vary their pitch, what these variations mean, and how they are integrated into our grammars. All languages use modulations in pitch to form utterances. Pitch modulation encodes lexical "tone" to signal boundaries between morphemes or words, and encodes "intonation" to give words and sentences an additional meaning that isn't part of their original sense.

This study presents innovative work from four core areas: phonological representations and the lexicon; phonetic interpretation and phrasal structure; phonetic interpretation and syllable structure; and phonology and natural speech production. Written by experts in the fields of phonetics, phonology and speech perception, the chapters in this volume use a wide range of laboratory and instrumental techniques to analyze the production and perception of speech. They explore the relationship between the sounds of speech and the linguistic organization that lies behind them.

The first account in English the history and characteristics of Portuguese phonology. The authors show how Portuguese relates to Spanish and Catalan and compare European and Brazilian Portuguese.