Planning in settler-colonial countries is always taking place on the lands of Indigenous peoples. While Indigenous rights, identity and cultural values are increasingly being discussed within planning, its mainstream accounts virtually ignore the colonial roots and legacies of the discipline's assumptions, techniques and methods. This ground-breaking book exposes the imperial origins of the planning canon, profession and practice in the settler-colonial country of Australia. By documenting the role of planning in the history of Australia's relations with Indigenous peoples, the book maps the enduring effects of colonisation. It provides a new historical account of colonial planning practices and rewrites the urban planning histories of major Australian cities. Contemporary land rights, native title and cultural heritage frameworks are analysed in light of their critical importance to planning practice today, with detailed case illustrations. In reframing Australian planning from a postcolonial perspective, the book shatters orthodox accounts, revising the story that planning has told itself for over 100 years. New ways to think and practise planning in Indigenous Australia are advanced. Planning in Indigenous Australia makes a major contribution towards the decolonisation of planning. It is essential reading for students and teachers in tertiary planning programmes, as well as those in geography, development studies, postcolonial studies, anthropology and environmental management. It is also vital reading for professional planners in the public, private and community sectors.

This book looks at ethnographic discourses concerning the indigenous population of Vietnam's Central Highlands during periods of christianization, colonization, war and socialist transformation, and analyses these in their relation to tribal, ethnic, territorial, governmental and gendered discourses. Salemink's book is a timely contribution to anthropological knowledge, as the ethnic minorities in Vietnam have (again) been the object of fierce academic debate. This is a historically grounded post-colonial critique relevant to theories of ethnicity and the history of anthropology, and will be of interest to graduate students of anthropology and cultural studies, as well as Vietnam studies.

Routledge is proud to be re-issuing this landmark series in association with the International African Institute. The series, published between 1950 and 1977, brings together a wealth of previously un-co-ordinated material on the ethnic groupings and social conditions of African peoples. Concise, critical and (for its time) accurate, the Ethnographic Survey contains sections as follows: Physical Environment Linguistic Data Demography History & Traditions of Origin Nomenclature Grouping Cultural Features: Religion, Witchcraft, Birth, Initiation, Burial Social & Political Organization: Kinship, Marriage, Inheritance, Slavery, Land Tenure, Warfare & Justice Economy & Trade Domestic Architecture Each of the 50 volumes will be available to buy individually, and these are organized into regional sub-groups: East Central Africa, North-Eastern Africa, Southern Africa, West Central Africa, Western Africa, and Central Africa Belgian Congo. The volumes are supplemented with maps, available to view on routledge.com or available as a pdf from the publishers.

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

This book highlights the complex identity crises among many Christians as they negotiate their new identities, religious ideas and convictions as both Christians and members of Nigerian-African societies of indigenous religious traditions and identities. Through an interdisciplinary interpretation of religious practices and educational issues in teaching and ritual training, the author provides tools to help analyse empirical cases. These include the negotiation processes among Christians, with focus on the Presbyterian Church of Nigeria (PCN) and members of the Ogo society within the Amasiri, Afikpo North Local Government Area, Ebonyi state, in South-eastern Nigeria. Identifying the power dynamic, identity, role and influence of indigenous religions on Christians and the Ogo society, this book reveals the limited interactions between many Christians and members of the Ogo society. Questions explored include: what makes the Ogo society an integral part of the socio-religious life of Amasiri and what powers and identity does it confer on the initiates; how is the PCN within Amasiri responding to the Ogo society through its religious practices such as baptism, confirmation, local auxiliary ministries and organisational structure; and how does the understanding and application of conversion within the PCN impact on its members' response to the Ogo society? Demonstrating how complex religious identities and practices of Nigerian-African Christians can balance mission-influenced Christianity with indigenous religious traditions and identities, this book recognises the importance of appropriating the powers of indigenous cultures, ingenuity and creativity in the construction and preservation of community identities. As such, it will be of keen interest to scholars of Christian theology, indigenous religious practice and African lived religion.

