On June 11, 1950, the Cleveland Plain Dealer published an obituary under the bold headline 'Chief Thunderwater, Famous in Cleveland 50 Years, Dies.' And there, it seems, the consensus on Thunderwater ends. Was he, as many say, a con artist and an imposter posing as an Indian who lead a political movement that was a cruel hoax? Or was he a Native activist who worked tirelessly and successfully to promote Haudenosaunee, or Iroquois, sovereignty in Canada? The truth about this enigmatic figure, so long obscured by vying historical narratives, emerges clearly in Gerald F. Reid's biography, Chief Thunderwater-the first full portrait of a central character in twentieth-century Iroquois history. Searching out Thunderwater's true identity, Reid documents Thunderwater's life from his birth in 1865, as Oghema Niagara, through his turns as a performer of Indian identity and, alternately, as a dedicated advocate of Indian rights. After nearly a decade as an entertainer in Buffalo Bill's Wild West Show, Thunderwater became progressively more engaged in Haudenosaunee political affairs-first in New York and then in Quebec and Ontario. As Reid shows, Thunderwater's advocacy for Haudenosaunee sovereignty sparked alarm within Canada's Department of Indian Affairs, which moved forcefully to discredit Thunderwater and dismantle his movement. Self-promoter, political activist, entrepreneur: Reid's critical study reveals Thunderwater in all his contradictions and complexity-a complicated man whose story expands our understanding of Native life in the early modern era, and whose movement represents a key moment in the development of modern Haudenosaunee nationalism.

For decades, studies of oil-related conflicts have focused on the effects of natural resource mismanagement, resulting in great economic booms and busts or violence as rebels fight ruling governments over their regions' hydrocarbon resources. In "Oil Sparks in the Amazon," Patricia I. Vasquez writes that while oil busts and civil wars are common, the tension over oil in the Amazon has played out differently, in a way inextricable from the region itself.
Oil disputes in the Amazon primarily involve local indigenous populations. These groups' social and cultural identities differ from the rest of the population, and the diverse disputes over land, displacement, water contamination, jobs, and wealth distribution reflect those differences. Vasquez spent fifteen years traveling to the oilproducing regions of Latin America, conducting hundreds of interviews with the stakeholders in local conflicts. She analyzes fifty-five social and environmental clashes related to oil and gas extraction in the Andean countries (Peru, Ecuador, and Colombia). She also examines what triggers local hydrocarbons disputes and offers policy recommendations to resolve or prevent them.
Vasquez argues that each case should be analyzed with attention to its specific sociopolitical and economic context. She shows how the key to preventing disputes that lead to local conflicts is to address structural flaws (such as poor governance and inadequate legal systems) and nonstructural flaws (such as stakeholders' attitudes and behavior) at the outset. Doing this will require more than strong political commitments to ensure the equitable distribution of oil and gas revenues. It will require attention to the local values and culture as well.

Leader of the Santee Sioux, Inkpaduta (1815-79) participated in some of the most decisive battles of the northern Great Plains, including Custer's defeat at the Little Bighorn. But the attack in 1857 on forty white settlers known as the Spirit Lake Massacre gave Inkpaduta the reputation of being the most brutal of all the Sioux leaders.Paul N. Beck now challenges a century and a half of bias to reassess the life and legacy of this important Dakota leader. In the most complete biography of Inkpaduta ever written, Beck draws on Indian agents' correspondence, journals, and other sources to paint a broader picture of the whole person, showing him to have been not only a courageous warrior but also a dedicated family man and tribal leader who got along reasonably well with whites for most of his life. Beck sheds new light on many poorly understood aspects of Inkpaduta's life, including his journeys in the American West after the Spirit Lake Massacre. Beck reexamines Euro-American attitudes toward Indians and the stereotypes that shaped nineteenth-century writing, showing how they persisted in portrayals of Inkpaduta well into the twentieth century, even after more generous appreciations of American Indian cultures had become commonplace. Long considered a villain whose passion was murdering white settlers, Inkpaduta is here restored to more human dimensions. Inkpaduta: Dakota Leader shatters the myths that surrounded his life for too long and provides the most extensive reassessment of this leader's life to date.

International Advances in Education: Global Initiatives for Equity and Social Justice is an international research monograph of scholarly works that are seeking to advance knowledge and understanding of a diverse range of Indigenous or First Peoples across the globe. With the overarching emphasis being towards education, this collection of works outlines the unique history, policy, and lived experiences of Indigenous peoples within education systems around the world. The volume itself is split into three sections that offer: (i) an overview of the past and current educational conditions of Indigenous peoples; (ii) policy and practice aimed at enhancing cultural inclusiveness and resisting deculturalization, and (iii) finally the identification of pedagogical factors that may be important for the educational progress of a diversity of Indigenous students. Overall, this volume will act as a valuable source for those seeking to maintain and restore Indigenous cultures and languages within the education system, as well as identifying other methods and practices that may increase the engagement and resilience of Indigenous students within a variety of education settings. As a result, this collection of works will be a valuable tool for educators, researchers, policy makers, and school counselors who may be seeking to further understand the experiences of Indigenous students within the education system.

