First Published in 2011. This special issue of The Interpreter and Translator Trainer provides a forum for reflection on questions of ethics in the context of translator and interpreter education. Covering a wide range of training contexts and types of translation and interpreting, contributors call for a radically altered view of the relationship between ethics and the translating and interpreting profession, a relationship in which ethical decisions can rarely, if ever, be made a priori but must be understood and taught as an integral and challenging element of one's work

This essential new textbook guides readers through the social aspects and sociologically informed approaches to the study of translation. Sergey Tyulenev surveys implicitly and explicitly sociological approaches to the study of translation, drawing on the most important and influential works both within translation studies and in sociology, as well as recent developments in the field. In addition to the theoretical grounding provided, the book explains in detail the methodology of studying translation from a sociological point of view. Translation and Society discusses why translation should be studied sociologically, reinforces the foundation of the sociologically informed translation research already in existence in the field and outlines possible new directions for the future. Throughout the book there are many examples and case studies and each chapter includes thought-provoking discussion points, possible assignments, and suggestions for further reading. This is an invaluable textbook for undergraduate and postgraduate students of Translation Studies.

This essential new textbook guides readers through the social aspects and sociologically informed approaches to the study of translation. Sergey Tyulenev surveys implicitly and explicitly sociological approaches to the study of translation, drawing on the most important and influential works both within translation studies and in sociology, as well as recent developments in the field. In addition to the theoretical grounding provided, the book explains in detail the methodology of studying translation from a sociological point of view. Translation and Society discusses why translation should be studied sociologically, reinforces the foundation of the sociologically informed translation research already in existence in the field and outlines possible new directions for the future. Throughout the book there are many examples and case studies and each chapter includes thought-provoking discussion points, possible assignments, and suggestions for further reading. This is an invaluable textbook for undergraduate and postgraduate students of Translation Studies.

The most important and productive statements on the translation of literature from Roman times to the 1920s are collected in this book. Arranged thematically around the main topics which recur over the centuries - power, poetics, universe of discourse, language, education - it contains texts previously unavailable in English, and translated here for the first time from classical, Medieval, and Renaissance Latin, from French and from German. As the first survey of its kind in both scope and selection it argues that translation commands a central position in the shaping of European literatures and cultures.
DEGREESTranslation/History/Culture creates a framework for further study of the history of translation in the West by tracing European historical thought about translation, and discussing the topicality of many of the texts included.

Translation is subject to a complex and unique set of legal rules that govern its various practical and intellectual aspects. These rules derive from very different legal areas, such as intellectual property and labour law. While useful from a strictly legal point of view, the heterogeneity of sources operates as a major hurdle in terms of understanding the overall legal framework within which translation operates. This book offers a general overview of the legal rules applicable to different aspects of translation, allowing translators and other interested parties to form a broad and coherent picture of the rules applicable in this area. It draws on the provisions of the main legal systems of the world, as well as the basic international agreements relevant in this area, thus offering both a comparative perspective of the legal issues involved and a guide to relevant national legal rules. In addition to a description and analysis of the legal issues and rules involved, the book also presents hypothetical cases, with a discussion of the problems they pose and possible solutions. It explains the theoretical structure of the rules under discussion as well as their practical implications. The language and methodology of the book are sufficiently accessible to allow lawyers, translators and those who require translation work but do not have a formal legal background to follow the arguments presented.

What motivates a Japanese translator and theatre company to translate and perform a play about racial discrimination in the American South? What happens to a 'gay' play when it is staged in a country where the performance of gender is a theatrical tradition? What are the politics of First Nations or Aboriginal theatre in Japanese translation and 'colour blind' casting? Is a Canadian no drama that tells a story of the Japanese diaspora a performance in cultural appropriation or dramatic innovation?

