Now in my thirties, a mum, and wife, I don’t have time to worry about whether I’m doing life right. The reality is that I know, as a matter of fact, that my one and only precious life is moving at a pace that makes me a little uncomfortable, to be honest. And if I want to do something grand and brag-worthy, I better do it before 5 pm because daycare is strict about pickup time.

Whether you believe you need to keep up with the Kardashians or keep up with Baker’s day and Karen at school, this book is here for women who need a subtle reminder that they are doing just fine and that shit happens to everyone—even Karen.

Disclaimer: This book is not:
A pity party collection of bummer stories.
A comparison as to who’s got it better. Or worse.
A “how-to” guide on living your best life.

In fact, it is a collection of stories inspired by women and how we all come together and appear to live picture-perfect lives. It’s a slight unveiling of the truth behind the perfect red lips and the limited-edition designer handbags.

A collection of new and critically acclaimed stories by award-winning South African author Ken Barris. Here, Barris's work combines everyday events with the surreal and fantastical: the title story centres on a dog called Worm; in another, husband and wife quarrel over a plugless lamp; and in another, a man encounters a speaking baboon in his kitchen. Poised, lyrical and humorous, the stories in this collection concretise the human condition via the author's characteristically unfettered style.

Evan Vos is jonk, speel rugby vir die universiteit se eerstespan en het altyd ’n meisie aan die arm. Die lewe is ’n lied. Tot daardie dag toe sy hart uit sy binneste geruk word. Al wat oorbly, is ’n intense skuldgevoel en woede.

Vir Evan word die oorblyfsels van die ineengetuimelde Metodiste-kerk in Somerset-Wes tekenend van sy eie omstandighede.

Tog: Drie jaar later speel hy vir die Springbokke.

Wanneer hy op die krukkelys beland weens ’n besering, vra sy pa hom om by sy konstruksiefirma as projekleier op te tree vir die herstel van ’n kerk. Op die perseel van die ou Metodiste-kerkie ontmoet hy vir Anya Breedt, die argitek met die hemelhoë hakke. Hulle is dadelik aangetrokke tot mekaar, maar Anya is ná haar mislukte verhouding versigtig vir verhoudings. Evan weet ook: Met sy bagasie kan hy niemand naby hom toelaat nie, nie voordat hy leer vergewe nie.

Die ware gebeure rakende die ineenstorting van die Metodistekerk in Somerset-Wes het die skrywer geïnspireer om hierdie verhaal te skryf, die boek ondersoek Christenskap en liefde tussen jong mense.

Esther Gelderblom has been waiting for a house for twenty years. In the bitter Oudtshoorn winter she and her friend Katjie queue to ask when their names will finally appear on the government’s list of housing recipients. Esther dreams of a home for her daughter Liedjie, who plays the keyboard for the Bless Me Jesus church, and for her husband, Neville, who will then get his life in order.

But corruption is rife as housing officials manipulate the list for favours. When Katjie’s shack burns down, the two women take matters into their own hands, occupying two empty houses and setting in motion events that will compromise everything they hold dear.

Esther’s House is a story of greed, power, and the fight for what is right when good people are pushed too far.

A story of two passionate people who share a shameful past and a tenuous present, this remarkable narrative follows headmistress Mohumagadi--of the elite Sekolo sa Ditlhora school for talented black children--and Father Bill, a disgraced preacher, as they are brought together again decades after a childhood love affair expelled them from their communities. Much to the dismay of her students, Mohumagadi hires Father Bill as a teacher, resulting in a battle of wills and wits for the hearts and minds of the children living in the shadow of revolution and change. Entertaining and thought-provoking, this unique account offers insight into the workings of African culture.

Die Oog is ’n bonatuurlike riller gemeng met ’n goeie dosis tongin-die-kies humor, ’n tikkie geskiedenis, ’n titseltjie romanse, ’n knippie filosofie en ’n sterk geur van misterie … ’n donker avontuurverhaal vol goedige, doodernstige draakstekery.

Alles is nie pluis in Donkerstroom nie. Die inwoners van hierdie afgesonderde dorpie se daaglikse lewe word gekenmerk deur bygeloof en sinistere rituele wat ontstaan het met ’n gelofte wat ’n groep verhongerde trekkers toentertyd gemaak het. En nou woel die hele dorp in die greep van iets wat onder in Donkerstroom se water ronddraai.