When the Mari Sandoz High Plains Center opens in Chadron, Nebraska in 2001, it will be one of three centers at which Nebraska honors its outstanding writers. Through the compilation of over 200 images in this new book, taken from historical collections and her own work, author and photographer LaVerne Harrell Clark contributes to that same purpose. In it, she recreates the frontier life of settlers and the neighboring Sioux and Cheyenne Indians of the sandhills region of northwestern Nebraska. Accompanied by in-depth captions detailing Mari Sandoz's life and works, these images illustrate how she came to hold an outstanding place as an American writer until her death in 1966. Born in 1896, in the "free-land" region of the Nebraska Panhandle, Sandoz was greatly influenced in her writing by the people who called at her homestead. Her acquaintances included Bad Arm, a Sioux Indian who fought at the Little Bighorn and was present at Wounded Knee, "Old Cheyenne Woman," a survivor of both the Oklahoma and Fort Robinson conflicts, and William "Buffalo Bill" Cody, the legend of the Old West.

Warrior culture has long been an important facet of Plains Indian life. For Kiowa Indians, military societies have special significance. They serve not only to honor veterans and celebrate and publicize martial achievements but also to foster strong role models for younger tribal members. To this day, these societies serve to maintain traditional Kiowa values, culture, and ethnic identity.

Previous scholarship has offered only glimpses of Kiowa military societies. William C. Meadows now provides a detailed account of the ritual structures, ceremonial composition, and historical development of each society: Rabbits, Mountain Sheep, Horses Headdresses, Black Legs, Skunkberry /Unafraid of Death, Scout Dogs, Kiowa Bone Strikers, and Omaha, as well as past and present women's groups.

Two dozen illustrations depict personages and ceremonies, and an appendix provides membership rosters from the late 1800s.

The most comprehensive description ever published on Kiowa military societies, this work is unmatched by previous studies in its level of detail and depth of scholarship. It demonstrates the evolution of these groups within the larger context of American Indian history and anthropology, while documenting and preserving tribal traditions.

Charles Cornelius Coffin Painter (1833-89), clergyman turned reformer, was one of the foremost advocates and activists in the late-nineteenth-century movement to reform U.S. Indian policy. Very few individuals possessed the influence Painter wielded in the movement, and Painter himself published numerous pamphlets for the Indian Rights Association (IRA) on the Southern Utes, Eastern Cherokees, California Indians, and other Native peoples. Yet this is the first book to fully consider his unique role and substantial contribution. Born in Virginia, Painter spent most of his life in Great Barrington, Massachusetts, commuting to New York City and Washington, D.C., initially as an agent of the American Missionary Association (AMA), later as an appointed member of the Board of Indian Commissions (BIC), and most significant, as the Indian Rights Association's D.C. agent. In these capacities he lobbied presidents and Congress for reform, conducted extensive investigations on reservations, and shaped deliberations in such reform bodies as the BIC and the influential Lake Mohonk conferences. Mining an extraordinary wealth of archival material, Valerie Sherer Mathes crafts a compelling account of Painter as a skilled negotiator with Indians and policymakers and as a tireless investigator who traveled to far-flung reservations, corresponded with countless Indian agents, and drafted scrupulously researched reports on his findings. Recounted in detail, his many adventures and behind-the-scenes activities - promoting education, striving to prevent the removal of the Southern Utes from Colorado, investigating reservation fraud, working to save the Piegans of Montana from starvation - afford a clear picture of Painter's importance to the overall reform effort to incorporate Native Americans into the fabric of American life. No other book so effectively captures the day-to-day and exhausting work of a single individual on the front lines of reform. Like most of his fellow advocates, Painter was an unapologetic assimilationist, a man of his times whose story is a key chapter in the history of the Indian reform movement.

She was both guardian of the hearth and, on occasion, ruler and warrior, leading men into battle, managing the affairs of her people, sporting war paint as well as necklaces and earrings.

She built houses and ground corn, wove blankets and painted pottery, played field hockey and rode racehorses.

Frequently she enjoyed an open and joyous sexuality before marriage; if her marriage didn't work out she could divorce her husband by the mere act of returning to her parents. She mourned her dead by tearing her clothes and covering herself with ashes, and when she herself died was often shrouded in her wedding dress.

She was our native sister, the American Indian woman, and it is of her life and lore that Carolyn Niethammer writes in this rich tapestry of America's past and present.

Here, as it unfolded, is the chronology of the native American woman's life. Here are the birth rites of Caddo women from the Mississippi-Arkansas border, who bore their children alone by the banks of rivers and then immersed themselves and their babies in river water; here are Apache puberty ceremonies that are still carried on today, when the cost for the celebrations can run anywhere from one to six thousand dollars. Here are songs from the Night Dances of the Sioux, where girls clustered on one side of the lodge and boys congregated on the other; here is the Shawnee legend of the Corn Person and of Our Grandmother, the two female deities who ruled the earth. Far from the submissive, downtrodden "squaw" of popular myth, the native American woman emerges as a proud, sometimes stoic, always human individual from whom those who came after can learn much.

At a time when many contemporary American women are seeking alternatives to a life-style and role they have outgrown, Daughters of the Earth offers us an absorbing -- and illuminating -- legacy of dignity and purpose.