According to Kimberly Blaeser, Gerald Vizenor is "the most prolific Native American writer of the twentieth century," and Christopher Teuton rightfully calls him "one of the most innovative and brilliant American Indian writers" today." With more than 40 books of fiction, poetry, life writing, essays, and criticism, his impact on literary and cultural theory, and specifically on Indigenous Studies, has been unparalleled. This volume brings together some of the most distinguished experts on Vizenor's work from Europe and the United States. Original contributions by Gerald Vizenor himself, as well as by Kimberly M. Blaeser, A. Robert Lee, Kathryn Shanley, David L. Moore, Chris LaLonde, Alexandra Ganser, Cathy Covell Waegner, Sabine N. Meyer, Kristina Baudemann, and Billy J. Stratton provide fresh perspectives on theoretical concepts such as trickster discourse, postindian survivance, totemic associations, Native presence, artistic irony, and transmotion, and explore his lasting literary impact from Darkness in St. Louis Bearheart to his most recent novels and collections of poetry, Shrouds of White Earth, Chair of Tears, Blue Ravens, and Favor of Crows. The thematic sections focus on "Truth Games': Transnationalism, Transmotion, and Trickster Poetics;" "'Chance Connections': Memory, Land, and Language;" and "'The Many Traces of Ironic Traditions': History and Futurity," documenting that Vizenor's achievements are sociocultural and political as much they are literary in effect. With their emphasis on transdisciplinary, transnational research, the critical analyses, close readings, and theoretical outlooks collected here contextualize Gerald Vizenor's work within different literary traditions and firmly place him within the American canon.

Increasingly, Indigenous people are being drawn into global networks. In the long term, cultural isolation is unlikely to be a viable even if sometimes desired option, so how can Indigenous people protect and advance their cultural values in the face of pressures from an interconnected world? Indigenous Cultures in an Interconnected World is a comprehensive, thought provoking discussion of the challenges that globalisation brings to Indigenous peoples. It discusses successful strategies that have been used by Indigenous peoples to promote their identities and cultural values. It looks at their roles as equal and active participants and, indeed, as innovators and leaders in an interconnected world. The chapters in this book present a global perspective on Indigenous issues. They feature a cross-disciplinary integration that takes a holistic approach in-line with that of most Indigenous peoples and include vignettes of Indigenous cultural practices.

'A fine beginning for those intent on understanding the colonial past that shaped black and white Australia.' - Richard Broome, author of Aboriginal Australians Terrible Hard Biscuits introduces the main themes in the history of Aboriginal Australia: the complexity of Aboriginal-European relations since 1788, how Aboriginal identity and cultures survived invasion, dispossession and dislocation, and how indigenous Australians have survived to take their place in today's society. Each essay in Terrible Hard Biscuits has been chosen for the clarity of its writing and for its depth of understanding. The Aboriginal and non-Aboriginal authors range across Australia's post-invasion history and their accounts focus on the more traditionally oriented communities in remote areas as well as on urban and fringe dwellers. For twenty years the journal Aboriginal History has attracted the best writing on Australia's Aboriginal past. Each essay in Terrible Hard Biscuits was selected from this journal to provide essential reading for students of Aboriginal studies and Australian studies. The chronological and geographic range of the contents will prove invaluable in surveying a crucial element of Australia's past - and present.

This book offers an Indigenous supplement to the rich and growing area of visual legal scholarship. Organized around three narratives, each with an associated politico-poetic reading, the book addresses three major global issues: climate change, the trade in human body parts and bio-policing. Manifesting and engaging the traditional storytelling mode of classical Indigenous ontology, these narratives convey legal and political knowledge, not merely through logical argument, but rather through the feelings of law and the understanding of lawful behaviour produced by their rhythm. Through its own performativity, therefore, the book demonstrates how classical Indigenous legal traditions remain vital to the now pressing challenge of making peace with the earth.

Hawai'i Is My Haven maps the context and contours of Black life in the Hawaiian Islands. This ethnography emerges from a decade of fieldwork with both Hawai'i-raised Black locals and Black transplants who moved to the Islands from North America, Africa, and the Caribbean. Nitasha Tamar Sharma highlights the paradox of Hawai'i as a multiracial paradise and site of unacknowledged antiBlack racism. While Black culture is ubiquitous here, African-descended people seem invisible. In this formerly sovereign nation structured neither by the US Black/White binary nor the one-drop rule, nonWhite multiracials, including Black Hawaiians and Black Koreans, illustrate the coarticulation and limits of race and the native/settler divide. Despite erasure and racism, nonmilitary Black residents consider Hawai'i their haven, describing it as a place to "breathe" that offers the possibility of becoming local. Sharma's analysis of race, indigeneity, and Asian settler colonialism shifts North American debates in Black and Native studies to the Black Pacific. Hawai'i Is My Haven illustrates what the Pacific offers members of the African diaspora and how they in turn illuminate race and racism in "paradise."

This book examines a collaboration between traditional Maori healing and clinical psychiatry. Comprised of transcribed interviews and detailed meditations on practice, it demonstrates how bicultural partnership frameworks can augment mental health treatment by balancing local imperatives with sound and careful psychiatric care. In the first chapter, Maori healer Wiremu NiaNia outlines the key concepts that underpin his worldview and work. He then discusses the social, historical, and cultural context of his relationship with Allister Bush, a child and adolescent psychiatrist. The main body of the book comprises chapters that each recount the story of one young person and their family's experience of Maori healing from three or more points of view: those of the psychiatrist, the Maori healer and the young person and other family members who participated in and experienced the healing. With a foreword by Sir Mason Durie, this book is essential reading for psychologists, social workers, nurses, therapists, psychiatrists, and students interested in bicultural studies.

