This study examines how Tacitus' representation of speech determines the roles of speakers within the political sphere, and explores the possibility of politically effective speech in the principate. It argues against the traditional scholarly view that Tacitus refuses to offer a positive view of senatorial power in the principate: while senators did experience limitations and changes to what they could achieve in public life, they could aim to create a dimension of political power and efficacy through speeches intended to create and sustain relations which would in turn determine the roles played by both senators or an emperor. Ellen O'Gorman traces Tacitus' own charting of these modes of speech, from flattery and aggression to advice, praise, and censure, and explores how different modes of speech in his histories should be evaluated: not according to how they conform to pre-existing political stances, but as they engender different political worlds in the present and future. The volume goes beyond literary analysis of the texts to create a new framework for studying this essential period in ancient Roman history, much in the same way that Tacitus himself recasts the political authority and presence of senatorial speakers as narrative and historical analysis.

The purpose of this study is to assess the importance of Switzerland in the life and writings of Edward Gibbon. Whereas the choice of Lausanne as a place of exile for Gibbon to undo his youthful conversion to Roman Catholicism was largely accidental, the society and intellectual resources of that city, perched on its hills overlooking the shores of Lake Geneva, proved to be of lasting influence for the rest of his life. During his period of exile, he began to write in French his first work to be published, the Essai sur l'etude de la litterature, and the subject of Switzerland was his preferred choice of research until his Grand Tour, in which he renewed his residence in Lausanne for a further eleven months, stimulated the idea of writing a history of Rome. Eventually he decided to retire to Lausanne at the end of his parliamentary career to finish the last three volumes of The Decline and fall of the Roman Empire. Brian Norman shows that the liberalism of Gibbon's political philosophy in his criticism of Lausanne's subjection to the aristocratic rule of Berne surprised the patriots of the new canton of Vaud when his Letter on the Government of Berne, which is here established as a youthful work of the late 1750s, was posthumously published at the end of the eighteenth century. The author then proceeds to examine Gibbon's other early writings relating to Switzerland, his letters and journals, The Decline and fall of the Roman Empire and his Memoirs in order to show the abiding effect of the society, language, history, constitution and military organisation of Switzerland on his beliefs and assumptions.

Elie Wiesel: Humanist Messenger for Peace is part biography and part moral history of the intellectual and spiritual journey of Elie Wiesel, a Holocaust survivor, human rights activist, author, university professor, and Nobel Peace Prize winner. In this concise text, Alan L. Berger portrays Wiesel's transformation from a pre-Holocaust, deeply God-fearing youth to a survivor of the Shoah who was left with questions for both God and man. An advisor to American presidents of both political parties, his nearly 60 books voiced an activism on behalf of oppressed people everywhere. The book illuminates Wiesel's contributions in the areas of religion, human rights, literature, and Jewish thought to show the impact that he has had on American life. Supported by primary documents about and from Wiesel, the volume gives students a gateway to explore Wiesel's incredible life. This book will make a great addition to courses on American religious or intellectual thought.

A Companion to Enlightenment Historiography provides a survey of the most important historians and historiographical debates in the long eighteenth century, examining these debates' stylistic, philosophical and political significance. The chapters, many of which were specially commissioned for this volume, offer a mixture of accessible introduction and original interpretive argument; they will thus appeal both to the scholar of the period and the more general reader. Part I considers Gibbon, Hume, Robertson, Montesquieu, Voltaire, Herder and Vico. Part II explores wider themes of national and thematic context: English, Scottish, French and German Enlightenment historians are discussed, as are the concepts of historical progress, secularism, the origins of historicism and the deployments of Greek and Roman antiquity within 18th century historiography. Contributors are Robert Mankin, Simon Kow, Jeffrey Smitten, Rebecca Kingston, Siofra Pierse, Bertrand Binoche, Donald Phillip Verene, Ulrich Muhlack, David Allan, Noelle Gallagher, Francois-Emmanuel Boucher, Sandra Rudnick Luft, Sophie Bourgault, C. Akca Atac, and Robert Sparling.