In looking for answers to these questions, Theatre Translation Theory and Performance in Contemporary Japan extends discussions of theatre translation through a selective investigation of six Western plays, translated and staged in Japan since the 1960s, with marginalized tongues and bodies at their core. The study begins with an examination of James Baldwin's Blues for Mister Charlie, followed by explorations of Michel Marc Bouchard's Les feluettes ou La repetition d'un drame romantique, Tomson Highway's The Rez Sisters and Dry Lips Oughta Move to Kapuskasing, Roger Bennett's Up the Ladder, and Daphne Marlatt's The Gull: The Steveston t Noh Project.

Native Voices, Foreign Bodies locates theatre translation theory and practice in Japan in the post-war Showa and Heisei eras and provokes reconsideration of Western notions about the complex interaction of tongues and bodies in translation and theatre when they travel and are reconstituted under different cultural conditions.

Today's worldwide ideological tensions have captured the interest of such varied disciplines as political science, anthropology, sociology, cultural studies and linguistics. There are two primary reasons why translation studies cannot ignore the ideological debate. Historically, translation has always been a site for ideological clashes. In addition, globalization is now setting off translational mechanisms even within monolingual artifacts, and this calls for the expertise of translation scholars. Apropos of Ideology aims to contribute to the broader discussion of ideology by providing a forum for debating ideological issues in translation as well as by bringing together, within the pages of a single volume, different types of translation research, informed by very different research ideologies. Adopting a wide definition of ideology as a set of ideas, beliefs and codes of behaviour that "govern a community by virtue of being regarded as the norm", a number of translation scholars look into ideological phenomena as they impinge on the process of translation. They consider questions of politics, but also reflect upon gender, sexuality, religion, secularity, technology and even the very discipline of translation studies. At the same time, the volume displays the kaleidoscopic complexity of the discipline while providing a strong argument that such diversity of perspectives is highly desirable. Contributors include Maria Tymoczko, Rosemary Arrojo, Christiane Nord, Keith Harvey, Peter Fawcett, Ma Carmen Africa Vidal, Christina Schaffner, David Katan, Francesco Straniero-Sergio, and Sehnaz Tahir.

A Complete Literary Guide to the Bible is consideration of the Bible from a literary perspective, reflecting contemporary interest in the academic world of the Bible as literature. This collection of essays addresses both specific books of the Bible and general topics dealing with the Bible. The four main sections of the book are; The Bible as Literature, The Literature of the Old Testament, The Literature of the New Testament, and The Literary Influence of the Bible. The editors for A Complete Literary Guide to the Bible are Leland Ryken and Tremper Longman III. Contributors include: Fredrick Buechner, Novelist John Sailhamer, Trinity Evangelical Divinity School Wilson G. Baroody, Arizona State University William F. Gentrup, Arizona State University Kenneth R.R. Gros, Louis Indiana University Willard Van Antwerpen, Indiana University Nancy Tischler, The Pennsylvania State University Michael Hagan, North American Baptist Seminary Richard L. Pratt, Jr., Reformed Theological Seminary Douglas Green, Yale University Wilma McClarty, Southern College Jerry A. Gladson, First Christian Church, Garden Grove, California Raymond C. Van Leeouwen, Calvin Theological Seminary Richard Patterson, Liberty University James H. Sims, The University of Southern Mississippi Branson L. Woodard, Jr. Liberty University Amberys R. Whittle, Georgia Southern University John H. Augustine, Yale University Michael Travers, Grand Rapids Baptist College Marianne Meye Thompson, Fuller Theological Seminary John W. Sider, Westmont College Carey C. Newman, Palm Beach Atlantic College William G. Doty, The University of Alabama/Tuscaloosa Chaim Potak, Novelist Gene Warren Doty, University of Missouri-Rolla Sidney Greidanus, Calvin Theological Seminary

This engrossing study, first published in 1989, explores the basic mutuality between philosophy and translation. By studying the conceptions of translation in Plato, Seneca, Davidson, Walter Benjamin and Freud, Andrew Benjamin reveals the interplay between the two disciplines not only in their relationship to language, but also at a deeper, cognitive level. Benjamin engages throughout with the central tenets of post-structuralism: the concept of a constant yet illusive 'true' meaning has lost authority, but remains a problem. The fact of translation seems to defy the notion that 'meaning' is reducible to its component words; yet, to say that the 'truth' is more than the sum of its parts, we are challenging the very foundations of what it is to communicate, to understand, and to know. In Translation and the Nature of Philosophy, the author sets out his own theory of language in light of these issues.

