Red States examines how the recurrent use of Native American history in southern cultural and literary texts produces ideas of ""feeling southern"" that have consequences for how present-day conservative political discourses resonate across the United States. Assembling a newly constituted archive that includes theatrical and musical performances, pre-Civil War literatures, and contemporary novels, Gina Caison argues that notions of Native American identity in the U.S. South can be understood by tracing how audiences in the region came to imagine indigeneity through texts ranging from the nineteenth-century Cherokee Phoenix to the Mardi Gras Indian narratives of Treme. Policy issues such as Indian Removal, biracial segregation, land claim, and federal termination frequently correlate to the audience consumption of such texts, and therefore the reception histories of this archive can be tied to shifts in the political claims of--and political possibilities for--Native people of the U.S. South. This continual appeal to the political issues of Indian Country ultimately generates what we see as persistent discourses about southern exceptionality and counternationalism.

In Australia, a 'tribe' of white, middle-class, progressive professionals is actively working to improve the lives of Indigenous people. This book explores what happens when well-meaning people, supported by the state, attempt to help without harming. 'White anti-racists' find themselves trapped by endless ambiguities, contradictions, and double binds - a microcosm of the broader dilemmas of postcolonial societies. These dilemmas are fueled by tension between the twin desires of equality and difference: to make Indigenous people statistically the same as non-Indigenous people (to 'close the gap') while simultaneously maintaining their 'cultural' distinctiveness. This tension lies at the heart of failed development efforts in Indigenous communities, ethnic minority populations and the global South. This book explains why doing good is so hard, and how it could be done differently.

Experience the adventures of the eighteenth century as The Fur-Lined Crypt takes you into the harsh and unforgiving lifestyle of the men who spent their very souls in the early North American fur trade. These men of grit and courage unveiled the mysteries of the hinterland and its uncharted rivers, forests, and plains, thus opening the way for civilization and settlement of a new continent. The Hudson's Bay Company and its various forts and trading centers provided a vital service and offered a unique entrance into the continent's heartland. Frequently it was their employees who were among the first Europeans to discover and enter what was not always a friendly land. These fur traders surveyed, mapped rivers, and discovered previously unknown peoples. In the end, they lifted the veil of distance and found ways to overcome the inhospitable climate that hid the land's wealth and potential. They forged the requisite alliances with the native peoples who, perhaps unwittingly, provided the fuel that kindled the commerce of the day. A window into this lawless society reveals cruelty mixed with compassion, love overcoming hate, and survival in a dangerous world. This historically accurate chronicle threads an intriguing yarn of human perseverance through the pain and anguish of living in isolation far from loved ones.

Reflections on Big Spring is a thoughtfully researched, highly readable celebration of the rich heritage of the Genesee River Valley, Pittsford, NY and the Big Spring that drew generations of Americans to the area. The Seneca Tribe who lived in the Genesee River Valley for five centuries were the fighting elite of the Iroquois Confederacy. The author chronicles the series of seminal decisions that led to the gradual displacement and ultimate downfall of these proud indigenous people. New Englanders immigrated to the great frontier of western New York State in the early 19th century seeking the well-publicized "agricultural el dorado." These pioneers were of hearty stock and by nature, strong-willed risk-takers. From both of these sturdy gene pools came generations of brave war heroes, inspirational politicians, compassionate humanitarians, civil rights leaders, creative inventors, and revolutionary entrepreneurs. Their influence has been substantial not just locally but throughout the state, the country and the world. Follow the lives of resident humanitarians Frederick Douglas and Susan B. Anthony as their inspired civil rights efforts make history. Consider the courage displayed by lesser-known local heroes who farmed, taught school or ran stores during the day and became "conductors" on the area's Underground Railroad after dark. Oral histories of secret passages, tunnels, caverns and hidden rooms take readers on the "last 100 miles to freedom" ride. Seamlessly woven throughout the text are fascinating facts that define the uniqueness of the Genesee River Valley. While closely tied to its agricultural roots, the area is home to several of the world's most prestigious business enterprises and was the birthplace of a wide variety of revolutionary technologies, business strategies and labor-management practices. Discover how Genesee Valley residents shared amateur photography, xerography, the UPC label, self-service groceries, white hots and cream style mustard with the world.