Design and the Question of History is not a work of Design History. Rather, it is a mixture of mediation, advocacy and polemic that takes seriously the directive force of design as an historical actor in and upon the world. Understanding design as a shaper of worlds within which the political, ethical and historical character of human being is at stake, this text demands radically transformed notions of both design and history. Above all, the authors posit history as the generational site of the future. Blindness to history, it is suggested, blinds us both to possibility, and to the foreclosure of possibilities, enacted through our designing. The text is not a resolved, continuous work, presented through one voice. Rather, the three authors cut across each other, presenting readers with the task of disclosing, to themselves, the commonalities, repetitions and differences within the deployed arguments, issues, approaches and styles from which the text is constituted. This is a work of friendship, of solidarity in difference, an act of cultural politics. It invites the reader to take a position - it seeks engagement over agreement.

This volume historicizes the use of the notion of self-interest that at least since Bernard de Mandeville and Adam Smith's theories is considered a central component of economic theory. Having in the twentieth century become one of the key-features of rational choice models, and thus is seen as an idealized trait of human behavior, self-interest has, despite Albert O. Hirschman's pivotal analysis of self-interest, only marginally been historicized. A historicization(s) of self-interest, however, offers new insights into the concept by asking why, when, for what reason and in which contexts the notion was discussed or referred to, how it was employed by contemporaries, and how the different usages developed and changed over time. This helps us to appreciate the various transformations in the perception of the notion, and also to explore how and in what ways different people at different times and in different regions reflected on or realized the act of considering what was in their best interest. The volume focuses on those different usages, knowledges, and practices concerned with self-interest in the modern Atlantic World from the seventeenth to twentieth centuries, by using different approaches, including political and economic theory, actuarial science, anthropology, or the history of emotions. Offering a new perspective on a key component of Western capitalism, this is the ideal resource for researches and scholars of intellectual, political and economic history in the modern Atlantic World.

The end of the Cold War reshuffled the power relations between former friends and enemies. In Broken Narratives the contributors offer an account of the consequences of the end of the Cold War for the (re-)telling of history in film, literature and academic historiography in Europe and East Asia. Despite the post-modern claim that there is no need for a master-narrative, the contributions to this book show that we are in the middle of an intense and difficult search for a common understanding of the past. However, instead of common narratives polyphony and dissonances are produced which reflect a world in a period of transition. As the contributions to this volume show, the year 1989 has generated broken narratives. Contributors include: Peter Verstraten, Rotem Kowner, Susanne Weigelin-Schwiedrzik, Carsten Schafer, Martin Gieselmann, Yonson Ahn, Chang Lung-chih, Andrea Riemenschnitter, Shingo Minamizuka, Petra Buchholz, and Tatiana Zhurzhenko.

In this concise volume, historian David Bebbington offers a summary of various theories of history from ancient times down to the present. Patterns in History provides Christian students of history with a trusted guidein what Mark Noll has described as "the best evangelical introduction to the history of history writing." The updated and expanded fourth edition contains a new chapter on postmodern history, making an already important book even more essential. Bebbington begins by asking "what is history?" He organizes his answer, and the book, around the interplay between history as the historical process (how it has been understood and interpreted in the past) and historiography (the account of the past written by historians). In six chapters Bebbington describes and evaluates each of what he identifies as the main schools of thought about the nature and meaning of the historical process: cyclical history, Christian history, the idea of progress, historicism, Marxist history, and postmodern history. Bebbington analyzes theories of historiography before returning to the question of meaning in history. He argues that Christianity offers scholarly, as well as religious, answers to questions and contradictions that abound in both areas. By assessing how the Christian philosophy of history parallels, informs, and corrects secular theories, Bebbington suggests a chastened way forward for Christian historians. Even as they must acknowledge and wrestle with the complexities of the human story, Christian historians come to the task with an understanding of history as the realm of providence and purpose. Whether that conviction is implicit or explicit in the historian's writing, it is the distinctive element of faithful historical analysis.