Die onderliggende spanning in die gemeenskap word op ’n spits gedryf en dinge begin roer in die verlore vallei wanneer ’n waterinspekteur uit Johannesburg tydens ’n fratsongeluk vermis raak. Sy kollega, Stefan die wetenskaplike, sou eerder graag wou vlug. Zadie, sy vuurvreter van ’n assistent, se aspirasies om ondersoekende joernalis te speel, kry egter die oorhand. Of miskien is dit die wulpse Ismérie en die melankoliese Lorelei wat Stefan se gewone koelkop besluitneming beduiwel terwyl hulle al dieper in ’n spiraal van geweld ingetrek word …

This is the story of Shumikazi, the only surviving child of Jojo and Miseka. She grows up in a small village in the remote Eastern Cape during the days of white rule – from the outside, an apparently unremarkable life. And yet Shumi is marked for extraordinary things from the moment of her birth.

Wry, tragic, funny, scathing, with a Greek chorus of villagers’ voices, this rich novel from one of South Africa’s most beloved storytellers underscores the dignity of those often rendered invisible – poor, rural women, their families and communities. These marginal characters crackle with life and verve as they step into the centre of the national narrative in Magona’s skilled hands.

A powerful meditation on the vulnerability of rural women, it is also a series of overlapping love stories – above all, the love a father has for his daughter.

This African fiction book reflects a positive narrative towards African success – relates to aspiring entrepreneurs and those that aspire to be successful in life despite previously disadvantaged backgrounds.

The reader is invited to join Don Mthethwa on a journey through the interesting life of an African child who aspires to be a successful entrepreneur but faces obstacles as a result of succumbing to society pressures prevalent in African societies today. Readers learn about the journey of an entrepreneur from dusty ashes and the endurance that emanates from persevering to make it successful despite challenges.

The story features a real-life scenery on the type of relationships that influence an individual’s character in their pursuit of following a career path and envisaged success. It includes historic philosophies and myths that have over the times resonated with the ordinary African child on this phenomenon.

Jodi: As a young girl, Jodi Daniels has just one silver lining to her turbulent relationship with her mother – her best friend and secret crush, Ryan James. Until her cousin Kimberly drives a wedge between Ryan and Jodi. Jodi is shattered when Ryan has to move to New York, and tries to mend their broken bond by staying in touch as Kimberly.

Ryan: Outwardly, Ryan seems to lead the perfect life – rich parents and great looks. Only Jodi has ever known the real upheaval of his life, always being the shining star on his bleak days. But it’s Kimberly who keeps in contact with him when he is in New York.

As the years pass he becomes a strikingly handsome hotshot lawyer, and makes the decision to come back home to claim the woman behind the emails – Kimberly surely? Will Ryan and Jodi’s motto, “My heart and soul will recognise you the instant I see you,” prove to be true or will Jodi turn out to be Ryan’s dearest deception?

Fourie, or Fury as he is known by the British, is among the most wanted of men. Rose, an English beauty pursued by an officer intent on capturing Fury, finds herself in a precarious position. Bound by a love that cannot be denied and separated by a war intent on destroying them, Rose and Fury find ways to meet and the line between patriotism and treachery becomes blurred.

From the greed and horror of the Anglo-Boer War, to the misery and death of the concentration camps and the bravery on the battlefield, comes a story of indominable courage that will hold you captive to the very end.

This is a story that weaves fictional characters into actual events that occurred during the second Anglo Boer War, without in any way modifying the role of real people involved or altering the actual outcome of historical events. Only the first battle scene is entirely fictional; all others are as recorded in history.

1994. The world is about to change. The first truly democratic election in South Africa’s history is about to unite Nelson Mandela’s rainbow nation at the ballot box. And, across the world, those in exile, those who could not return home, those who would not return home, wait. Watch and wait . . .

London. Martin O’Malley isn’t one of those watching and waiting. He is too busy trying to figure out if Germaine Spencer really is the girl for him and why his best friend is intent on ruining every relationship he gets involved in. And then . . . And then Germaine is pregnant and suddenly the world really has changed for Martin O’Malley.

