This is the most comprehensive and current introduction to phonological theory and analysis. Presupposing only minimal background in linguistics, the book introduces the basic concepts and principles of phonological analysis and then systematically develops the major innovations in the generative model since Chomsky and Halle's Sound Patterns of English (1968). Careful study of the text will enable the student to read the current scholarly literature with critical understanding and some perspective. Some unique features of the book include a set of exercises reinforcing the basic concepts and principles, illustrations from a variety of languages based on published and unpublished materials, a survey of all the major lines of research in phonological theory, and an extensive bibliography.
Phonology in Generative Grammar is supported by an instructor's manual.

This book delves into the convergence between musical intelligence and L2 pronunciation skills. It starts with a detailed description of the theory of Multiple Intelligences proposed by Howard Gardner (1983) with particular reference to musical intelligence. It also constitutes an attempt at describing the relationship between musical intelligence and other intelligences. A detailed description of the prosodic features of speaker's pronunciation skills is the "prelude" to the methodology of research, as well as the research results, which take into consideration some of the most problematic issues, including the outcomes obtained from Wing's musical intelligence test and pronunciation test measured by three independent English native speakers and by Praat.

Stress and accent are central, organizing features of grammar, but their precise nature continues to be a source of mystery and wonder. These issues come to the forefront in acquisition, where the tension between the abstract mental representations and the concrete physical manifestations of stress and accent is deeply reflected. Understanding the nature of the representations of stress and accent patterns, and understanding how stress and accent patterns are learned, informs all aspects of linguistic theory and language acquisition. These two themes - representation and acquisition - form the organizational backbone of this book. Each is addressed along different dimensions of stress and accent, including the position of an accent or stress within various prosodic domains and the acoustic dimensions along which the pronunciation of stress and accent may vary. The research presented in the book is multidisciplinary, encompassing theoretical linguistics, speech science, and computational and experimental research.

Speech is the most effective medium humans use to exchange and transmit knowledge, ideas and experiences. It exists physiologically as neural and muscular activity, and subsequent articulatory, acoustic and auditory events, and as an abstract, rule-governed system at the psychological level. Together, both levels produce communication by speech. To appreciate speech and its communicative function, all of its characteristics must be understood. This book offers the most comprehensive and accessible coverage of the three areas of phonetics: articulatory, acoustic, and auditory or speech perception. Students without a linguistics background can be daunted by phonetics, so clear language is used to define linguistics and phonetics concepts with examples and illustrations to ensure understanding. Furthermore, each chapter concludes with comprehension exercises to reinforce understanding. Online exercises and recordings of speech stimuli from various languages provide additional opportunity to hone perception, production, phonetic transcription skills and acoustic analysis measurement practice.

In this volume, the author develops and warrants prosodic categories and analyses within the framework of an 'interactional phonology of conversation'. Major chapters deal with the role of prosody in the constitution of turn-constructional units and turns, the signalling of conversational questions, and the design of story-telling and arguing in conversational interaction. The author shows that and how participants make use of prosodic categories as constitutive cues in the construction and interpretation of verbal activities in natural discourse.

Within the past forty years, the field of phonology--a branch of linguistics that explores both the sound structures of spoken language and the analogous phonemes of sign language, as well as how these features of language are used to convey meaning--has undergone several important shifts in theory that are now part of standard practice. Drawing together contributors from a diverse array of subfields within the discipline, and honoring the pioneering work of linguist John Goldsmith, this book reflects on these shifting dynamics and their implications for future phonological work. Divided into two parts, Shaping Phonology first explores the elaboration of abstract domains (or units of analysis) that fall under the purview of phonology. These chapters reveal the increasing multidimensionality of phonological representation through such analytical approaches as autosegmental phonology and feature geometry. The second part looks at how the advent of machine learning and computational technologies has allowed for the analysis of larger and larger phonological data sets, prompting a shift from using key examples to demonstrate that a particular generalization is universal to striving for statistical generalizations across large corpora of relevant data. Now fundamental components of the phonologist's tool kit, these two shifts have inspired a rethinking of just what it means to do linguistics.

