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Books > Social sciences > Sociology, social studies > Ethnic studies > Indigenous peoples
A Best Book of 2021 by NPR and Esquire From Kliph Nesteroff, "the
human encyclopedia of comedy" (VICE), comes the important and
underappreciated story of Native Americans and comedy.It was one of
the most reliable jokes in Charlie Hill's stand-up routine: "My
people are from Wisconsin. We used to be from New York. We had a
little real estate problem." In We Had a Little Real Estate
Problem, acclaimed comedy historian Kliph Nesteroff focuses on one
of comedy's most significant and little-known stories: how, despite
having been denied representation in the entertainment industry,
Native Americans have influenced and advanced the art form. The
account begins in the late 1880s, when Native Americans were forced
to tour in wild west shows as an alternative to prison. (One modern
comedian said it was as "if a Guantanamo detainee suddenly had to
appear on X-Factor.") This is followed by a detailed look at the
life and work of seminal figures such as Cherokee humorist Will
Rogers and Hill, who in the 1970s was the first Native American
comedian to appear The Tonight Show. Also profiled are several
contemporary comedians, including Jonny Roberts, a social worker
from the Red Lake Nation who drives five hours to the closest
comedy club to pursue his stand-up dreams; Kiowa-Apache comic
Adrianne Chalepah, who formed the touring group the Native Ladies
of Comedy; and the 1491s, a sketch troupe whose satire is smashing
stereotypes to critical acclaim. As Ryan Red Corn, the Osage member
of the 1491s, says: "The American narrative dictates that Indians
are supposed to be sad. It's not really true and it's not
indicative of the community experience itself...Laughter and joy is
very much a part of Native culture." Featuring dozens of original
interviews and the exhaustive research that is Nesteroff's
trademark, We Had a Little Real Estate Problem is a powerful
tribute to a neglected legacy.
Negotiation, understood simply as "working things out by talking
things through," is often anything but simple for Native nations
engaged with federal, state, and local governments to solve complex
issues, promote economic and community development, and protect and
advance their legal and historical rights. Power Balance builds on
traditional Native values and peacemaking practices to equip tribes
today with additional tools for increasing their negotiating
leverage. As cofounder and executive director of the Indian Dispute
Resolution Service, author Steven J. Haberfeld has worked with
Native tribes for more than forty years to help resolve internal
differences and negotiate complex transactions with governmental,
political, and private-sector interests. Drawing on that
experience, he combines Native ideas and principles with the
strategies of "interest-based negotiation" to develop a framework
for overcoming the unique structural challenges of dealing with
multilevel government agencies. His book offers detailed
instructions for mastering six fundamental steps in the negotiating
process, ranging from initial planning and preparation to hammering
out a comprehensive, written win-win agreement. With real-life
examples throughout, Power Balance outlines measures tribes can
take to maximize their negotiating power-by leveraging their
special legal rights and historical status and by employing
political organizing strategies to level the playing field in
obtaining their rightful benefits. Haberfeld includes a case study
of the precedent-setting negotiation between the Timbisha Shoshone
Tribe and four federal agencies that resolved disputes over land,
water, and other natural resource in Death Valley National Park in
California. Bringing together firsthand experience, traditional
Native values, and the most up-to-date legal principles and
practices, this how-to book will be an invaluable resource for
tribal leaders and lawyers seeking to develop and refine their
negotiating skills and strategies.
Lone Bull's Mistake: A Lodge Pole Chief Story, is the account of
Black Otter, a Pikuni (or 'Blackfoot') Indian cast out from his
tribe for breaking the hunting rules and forced to wander the
wilderness in search of redemption.
In this haunting memoir, Yvette Melanson tells of being raised to believe that she was white and Jewish. At age forty-three, she learned that she was a "Lost Bird," a Navajo child taken against her family's wishes, and that her grieving birth mother had never stopped looking for her until the day she died. In this haunting memoir, Yvette Melanson tells of being raised to believe that she was white and Jewish. At age forty-three, she learned that she was a "Lost Bird," a Navajo child taken against her family's wishes, and that her grieving birth mother had never stopped looking for her until the day she died.
The stories of the Cherokee people presented here capture in
written form tales of history, myth, and legend for readers,
speakers, and scholars of the Cherokee language. Assembled by noted
authorities on Cherokee, this volume marks an unparalleled
contribution to the linguistic analysis, understanding, and
preservation of Cherokee language and culture. Cherokee Narratives
spans the spectrum of genres, including humor, religion, origin
myths, trickster tales, historical accounts, and stories about the
Eastern Cherokee language. These stories capture the voices of
tribal elders and form a living record of the Cherokee Nation and
Eastern Band of Cherokee Indians' oral tradition. Each narrative
appears in four different formats: the first is interlinear, with
each line shown in the Cherokee syllabary, a corresponding roman
orthography, and a free English translation; the second format
consists of a morpheme-by-morpheme analysis of each word; and the
third and fourth formats present the entire narrative in the
Cherokee syllabary and in a free English translation. The
narratives and their linguistic analysis are a rich source of
information for those who wish to deepen their knowledge of the
Cherokee syllabary, as well as for students of Cherokee history and
culture. By enabling readers at all skill levels to use and
reconstruct the Cherokee language, this collection of tales will
sustain the life and promote the survival of Cherokee for
generations to come.
Herder Warfare in East Africa presents a regional analysis of the
spatial and social history of warfare among the nomadic peoples of
East Africa, covering a period of 600 years. The long duree
facilitates understanding of how warfare among pastoralist
communities in earlier centuries contributed to political, economic
and ethnic shifts across the grazing lands in East Africa. The book
discusses herder warfare from the perspective of warfare ecology,
highlighting the interrelations between environmental and cultural
causalities - including droughts, famine, floods, ritual wars,
religious wars and migrations - and the processes and consequences
of war. Regional synthesis concentrates on frontiers of conflicts
extending from the White Nile Basin in south Sudan - into the
southern savannas of East Africa, the Great East African Rift
Valley, and the northern and southern Horn of Africa - examining
historical military power shifts between diverse pastoralist
cultures. Case studies are set in the coastal hinterland of East
Africa and the Jubaland-Wajir frontiers. Warfare combined with
environmental disasters caused social-economic breakdowns and the
enslavement of defeated groups. The dynamics of herder warfare
changed after colonial entry, response to pastoralist resistance
and slave emancipation. The book is of interest to specialist and
non-specialist readers exploring pastoralism, social anthropology
and warfare and conflict studies; and is suitable for introductory
graduate courses in environmental and social history of warfare .
At once deeply personal and yet universal, the poet's reflections,
musings, and chronicles of life from birth to death impart a
plethora of emotions, from tenderness to outrage, but also an
intellectual grasp and appreciation of the astronomically low odds
of being born at all. His poems both celebrate and commiserate,
embrace and embroil, tantalize and deny, but, always and in all
ways, depict what it means to be human.
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