South Africa. A land of opportunity. A place where a young black man with an MSc from the London School of Economics could have it all, would have it all. But what does Martin O’Malley, London born and bred with an Irish surname, really know about his mother’s country? His motherland. A land he has never seen.

The stories in this collection span a time period from 2003 to almost 2023. They are offered as my witness to the planetary moment I've been part of, the continent of Africa I was born on, and the difficult country that formed me.

In their multi-faceted variation, they reflect the changing times, the contexts and the concerns that have engrossed and troubled me. Some are speculative, some are serious, some are playful, some are, as the title suggests, Not For Sensitive Viewers.

The golden thread that binds their disparate voices and themes together is my own lifelong wrestling with the deep questions of our bipolar journey on a wobbling planet through a universe of mysteries, spiritual challenge, and wonderment.

In the title story Away From the Dead we meet Isaac Witbooi, a farm worker, who has to come to grips with losing everything including the graves of his entire deceased family. In After Spring a couple takes a holiday but we're drawn into the issue of identity: Even if they hadn't heard us speaking English earlier, they would have known our foreignness simply by sight. It is visible to them in our facial features, the way we wear our clothes, our hair. The fact that we are third and fifth generation South Africans respectively matters little to them. Making Challah is a touching picture of an ageing woman, and it uses the baking of challah as a wonderful metaphor of passing time. Ridwaan and Chadley are On the Train, a seemingly routine journey but somehow a dog has been acquired and it's been Chadley's first time to kill. Find out how it felt to be Andries Tatane who, on 13 April 2012, died during a service delivery protest in Ficksburg, South Africa. In the Narrative of Emily Louw, a true story, a young woman regrets not having given something to old Emily after listening to her sad story: At the second, a policeman had looked at the blanketed child, her worn face and bleeding feet and he had smirked, as though to indicate that her husband had left by choice and couldn't be blamed for his departure. Next is a thoughtful reflection on being called Muzungu when a white South African woman visits Uganda. From Dark is a rallying call to remember that illegal mining causes the deaths of hundreds every year. Zama-zamas (Zulu for 'chancers') live underground for months at a time, dying in police raids, fires, cave-ins and poor conditions. A young couple's outing goes horribly wrong in At the Seaside. Grandmother's great big wicker picnic basket, which was supposed to be a treat, takes the blame. An 'informal settlement' of zinc shacks on the flatlands sets the scene in Allotment. Warda Meintjes and her husband struggle to survive. A great stadium for the World Cup is being built but Warda's unborn child stops moving. The homeless were being rounded up by police, placed in trucks, driven out into the countryside and dumped. 'Thank God we're spared that,' one woman said. 'Don't fool yourself,' another replied. 'That is us. It has already happened to us.' In The Shark Mia's very sense of being gets overtaken by events. A dark story leading on to Development, darker still, but thought-provoking, and about what it is to be human. The Wall is almost surreal and deals with growing old on the street. Alletjie lives with her husband Jan Bakker and Solly, her disabled brother, next to an old mine built by Cornish miners in the 1880s. Their circumstances are a cut above those of Warda and her husband, yet, 'living on the old goats and chickens and a disability grant was never enough', and Alletjie who 'does everything' thinks it isn't fair, 'the mine owned her this future for herself'. Resurrecting again exerts a certain surreal appeal. A father takes to his bed because of a crushed pigeon or is it a metaphor for a crushed soul in the office? His son is told to pray but is there going to be a resurrection?

Reisgenote bevat ʼn keur uit die kortverhaalbundel, Die reisgenoot, wat oorspronklik in 2013 ingedien is as kreatiewe komponent van ʼn meestersgraadstudie aan die Universiteit van die Vrystaat (onder leiding van prof HP van Coller).

As simboliese “reisgenote” is enkele gedigte getoonset wat tematies aansluit by Joanita se eie verhale. Die “reisgenote” is tematies van aard, maar ook in die gesprek tussen tekste, musikale werke en die kunstenaars wat betrokke was by die projek.

The second verse of any song has to be more killer than the first. Always. The rhythm has to slap. The lyrics must be on point. The feeling intense. And the impact mad-definitive. It’s just the way it is. In the same way, if you do well once in life, then you always have to be better from that point onwards. No doubt.

