Most fans of women's basketball would be startled to learn that girls' teams were making their mark more than a century ago--and that none was more prominent than a team from an isolated Indian boarding school in Montana. Playing like "lambent flames" across the polished floors of dance halls, armories, and gymnasiums, the girls from Fort Shaw stormed the state to emerge as Montana's first basketball champions. Taking their game to the 1904 St. Louis World's Fair, these young women introduced an international audience to the fledgling game and returned home with a trophy declaring them champions.

World champions. And yet their triumphs were forgotten--until Linda Peavy and Ursula Smith chanced upon a team photo and embarked on a ten-year journey of discovery. Their in-depth research and extensive collaboration with the teammates' descendents and tribal kin have resulted in a narrative as entertaining as it is authentic.

"Full-Court Quest" offers a rare glimpse into American Indian life and into the world of women's basketball before "girls' rules" temporarily shackled the sport. For anyone captivated by "Sea Biscuit," "A League of Their Own," and other accounts of unlikely champions, this book rates as nothing but net.

People and Change in Australia arose from a conviction that more needs to be done in anthropology to give a fuller sense of the changing lives and circumstances of Australian indigenous communities and people. Much anthropological and public discussion remains embedded in traditionalizing views of indigenous people, and in accounts that seem to underline essential and apparently timeless difference. In this volume the editors and contributors assume that "the person" is socially defined and reconfigured as contexts change, both immediate and historical. Essays in this collection are grounded in Australian locales commonly termed "remote." These indigenous communities were largely established as residential concentrations by Australian governments, some first as missions, most in areas that many of the indigenous people involved consider their homelands. A number of these settlements were located in proximity to settler industries including pastoralism, market-gardening, and mining. These are the locales that many non-indigenous Australians think of as the homes of the most traditional indigenous communities and people. The contributors discuss the changing circumstances of indigenous people who originate from such places. Some remain, while others travel far afield. The accounts reveal a diversity of experiences and histories that involve major dynamics of disembedding from country and home locales, and re-embedding in new contexts, and reconfigurations of relatedness. The essays explore dimensions of change and continuity in childhood experience and socialization in a desert community; the influence of Christianity in fostering both individuation and relatedness in northeast Arnhem Land; the diaspora of Central Australian Warlpiri people to cities and the forms of life and livelihood they make there; adolescent experiences of schooling away from home communities; youth in kin-based heavy metal gangs configuring new identities, and indigenous people of southeast Australia reflecting on whether an "Aboriginal way" can be sustained. The volume takes a step toward understanding the relation between changing circumstances and changing lives of indigenous Australians today and provides a sense of the quality and the feel of those lives.

Colonial Women is the first comprehensive study to explore the interpenetrating discourses of gender and race in Stuart drama. Hutner argues that in drama, as in historical accounts, the symbol of the native woman is used to justify and promote the success of the English appropriation, commodification, and expoitaion of the New World and its native inhabitants, Hutner analyzes the figure of the native woman in the plays of Shakespeare, Fletcher, Davenant, Dryden, Behn and other playwrights, Furthermore, Hutner suggests that representation of native women function as a means of self-definition for the English, and the seduction of the native woman is, in this respect, a symbolic strategy to stabilize the turbulent sociopolitical and religious conflicts in Restoration England under the inclusive ideology of expansion and profit.

Contested Images: Women of Color in Popular Culture is a collection of 17 essays that analyze representations in popular culture of African American, Asian American, Latina, and Native American women. The anthology is divided into four parts: film images, beauty images, music, and television. The articles share two intellectual traditions: the authors, predominantly women of color, use an intersectionality perspective in their analysis of popular culture and the representation of women of color, and they identify popular culture as a site of conflict and contestation. Instructors will find this collection to be a convenient textbook for women's studies; media studies; race, class, and gender courses; ethnic studies; and more.

Africa has emerged as a prime arena of global health interventions that focus on particular diseases and health emergencies. These are framed increasingly in terms of international concerns about security, human rights, and humanitarian crisis. This presents a stark contrast to the 1960s and '70s, when many newly independent African governments pursued the vision of public health "for all," of comprehensive health care services directed by the state with support from foreign donors. These initiatives often failed, undermined by international politics, structural adjustment, and neoliberal policies, and by African states themselves. Yet their traces remain in contemporary expectations of and yearnings for a more robust public health.
This volume explores how medical professionals and patients, government officials, and ordinary citizens approach questions of public health as they navigate contemporary landscapes of NGOs and transnational projects, faltering state services, and expanding privatization. Its contributors analyze the relations between the public and the private providers of public health, from the state to new global biopolitical formations of political institutions, markets, human populations, and health. Tensions and ambiguities animate these complex relationships, suggesting that the question of what public health actually is in Africa cannot be taken for granted. Offering historical and ethnographic analyses, the volume develops an anthropology of public health in Africa.

Contributors: P. Wenzel Geissler; Murray Last; Rebecca Marsland; Lotte Meinert; Benson A. Mulemi; Ruth J. Prince; and Noemi Tousignant.

This book details the intersections between the personal life and exceptional writing of Louise Erdrich, perhaps the most critically and economically successful American Indian author ever. Known for her engrossing explorations of Native American themes, Louise Erdrich has created award-winning novels, poetry, stories, and more for three decades. Tracks on a Page: Louise Erdrich, Her Life and Works examines Erdrich's oeuvre in light of her experiences, her gender, and her heritage as the daughter of a Chippewa mother and German-American father. The book covers Erdrich from her birth to the present, offering fresh information and perspectives based on original research. By interweaving biography and literary analysis, the author, who is herself Native American, gives readers a complete and nuanced understanding of the ways in which Erdrich's identity as a woman and an American Indian have influenced her life and her writing. Tracks on a Page is the first, book-length work to approach Erdrich and her works from a non-Euro-Western perspective. It contextualizes both life and writing through the lenses of American Indian history, politics, economics, and culture, offering readers new and intriguing ways to appreciate this outstanding author. Chronological organization takes the reader from Erdrich's childhood, through her years at Dartmouth College, her personal life, and her career as a writer

From "Aztec" to "Zuni," here are portraits of the daily lives of the First Nations people who lived and still live on the continent of North America; the great floating island the Northeastern woodland tribes called Turtle Island. Songs, chants and legends from the tip of southern Mexico to Alaska and Arctic Canada are included. Covering a time span of a thousand years, the book includes tribes now decimated or who are a nearly forgotten and rarely mentioned part of history.

This book of word-sketches paints a picture of their world: at times harsh and cruel, at other times spiritual and filled with beauty. These word-sketches convey the humanness of the original inhabitants of Turtle Island, the Native American Indians; paints them as neither noble nor savage, but simply as people who learned to live with nature's challenges and hardships and to endure.

To read these portraits of tribes and individuals, their land and customs, their needs, both physical and spiritual, is to understand the magnificent heritage that is the gift to the world from Native American Indian people.