This volume discusses a broad range of themes and methodological issues around images, photography and film. It is about sharing a fascination about the visual history of education and how images became the most influential (circulating) media within the field of education on local, regional, national and international levels. Within this volume images are primarily analyzed as presenters, mediators, and means of observation. Images are seen as mobile reproducible media which play an active role within the public and educational sphere. They are means of observation and storytelling, they shape identities by presenting models of how we should act in and perceive the world, they circulate though different contexts and media, all of which impacts their meanings.

The Hegel Lectures Series Series Editor: Peter C. Hodgson Hegel's lectures have had as great a historical impact as the works he himself published. Important elements of his system are elaborated only in the lectures, especially those given in Berlin during the last decade of his life. The original editors conflated materials from different sources and dates, obscuring the development and logic of Hegel's thought. The Hegel Lectures series is based on a selection of extant and recently discovered transcripts and manuscripts. The original lecture series are reconstructed so that the structure of Hegel's argument can be followed. Each volume presents an accurate new translation accompanied by an editorial introduction and annotations on the text, which make possible the identification of Hegel's many allusions and sources. This new edition of Hegel's Lectures on the History of Philosophy sets forth clearly, for the first time for the English reader, what Hegel actually said. These lectures challenged the antiquarianism of Hegel's contemporaries by boldly contending that the history of philosophy is itself philosophy, not just history. It portrays the journey of reason or spirit through time, as reason or spirit comes in stages to its full development and self-conscious existence, through the successive products of human intellect and activity. These lectures proved to be extremely influential on the intellectual history of the past two centuries. They are crucial to understanding Hegel's own systematic philosophy in its constructive aspect, as well as his views on the centrality of reason in human history and culture. Volume I holds additional importance because, as well as setting out Hegel's discussion of the history of Chinese and Indian philosophy, it presents the interesting and significant changes that Hegel made to the stage-setting introduction to these lectures across the years from 1819 to 1831. This edition adapts the considerable editorial resources of the German edition that it translates, to the needs of the general reader as well as the serious scholar, so as to constitute an unparalleled resource on this topic in the English language.

Whether it's creating their own teachable moments in costume or coaching students, many educators want to use historic characters in the classroom but lack strategies and resources. The types of questions they ask are answered in Living History in the Classroom: Performance and Pedagogy by outstanding content experts with practical insights into performance, public history, and education. The conceptual framework is based on an instructional model of performance pedagogy, developed by observing outstanding historical character portrayals and analyzing them based on intent, content and action. Written by master teachers and professionals who collaborate nationwide with teachers and students, this work is designed to help educators use the powerful tools of storytelling and interpretation to make history and social studies "come alive" for K-12 students. The professionals who have contributed to this book understand the challenges of a classroom environment, either as teachers, guest artists, or administrators. All have real-world experience with teacher development programs in the disciplines of history and social studies along with recognized content knowledge..

This book foregrounds the figure of the perpetrator in a selection of British, American, and Canadian comics and explores questions related to remembrance, justice, and historical debt. Its primary focus is on works that deliberately estrange the figure of the perpetrator-through fantasy, absurdism, formal ambiguity, or provocative rewriting-and thus allow readers to engage anew with the history of genocide, mass murder, and sexual violence. This book is particularly interested in the ethical space such an engagement calls into being: in its ability to allow us to ponder the privilege many of us now enjoy, the gross historical injustices that have secured it, and the debt we owe to people long dead.

The nineteenth century laid the foundations of history as a professional discipline but also popularized and romanticized the subject. National histories were written and state museums founded, while collective memories were created in fiction and drama, art and architecture and through the growth of tourism and the emergence of a heritage industry. The authors of this collection compare Britain, the Netherlands and Belgium, unearthing the ways in which history was conceived and then utilized. They conclude that although nationalistic historicism ruled in all genres, the interaction of the nineteenth century with its imagined past was far richer and more complex, both across national borders and within them. Contributors include: Niek van Sas, Andrew Mycock, Marnix Beyen, Ellinoor Bergvelt, Joep Leerssen, Joanne Parker, Anna Vaninskaya, Jenny Graham, Tom Verschaffel, Saartje Vanden Borre, Hugh Dunthorne and Michael Wintle.