East London, aka Slummies, circa 1998. Bokang Damane is a dreamer and an outsider with mad problems. Things only get worse when everyone thinks he wants to off himself just because he wrote an essay on suicide. Really? Talk about d.r.a.m.a.

Life at the moment is just a sorry son-of-a-checklist of insolvable problems. Problem #1: Not black enough for the black kids and too black for the white kids. Yep, that’s what happens when you attend a mad-pompous all boys’ college and live in the burbs. Problem #2: Family finances are a joke – they can’t even afford Bokang’s initiation. Now he can’t get props like any decent Xhosa man. Problem #3: An alcoholic, gambling attorney for a father who expects the world to bend to his will.

What’s a man gotta do? Apart from freaking the hell out?

Bokang just wants to rap, sketch and be left alone. Everyone keeps yacking on about Bokang reaching his true potential but everyone keeps getting in the way.

So what happens?

Boy meets girl. It wouldn’t be much of a story otherwise.

Innocent and inexperienced Abigail (Abby), a sheer teetotaller, has a long list of the attributes of the man she wants to fall in love with. She stumbles upon a rich and educated man who meets all the features on her list. However, this makes her irrational and impetuous, and she’s about to make the biggest mistake of her life.

Twenty-nine-year-old Themba is a nihilistic, depressed, and suicidal artist whose dream is to become a successful novelist. With all the failure and suffering he's experiencing, it seems as though his life is stuck without any purpose and meaning. Everything seems to be going well for his friends, but not for him. His brother and father hate him for his ambitious but dead dream. Worse, Themba still lives in poverty with his parents in an abandoned house.

However, Themba has one passionate reader of his books, a woman called Yana. She's weird and has no friends, and volunteers at a local orphanage. Yana is the good Samaritan of the neighbourhood, cheerful and happy, but few people seem to like her. Themba begins to question what makes Yana so odd but yet so comfortable with her life even though she doesn't have much to be happy about. His curiosity leads him closer to her, and his life changes forever.

Een stad. Vyf mense. Wraak se bloedspoor.

DIE SLAGOFFER EN SY SUSTER
Freya Rust glo sy weet alles van haar tweelingbroer Ben, maar wanneer hy vermoor word, besef sy sy lewe was vol geheime. Sy is vasberade om sy dood te wreek, al kos dit wat.

DIE ONDERWYSER
Rugby-afrigter meneer Oktober het sy hande vol met sy wilde tienerdogter, maar dit is sý duister verlede wat by hom spook wanneer hy snags in Pretoria met ’n gelaaide vuurwapen ronddwaal.

DIE DWELMHANDELAAR
Slick se wrede mentorskap by Mama Afrika leer hom moord en mag loop hand aan hand. Hy regeer sy dwelmkoninkryk met ’n ystervuis.

DIE SPREUDER
Benjamin Rust se moordsaak land op inspekteur Nolwazi Mngadi se lessenaar. In die korrupte slangnes van ’n polisiestasie in Pretoria begin sy met haar ondersoek.

Hoekom is Ben dood? Wie het hom vermoor? En wat is vergelding se prys? Wrok breek die misdaadroman se reëls en werp lig op die morsige gevolge van verdriet, woede en wraak.

13 twisted tales of music, magick, mayhem & murder.

Some torn from headlines in sunny South Africa where, for many, these are part of everyday life.

♠

Shop for shrunken heads in a village that time forgot.

Witness an ancient ritual passed down from the Aztecs through Jack the Ripper to modern-day London.

Savour the sweet taste of revenge in a French restaurant.

Sit in on the Grim Reaper’s disciplinary hearing.

And experience life on the streets in 1980s Hillbrow as two teenagers struggle to survive a violent rollercoaster ride through Johannesburg’s underground club scene.

♠

John West has won awards and even small amounts of money for his scribblings over the years. One of his stories was recently longlisted in the top 200 entries out of 5 000 submitted to the international Commonwealth Short Story Prize.

His first novel – Burning Roses, a decadent tale of sex, drugs, rock n roll & magick – is available online.