'This book debunks in spectacular fashion some of the most treasured, over-inflated claims of the benefits of native title.' Professor Mick Dodson, ANU Centre for Indigenous Studies 'David Ritter's fascinating account of the evolution of the native title system is elegant and incisive, scholarly and sceptical; above all, unfailingly intelligent.' Professor Robert Manne, La Trobe University 'An unsentimental, richly informed account of a fascinating period in the history of Australia's relationships with its indigenous people.' From the Foreword by Chief Justice Robert French After the historic Mabo judgement in 1992, Aboriginal communities had high hopes of obtaining land rights around Australia. What followed is a dramatic story of hard-fought contests over land, resources, money and power, yielding many frustrations and mixed outcomes. Based on extensive research, enriched by intimate experience as a lawyer and negotiator, David Ritter offers both an insider's perspective and a cool-headed and broad-ranging account of the native title system. In lucid prose Ritter examines the contributions of the players that contested and adjudicated native title: Aboriginal leaders and their communities, multinational resource companies, pastoralists, courts and tribunals, politicians and bureaucrats. His account lays bare the conflicts, compromises and conceits beneath the surface of the native title process.

First published in 2007. Deemed as an important contribution to the study of certain aspects of South American native civilisation, collated over five years, and includes personal observations as well as literature relating to the customs and beliefs of the native Indians in this vast area.

'War is a man's game,' or so goes the saying. Whether this is true or not, patriarchal capitalism is certainly one of the driving forces behind war in the modern era. So can we end war with feminism? This book argues that this is possible, and is in fact already happening. Each chapter provides a solution to war using innovative examples of how feminist and queer theory and practice inform pacifist treaties, movements and methods, from the international to the domestic spheres. The contributors propose a range of solutions that include arms abolition, centring Indigenous knowledge, economic restructuring, and transforming how we 'count' civilian deaths. Ending war requires challenging complex structures, but the solutions found in this edition have risen to this challenge. By thinking beyond the violence of the capitalist patriarchy, this book makes the powerful case that the possibility of life without war is real.

Examines the issues facing indigenous peoples and ethnic minorities, including their role in the nation's constitutional and legal developments, and makes a number of recommendations which would satisfy their demands without compromising the sovereignty of the state.

This ground-breaking book investigates how Arctic indigenous communities deal with the challenges of climate change and how they strive to develop self-determination. Adopting an anthropological focus on Greenland's vision to boost extractive industries and transform society, the book examines how indigenous communities engage with climate change and development discourses. It applies a critical and comparative approach, integrating both local perspectives and adaptation research from Canada and Greenland to make the case for recasting the way the Arctic and Inuit are approached conceptually and politically. The emphasis on indigenous peoples as future-makers and right-holders paves the way for a new understanding of the concept of indigenous knowledge and a more sensitive appreciation of predicaments and dynamics in the Arctic. This book will be of interest to post-graduate students and researchers in environmental studies, development studies and area studies.

Political Principles and Indian Sovereignty examines the connection between the well being of Indian people, the sovereignty of Indian Nations and the democratic principles on which the United States was founded. Problems faced by Native Americans in health, education and general welfare are linked to the loss of sovereignty caused by the U.S. Government.

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Ethnic minority communities make claims for cultural rights from states in different ways depending on how governments include them in policies and practices of accommodation or assimilation. However, institutional explanations don't tell the whole story, as individuals and communities also protest, using emotionally compelling narratives about past wrongs to justify their claims for new rights protections. Democratization and Memories of Violence: Ethnic minority rights movements in Mexico, Turkey, and El Salvador examines how ethnic minority communities use memories of state and paramilitary violence to shame states into cooperating with minority cultural agendas such as the right to mother tongue education. Shaming and claiming is a social movement tactic that binds historic violence to contemporary citizenship. Combining theory with empirics, the book accounts for how democratization shapes citizen experiences of interest representation and how memorialization processes challenge state regimes of forgetting at local, state, and international levels. Democratization and Memories of Violence draws on six case studies in Mexico, Turkey, and El Salvador to show how memory-based narratives serve as emotionally salient leverage for marginalized communities to facilitate state consideration of minority rights agendas. This book will be of interest to postgraduates and researchers in comparative politics, development studies, sociology, international studies, peace and conflict studies and area studies.

This study explores how the five tribes of Oklahoma - Cherokees, Chickasaws, Choctaws, Creeks, and Seminoles - strove to achieve political unity within their tribes during the first decades of the 20th century by forging a new sense of peoplehood around the idea of blood.

