This book presents an experimental-phonetic approach to the study of intonation, defined as the ensemble of pitch variations in speech. It brings together in a single volume a detailed explication of the stylization method used in the analysis of intonation; theoretical insights and the experimental evidence that supports them, the results of physiological measurements that substantiate hypotheses about the production of intonation; and applications arising from the research. Johan't Hart, Rene Collier and Antonie Cohen argue that a perception-oriented approach, carried out by studying the perceptual consequences of deliberate manipulations of the speech signal, is the only way in which it can be decided what, out of the abundant information in the acoustic domain, is important for the listener and hence may be relevant for communication. The method they employ is fruitful not only for the analysis of Dutch, but also of British English, German and Russian intonation.

From the early seventies in particular, sound recording has been a frequent research tool in the field of linguistics. The volume documents the recording of spoken German made for linguistic purposes with the aim of providing an overview of the material thus collected and encouraging multiple utilisation of data assembled with considerable effort and expense.

The History of English Spelling reveals the history of Modern English spelling, tracing its origins and development from Old English up to the present day. * Includes a wealth of information and data on English spelling not available anywhere else * Features a complementary website with additional material at www.historyofenglishspelling.info * Includes detailed coverage of the contributions from French, Latin, Greek - and the many other languages - to our current orthography * Serves as a companion volume to Geoffrey Hughes's A History of English Words in the same series

Edinburgh (now the Angus McIntosh Centre for Historical Linguistics), such as eLALME (the electronic version A Linguistic Atlas of Late Medieval English), LAEME (A Linguistic Atlas of Early Middle English) and LAOS (A Linguistic Atlas of Older Scots), this volume illustrates how traditional methods of historical dialectology can benefit from new methods of data-collection to test out theoretical and empirical claims. In showcasing the results that these resources can yield in the digital age, the book highlights novel methods for presenting, mapping and analysing the quantitative data of historical dialects, and sets the research agenda for future work in this field. Bringing together a range of distinguished researchers, the book sets out the key corpus-building strategies for working with regional manuscript data at different levels of linguistic analysis including syntax, morphology, phonetics and phonology. The chapters also show the ways in which the geographical spread of phonological, morphological and lexical features of a language can be used to improve our assessment of the geographical provenance of historical texts.

This book is about the ways in which rhyme in French verse produces shapes or interferes with meaning - a topic which, despite its centrality, has hitherto received little critical attention. Part 1 examines those features which are peculiar to French rhyme - the different degrees of rhyme, rhyme gender, the frequency of rhymes on suffixes and endings - and explores the contributions they make to a poem's structure and semantic productivity. Its concern is twofold: to test the adequacy of the current methods of classifying rhymes and to demonstrate how comprehensive interpretations of a poem can be constructed from its rhyme-data. But wider issues are also confronted, including the relationships between rhyme and textuality, between rhyme and truth, between rhyme and rhythm. Part 2 analyses specific plays, poems and collections of poems: Racine's Mithridate, Moliere's Les Femmes Savantes, Voltaire's Poeme sur le Desastre de Lisbonne, Verlaine's Fetes galantes and Aragon's Les Yeux d'Elsa.

This is the first in-depth historical treatment of the grammar of the Neapolitan dialect, providing an exhaustive documentation and description of all aspects of the phonology, morphology and syntax of the dialect (and neighbouring varieties spoken in and around the Bay of Naples) which is comprehensive enough to qualify as a reference grammar, but is formulated within a conceptual framework which allows individual facts to be studied as part of a coherent system and compared with other Romance languages. In this respect, it makes a significant contribution towards cataloguing the linguistic typology of dialects within the Italian peninsula.

This book contains some of the material which originally appeared in my Ph. D. thesis Lexical Phonology, submitted at the Massachusetts Institute of Technology, but it can hardly be called a revised version of the thesis. The theory that I propose here is in many ways radically different from the one that I proposed in the thesis, and there is a great deal of new data and analyses from English and Malayalam. Chapter VI is so new that I haven't even had the time to try it out on my friends. As everyone knows, research is a collective enterprise, even though an individual's name appears on the first page of the book or article. I would think of this book as a joint project involving dozens of people, in which I acted as the project coordinator, collecting suggestions from a wide variety of sources. Four major influences on what the book contains were Morris Halle, Paul Kiparsky, Mark Liberman, and Joan Bresnan. I learned the ropes of doing research on phonology, phonetics, and morphology from them, and almost everything that I discuss in this book owes its shape ultimately to one of them. Among the others who contributed generously to this book are: Jay Keyser, James Harris, Douglas Pulleyblank, Diana Archangeli, Donca Steriade, Elizabeth Selkirk, Francois Dell, Noam Chomsky, Philip Lesourd, Mohammed Guerssel, Michel Kenstovicz, Raj Singh, Will Leben, Joe Perkell, Victor Zue, Paroo Nihalani. P. Madhavan, and Stephanie Shattuck-Hafnagel.