Wie sal ooit verstaan wat in die gemoed van ‘n moeder heers as sy haar baba onder dwang aborteer. Nog meer, wie sal ooit die gevoel van die baba verstaan as sy na vyf-en-dertig jaar ontdek dat sy drie pogings tot aborsie oorleef het. En dan die finale vraag: wié is nou werklik die Skikker van Lewe en Dood?

“Vertel dit soos wat dit was, Mamma!” het Lodene se dringende stem by my gesmeek en ek was opnuut vasgevang in die gebeurtenisse van vyf-en-dertig jaar gelede. “Die waarheid sal jou vrymaak,” word daar gespreek. “Doen dit?” het ek myself afgevra terwyl ek deur elke woord in die verhaal geworstel het. Die storie is ‘n eg boeiende spanningsverhaal uit die pen van ‘n mamma wat haar baba se lewe uit die hand van God gesmeek het. Dit sal die leser meesleur met emosies van liefde, teleurstelling, pyn, en haat. Dié ware verhaal het plaasgevind in 1983, toe aborsies onwettig was.

Lonika, ‘n jong vrou, het haar hart verloor op dié van ‘n gesiene sakeman, Wilhelm.“Verlief en verlore,” sou Stephan skouerophalend, met ‘n strak gesig sê, terwyl hy hulpeloos toesien hoedat sy broer, Wilhelm, oornag verander in ‘n ongenaakbare, gevoellose, eggenoot wat die lewe van sy ongebore baba op agterbakse wyses probeer beëindig het. Lonika se lewe word ‘n marteling tussen leuens en hartelose brutaliteit. Sy vlug na veiligheid. Genoeg is genoeg! ‘n Lewe word geneem, ‘n Lewe word gegee - maar teen ‘n prys. Weereens moes Lonika op die dorsvloer van naakbare onderhandelinge staan.

She is Half-Away Woman. Her name is her destiny: half woman, half sea creature. Down with the octopus she dives. She swims out beyond the waves with the sea lions and the orcas. She rolls with the sea otters in the kelp. She rests in the intertidal – that place which is half sea, half land. When the winter storms break, she shelters on the reefs, deep below the thrashing waves, with the rockfish and the wolf eel. She sees all in the sea. She feels all.

The sea has always been in Claire Lutrísque’s blood. Descended from Canada’s native Haida people, she is hurled by tragedy on a southward path, to the warm waters of Mozambique, where she joins the fight to safeguard the region’s coral reefs. Navy diver Klaas Afrikaner first swam into these same waters on a covert military mission. Seven years later, he is languishing as a divemaster in the sleepy coastal town of Tofo. But the shark-fin trade is threatening the only thing that keeps him going. So he too must rise to his calling.

A shared love of the ocean and a deep desire to protect it brings these kindred spirits together.

Steeped in the myths of the sea, Lynton Francois Burger’s novel is as lyrical as it is exhilarating. Part ecological thriller, part tender love story, She Down There is a timely song to the world’s oceans and the creatures living in them.

Solitaire, Woestynroos, Droomland en Wilde klawer is ’n vierluik oor vier vroue wat deelgeneem het aan ’n Boer soek ’n vrou-kompetisie en hulle wedervaringe daarna. Wilde klawer is die vierde boek in die reeks en gaan oor McKenna Wilde wat ’n spesiale gawe het om deur aanraking te “sien”. Vir hierdie ekstrovert wat verkies om eerder op die ligter sy van die lewe te fokus, is dit eerder ’n vloek as ’n seen. ’n Brief van ’n onbekende vrou lei haar terug na haar geboorteland, Noord-Ierland. Hier word sy gekonfronteer met haar ma se donker verlede en die Wildes se betrokkenheid by die IRL (Ierse Republikeinse Weermag) se bloedige stryd teen Britse oorheersing. Maar dit is ook ’n reis na selfontdekking. McKenna leer sy kan nie van haarself en haar herkoms vlug nie. In haar soeke na selfaanvaarding word dit vir haar duidelik ’n vrou moet eers ’n man met haar hart kan vertrou voor sy hom met haar lyf vertrou. McKenna wat nog altyd weggeskram het van blywende verhoudings sien oplaas in dat intimiteit sonder liefde bloot ’n gejaag na wind is. In Portballintrae, ’n klein hawedorpie aan die Ierse Noordkus kruis haar pad met verskeie mense s’n wat haar nie noodwendig almal goedgesind is nie. Die Donovan-broers wat ’n pub in Bushmills besit. Die Engelsman James Fellowes wat navorsing oor the Troubles doen en die Suid-Afrikaner Tim Els. Tim Els,’n tandarts wat vir twee jaar in Noord-Ierland werk, is vasgevang in sy eie ongelukkige verlede. McKenna besef sy kan haar gawe gebruik om hom te help. Maar dit is moeilik om teen ’n spook vir ’n man se hart te baklei. Boonop is dit vir McKenna ’n vreesaanjaende gedagte dat sy haar leefruimte permanent met ’n man moet deel.

