Of all of the African language families, the Chadic languages belonging to the Afroasiatic macro-family are highly internally diverse due to a long history and various scenarios of language contact. This pioneering study explores the development of the sound systems of the 'Central Chadic' languages, a major branch of the Chadic family. Drawing on and comparing field data from about 60 different Central Chadic languages, H. Ekkehard Wolff unpacks the specific phonological principles that underpin the Chadic languages' diverse phonological evolution, arguing that their diversity results to no little extent from historical processes of 'prosodification' of reconstructable segments of the proto-language. The book offers meticulous historical analyses of some 60 words from Proto-Central Chadic, in up to 60 individual modern languages, including both consonants and vowels. Particular emphasis is on tracing the deep-rooted origin and impact of palatalisation and labialisation prosodies within a phonological system that, on its deepest level, recognises only one vowel phoneme */a/.

This is the first full-scale discussion of English phonology since Chomsky and Halle's seminal The Sound Pattern of English (SPE). The book enphasizes the analysis using ordered rules and builds on SPE by incorporating lexical and metrical and prosodic analysis and the insights afforded by Lexical Phonology. It provides clear explanations and logical development throughout, introducing rules individually and then illustrating their interactions. These features make this influential theory accessible to students from a variety of backgrounds in linguistics and phonology. Rule-ordering diagrams summarize the crucial ordering of approximately 85 rules. Many of the interactions result in phonological opacity, where either the effect of a rule is not evident in the output or its conditions of application are not present in the output, due to the operation of later rules. This demonstrates the superiority of a rule-based account over output oriented approaches such as Optimality Theory or pre-Generative structuralist phonology.

This is the first full-scale discussion of English phonology since Chomsky and Halle's seminal The Sound Pattern of English (SPE). The book enphasizes the analysis using ordered rules and builds on SPE by incorporating lexical and metrical and prosodic analysis and the insights afforded by Lexical Phonology. It provides clear explanations and logical development throughout, introducing rules individually and then illustrating their interactions. These features make this influential theory accessible to students from a variety of backgrounds in linguistics and phonology. Rule-ordering diagrams summarize the crucial ordering of approximately 85 rules. Many of the interactions result in phonological opacity, where either the effect of a rule is not evident in the output or its conditions of application are not present in the output, due to the operation of later rules. This demonstrates the superiority of a rule-based account over output oriented approaches such as Optimality Theory or pre-Generative structuralist phonology.

Malay is one of the major languages in the world, but there has been relatively little detailed research on its phonetics. This Element provides an overview of existing descriptions of the pronunciation of Standard Malay before briefly considering the pronunciation of some dialects of Malay. It then introduces materials that may be used for studying the phonetics of Malay: a short text, the NWS passage; and a map-task, to generate conversational data. Based on recordings using these materials by two female and two male consultants who are academics at Universiti Brunei Darussalam, the Element next offers an acoustic analysis of the consonants and vowels of Malay, the syllable structure arising from fast speech processes, as well as the rhythm and intonation of the Standard Malay that is spoken in Brunei. Finally, it suggests directions for further research on the phonetics of Malay.

This book is the first in-depth investigation of the expression of agency in verbal noun and impersonal/passive constructions in medieval Welsh and Irish, drawing on a database of texts from different genres: narrative, legal, and annalistic. The analysis is primarily data-oriented, rather than theory-oriented, although it draws on methods and concepts from functional grammar approaches and cognitive linguistics. Written with readers from a wide variety of backgrounds in mind, Agents in Early Welsh and Early Irish goes beyond earlier contributions in the field of Celtic syntax and semantics in several important ways: It presents data from both Welsh and Irish It discusses both the internal structure of verbal noun and passive/impersonal constructions and their contributions to their contexts It offers new analyses of agency and its markers in medieval Welsh and Irish, as well as analyses of the marking of instrument, cause, and indirect agency

This book provides a complete, comparative, nongallocentric account of nasality in all the Romance languages. It demonstrates the central role of nasality in the history of sound changes in the languages of southern Europe. In doing so, it assembles a large amount of important philological and linguistic data previously dispersed and difficult to access, and organizes it in a way that allows the author (and will allow the reader) to analyse it systematically. Two introductory chapters discuss general principles of nasality and Romance nasalization. Subsequent chapters are then devoted to each language. The author considers all the standard varieties and a substantial range of non-standard varieties, and identifies broad characteristics of vowel nasalization in Romance. In the the final chapter he makes a clear bridge between the data-rich discussion of individual languages and the isolation of language universals. This is will be the standard work in its field for many years. It will be of central interest to linguists and philologists of Romance, as well as to those concerned more generally to understand the causes, patterns, and processes of sound change.