This book presents a morphosyntactic account of vowel length in contemporary Czech. The present approach is strictly decompositional on both the phonological and the morphosyntactic side. It assumes prosodic affixes in contemporary Czech. The focus is on prosodic affixes which realize morphosyntactic parts of diminutives and hypocoristics.

Galilee has been a crossroads of cultures, religions, and languages for centuries, as illustrated in these fascinating Bedouin folktales, which offer excellent examples of the Arabic narrative tradition of the Middle East. Bedouin Folktales from the North of Israel collects nearly 60 traditional folktales, told mostly by women, that have been carefully translated in the same colloquial style in which they were told. These stories are grouped into themes of love and devotion, ghouls and demons, and animal stories. The work also includes phonetic transcription and linguistic annotation. Accompanying each folktale is a comprehensive ethnographic, folkloristic, and linguistic commentary, placing the tales in context with details on Galilee Bedouin dialects and the tribes themselves. A rich, multifaceted collection, Bedouin Folktales from the North of Israel is an invaluable resource for linguists, folklorists, anthropologists, and any reader interested in a tradition of storytelling handed down through the centuries.

This book is a revised version of my Ph.D. dissertation that was submitted to the Massachusetts Institute of Technology in 1983. Although much of the analysis and argumentation of the dissertation has survived rewriting, the organization has been considerably changed. To Paul Kiparsky and Morris Halle, lowe a major debt. Not only has it been a great privilege to work on phonology with both of them, but it is hard to imagine what this piece of research would have looked like without them. (They, of course, may well imagine a number of appropriate ways in which the work could be different had I not been involved .... ) In addition, special thanks are due to Ken Hale, the third member of my thesis committee. Our discussions of a variety of topics (including tone) helped me to keep a broader outlook on language than might have otherwise been the result of concentrating on a thesis topic.

The aim of this study is to establish whether conversational competence competes with grammatical competence (as suggested by the 'grammar for conversation' approach) or whether it is limited to the kinds of scope left open for it by grammar. Three detailed analyses of phenomena displayed by present-day German taken from corpora of everyday conversation demonstrate that the latter is in fact the case. These phenomena are phrase order in sentences, accent collisions and speech tempo. Another point that emerges from the study is that the scope provided by grammar rules and hence the potential impact of conversation strategies vary according to the type of phenomenon in question.

De fonologie beschouwt het als haar taak, de klanksystemen der verschillende talen alsmede de functies van elk hunner elementen te bestuderen. En die taak vloeit voort uit het inzicht, dat de klanken ener taal een geordend systeem vormen, waarin elk hunner een bepaalde plaats inneemt. (N. van Wijk, Phon%gie een hoofdstuk uit de structurele taalwetenschap) 1. 1. Het onderwerp van dit boek De bekende Amerikaanse fonoloog James Harris begint in zijn laatste boek (Harris 1983) een uiteenzetting over de Spaanse lettergreep als voIgt: "Consider the word huey 'ox' ." Zo'n mooie openingszin hebben wij voor dit boek niet kunnen bedenken, maar we zijn het weI met Harris eens dat een inleiding het gemakkelijkst begonnen kan worden met een voorbeeld. We beginnen daarom met de volgende zin: (1) De groep praatte als een stelletje gladiolen over de dwarsdruknorm. Aan de hand van deze zin kan een grote hoeveelheid taalkunde worden geillustreerd. Met een deel daarvan benje ongetwijfeld bekend, met een deel misschien een beetje, en met een groot deel (kunnen we zonder schroom aannemen) totaal niet. In het deel waarmee je redelijk goed bekend bent, huist hoogstwaarschijnlijk bijvoorbeeld de simpele observatie dat het eerste woord van de zin een zogenaamd lidwoord is; ook dat het eerste zelfstandig naamwoord van de zin bestaat uit de opeenvolging van klanken g. r. oe en p; dat het werkwoord be staat uit de klanken t, p, r, a en de zwakke klinker e, maar dan in een andere volgorde, enzovoort.

Mainland Southeast Asia is one of the most fascinating and complex cultural and linguistic areas in the world. This book provides a rich and comprehensive survey of the history and core systems and subsystems of the languages of this fascinating region. Drawing on his depth of expertise in mainland Southeast Asia, Enfield includes more than a thousand data examples from over a hundred languages from Cambodia, China, Laos, Malaysia, Myanmar, Thailand, and Vietnam, bringing together a wealth of data and analysis that has not previously been available in one place. Chapters cover the many ways in which these languages both resemble each other, and differ from each other, and the diversity of the area's languages is highlighted, with a special emphasis on minority languages, which outnumber the national languages by nearly a hundred to one. The result is an authoritative treatment of a fascinating and important linguistic area.