Africa, 1906: A young Australian adventurer is condemned to death.

Sydney, the present: journalist Nick Eatwell has just lost his job, but his day is brightened when a fellow reporter, South African Susan Vidler, comes into his life looking for his help with a story.

Susan is chasing information about Nick's great-great uncle, Cyril Blake, who fought in the Anglo-Boer War and later joined the struggle for independence across the border in the German colony of South West Africa, now Namibia. A long-lost manuscript proves Nick's forebear was a somewhat reluctant hero. Soldier, deserter, cattle rustler and freedom fighter, Blake was helping the lost cause before the Kaiser's forces ordered his assassination.

In Germany, historian Anja Berghoff is researching the origins of the famed desert horses of Namibia. She's also interested in Blake and an Irish-German firebrand and spy, Claire Martin, with whom Blake had an affair. Nick and Anja head to Africa on the trail of a legend, but someone else is delving into the past, looking for clues to the secret location of a missing horde of gold that's worth killing for.

Spanning two centuries, Ghosts of the Past is based on a true story.

’n Foonoproep uit Pollsmoor laat ’n navorser se lewe kantel. Só na aan hom was die vrou wat bel dat hy algaande die biblioteek, waar hy die eerste skepe aan die Kaap bestudeer, vir dié tronk se waglokaal verruil.

Gou kom hy agter dat dié plek is nie altyd so strak soos sy tralies nie: daar is ’n eertydse skipper wat hier vetkoek verkoop; ’n vrouebewaarder met jazz in haar stem; selfs karaoke-aande in die skaduwee van die lemmetjiesdraad.

Dieper en dieper word hy ingetrek by die lewens van diegene wat wag om ín- of uítgelaat te word. Net toe hy dink hy kan met sekerheid sê wie aan watter kant van die hoë mure staan, moet hy begryp dat verdriet bodemloos is.

In Theo Kemp se Strafjaart vervloei die strominge van ’n lewe met dié van die Suid-Afrikaanse werklikheid, waar hoop en wanhoop ’n maalkolk kan raak.

When Lily Westwood dies of cancer, her family are plunged into grief and despair. However, it is not only the loss of Lily which causes their desolation - it’s honouring her dying wish that her husband, William, and twin sister, Frith, leave the UK to raise her daughter, Plum, in Lily’s beloved South Africa. Together, William, Frith and Plum must fulfil Lily’s last wish and confront the challenges this presents to each of them.

William, broken and remorseful, buys North Wind Manor, a decaying Edwardian house, and buries his misery in trying to restore the property to its former glory. As the three become immersed in this project, it is clear that William’s obsession with hiding the rot and decay of the mansion mirror his desperation to conceal the misdeeds and wretchedness of his past.

Lily’s identical twin sister, Frith, resents her loss of freedom as she finds herself caring for William and Plum in a damp, gloomy house and a city alien to her. Increasingly she frets over the impact this will have on her spirit and career as an artist. With enormous courage, Frith tries to carve out an identity for herself as her future becomes increasingly tenuous.

Eleven-year old Plum, sensitive, bright, and imaginative falls in love with North Wind Manor at first sight. Upon finding a century-old diary written by the manor’s former occupant, Plum becomes enthralled by the intrigue and history of her new home, so much so, that it consumes her every waking thought until she begins to believe the diary’s author is a spirit inhabiting the manor.

This compelling story interweaves between past and present to explore the twisted dynamics of a family brought closer by sorrow, regret, mortality, love – and an understanding that the truth is not always simple.