Thomas Spence (1750-1814) was a native of Newcastle upon Tyne who is best known for his political writings, and more particularly for his radical `Plan' for social reform involving common ownership of the land. One hitherto neglected aspect of Spence's Plan was his proposal to extend the benefits of reading and of `correct' pronunciation to the lower classes by means of a phonetic script of his own devising, first set out and used in Spence's Grand Repository of the English Language (1775). The Grand Repository was one of many English pronouncing dictionaries produced in the late eighteenth century to satisfy the growing demands for a clear guide to `correct' pronunciation. It differs from its contemporaries firstly in that it was intended primarily for the lower classes, and secondly in that it is the only eighteenth-century pronouncing dictionary of English to use a truly `phonetic' script in the sense of one sound = one symbol. In this fascinating and unique account, Beal pays particular attention to the actual pronunciations advocated by Spence and his contemporaries with a view to reconstructing what was felt to be `correct' pronunciation in eighteenth-century Britain. With broad appeal to linguists and historians alike, this study highlights the importance of pronouncing dictionaries as a resource for the historical phonologist, and provides a valuable addition to the limited body of knowledge on eighteenth-century pronunciation.

In this, the first comprehensive survey of the phonological system of Dutch, Geert Booij lays particular stress on the relation between morphology, syntax, and prosodic structure at both word- and sentence-level. His primary aim is to provide an overview of the system as a whole, based in part on a number of more detailed studies of particular aspects of Dutch phonology. As a reference work, the book directs the reader to the available literature. The book is not primarily intended as a contribution to phonological theory; however, it is couched in terms of present-day non-linear generative phonology, and the author's analyses are relevant for a number of current issues in phonological theory such as the principles of syllable structure, the interaction of phonology and morphology, underspecification, rule typology, the domain specification of phonological rules, cliticization, and the role of rhythm in word stress.

A Grammar of Upper Tanana, Volume 1 provides a linguistically accurate written record of the endangered Upper Tanana language. Serving as a descriptive grammar of Upper Tanana, the book meticulously details a language that is currently fluently spoken by approximately fifty people in limited parts of Alaska's eastern interior and Canada's Yukon Territory. As part of the Dene (Athabascan) language group, Upper Tanana embodies elements of both the Alaskan and Canadian subgroups of Northern Dene. This is the first comprehensive grammatical description of any of the Alaskan Dene languages. With the goal of preserving a language no longer consistently taught to younger generations, Olga Lovick's foundational study is framed within the traditional form of linguistic theory that allows linguists and nonspecialists alike to study a vulnerable language that exists outside the dominant Indo-European mainstream. This text provides a substantive bulwark to protect a language acutely threatened by near-term extinction. In its expansive detailing of the Upper Tanana language, this volume is methodologically oriented toward structural linguistics through approaches focusing on phonology, lexical classes, and morphology. With attention to both detail and thoroughness, Lovick's comparative approach provides solid grounding for the future survival of the Upper Tanana language.

This book provides a detailed but accessible introduction to the development of the German language from the earliest reconstructable prehistory to the present day. Joe Salmons explores a range of topics in the history of the language, offering answers to questions such as: How did German come to have so many different dialects and close linguistic cousins like Dutch and Plattdeutsch? Why does German have 'umlaut' vowels and why do they play so many different roles in the grammar? Why are noun plurals so complicated? Are dialects dying out today? Does English, with all the words it loans to German, pose a threat to the language? This second edition has been extensively expanded and revised to include extended coverage of syntactic and pragmatic change throughout, expanded discussion of sociolinguistic aspects, language variation, and language contact, and more on the position of German in the Germanic family. The book is supported by a companion website and is suitable for language learners and teachers and students of linguistics, from undergraduate level upwards. The new edition also includes more detailed background information to make it more accessible for beginners.

In this volume, Ray Jackendoff and Jenny Audring embark on a major reconceptualization of linguistic theory as seen through the lens of morphology. Their approach, Relational Morphology, extends the Parallel Architecture developed by Jackendoff in Foundations of Language (2002), Simpler Syntax (2005), and Meaning and the Lexicon (2010). The framework integrates morphology into the overall architecture of language, enabling it to interact insightfully with phonology, syntax, semantics, and above all, the lexicon. The first part of the book situates morphology in the language faculty, and introduces a novel formalism that unifies the treatment of all morphological patterns, inflectional or derivational, systematic or marginal. Central to the theory is the lexicon, which both incorporates the rules of grammar and explicitly encodes relationships among words and among grammatical patterns. Part II puts the theory to the test, applying it to a wide range of familiar and less familiar morphological phenomena. Part III connects Relational Morphology with issues of language processing and language acquisition, and shows how its formal tools can be extended to a variety of linguistic and nonlinguistic phenomena outside morphology. The value of Relational Morphology thus lies not only in the fact that it can account for a range of morphological phenomena, but also in how it integrates linguistic theory, psycholinguistics, and human cognition.