In diesem Buch werden die sprachlichen Moeglichkeiten fur den Ausdruck von Schmerz im Deutschen analysiert. Die Studie basiert sowohl auf schriftsprachlichen Daten als auch auf Gesprachsdaten, die aus Arzt-Patienten-Gesprachen und aus Gesprachen mit Schmerzpatientinnen stammen. Bei der Auswertung des umfangreichen Datenkorpus werden die Methoden der Construction Grammar und der Gesprachsanalyse miteinander verbunden. Im ersten Teil der Untersuchung werden mit Methoden der Rahmensemantik (Frame Semantics) und der Construction Grammar die syntaktischen Konstruktionen beschrieben, die im Deutschen zum Ausdruck von koerperlichem Schmerz zur Verfugung stehen, wie z. B. "Ich habe Schmerzen" oder "Mein Bein tut weh". Im zweiten Teil wird der Gebrauch dieser Schmerzkonstruktionen im Gesprach analysiert. Dabei wird systematisch gepruft, in welcher Weise die gesamten sprachlichen Moeglichkeiten beim Ausdruck koerperlicher Schmerzen im Gesprach genutzt werden und wie sie sequenziell eingeordnet werden koennen. Zum Schluss werden die Muster bei der mundlichen Darstellung chronischer Schmerzen untersucht. Dieser letzte Teil ist in erster Linie auch fur Mediziner und andere sprachwissenschaftliche Laien von Interesse.

A concise overview of key findings and ideas in sign language phonology and its contributions to related fields, including historical linguistics, morphology, prosody, language acquisition and language creation. Working on sign languages not only provides important new insights on familiar issues, but also poses a whole new set of questions about phonology, because of the use of the visual communication modality. This book lays out the properties needed to recognize a phonological system regardless of its modality. Written by a leading expert in sign language research, the book describes the current state of the field and addresses a range of issues that students and researchers will encounter in their work, as well as highlighting the significant impact that the study of sign languages has had on the field of phonology as a whole. It includes lists of further reading materials, and a full glossary, as well as helpful illustrations that demonstrate the important aspects of sign language structure, even to the most unfamiliar of readers. A text that will be useful to both specialists and general linguists, this book provides the first comprehension overview of the field.

This textbook introduces the main units and concepts you require to describe speech sounds accurately. By working through the book and the various exercises included, you will come to understand the need for a dedicated system of description and transcription for speech sounds, and for a degree of phonological abstraction to support our understanding of the behaviour of sounds in particular languages and varieties. You will learn to carry out elementary, broad phonetic transcription, and be able to establish contrastive vowel and consonant systems for your own varieties and to express simple generalisations reflecting the productive and predictable patterns of English sounds. At the end of the book there is a section guiding you through some of the exercises and there is also a detailed glossary which will be useful for assignments or revision during exams.

This empirical study on the region of Bavarian Swabia (Bayerisch-Schwaben) investigates how dialect speakers render the pronunciation of their basic local dialect(s) in written form using the 'ordinary' alphabet (so-called indirect method). Tables and maps are then used to compare these spellings with phonetic transcriptions collected at the same places. The results are interpreted, and individual comparisons are also made with the material indirectly collected by Wenker in the late 19th century.

Understanding Phonology, Fourth Edition provides a clear, accessible and broad introduction to Phonology. Introducing basic concepts, it provides a comprehensive account of phonological issues such as segmental contrasts; syllables and moras; quantity, tone, intonation and stress; feature geometry; and prosodic constituent structure. This new edition has been reorganized and revised with key features including: A brand new eResource at www.routledge.com/9781138961425, which contains a full answer key for all exercises, and audio recordings of illustrative examples; Illustrations in languages from all six continents and all major language families, including Arabic, Mandarin, Finnish, Zulu and Hawaiian; Over 140 exercises to test understanding, including new exercises involving larger data sets; Revised coverage of tone, stress and opacity in OT. Understanding Phonology is essential reading for students coming to this topic for the first time.

The author investigates the origin and development of umlauts in the history of the Nordic and West German languages. The author asks: which phonological processes occasion umlauts in language; how the historical layering of the i/j umlaut is represented; and how the absence of the phonetic i/j umlaut in certain contexts can be explained. To answer these questions, the author presents a comprehensive, structurally-based model which turns away from syncope-oriented research.

The traditional concept of rhythm equates it with metre and consequently separates off rhythm from meaning, the subject, and indeed language altogether. This is illustrated with reference to existing discussion of rhythm (as exemplified by Heusler) and various linguistic concepts of rhythm dealt with in the first part of the study. The second part takes its bearings from Henri Meschonnic's concept of rhythm, which in line with the pre-Platonic meaning of the word conceives of rhythm as the given shaping of meaning in discourse. The study closes with an analysis of three texts (Goethe, Benn, Grimm) in terms of the semantic function performed by rhythm.