Some indigenous people, while remaining attached to their traditional homelands, leave them to make a new life for themselves in white towns and cities, thus constituting an "indigenous diaspora". This innovative book is the first ethnographic account of one such indigenous diaspora, the Warlpiri, whose traditional hunter-gatherer life has been transformed through their dispossession and involvement with ranchers, missionaries, and successive government projects of recognition. By following several Warlpiri matriarchs into their new locations, far from their home settlements, this book explores how they sustained their independent lives, and examines their changing relationship with the traditional culture they represent.

Charles Cornelius Coffin Painter (1833-89), clergyman turned reformer, was one of the foremost advocates and activists in the late-nineteenth-century movement to reform U.S. Indian policy. Very few individuals possessed the influence Painter wielded in the movement, and Painter himself published numerous pamphlets for the Indian Rights Association (IRA) on the Southern Utes, Eastern Cherokees, California Indians, and other Native peoples. Yet this is the first book to fully consider his unique role and substantial contribution. Born in Virginia, Painter spent most of his life in Great Barrington, Massachusetts, commuting to New York City and Washington, D.C., initially as an agent of the American Missionary Association (AMA), later as an appointed member of the Board of Indian Commissions (BIC), and most significant, as the Indian Rights Association's D.C. agent. In these capacities he lobbied presidents and Congress for reform, conducted extensive investigations on reservations, and shaped deliberations in such reform bodies as the BIC and the influential Lake Mohonk conferences. Mining an extraordinary wealth of archival material, Valerie Sherer Mathes crafts a compelling account of Painter as a skilled negotiator with Indians and policymakers and as a tireless investigator who traveled to far-flung reservations, corresponded with countless Indian agents, and drafted scrupulously researched reports on his findings. Recounted in detail, his many adventures and behind-the-scenes activities - promoting education, striving to prevent the removal of the Southern Utes from Colorado, investigating reservation fraud, working to save the Piegans of Montana from starvation - afford a clear picture of Painter's importance to the overall reform effort to incorporate Native Americans into the fabric of American life. No other book so effectively captures the day-to-day and exhausting work of a single individual on the front lines of reform. Like most of his fellow advocates, Painter was an unapologetic assimilationist, a man of his times whose story is a key chapter in the history of the Indian reform movement.

Most fans of women's basketball would be startled to learn that girls' teams were making their mark more than a century ago--and that none was more prominent than a team from an isolated Indian boarding school in Montana. Playing like "lambent flames" across the polished floors of dance halls, armories, and gymnasiums, the girls from Fort Shaw stormed the state to emerge as Montana's first basketball champions. Taking their game to the 1904 St. Louis World's Fair, these young women introduced an international audience to the fledgling game and returned home with a trophy declaring them champions.

World champions. And yet their triumphs were forgotten--until Linda Peavy and Ursula Smith chanced upon a team photo and embarked on a ten-year journey of discovery. Their in-depth research and extensive collaboration with the teammates' descendents and tribal kin have resulted in a narrative as entertaining as it is authentic.

"Full-Court Quest" offers a rare glimpse into American Indian life and into the world of women's basketball before "girls' rules" temporarily shackled the sport. For anyone captivated by "Sea Biscuit," "A League of Their Own," and other accounts of unlikely champions, this book rates as nothing but net.

People and Change in Australia arose from a conviction that more needs to be done in anthropology to give a fuller sense of the changing lives and circumstances of Australian indigenous communities and people. Much anthropological and public discussion remains embedded in traditionalizing views of indigenous people, and in accounts that seem to underline essential and apparently timeless difference. In this volume the editors and contributors assume that "the person" is socially defined and reconfigured as contexts change, both immediate and historical. Essays in this collection are grounded in Australian locales commonly termed "remote." These indigenous communities were largely established as residential concentrations by Australian governments, some first as missions, most in areas that many of the indigenous people involved consider their homelands. A number of these settlements were located in proximity to settler industries including pastoralism, market-gardening, and mining. These are the locales that many non-indigenous Australians think of as the homes of the most traditional indigenous communities and people. The contributors discuss the changing circumstances of indigenous people who originate from such places. Some remain, while others travel far afield. The accounts reveal a diversity of experiences and histories that involve major dynamics of disembedding from country and home locales, and re-embedding in new contexts, and reconfigurations of relatedness. The essays explore dimensions of change and continuity in childhood experience and socialization in a desert community; the influence of Christianity in fostering both individuation and relatedness in northeast Arnhem Land; the diaspora of Central Australian Warlpiri people to cities and the forms of life and livelihood they make there; adolescent experiences of schooling away from home communities; youth in kin-based heavy metal gangs configuring new identities, and indigenous people of southeast Australia reflecting on whether an "Aboriginal way" can be sustained. The volume takes a step toward understanding the relation between changing circumstances and changing lives of indigenous Australians today and provides a sense of the quality and the feel of those lives.

Contested Images: Women of Color in Popular Culture is a collection of 17 essays that analyze representations in popular culture of African American, Asian American, Latina, and Native American women. The anthology is divided into four parts: film images, beauty images, music, and television. The articles share two intellectual traditions: the authors, predominantly women of color, use an intersectionality perspective in their analysis of popular culture and the representation of women of color, and they identify popular culture as a site of conflict and contestation. Instructors will find this collection to be a convenient textbook for women's studies; media studies; race, class, and gender courses; ethnic studies; and more.

Africa has emerged as a prime arena of global health interventions that focus on particular diseases and health emergencies. These are framed increasingly in terms of international concerns about security, human rights, and humanitarian crisis. This presents a stark contrast to the 1960s and '70s, when many newly independent African governments pursued the vision of public health "for all," of comprehensive health care services directed by the state with support from foreign donors. These initiatives often failed, undermined by international politics, structural adjustment, and neoliberal policies, and by African states themselves. Yet their traces remain in contemporary expectations of and yearnings for a more robust public health.
This volume explores how medical professionals and patients, government officials, and ordinary citizens approach questions of public health as they navigate contemporary landscapes of NGOs and transnational projects, faltering state services, and expanding privatization. Its contributors analyze the relations between the public and the private providers of public health, from the state to new global biopolitical formations of political institutions, markets, human populations, and health. Tensions and ambiguities animate these complex relationships, suggesting that the question of what public health actually is in Africa cannot be taken for granted. Offering historical and ethnographic analyses, the volume develops an anthropology of public health in Africa.

Contributors: P. Wenzel Geissler; Murray Last; Rebecca Marsland; Lotte Meinert; Benson A. Mulemi; Ruth J. Prince; and Noemi Tousignant.

American history and self-understanding have long depended on the notion of a "colonial America", an era that-according to prevailing accounts-laid the foundation for the modern United States. In Indigenous Continent, the acclaimed historian Pekka Hamalainen shatters this Eurocentric narrative by retelling the four centuries between first contacts and the peak of Native power from Indigenous points of view. Shifting our perspective away from Jamestown, Plymouth, the American Revolution and other well-worn episodes on the conventional timeline, Hamalainen depicts a sovereign world of distinctive Native nations whose members, far from simple victims of colonial aggression, controlled the continent well into the nineteenth century, fundamentally shaping the actions of the European imperialists and the development of the United States. Indigenous Continent restores Native Americans to their rightful place at the very fulcrum of American history.