Translated fiction has largely been under-theorized, if not altogether ignored, in literary studies. Though widely consumed, translated novels are still considered secondary versions of foreign masterpieces. Readers, Reading and Reception of Translated Fiction in Chinese recognizes that translated novels are distinct from non-translated novels, just as they are distinct from the originals from which they are derived, but they are neither secondary nor inferior. They provide different models of reality; they are split apart by two languages, two cultures and two literary systems; and they are characterized by cultural hybridity, double voicing and multiple intertextualities.

With the continued popularity of translated fiction, questions related to its reading and reception take on increasing significance. Chan draws on insights from textual and narratological studies to unravel the processes through which readers interact with translated fiction. Moving from individual readings to collective reception, he considers how lay Chinese readers, as a community, 'received' translated British fiction at specific historical moments during the late twentieth and early twenty-first centuries. Case studies discussed include translations of stream-of-consciousness novels, fantasy fiction and postmodern works. In addition to lay readers, two further kinds of reader with bilingual facility are examined: the way critics and historians approach translated fiction is investigated from structuralist and poststrcuturalist perspectives. A range of novels by well-known British authors constitute the core of the study, including novels by Oscar Wilde, James Joyce, D.H. Lawrence, Virginia Woolf, John Fowles, Helen Fielding and J.K. Rowling.

Translating Chinese Culture is an innovative and comprehensive coursebook which addresses the issue of translating concepts of culture. Based on the framework of schema building, the course offers helpful guidance on how to get inside the mind of the Chinese author, how to understand what he or she is telling the Chinese-speaking audience, and how to convey this to an English speaking audience. A wide range of authentic texts relating to different aspects of Chinese culture and aesthetics are presented throughout, followed by close reading discussions of how these practices are executed and how the aesthetics are perceived among Chinese artists, writers and readers. Also taken into consideration are the mode, audience and destination of the texts. Ideas are applied from linguistics and translation studies and each discussion is reinforced with a wide variety of practical and engaging exercises. Thought-provoking yet highly accessible, Translating Chinese Culture will be essential reading for advanced undergraduates and postgraduate students of Translation and Chinese Studies. It will also appeal to a wide range of language studies and tutors through its stimulating discussion of the principles and purposes of translation.

Translating Chinese Culture is an innovative and comprehensive coursebook which addresses the issue of translating concepts of culture. Based on the framework of schema building, the course offers helpful guidance on how to get inside the mind of the Chinese author, how to understand what he or she is telling the Chinese-speaking audience, and how to convey this to an English speaking audience. A wide range of authentic texts relating to different aspects of Chinese culture and aesthetics are presented throughout, followed by close reading discussions of how these practices are executed and how the aesthetics are perceived among Chinese artists, writers and readers. Also taken into consideration are the mode, audience and destination of the texts. Ideas are applied from linguistics and translation studies and each discussion is reinforced with a wide variety of practical and engaging exercises. Thought-provoking yet highly accessible, Translating Chinese Culture will be essential reading for advanced undergraduates and postgraduate students of Translation and Chinese Studies. It will also appeal to a wide range of language studies and tutors through its stimulating discussion of the principles and purposes of translation.

At a time when millions travel around the planet - some by choice, some driven by economic or political exile - translation of the written and spoken word is of ever increasing importance. This guide presents readers with an accessible and engaging introduction to the valuable position translation holds within literature and society. Leading translation theorist Susan Bassnett traces the history of translation, examining the ways translation is currently utilized as a burgeoning interdisciplinary activity and extending her analysis into developing areas such as developing technologies and new media forms. Translation Studies, fourth edition displays the importance of translation across disciplines, and is essential reading for students and scholars of translation, literary studies, globalisation studies and ancient and modern languages.