The Idea of History is the best known work of the Oxford philosopher and historian RG Collingwood. Published posthumously in 1946 it is, in effect, two books: a historiography and a philosophy of history. Students look to Collingwood for a history of thinking about history, and to discover his ideas about the nature of historical understanding. It is an indispensable text for historians and philosophers yet it is also highly challenging and many of Collingwood's innovations have been seriously misunderstood. The primary focus of this book is on Collingwood's actual arguments, especially the most radical of these, with the aim of elucidating their construction and appraising them in the clearest possible way. This guide is the ideal companion to Collingwood's classic text both for students coming to it for the first time and for those wishing to consider its arguments afresh. It offers clear and concise accounts of the book's composition; the intellectual context of Collingwood's ideas; its central arguments concerning the nature of history; and its reception and influence.

Historical research in previous decades has done a great deal to explore the social and political context of early modern natural and moral inquiries. Particularly since the publication of Steven Shapin and Simon Schaffer's Leviathan and the Air-Pump (1985) several studies have attributed epistemological stances and debates to clashes of political and theological ideologies. The present volume suggests that with an awareness of this context, it is now worth turning back to questions of the epistemic content itself. The contributors to the present collection were invited to explore how certain non-epistemic values had been turned into epistemic ones, how they had an effect on epistemic content, and eventually how they became ideologies of knowledge playing various roles in inquiry and application throughout early modern Europe.

'What is history'? From Thucydides to Toynbee, historians and non-historians alike have wondered how to answer this question. "A New Philosophy of History" reflects on developments over the last two decades in historical writing, not least the renewed interest in the status of narrative itself and the presence of the authorial 'voice'. Subjects include the problems of Grand Narrative, multiple voices and the personal presence of the historian in his text, the ambitions of the French Annales school and the so-called 'Grand Chronicler', and the relevance of non-literary models museum presentations and picturings regarding historical discourse. The range of approaches to be found in "A New Philosophy of History" ensures that this book is required reading not only for historians, but for everyone interested in literary theory, philosophy or cultural studies.

This work is an engaging exploration of the process of historical research, following historians as they search for solutions to the greatest mysteries of all time. Award-winning author Paul Aron takes readers on a journey through great historical mysteries through the ages. Entertaining in themselves, the stories also show that history is not merely living, but lively. The reader who comes to the book thinking history is boring will leave with a changed outlook with regard to both the subject matter and the process of writing history. Each chapter is a carefully and thoroughly researched presentation not of popularized accounts but of valid historical scholarship. Chronologically arranged, the essays show the historical process in action. For each disputed historical point, theories arise, become standard wisdom, and then are revised as additional information becomes available. This book reveals the mechanics of that process, including spirited debate, swashbuckling archaeology, and the application of modern science to ancient questions. 75 chronologically arranged chapters, each treating a famous historical mystery Numerous illustrations and photographs that bring the subjects to life An annotated list of further reading for each chapter, arranged chronologically to allow readers to follow the development of competing theories An engaging, accessible writing style that brings readers into the twists and turns of each case

The Language of the Past analyzes the use of history in discourses within the political, media and the public sphere. It examines how particular terms, phrases and allusions first came into usage, developed and how they are employed today. To speak of something or someone as representing the 'stone age', or characterize an institution as 'byzantine', to describe a business relationship as 'feudal' or to disparage ideals or morality as 'Victorian', refers to both a perception of the past and its relationship to the present. Whilst dictionaries and etymologies define meanings and origin points of words or phrases, this study examines how history is maintained and used within society through language. Detailing the specific words and phrases associated with particular periods used to describe contemporary society, this thorough examination of language and history will be of great interest to those studying historiography, social history and linguistics.