For the first time in over thirty years a revolution is happening in phonology, with the advent of constraint-based approaches which directly oppose the rule-and-derivation tradition of mainstream Generative Phonology. The success of Optimality Theory and the rapidity of its spread since its official launch in 1993 is remarkable even by the general standards of post-1950s linguistics. Many phonologists appear to have been caught up in the whirlwind, as witnessed by the substance of many current working papers and conferences the world over, and the recent contents of well-established journals. Two questions naturally arise: What is Optimality Theory about? In what way is Optimality Theory superior to traditional theory, if indeed it is? In this book, leading specialists and active researchers address these issues directly, and focus deliberately on the evaluation of the two competing approaches rather than on simple displays of their applicability to limited bodies of data.

The book is concerned with a particular set of Indo-European sounds, the laryngeals, and the effect they had on the sounds, forms and etymologies of the Germanic languages. It contains detailed introductions to all the fundamentals of laryngeal theory, together with an introduction to the problematic history of the laryngeal theory which can be read without specialist knowledge. Research into the Germanic languages has not previously taken account of laryngeal theory, but with it many a sound law, etymology and morphological development can be reformulated or made more precise.

This path-breaking study of the standardisation of English goes well beyond the traditional prescriptivism versus descriptivism debate. It argues that the way norms are established and enforced is the result of a complex network of social factors and cannot be explained simply by appeals to power and hegemony. It brings together insights from leading researchers to re-centre the discussion on linguistic communities and language users. It examines the philosophy underlying the urge to standardise language, and takes a closer look at both well-known and lesser-known historical dictionaries, grammars and usage guides, demonstrating that they cannot be simply labelled as 'prescriptivist'. Drawing on rich empirical data and case studies, it shows how the norm continues to function in society, influencing and affecting language users even today.

Phonetics - the study and classification of speech sounds - is a major sub-discipline of linguistics. Bringing together a team of internationally renowned phoneticians, this handbook provides comprehensive coverage of the most recent, cutting-edge work in the field, and focuses on the most widely-debated contemporary issues. Chapters are divided into five thematic areas: segmental production, prosodic production, measuring speech, audition and perception, and applications of phonetics. Each chapter presents an historical overview of the area, along with critical issues, current research and advice on the best practice for teaching phonetics to undergraduates. It brings together global perspectives, and includes examples from a wide range of languages, allowing readers to extend their knowledge beyond English. By providing both state-of-the-art research information, and an appreciation of how it can be shared with students, this handbook is essential both for academic phoneticians, and anyone with an interest in this exciting, rapidly developing field.

Since 1964, the first edition has served singers, teachers of singing, and students of lyric diction as a guide to the correct pronunciation of songs in foreign languages. Lyrics and phonetic transcriptions are presented together so that a song may be correctly articulated from the first reading. The 413 songs included have been carefully selected from Coffin's The Singer's Repertoire (1960) and are representative of the most frequently performed vocal repertoire, with songs and arias for all voice classifications. This second edition contains revised German transcriptions with diphthongs altered to be of better acoustical and vocal value in singing. Correlated with Coffin's Overtones of Bel Canto (1980).

We are fascinated by what words sound like. This fascination also drives us to search for meaning in sound - thereby contradicting the principle of the arbitrariness of the linguistic sign. Phonesthemes, onomatopoeia or rhyming compounds all share the property of carrying meaning by virtue of what they sound like, simply because language users establish an association between form and meaning. By drawing on a wide array of examples, ranging from conventionalized words and expressions to brand names and slogans, this book offers a comprehensive account of the role that sound symbolism and rhyme/alliteration plays in English, and by doing so, advocates a more relaxed view of the category 'morpheme' that is able to incorporate less regular word-formation processes.

From the physiology and acoustics to their patterning across human languages, tone is one of the fundamental constructs in human languages that is also among the hardest to apprehend. Drawing upon a large number of languages around the world, this volume explores the concept of tone starting from its physical properties of articulation and acoustics to its manifestation in phonology. Designed as a comprehensive study accessible to the novice and useful for the expert, each chapter covers a particular aspect of tone in increasing depth and complexity, weaving together key concepts and theories that provide complementing or competing accounts of tone's phonological intricacies. In the process, one uncovers the underlying laws and principles that inform today's understanding of the subject to form a more synthesized view that also allows us to explore the relation of tone to other important areas of humanity such as literature, history, music and cognition.