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Books > Language & Literature > Language & linguistics > Translation & interpretation
The book applies systemic functional linguistics (SFL) to the comparison of four English translations of the Platform Sutra (1930, 1977, 1998 and 2011) in the field of translation studies. The Platform Sutra is an ancient Chan Buddhist text that records the public sermons and conversations of the Chan master Huineng (638-713). The focus of the book is on the image of Huineng recreated in each translation. The book integrates quantitative and qualitative analyses, adopting corpus linguistic tools such as SysFan, SysConc, and Wmatrix. The analyses of the four translations are conducted from the perspectives of verbs of saying, personal pronouns, Mood and Modality, multimodality and evaluation, and textual complexity, which are within the ideational, interpersonal and textual metafunctions of SFL respectively. Both the recreating of images and the lexicogrammatical choices are further interpreted by taking the context of translation (Field, Tenor, Mode) into consideration. The book provides an appropriate way to combine systemic functional linguistics with translation studies, highlighting the relationship between language, culture and translation. It also raises the question concerning the status of translated texts as the basis of scholarly research in the English world.
This is the first English translation of Theuerdank which makes the volume useful and more accessible to a much larger audience. Accompanied by over 100 woodcut images, students are able to more fully comprehend how this text would have been understood to its original sixteenth-century audience. With the inclusion of an introductory essay, chronology, genealogical tables, maps, translator's note, and discussion questions, the volume is a useful resource for discussion and prompts students to think about European soceity and culture more broadly during the sixteenth century.
This is the first English translation of Theuerdank which makes the volume useful and more accessible to a much larger audience. Accompanied by over 100 woodcut images, students are able to more fully comprehend how this text would have been understood to its original sixteenth-century audience. With the inclusion of an introductory essay, chronology, genealogical tables, maps, translator's note, and discussion questions, the volume is a useful resource for discussion and prompts students to think about European soceity and culture more broadly during the sixteenth century.
This is the first English translation of the seminal book by Katharina Reiss and Hans Vermeer, Grundlegung einer allgemeinen Translationstheorie, first published in 1984. The first part of the book was written by Vermeer and explains the theoretical foundations and basic principles of skopos theory as a general theory of translation and interpreting or 'translational action', whereas the second part, penned by Katharina Reiss, seeks to integrate her text-typological approach, first presented in 1971, as a 'specific theory' that focuses on those cases in which the skopos requires equivalence of functions between the source and target texts. Almost 30 years after it first appeared, this key publication is now finally accessible to the next generations of translation scholars. In her translation, Christiane Nord attempts to put skopos theory and her own concept of 'function plus loyalty' to the test, by producing a comprehensible, acceptable text for a rather heterogeneous audience of English-speaking students and scholars all over the world, at the same time as acting as a loyal intermediary for the authors, to whom she feels deeply indebted as a former student and colleague.
This book examines the spaces where translation and globalization intersect, whether they be classrooms, communities, or cultural texts. It foregrounds the connections between cultural analysis, literary critique, pedagogy and practice, uniting the disparate fields that operate within translation studies. In doing so, it offers fresh perspectives that will encourage the reader to reappraise translation studies as a field, reaffirming the directions that the subject has taken over the last twenty years. Offering a comprehensive analysis of the links between translation and globalization, this ambitious edited collection will appeal to students and scholars who work in any area of translation studies.
In this timely study, Inghilleri examines the interface between ethics, language, and politics during acts of interpreting, with reference to two particular sites of transnational conflict: the political and judicial context of asylum adjudication and the geo-political context of war. The book characterizes the social and moral spaces in which the translation of the spoken word occurs in ways that reflect the realities of the trans-nationally constituted, locally and globally informed environments in which interpreters work alongside other professionals. One of the core arguments is that the rather restricted notion of neutrality that remains central to translator and interpreter practices does not adequately reflect the complex and paradoxical nature of these socially and politically inscribed encounters and others like them. Inghilleri aims to characterize the moral, social, and interactional spaces in which the translation of the spoken word occurs in ways that reflect the realities of the transnationally constituted, locally and globally inflected environments in which interpreters work. This study offers an alternative theoretical perspective on language and ethics to those which have shaped and informed translation and interpreting theory and practice in recent years.