This volume takes a variety of approaches to the question 'what is a word?', with particular emphasis on where in the grammar wordhood is determined. Chapters in the book all start from the assumption that structures at, above, and below the 'word' are built in the same derivational system: there is no lexicalist grammatical subsystem dedicated to word-building. This type of framework foregrounds the difficulty in defining wordhood. Questions such as whether there are restrictions on the size of structures that distinguish words from phrases, or whether there are combinatory operations that are specific to one or the other, are central to the debate. In this respect, chapters in the volume do not all agree. Some propose wordhood to be limited to entities defined by syntactic heads, while others propose that phrasal structure can be found within words. Some propose that head-movement and adjunction (and Morphological Merger, as its mirror image) are the manner in which words are built, while others propose that phrasal movements are crucial to determining the order of morphemes word-internally. All chapters point to the conclusion that the phonological domains that we call words are read off of the morphosyntactic structure in particular ways. It is the study of this interface, between the syntactic and phonological modules of Universal Grammar, that underpins the discussion in this volume.

This book is the first volume specifically devoted to the phonetics and phonology of geminate consonants, a feature of many of the world's languages including Arabic, Bengali, Finnish, Hungarian, Italian, Japanese, Malayalam, Persian, Saami, Swiss German, and Turkish. While the contrast between geminate and singleton consonants has been widely studied, the phonetic manifestation and phonological nature of geminate consonants, as well as their cross-linguistic similarities and differences, are not fully understood. The volume brings together original data and novel analyses of geminate consonants in a variety of languages across the world. Experts in the field present a wide range of approaches to the study of phonological contrasts in general by introducing various experimental and non-experimental methodologies; they also discuss phonological contrasts in a wider context and examine the behaviour of geminate consonants in loanword phonology and language acquisition. The volume takes an interdisciplinary approach, drawing on experimental phonetics, theoretical phonology, speech processing, neurolinguistics, and language acquisition.

SCHRIFTEN DES INSTITUTS FUER DEUTSCHE SPRACHE (SIDS) is published by the German Language Institute (IDS) in Mannheim. The German Language Institute is one of the most prominent research institutes for research and documentation of the German language in the past and present. The renowned publications series SIDS publishes the results of research projects at the German Language Institute. The series includes high-quality handbooks, e.g. Grammar of the German Language (Strecker/Hoffmann/Zifonun), and fundamental monographs on all areas of the grammar, pragmatics, lexicon and morphology of German. SIDS is a standard series of German linguistics.

This book, the second volume in A Linguistic History of English, describes the development of Old English from Proto-Germanic. Like Volume I, it is an internal history of the structure of English that combines traditional historical linguistics, modern syntactic theory, the study of languages in contact, and the variationist approach to language change. The first part of the book considers the development of Northwest and West Germanic, and the northern dialects of the latter, with particular reference to phonological and morphological phenomena. Later chapters present a detailed account of changes in the Old English sound system, inflectional system, and syntax. The book aims to make the findings of traditional historical linguistics accessible to scholars and students in other subdisciplines, and also to adopt approaches from contemporary theoretical linguistics in such a way that they are accessible to a wide range of historical linguists.

This book centers on theoretical issues of phonology-syntax interface based on tone sandhi in Chinese dialects. It uses patterns in tone sandhi to study how speech should be divided into domains of various sizes or levels. Tone sandhi refers to tonal changes that occur to a sequence of adjacent syllables or words. The size of this sequence (or the domain) is determined by various factors, in particular the syntactic structure of the words and the original tones of the words. Chinese dialects offer a rich body of data on tone sandhi, and hence great evidence for examining the phonology-syntax interface, and for examining the resulting levels of domains (the prosodic hierarchy). Syntax-Phonology Interface: Argumentation from Tone Sandhi in Chinese Dialects is an extremely valuable text for graduate students and scholars in the fields of linguistics and Chinese.

