Taking as its point of departure the lapse of the Licensing Act 1662 in 1695, this book examines the lead up to the passage of the Statute of Anne 1709 and charts the movement of copyright law throughout the eighteenth century, culminating in the House of Lords decision of Donaldson v Becket (1774). The established reading of copyright's development throughout this period, from the 1709 Act to the pronouncement in Donaldson, is that it was transformed from a publisher's to an author's right; instead, legislation initially designed to regulate the marketplace of the bookseller and publisher evolved into an instrument that functioned to recognise the proprietary inevitability of an author's intellectual labours. The historical narrative which unfolds within this book presents a challenge to that accepted orthodoxy. century Britain is revealed as exhibiting the character of long-standing myth, and the centrality of the modern proprietary author as the raison d'etre of the copyright regime is displaced, being replaced with a more nuanced account of legal change driven by complex interactions between the protagonists, resulting in a copyright regime which was quite different from that anticipated by the reformers.

During the more than one hundred years that baseball has been our national pastime, all types of individuals have been managers of teams. They have run the gamut from political appointees to tyrants, schemers, incompetents and geniuses. Legendary baseball stars have been managers such as Ty Cobb, Rogers Hornsby, Walter Johnson, Mel Ott, George Sisler, and Honus Wagner. And Mediocre players, including Branch Rickey, Earl Weaver, Walter Alston have become managers. Antics galore have accentuated managerial behavior: the pratfalls of Charley Grimm in the third-base coaching box; the umbrella-carrying Frankie Frisch arguing with the umpires that a game should be called; the cap twisting, body-gyrating movements of Earl Weaver, puffing cigarettes in the dugout and attempting to use body language to will his players to perform better. Idiosyncrasies and special styles have characterized managers through the years. An entire collection of one-liners has developed over the years to characterize the managing profession. For trivia buffs, there's an entire world of statistical records about managers. This books attempts to capture the style and substance of some of the greatest managers of all time. An effort has been made to give representation to the different eras of baseball, the various managing styles, and all the nuances and nostalgia that shape this fascinating subject.

The chapters in this volume examine a few facets in the drama of how the beleaguered Jewish people, as a phoenix ascending of ancient legend, achieved national self-determination in the reborn State of Israel within three years of the end of World War II and of the Holocaust. They include the pivotal 1946 World Zionist Congress, the contributions of Jacob Robinson and Clark M. Eichelberger to Israel's sovereign renewal, American Jewry's crusade to save a Jewish state, the effort to create a truce and trusteeship for Palestine, and Judah Magnes's final attempt to create a federated state there. Joining extensive archival research and a lucid prose, Professor Monty Noam Penkower again displays a definitive mastery of his craft.

Harry Parker was probably the most important figure in American rowing of the past century. His heavyweight crews at Harvard topped the leagues more consistently than any other team (they won the Eastern Sprints regatta, against most of the top college crews, more than three times as often as their nearest rival). From the time they miraculously won the 1963 Harvard-Yale Race at the end of his first year at the helm, his varsity didn't lose a race for six years, and they didn't lose to Yale until the Reagan administration. He was the first US National Team coach, and oversaw five Olympic teams. He coached the sons of his great oarsmen from the 60's and 70's, and at age 70 was still putting the sons to shame on a bicycle, or running the steps of the Harvard Stadium. He was respected by all, revered and adored by his rowers, and yet no one seemed to know him. The persistent myth was that he hardly said a word, and that his powerful mystique alone made his oarsmen great and their boats go fast. Though a fundamentally compelling figure, Parker's famous reticence means that few managed to spend much time close to him. Since he made no attempt to explain himself, legends abound: he never got older; he could control the weather; he could walk on water. The Sphinx of the Charles: A Year at Harvard with Harry Parker takes the reader not only inside the Harvard boathouse, but into the coaching launch with Parker. We see how he coached-how many words he actually uttered-as he guided his team through a year of training, and hear about his life in the sport. We see a paradox: Parker remained remarkably constant over the last forty-five years, yet he constantly evolved, changed his style, and used every means at his disposal to build champion crews. The Sphinx of the Charles goes inside the rowing world in a way hasn't been done before, putting the reader in the passenger seat next to one of the most successful coaches of all time. Parker is a historical icon, part of a tradition that goes back to the beginning of intercollegiate athletics in America. His story needs to be told. The Sphinx of the Charles is fundamentally a chronicle of a year with the Harvard team and a profile of Harry Parker as he was, five years before his death: comfortable in his position as elder and master of the sport, reflective but not nostalgic, aged but nearly impervious to aging. It is driven by Ayer's own observations of Parker from his seven years of coaching and training at the Harvard boathouse, but especially from one academic year, 2008-9. he shadowed him for a few days every week from September to June, observing practices both on and off the water, and interacting with the team. The present tense of the narrative reflects this immediacy, but also the sense that Parker has endured and continues to endure. And though The Sphinx of the Charles is not a biography in the usual sense, Parker's life and career were rich and extraordinary and they must be explored. Thus, each chapter carries the reader another month through the training year at Harvard, with vivid descriptions of team practices and a sense of progress towards the spring racing goals. From the passenger seat next to Parker we watch the rowers tackling the daily workouts, honing their mental and physical stamina along with their bladework, always trying to beat their teammates in the crew next to them, under Parker's watchful eye and ever-present megaphone. Parker makes asides in the launch that the rowers will never hear: remarks about the crews and their progress, passing wildlife, memories of his life in rowing, the river and its history, the sunlight on the water. Intertwined with the narrative are historical perspective, descriptions of the boathouse and the river, profiles of other coaches at Harvard, and impressions from rowers and coaches who worked with Parker over the previous forty-five years. Newspaper and magazine articles reveal how Parker was depicted, and how he revealed himself, to the rowing world and the public. The reader sees how Parker evolved and yet remained consistent. Parker was responsible for turning college crew into a three-season sport: varsity rowers now practice every day from September to early June. There are long "head" races in the fall, including the famous Head of the Charles in Boston. The winter months are a period of tough training on rowing machines and indoor "tanks," lasting until the ice breaks up on the river. The official season of "sprint" races doesn't start until April, and includes two championship regattas, the Harvard-Yale Race, and (if they win one of the championships) the Henley Royal Regatta in England.