Drawing on approaches from literary studies, history, linguistics, and art history, and ranging from Late Antiquity to the sixteenth century, this collection views 'translation' broadly as the adaptation and transmission of cultural inheritance. The essays explore translation in a variety of sources from manuscript to print culture and the creation of lexical databases. Several essays look at the practice of textual translation across languages, including the vernacularization of Latin literature in England, France, and Italy; the translation of Greek and Hebrew scientific terms into Arabic; and the use of Hebrew terms in anti-Jewish and anti-Muslim polemics. Other essays examine medieval translators' views and performance of translation, looking at Lydgate's translation of Greek myths through mental images rendered through rhetorical figures or at how printing transformed the rhetoric of intervernacular translation of chivalric romances. This collection also demonstrates translation as a key element in the construction of cultural and political identity in the Fet des Romains and Chester Whitsun Plays, and in the papacy's efforts to compete with Byzantium by controlling the translation of Greek writings.
This compact book reproduces fifty-two memorials in Latin taken from churches situated largely in the West Country. Each memorial is accompanied by a translation and by notes on the grammar. The book is aimed at all who would like to be able to read Latin epitaphs in churches, and whose knowledge of the language may be sketchy. The introduction explains the conventions involved in lettering, abbreviations, Latinized personal names, and stock phrases. It is followed by a very brief Latin grammar and notes on Roman numerals and dates.  At the back of the book there is a word list containing all those words found in the inscriptions with numbered references, plus a selection of words which are commonly found in inscriptions generally, though not in those printed here. By combining these resources in one book, the author equips the reader with the tools to tackle other epitaphs beyond the pages of this book and further afield. Every attempt is made to help the reader understand the context in which each inscription was composed. For instance it is stressed that the composers of such epitaphs were skilled Latin scholars, and that there are very few errors to be seen. Errors attributable to the stonemasons or sign-writers are noted and corrected.
In "Translation Changes Everything "leading theorist Lawrence Venuti gathers fourteen of his incisive essays since 2000. The selection sketches the trajectory of his thinking about translation while engaging with the main trends in research and commentary. The issues covered include basic concepts like equivalence, retranslation, and reader reception; sociological topics like the impact of translations in the academy and the global cultural economy; and philosophical problems such as the translator's unconscious and translation ethics. Every essay presents case studies that include Venuti's own translation projects, illuminating the connections between theoretical concepts and verbal choices. The texts, drawn from a broad variety of languages, are both humanistic and pragmatic, encompassing such forms as poems and novels, religious and philosophical works, travel guidebooks and advertisements. The discussions all explore practical applications, whether writing, publishing, reviewing, teaching or studying translations. Venuti's aim is to conceive of translation as an interpretive act with far-reaching social effects, at once enabled and constrained by specific cultural situations. This latest chapter in his developing work is essential reading for translators and students of translation alike.
This international and interdisciplinary volume explores the relations between translation, migration, and memory. It brings together humanities researchers from a range of disciplines including history, museum studies, memory studies, translation studies, and literary, cultural, and media studies to examine memory and migration through the interconnecting lens of translation. The innovatory perspective adopted by Translating Worlds understands translation's explanatory reach as extending beyond the comprehension of one language by another to encompass those complex and multi-layered processes of parsing by means of which the unfamiliar and the familiar, the old home and the new are brought into conversation and connection. Themes discussed include: How memories of lost homes act as aids or hindrances to homemaking in new worlds. How cultural memories are translated in new cultural contexts. Migration, affect, memory, and translation. Migration, language, and transcultural memory. Migration, traumatic memory, and translation.
This book reflects on translation praxis in 20th century Latin American print culture, tracing the trajectory of linguistic heterogeneity in the region and illuminating collective efforts to counteract the use of translation as a colonial tool and affirm cultural production in Latin America. In investigating the interplay of translation and the Americas as a geopolitical site, Guzman Martinez unpacks the complex tensions that arise in these "spaces of translation" as embodied in the output of influential publishing houses and periodicals during this time period, looking at translation as both a concept and a set of narrative practices. An exploration of these spaces not only allows for an in-depth analysis of the role of translation in these institutions themselves but also provides a lens through which to uncover linguistic plurality and hybridity past borders of seemingly monolingual ideologies. A concluding chapter looks ahead to the ways in which strategic and critical uses of translation can continue to build on these efforts and contribute toward decolonial narrative practices in translation and enhance cultural production in the Americas in the future. This book will be of particular interest to scholars in translation studies, Latin American studies, and comparative literature.