This volume provides a guide to what we know about the interplay between prosody-stress, phrasing, and melody-and interpretation-felicity in discourse, inferences, and emphasis. Speakers can modulate the meaning and effects of their utterances by changing the location of stress or of pauses, and by choosing the melody of their sentences. Although these factors often do not change the literal meaning of what is said, linguists have in recent years found tools and models to describe these more elusive aspects of linguistic meaning. This volume provides a guide to what we know about the interplay between prosody-stress, phrasing, and melody-and interpretation-felicity in discourse, inferences, and emphasis. Daniel Buring presents the main phenomena involved, and introduces the details of current formal analyses of prosodic structure, relevant aspects of discourse structure, intonational meaning, and, most importantly, the relations between them. He explains and compares the most influential theories in these areas, and outlines the questions that remain open for future research. This wide-ranging book involves aspects of phonetics, phonology, syntax, semantics, and pragmatics, and will be of interest to researchers and students in all of these fields, from advanced undergraduate level upwards.

The Oxford Guide to the Romance Languages is the most exhaustive treatment of the Romance languages available today. Leading international scholars adopt a variety of theoretical frameworks and approaches to offer a detailed structural examination of all the individual Romance varieties and Romance-speaking areas, including standard, non-standard, dialectal, and regional varieties of the Old and New Worlds. The book also offers a comprehensive comparative account of major topics, issues, and case studies across different areas of the grammar of the Romance languages. The volume is organized into 10 thematic parts: Parts 1 and 2 deal with the making of the Romance languages and their typology and classification, respectively; Part 3 is devoted to individual structural overviews of Romance languages, dialects, and linguistic areas, while Part 4 provides comparative overviews of Romance phonology, morphology, syntax, semantics and pragmatics, and sociolinguistics. Chapters in Parts 5-9 examine issues in Romance phonology, morphology, syntax, syntax and semantics, and pragmatics and discourse, respectively, while the final part contains case studies of topics in the nominal group, verbal group, and the clause. The book will be an essential resource for both Romance specialists and everyone with an interest in Indo-European and comparative linguistics.

This book outlines a system of phonological features that is minimally sufficient to distinguish all consonants and vowels in the languages of the world. The extensive evidence is drawn from datasets with a combined total of about 1000 sound inventories. The interpretation of phonetic transcriptions from different languages is a long-standing problem. In this book, San Duanmu proposes a solution that relies on the notion of contrast: X and Y are different sounds if and only if they contrast in some language. He focuses on a simple procedure to interpret empirical data: for each phonetic dimension, all inventories are searched in order to determine the maximal number of contrasts required. In addition, every unusual feature or extra degree of contrast is re-examined to confirm its validity. The resulting feature system is surprisingly simple: fewer features are needed than previously proposed, and for each feature, a two-way contrast is sufficient. Nevertheless, the proposal is reliable in that the notion of contrast is uncontroversial, the procedure is explicit, and the result is repeatable. The book also offers discussion of non-contrastive differences between languages, sound classes, and complex sounds such as affricates, consonant-glide units, consonant-liquid units, contour tones, pre-nasalized stops, clicks, ejectives, and implosives.

An entertaining, informative, and elegantly designed guide that makes understanding punctuation marks and symbols simple and fun. A rollicking linguistic ride for fans of Eats, Shoots & Leaves and Just My Type. What is the purpose of the comma - perhaps the most used symbol in the English language - and what are the proper uses of the asterisk? Do quote marks go inside or outside punctuation? What about a quote within a quote - a quote from someone quoting someone else? How much space goes on either side of an ellipsis? What's the difference between an en dash and an em dash? Snails and Monkey Tails is a show-stopping guide with more than 75 uniquely designed two-colour spreads. Award-winning graphic designer Michael Arndt explores the typographic origins, names, and shapes of both common punctuation marks and symbols, as well as the proper and diverse usage of each. From the full stop to the question mark, the semicolon to the en dash, symbols and marks are an integral part of language.

This volume contains detailed surveys of the intonational phonology of fourteen typologically diverse languages, described in the Autosegmental-Metrical framework. Unlike the first volume, half of the languages are understudied languages and/or researched through fieldwork, and all vary widely in their word prosody as well as their geographic distribution. Each chapter provides the prosodic structure and intonational categories of the language as well as a description of focus prosody. The book also includes a chapter on the methodology of studying intonation from data collection to analysis, as well as a chapter on prosidic typology which proposes a new way of characterizing the intonation of the world's languages. The sound files accompaning the descriptions are available on the book's companion website.