The Chronicles of England, Scotland and Ireland (1577, 1587), issued under the name of Raphael Holinshed, was the crowning achievement of Tudor historiography, and became the principal source for the historical writings of Spenser, Daniel and, above all, Shakespeare. While scholars have long been drawn to Holinshed for its qualities as a source, they typically dismissed it as a baggy collection of materials, lacking coherent form and analytical insight. This condescending verdict has only recently given way to an appreciation of the literary and historical qualities of these chronicles.
The Handbook is a major interdisciplinary undertaking which gives the lie to Holinshed's detractors, and provides original interpretations of a book that has lacked sustained academic scrutiny. Bringing together leading specialists in a variety of fields - literature, history, religion, classics, bibliography, and the history of the book - the Handbook demonstrates that the Chronicles powerfully reflect the nature of Tudor thinking about the past, about politics and society, and about the literary and rhetorical means by which readers might be persuaded of the truth of narrative. The volume shows how distinctive it was for one book to chronicle the history of three nations of the British archipelago.
The various sections of the Handbook analyze the making of the two editions of the Chronicles; the relationship of the work to medieval and early modern historiography; its formal properties, genres and audience; attitudes to politics, religion, and society; literary appropriations; and the parallel descriptions and histories of England, Scotland, Ireland, and Wales. The result is a seminal study that shows unequivocally the vitality and complexity of the chronicle form in the late sixteenth century.

Prompted by the 'linguistic turn' of the late 20th century, intellectual and conceptual historians continue to devote a great deal of attention to the study of concepts in history. This innovative and interdisciplinary volume builds on such scholarship by providing a new history of the term 'economy'. Starting from the Greek idea of the law of the household, Luigi Alonzi traces the different meanings assumed by the word 'economy' during the middle ages and early modern era, highlighting the semantic richness of the word and its uses in various political and cultural contexts. Notably, there is a particular focus on the so-called Oeconomica literature, tracking the reception of works by Plato, Aristotle, the 'pseudo' Aristotle and Xenophon in the Italian and France Renaissance. This tradition was incredibly influential in civic humanism and in texts devoted to power and command and thus affected later debates on Natural Law and the development of new scientific disciplines in the 17th and 18th centuries. In exploring this, the analysis of the function of translations in the transmission and transformation of meanings becomes central. 'Economy' in European History shines much-needed light on an important challenge that many historians repeatedly face: the fact that words can, and do, change over time. It will thus be a vital resource for all scholars of early modern and European economic history.

One of the most celebrated of Plato's ideas was that if human society was ever to function successfully then philosophers would need to become kings, or kings philosophers. In a perfect state, therefore, philosophic wisdom should be wedded to political power.In antiquity, who were or aspired to be philosopher-kings? What was their understanding of wisdom and the limits of knowledge? What influence have they had on periods beyond antiquity? This volume focuses on Plato and his contemporaries; Alexander the Great and his Hellenistic successors; Marcus Aurelius and the 'good emperors'; Moses, Solomon and early Hebrew leaders; and Julian the Apostate, the last of the pagans. In conclusion it looks at the re-emergence of the Platonic ideal in important moments of European history, such as the Enlightenment. The theme of the philosopher-king is significant for Greco-Roman antiquity as a whole, and this work is unique in detailing the development of an idea through major periods of Greek and Roman history, and beyond.>

During the past two or three decades, the value of the text of the Hebrew Bible as a testimony to the history of Israel has come under siege. As the date of the final form of the text has been pushed later and later, often into the Hellenistic era, the text has been devalued accordingly: what is "late" is viewed as having less value. At the same time, the connection between the text and extratextual information, particularly from archaeology, has been rendered less and less clear by both archaeological investigation itself and an increasing inability to connect text and artifact, or to do so compellingly. Some of the foremost scholars who have argued that the biblical text contributes little to historical research have come from Copenhagen. Now, from Copenhagen, Jens Bruun Kofoed steps forward to address the methodological issues that must lie behind the use of the biblical text and its validation as a source for historical information. In this volume, he sets out the methodological stepping stones necessary to an honest use of the biblical text and, through discussion of presuppositions underlying various methodologies and by evaluating specific test cases, shows (among other things) that "lateness" of the extant text by itself is not a charge that reduces the text's value as a source of historical information; that taking modern genre research and authorial intent into account opens new vistas for evaluating the historiographical reliability of ancient texts; and that a way forward from the current impasse is possible."