In the summer of 1754, deep in the wilderness of western Pennsylvania, a very young George Washington suffered his first military defeat, and a centuries-old feud between Great Britain and France was rekindled. The war that followed would be fought across virgin territories, from Nova Scotia to the forks of the Ohio River, and it would ultimately decide the fate of the entire North American continent--not just for Great Britain and France but also for the Spanish and Native American populations.

Noted historian Walter R. Borneman brings to life an epic struggle for a continent--what Samuel Eliot Morison called "truly the first world war"--and emphasizes how the seeds of discord sown in its aftermath would take root and blossom into the American Revolution.

Metropolitan Indigenous Cultural Centres have become a focal point for making Indigenous histories and contemporary cultures public in settler-colonial societies over the past three decades. While there are extraordinary success stories, there are equally stories that cause concern: award-winning architecturally designed Indigenous cultural centres that have been abandoned; centres that serve the interests of tourists but fail to nourish the cultural interests of Indigenous stakeholders; and places for vibrant community gathering that fail to garner the economic and politic support to remain viable. Indigenous cultural centres are rarely static. They are places of 'emergence', assembled and re-assembled along a range of vectors that usually lie beyond the gaze of architecture. How might the traditional concerns of architecture - site, space, form, function, materialities, tectonics - be reconfigured to express the complex and varied social identities of contemporary Indigenous peoples in colonised nations? This book, documents a range of Indigenous Cultural Centres across the globe and the processes that led to their development. It explores the possibilities for the social and political project of the Cultural Centre that architecture both inhibits and affords. Whose idea of architecture counts when designing Indigenous Cultural Centres? How does architectural history and contemporary practice territorialise spaces of Indigenous occupation? What is architecture for Indigenous cultures and how is it recognised? This ambitious and provocative study pursues a new architecture for colonised Indigenous cultures that takes the politics of recognition to its heart. It advocates an ethics of mutual engagement as a crucial condition for architectural projects that design across cultural difference. The book's structure, method, and arguments are dialogically assembled around narratives told by Indigenous people of their pursuit of public recognition, spatial justice, and architectural presence in settler dominated societies. Possibilities for decolonising architecture emerge through these accounts.

Immediately recognized as a revelatory and enormously controversial book since its first publication in 1971, "Bury My Heart at Wounded Knee" is universally recognized as one of those rare books that forever changes the way its subject is perceived. Now repackaged with a new introduction from bestselling author Hampton Sides to coincide with a major HBO dramatic film of the book, "Bury My Heart at Wounded Knee.
""Bury My Heart at Wounded Knee "is Dee Brown's classic, eloquent, meticulously documented account of the systematic destruction of the American Indian during the second half of the nineteenth century. A national bestseller in hardcover for more than a year after its initial publication, it has sold over four million copies in multiple editions and has been translated into seventeen languages.
Using council records, autobiographies, and firsthand descriptions, Brown allows great chiefs and warriors of the Dakota, Ute, Sioux, Cheyenne, and other tribes to tell us in their own words of the series of battles, massacres, and broken treaties that finally left them and their people demoralized and decimated. A unique and disturbing narrative told with force and clarity, "Bury My Heart at Wounded Knee" changed forever our vision of how the West was won, and lost. It tells a story that should not be forgotten, and so must be retold from time to time.

This book addresses the intersections between the interdisciplinary realms of Ecocriticism and Indigenous and Native American Studies, and between academic theory and pragmatic eco-activism conducted by multiethnic and indigenous communities. It illuminates the multi-layered, polyvocal ways in which artistic expressions render ecological connections, drawing on scholars working in collaboration with Indigenous artists from all walks of life, including film, literature, performance, and other forms of multimedia to expand existing conversations. Both local and global in its focus, the volume includes essays from multiethnic and Indigenous communities across the world, visiting topics such as Navajo opera, Sami film production history, south Indian tribal documentary, Maori art installations, Native American and First Nations science-fiction literature and film, Amazonian poetry, and many others. Highlighting trans-Indigenous sensibilities that speak to worldwide crises of environmental politics and action against marginalization, the collection alerts readers to movements of community resilience and resistance, cosmological thinking about inter- and intra-generational multi-species relations, and understandings of indigenous aesthetics and material ecologies. It engages with emerging environmental concepts such as multispecies ethnography, cosmopolitics, and trans-indigeneity, as well as with new areas of ecocritical research such as material ecocriticism, biosemiotics, and media studies. In its breadth and scope, this book promises new directions for ecocritical thought and environmental humanities practice, providing thought-provoking insight into what it means to be human in a locally situated, globally networked, and cosmologically complex world.

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.