This volume explores the relationship between literature and translation from three perspectives: the creative dimensions of the translation process; the way texts circulate between languages; and the way texts are received in translation by new audiences. The distinctiveness of the volume lies in the fact that it considers these fundamental aspects of literary translation together and in terms of their interconnections. Contributors examine a wide variety of texts, including world classics, poetry, genre fiction, transnational literature, and life writing from around the world. Both theoretical and empirical issues are covered, with some contributors approaching the topic as practitioners of literary translation, and others writing from within the academy.

In this book, both beginning and experienced translators will find pragmatic techniques for dealing with problems of literary translation, whatever the original language. Certain challenges and certain themes recur in translation, whatever the language pair. This guide proposes to help the translator navigate through them. Written in a witty and easy to read style, the book's hands-on approach will make it accessible to translators of any background. A significant portion of this Practical Guide is devoted to the question of how to go about finding an outlet for one's translations.

Translation is stigmatized as a form of writing, discouraged by copyright law, depreciated by the academy, exploited by publishers and corporations, governments and religious organizations.
Lawrence Venuti exposes what he refers to as the 'scandals of translation' by looking at the relationship between translation and those bodies - corporations, governments, religious organizations, publishers - who need the work of the translator yet marginalize it when it threatens their cultural values.
Venuti illustrates his arguments with a wealth of translations from The Bible, the work of Homer, Plato and Wiggenstein, Japanese and West Arican novels, advertisements and business journalism.

The book presents a comprehensive study of various cognitive and affective aspects of web searching for translation problem solving. Research into the use of the web as an external aid of consultation has frequently occupied a secondary position in the investigation of translation processes. The book aims to bridge this gap in the literature. Beginning with a detailed survey of previous studies of these processes, it then focuses on web search behaviors using qualitative and quantitative analysis that presents a multifaceted overview of translation-oriented web searching. The book concludes by addressing the implications for the teaching of and research into translators' web searching skills. With regard to teaching, the book's didactic discussions will make it a valuable tool for both translator trainers and translation students wanting to familiarize themselves with the intricacies of Web searching and to reflect upon the pedagogical implications of the study for acquiring online information literacy in translator training.

The study of English as a Lingua Franca (ELF) has grown considerably in the last decades, and a wide number of issues related to this field have been addressed through a variety of lenses. These range from the changes occurring in spoken English, to the much-debated notion of the native-speaker; from the threat that English represents for minority languages, to the metadiscourse(s) contributing to the myth of English as a language equally accessible to speakers of all nationalities.

Adopting different perspectives and positions, the articles in this special issue of The Interpreter and Translator Trainer all demonstrate that ELF poses many challenges to the teaching of translation and that, while there are no simple and ready-made solutions, such challenges need to be taken on board to fill the current gap between translation pedagogy and translation practice. The volume is intended as a starting point to encourage educators to rethink their approach to translation pedagogy by envisaging tools and practices that can contribute to preparing students to become professional translators of ELF and reflective practitioners who are aware of the centrality of translation in the digital age.

For all that Cicero is often seen as the father of translation theory, his and other Roman comments on translation are often divorced from the complicated environments that produced them. The first book-length study in English of its kind, Roman Theories of Translation: Surpassing the Source explores translation as it occurred in Rome and presents a complete, culturally integrated discourse on its theories from 240 BCE to the 2nd Century CE. Author Siobhan McElduff analyzes Roman methods of translation, connects specific events and controversies in the Roman Empire to larger cultural discussions about translation, and delves into the histories of various Roman translators, examining how their circumstances influenced their experience of translation. This book illustrates that as a translating culture, a culture reckoning with the consequences of building its own literature upon that of a conquered nation, and one with an enormous impact upon the West, Rome's translators and their theories of translation deserve to be treated and discussed as a complex and sophisticated phenomenon. Roman Theories of Translation enables Roman writers on translation to take their rightful place in the history of translation and translation theory.