'The F2 are unbelievable - what they do is not possible!' - Pele We're The F2 and this is our World of Football. Inside we give away the biggest secrets of the greatest footballers on the planet. Want tricks like Neymar? Or to hit free-kicks like Ronaldo? Or to dribble like Messi? We show you how. We've been travelling the world, meeting the biggest stars, like Gareth Bale, Ronaldinho, Mesut OEzil, Pele and Stevie G, and now we give you the lowdown on what they're really like, and how they got their edge. We'll also let you in on our journey from aspiring pros to YouTube superstars with over 10 million followers. Want to know how to become a social media star? That's inside too. There's a free app to download that will make these pages come to life with exclusive videos, tricks and games. So, what are you waiting for? Open, read, learn, download and get out on the pitch and practise. Love, peace and tekkers, Billy and Jez, aka The F2 Enter the F2 World of Football competition!! Submit your pre-order confirmation for a chance to win a selection of amazing prizes, including having your book delivered to your door by Billy and Jez and featuring on their Vlog! Go to www.F2playlikeapro.co.uk for all the details.

The 20th century might be accurately described as the television century. Perhaps no technological invention in recent history has so vastly affected the American public. James Roman, author of Love, Light, and a Dream: Television's Past, Present, and Future (Greenwood, 1996), traces the evolution of American television programming from its beginnings as an experimental "spinoff" of radio broadcasting to its current role as an omnipresent and, some would say, omnipotent force of media and culture. Roman provides thematic chapters on all of television's major genres, including: Westerns Medical dramas Soap operas Sitcoms Children's programs Sports broadcasting Miniseries Docudramas And Reality television An involving mixture of scholarship and nostalgia, this volume offers an intelligent examination of the many ways that American society has shaped--and been shaped by--television.

Praise for The Davis Dynasty

"Equally relevant to the uninitiated and to those of us who have many years’ experience with the Davis dynasty, Rothchild’s book takes a close look at the family’s remarkable success and endurance. I know that many will find it interesting to learn how, even today, Davis endeavors remain focused on the long view, guided by the strong investment philosophy and business principles that Shelby himself lived by in one of the most important periods in commercial history."–M. R. Greenberg, Chairman and CEO, American International Group, Inc.

"This is really two books in one. It is the story of a rarity in the investment business: a family whose money management skills have evolved and been passed on from the patriarch to two succeeding generations. It is also a how-to book on commonsense investing. As the dot-com phase passes into history, this book provides some useful lessons on how fortunes are built and then used for constructive purpose."–Byron R. Wien, Chief U.S. Investment Strategist, Morgan Stanley

"This is an unusual biography, a rare gem that captures the history of one of Wall Street’s greatest families. The Davis Dynasty offers unparalleled insight into the Davis family investment philosophy."–Barton M. Biggs, Chairman, Morgan Stanley Asset Management , Morgan Stanley Dean Witter

"When John Rothchild combines history and biography with investing in one package, history illuminates the biography and investing, biography illuminates the history and investing, and investing illuminates the history and biography. This is a sparkling book on each level, but even more so as an adroitly mixed cocktail of all three."–Peter L. Bernstein, author of The Power of Gold: The History of an Obsession and Against the Gods

This work contains the full text of the papers given at the first Tax Law History Conference in Cambridge in September 2002 and organised by the Cambridge Law Facultys Centre for Tax Law. The papers ranged widely from the time of King John to the 20th century,from Tudor Englands Statute of Wills to the American taxes on slaves, from Hong Kong, Australia and Israel. The sources ranged from the Public Record office to the bowels of Somerset House. The topics ranged from the tax base through tax administration to tax policy making as well as providing detailed accounts of the UKs remittance basis of taxation and the Excess Profits Duty of the First World War. All students of tax law and tax history will want to read these papers by an international team of leading scholars in tax law and history.

In this Third Volume of the series, Research on Education in Africa, the Caribbean and the Middle East, the volume continues with the previously established overarching purpose of publishing chapters that are based upon research conducted in those regions by scholars, many of whom are indigenous to the regions they write about and are, therefore, able to provide cultural insights about relevant issues, as well as nonindigenous scholars who have conducted their studies in countries within the regions or about those regions. This mixture of indigenous scholarship offering emic perspectives and outside scholarship offering etic perspectives continues to be a relative strength and uniqueness of this book series. In addition, several chapters in the current volume constitute collaborations between the authors etic and emic to the contexts about which they write. This bifocality in the gaze cast upon issues covered in this book series has been well received by readers of earlier volumes of the series.

British Theatre and the Great War examines how theatre in its various forms adapted itself to the new conditions of 1914-1918. Contributors discuss the roles played by the theatre industry. They draw on a range of source materials to show the different kinds of theatrical provision and performance cultures in operation not only in London but across parts of Britain and also in Australia and at the Front. As well as recovering lost works and highlighting new areas for investigation (regional theatre, prison camp theatre, troop entertainment, the threat from film, suburban theatre) the book offers revisionist analysis of how the conflict and its challenges were represented on stage at the time and the controversies it provoked. The volume offers new models for exploring the topic in an accessible, jargon-free way, and it shows how theatrical entertainment of the time can be seen as the `missing link' in the study of First World War writing.