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Books > Humanities > History > History of specific subjects > General
A history of the Official Irish Republican movement, from the IRA's
1962 ceasefire to the Official IRA's permanent ceasefire in 1972.
The civil rights movement, outbreak of violence in August 1969,
links with the communist party, Official IRA's campaign, ceasefire,
and developments towards 'Sinn Fein the Workers' Party' are
explored. "This book is the first in-depth study of this crucial
period in the history of Irish republicanism. Using his
unprecedented access to the internal documents of the movement and
interviews with key participants Swan's work will transform our
understanding of this transformative period in the history of the
movement." Henry Patterson, Author of 'The Politics of Illusion: A
Political History of the IRA' and 'Ireland Since 1939'. "There is
much fascinating material . and also much good sense." Richard
English, Author of 'Armed Struggle, A History of the IRA' and
'Radicals and the Republic: Socialist Republicanism in the Irish
Free State'.
"Battle: A History of Combat and Culture" spans the globe and the
centuries to explore the way ideas shape the conduct of warfare.
Drawing its examples from Europe, the Middle East, South Asia, East
Asia, and America, John A. Lynn challenges the belief that
technology has been the dominant influence on combat from ancient
times to the present day. In battle, ideas can be more far more
important than bullets or bombs. Carl von Clausewitz proclaimed
that war is politics, but even more basically, war is culture. The
hard reality of armed conflict is formed by - and, in turn, forms -
a culture's values, assumptions, and expectations about fighting.
The author examines the relationship between the real and the
ideal, arguing that feedback between the two follows certain
discernable paths. Battle rejects the currently fashionable notion
of a "Western way of warfare" and replaces it with more nuanced
concepts of varied and evolving cultural patterns of combat. After
considering history, Lynn finally asks how the knowledge gained
might illuminate our understanding of the war on terrorism.
This book offers an historical portrait of the first generations of
women home scientists at the University of New Zealand in the early
decades of the twentieth century. It adopts the tools of
biographical research to interrogate their professional lives in a
new colonial university. With a specific focus on Home Science,
this book contests contemporary views that a university education
would produce glorified housekeepers. Previous scholarship has not
fully considered how Home Science expanded the range of
professional, academic and career options for educated women.
Drawing extensively on archival material from New Zealand, the
United States, and England, this book examines how women worked
with, around, and against gender stereotypes to establish
themselves as professional scholars in the field of Home Science.
This book is a rich micro-history of gender identities and roles.
It demonstrates how Home Science, intended by male academic
administrators to confine women to their "proper" domestic sphere,
was used by home scientists to create new professional
opportunities for women, both in the academy and in the scientific
community at large. These determined and talented women were not
victims of patriarchy but creative agents of change and promise. As
activist women before them, they worked with, around, and against
gender stereotypes to expand the area of "women's sphere." The
portraits sketched in this book illuminate the extent to which New
Zealand home scientists established connections with women in the
US and England and their contribution to this transnational
community of scholars. The authors go beyond arguments that Home
Science, as a subject and field of study, hindered women to ask
instead how and why it developed as it did. They trace the lives
and careers of early home scientists to understand how these
educated and mobile women transcended gendered views that their
work was little more than "glorified housekeeping." The careers of
academic women were deeply marked by the gendered boundaries of the
Academy as well as the profoundly gendered expectations of their
daily lives. The portraits presented in this book suggest that
academic women were politically astute. That is, they were able to
'read' the context in which they lived and worked and while on the
one hand they appeared to accept their gendered positioning, on the
other, they used these opportunities to neutralize their marginal
status and create a specialized education for women. Successive
generations of graduate women derived benefits from the
professionalization of women's work and were able to consider a
range of career options that provided real alternatives to
domesticity. There can be little doubt that these first generations
of academic women occupied dangerous territory; and it is this
terrain that contemporary women academics inhabit. The history of
women's higher education continues to be deeply marked by enduring
struggles for recognition of their scholarly contribution and
expertise. Historical Portraits of Women Home Scientists is an
important book for those interested in the history of women's
higher education, gender and the professions, historical
methodology, and transnational histories of women home scientists.
This book examines the making of the Goddess Durga both as an art
and as part of the intangible heritage of Bengal. As the 'original
site of production' of unbaked clay idols of the Hindu Goddess
Durga and other Gods and Goddesses, Kumartuli remains at the centre
of such art and heritage. The art and heritage of Kumartuli have
been facing challenges in a rapidly globalizing world that demands
constant redefinition of 'art' with the invasion of market forces
and migration of idol makers. As such, the book includes chapters
on the evolution of idols, iconographic transformations, popular
culture and how the public is constituted by the production and
consumption of the works of art and heritage and finally the
continuous shaping and reshaping of urban imaginaries and
contestations over public space. It also investigates the caste
group of Kumbhakars (Kumars or the idol makers), reflecting on the
complex relation between inherited skill and artistry. Further, it
explores how the social construction of art as 'art' introduces a
tangled web of power asymmetries between 'art' and 'craft', between
an 'artist' and an 'artisan', and between 'appreciation' and
'consumption', along with their implications for the articulation
of market in particular and social relations in general. Since
little has been written on this heritage hub beyond popular
pamphlets, documents on town planning and travelogues, the book,
written by authors from various fields, opens up cross-disciplinary
conversations, situating itself at the interface between art
history, sociology of aesthetics, politics and government, social
history, cultural studies, social anthropology and archaeology. The
book is aimed at a wide readership, including students, scholars,
town planners, heritage preservationists, lawmakers and readers
interested in heritage in general and Kumartuli in particular.
When it first appeared in the 1970s, The Little Red Schoolbook was
banned by the UK authorities, which confiscated copies and
prosecuted the publisher under the Obscene Publications Act. Why?
Because this little book aimed to educate teenagers about
democracy, sex and drugs - in frank, simple language - and
encouraged them to view adults as "paper tigers". The Little Red
Schoolbook has been unavailable for more than 40 years, but it
remains surprisingly relevant for young people today. Reissued here
in its original and uncensored format, with informative footnotes
and a new foreword by the surviving author Soren Hansen, it
encourages teenagers to have the confidence to seek information for
themselves, challenge authority and question the status quo.
Exam board: AQA Level: AS/A-level Subject: History First teaching:
September 2015 First exams: Summer 2016 (AS); Summer 2017 (A-level)
Put your trust in the textbook series that has given thousands of
A-level History students deeper knowledge and better grades for
over 30 years. Updated to meet the demands of today's A-level
specifications, this new generation of Access to History titles
includes accurate exam guidance based on examiners' reports, free
online activity worksheets and contextual information that
underpins students' understanding of the period. - Develop strong
historical knowledge: in-depth analysis of each topic is both
authoritative and accessible - Build historical skills and
understanding: downloadable activity worksheets can be used
independently by students or edited by teachers for classwork and
homework - Learn, remember and connect important events and people:
an introduction to the period, summary diagrams, timelines and
links to additional online resources support lessons, revision and
coursework - Achieve exam success: practical advice matched to the
requirements of your A-level specification incorporates the lessons
learnt from previous exams - Engage with sources, interpretations
and the latest historical research: students will evaluate a rich
collection of visual and written materials, plus key debates that
examine the views of different historians
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