The book applies systemic functional linguistics (SFL) to the comparison of four English translations of the Platform Sutra (1930, 1977, 1998 and 2011) in the field of translation studies. The Platform Sutra is an ancient Chan Buddhist text that records the public sermons and conversations of the Chan master Huineng (638-713). The focus of the book is on the image of Huineng recreated in each translation. The book integrates quantitative and qualitative analyses, adopting corpus linguistic tools such as SysFan, SysConc, and Wmatrix. The analyses of the four translations are conducted from the perspectives of verbs of saying, personal pronouns, Mood and Modality, multimodality and evaluation, and textual complexity, which are within the ideational, interpersonal and textual metafunctions of SFL respectively. Both the recreating of images and the lexicogrammatical choices are further interpreted by taking the context of translation (Field, Tenor, Mode) into consideration. The book provides an appropriate way to combine systemic functional linguistics with translation studies, highlighting the relationship between language, culture and translation. It also raises the question concerning the status of translated texts as the basis of scholarly research in the English world.

This is the first English translation of Theuerdank which makes the volume useful and more accessible to a much larger audience. Accompanied by over 100 woodcut images, students are able to more fully comprehend how this text would have been understood to its original sixteenth-century audience. With the inclusion of an introductory essay, chronology, genealogical tables, maps, translator's note, and discussion questions, the volume is a useful resource for discussion and prompts students to think about European soceity and culture more broadly during the sixteenth century.

This is the first English translation of Theuerdank which makes the volume useful and more accessible to a much larger audience. Accompanied by over 100 woodcut images, students are able to more fully comprehend how this text would have been understood to its original sixteenth-century audience. With the inclusion of an introductory essay, chronology, genealogical tables, maps, translator's note, and discussion questions, the volume is a useful resource for discussion and prompts students to think about European soceity and culture more broadly during the sixteenth century.

This is the first English translation of the seminal book by Katharina Reiss and Hans Vermeer, Grundlegung einer allgemeinen Translationstheorie, first published in 1984. The first part of the book was written by Vermeer and explains the theoretical foundations and basic principles of skopos theory as a general theory of translation and interpreting or 'translational action', whereas the second part, penned by Katharina Reiss, seeks to integrate her text-typological approach, first presented in 1971, as a 'specific theory' that focuses on those cases in which the skopos requires equivalence of functions between the source and target texts. Almost 30 years after it first appeared, this key publication is now finally accessible to the next generations of translation scholars. In her translation, Christiane Nord attempts to put skopos theory and her own concept of 'function plus loyalty' to the test, by producing a comprehensible, acceptable text for a rather heterogeneous audience of English-speaking students and scholars all over the world, at the same time as acting as a loyal intermediary for the authors, to whom she feels deeply indebted as a former student and colleague.

This book examines the spaces where translation and globalization intersect, whether they be classrooms, communities, or cultural texts. It foregrounds the connections between cultural analysis, literary critique, pedagogy and practice, uniting the disparate fields that operate within translation studies. In doing so, it offers fresh perspectives that will encourage the reader to reappraise translation studies as a field, reaffirming the directions that the subject has taken over the last twenty years. Offering a comprehensive analysis of the links between translation and globalization, this ambitious edited collection will appeal to students and scholars who work in any area of translation studies.

In this timely study, Inghilleri examines the interface between ethics, language, and politics during acts of interpreting, with reference to two particular sites of transnational conflict: the political and judicial context of asylum adjudication and the geo-political context of war. The book characterizes the social and moral spaces in which the translation of the spoken word occurs in ways that reflect the realities of the trans-nationally constituted, locally and globally informed environments in which interpreters work alongside other professionals. One of the core arguments is that the rather restricted notion of neutrality that remains central to translator and interpreter practices does not adequately reflect the complex and paradoxical nature of these socially and politically inscribed encounters and others like them. Inghilleri aims to characterize the moral, social, and interactional spaces in which the translation of the spoken word occurs in ways that reflect the realities of the transnationally constituted, locally and globally inflected environments in which interpreters work. This study offers an alternative theoretical perspective on language and ethics to those which have shaped and informed translation and interpreting theory and practice in recent years.