Describes the political structure of some of the Native American tribes of North America, as well as their social conditions and their relationship to the U.S. government.

Louisiana Coushatta Basket Makers brings together oral histories, tribal records, archival materials, and archaeological evidence to explore the fascinating history of the Coushatta Tribe's famed basket weavers. After settling at their present location near the town of Elton, Louisiana, in the 1880s, the Coushatta (Koasati) tribe developed a basket industry that bolstered the local tribal economy and became the basis for generating tourism and political mobilization. The baskets represented a material culture that distinguished the Coushattas as Indigenous people within an ethnically and racially diverse region. Tribal leaders serving as diplomats also used baskets as strategic gifts as they built political and economic allegiances throughout the twentieth century, thereby securing the Coushattas' future. Behind all these efforts were the basket makers themselves. Although a few Coushatta men assisted in the production of baskets, it was mostly women who put in the long hours to gather and process the materials, then skillfully stitch them together to produce treasures of all shapes and sizes. The art of basket making exists within a broader framework of Coushatta traditional teachings and educational practices that have persisted to the present. As they tell the story of Coushatta basket makers, Linda P. Langley and Denise E. Bates provide a better understanding of the tribe's culture and values. The weavers' own ""language of baskets"" shapes this narrative, which depicts how the tribe survived repeated hardships as weavers responded on their own terms to market demands. The work of Coushatta basket makers represents the perseverance of traditional knowledge in the form of unique and carefully crafted fine art that continues to garner greater recognition and appreciation with every successive generation.

LIGHTWOOD the novel appeared originally in 1939. Set in the piney woods of south Georgia just after the Civil War, it tells the story of a struggle between local land owners and Northern investors. The investors sought to harvest the "wooden treasures" of virgin pine forests. Over time, they used the power of money and the courts to wrest the title to the lands. A labyrinthine legal battle stretched out for more than half a century, culminating in the murder of the Company's land agent, along with as many as 35 more deaths. Based on historical fact, Cheney's novel brings to life a lost time in our history. Reviewed nationally on publication, it highlighted Cheney's friendship and literary connection to many of the Fugitive and Agrarian movement figures. A companion volume, THE LIGHTWOOD CHRONICLES tells both the fictional and true stories of LIGHTWOOD.

A trailblazer in Native American linguistics and anthropology, Gladys Reichard (1893-1955) is one of America's least appreciated anthropologists. Her accomplishments were obscured in her lifetime by differences in intellectual approach and envy, as well as academic politics and the gender realities of her age. This biography offers the first full account of Reichard's life, her milieu, and, most importantly, her work - establishing, once and for all, her lasting significance in the history of anthropology. In her thirty-two years as the founder and head of Barnard College's groundbreaking anthropology department, Reichard taught that Native languages, written or unwritten, sacred or profane, offered Euro-Americans the least distorted views onto the inner life of North America's first peoples. This unique approach put her at odds with anthropologists such as Edward Sapir, leader of the structuralist movement in American linguistics. Similarly, Reichard's focus on Native psychology as revealed to her by Native artists and storytellers produced a dramatically different style of ethnography from that of Margaret Mead, who relied on western psychological archetypes to ""crack"" alien cultural codes, often at a distance. Despite intense pressure from her peers to conform to their theories, Reichard held firm to her humanitarian principles and methods; the result, as Nancy Mattina makes clear, was pathbreaking work in the ethnography of ritual and mythology; Wiyot, Coeur d'Alene, and Navajo linguistics; folk art, gender, and language - amplified by an exceptional career of teaching, editing, publishing, and mentoring. Drawing on Reichard's own writings and correspondence, this book provides an intimate picture of her small-town upbringing, the professional challenges she faced in male-centered institutions, and her quietly revolutionary contributions to anthropology. Gladys Reichard emerges as she lived and worked - a far-sighted, self-reliant humanist sustained in turbulent times by the generous, egalitarian spirit that called her yearly to the far corners of the American West.

A new addition to the Culture and Customs of Native Peoples in America series, this book examines the traditions and contemporary culture of the Sioux Indians. The Sioux are a Native American people who live in reservations and communities within Minnesota, Montana, Nebraska, North and South Dakota, and Wisconsin, as well as certain provinces in Canada. According to U.S. Census Report data, over 150,000 individuals identify themselves as Sioux-more than any other tribe besides Cherokee, Navajo, Latin American Indian, and Chocktaw. Culture and Customs of the Sioux Indians reveals the details of the Sioux' past, such as wars and conflicts, historical tools, technology, and traditional housing. It also provides a comprehensive examination of the Sioux in the modern world, covering topics such as religion, education, social customs, gender roles, rites of passage, lifestyle, cuisine, arts, music, and much more. Readers will discover how the Sioux today merge traditional customs that have survived their tumultuous history with contemporary culture. Presents a chronological history that accurately describes the events that have shaped and influence Sioux society today Provides an annotated bibliography of current print and nonprint sources appropriate for student research

The Shelf2Life Native American Studies Collection is a unique set of pre-1923 materials that explore the characteristics and customs of North American Indians. From traditional songs and dance of the Apache and Navajo to the intricate patterns of Arapaho moccasins, these titles explore the symbolic meaning of Native American music and art. Complex relationships between tribal groups and government are also examined, highlighting the historic struggle for land rights, while the retelling of ancient myths and legends emphasize a belief in the interconnection of humans and nature and provide readers with significant insight into a culture deeply rooted in spirituality. The Shelf2Life Native American Studies Collection provides an invaluable perspective into Native American culture and politics during the late 19th and early 20th centuries.

Before the drought of the early twenty-first century, the dry benchmark in the American plains was the Dust Bowl of the 1930s. But in this eye-opening work, Kevin Z. Sweeney reveals that the Dust Bowl was only one cycle in a series of droughts on the U.S. southern plains. Reinterpreting our nation's nineteenth-century history through paleoclimatological data and firsthand accounts of four dry periods in the 1800s, Prelude to the Dust Bowl demonstrates the dramatic and little-known role drought played in settlement, migration, and war on the plains. Stephen H. Long's famed military expedition coincided with the drought of the 1820s, which prompted Long to label the southern plains a ""Great American Desert"" - a destination many Anglo-Americans thought ideal for removing Southeastern Indian tribes to in the 1830s. The second dry trend, from 1854 to 1865, drove bison herds northeastward, fomenting tribal warfare, and deprived Civil War armies in Indian Territory of vital commissary. In the late 1880s and mid-1890s, two more periods of drought triggered massive outmigration from the southern plains as well as appeals from farmers and congressmen for federal famine relief, pleas quickly denied by President Grover Cleveland. Sweeney's interpretation of familiar events through the lens of drought lays the groundwork for understanding why the U.S. government's reaction to the Dust Bowl of the 1930s was such a radical departure from previous federal responses. Prelude to the Dust Bowl provides new insights into pivotal moments in the settlement of the southern plains and stands as a timely reminder that drought, as part of a natural climatic cycle, will continue to figure in the unfolding history of this region.

Huaorani of the Western Snippet documents changes that the Huaorani culture of eastern Ecuador underwent over a period of fifty years. Part I focuses on the geographical, historical, sociological and economical background of the Ecuadorian Amazon as well as the problems that indigenous groups of this region face. Part II describes different aspects of Huaorani culture, and its consecutive subsections present research completed by anthropologists in different decades of twentieth century, and the data is reviewed and supplemented with data gathered during my research (2007-2013). Part III explores the life of a Huao man, Mine, who serves as a local shaman. His different social roles are discussed in consecutive subsections in order to understand what shaped him as a person of the Huaorani group.