This book explains the concept, framework, implementation, and evaluation of controlled document authoring in this age of translation technologies. Machine translation (MT) is routinely used in many situations, by companies, governments, and individuals. Despite recent advances, MT tools are still known to be imperfect, sometimes producing critical errors. To enhance the performance of MT, researchers and language practitioners have developed controlled languages that impose restrictions on the form or length of the source-language text. However, a fundamental, persisting problem is that both current MT systems and controlled languages deal only with the sentence as the unit of processing. To be effective, controlled languages must be contextualised at the document level, consequently enabling MT to generate outputs appropriate for their functional context within the target document. With a specific focus on Japanese municipal documents, this book establishes a framework for controlled document authoring by integrating various research strands including document formalisation, controlled language, and terminology management. It then presents the development and evaluation of an authoring support system, MuTUAL, that is designed to help non-professional writers create well-organised documents that are both readable and translatable. The book provides useful insights for researchers and practitioners interested in translation technology, technical writing, and natural language processing applications.
In Translation Changes Everything leading theorist Lawrence Venuti gathers fourteen of his incisive essays since 2000. The selection sketches the trajectory of his thinking about translation while engaging with the main trends in research and commentary. The issues covered include basic concepts like equivalence, retranslation, and reader reception; sociological topics like the impact of translations in the academy and the global cultural economy; and philosophical problems such as the translator's unconscious and translation ethics. Every essay presents case studies that include Venuti's own translation projects, illuminating the connections between theoretical concepts and verbal choices. The texts, drawn from a broad variety of languages, are both humanistic and pragmatic, encompassing such forms as poems and novels, religious and philosophical works, travel guidebooks and advertisements. The discussions all explore practical applications, whether writing, publishing, reviewing, teaching or studying translations. Venuti's aim is to conceive of translation as an interpretive act with far-reaching social effects, at once enabled and constrained by specific cultural situations. This latest chapter in his developing work is essential reading for translators and students of translation alike.
This book highlights the unique history and cultural context of retranslation in Turkey, offering readers a survey of the diverse range of fields, disciplines, and genres in which retranslation has assumed a central position. Further, it addresses largely unexplored issues such as retranslation in Ottoman literature, paratextual positioning and marketing of retranslations, legal retranslation, and retranslation in music. As such, it makes a valuable contribution to the growing body of research on retranslation by placing special emphasis on non-literary translation, making the role of retranslation particularly visible in connection with politics and philosophy in Turkey.
This issue deals with translation and norms. Norms are models of correct or appropriate behaviour and of correct or appropriate behavioural products. Since translational behaviour is contextualised social behaviour, translational norms are understood as internalised behavioural constraints which embody the values shared by a community. Gideon Toury and Theo Hermans, the main contributors to this volume, have been highly influential in the development of the concept of norms as an analytical tool in studying translations. They argue that all decisions in the translation process are primarily governed by norms and illustrate the interplay between the translator's responses to expectations, constraints and pressures in a social context. Describing translation as norm-governed behaviour in a social, cultural and historical situation raises a number of issues. For example, how do we reconstruct norms from textual features? What is the relationship between regular patterns in texts and norms? How do translators acquire norms? Do they behave according to norms? These are some of the issues raised and discussed in the two main contributions, in the debates and in the responses by Andrew Chesterman, Daniel Cite, Anthony Pym, Douglas Robinson and Sergio Viaggio.
This book investigates different elements which have direct implications for translations but are not the actual text. These features are usually presented in a particular format - written, oral, digital, audio-visual or musical. They are furnished with, for example, illustrations, prologues, introductions, indexes or appendices, or are accompanied by an ensemble of information outside the text such as an interview with the author, a general or specialist press review, an advertisement or a previous translation. However, the boundaries of paratextuality are not limited to the aforementioned examples, since paratextuality has a direct implication for areas as diverse as censorship, a contracting economy, decisions taken by the various actors in the political or cultural context in which the text occurs. Therefore it is obvious that most of the key concepts in Translation Studies cannot be fully understood without reference to the part played by paratextual elements, examined here taking into account different language pairs from Turkish to Catalan. The content presented in this book is gathered from a conference on Paratextual Elements in Translation, held at the Universitat Autonoma de Barcelona in 2010.
This book offers a historical analysis of key classical translated works for children, such as writings by Hans Christian Andersen and Grimms' tales. Translations dominate the earliest history of texts written for children in English, and stories translated from other languages have continued to shape its course to the present day. Lathey traces the role of the translator and the impact of translations on the history of English-language children's literature from the ninth century onwards. Discussions of popular texts in each era reveal fluctuations in the reception of translated children's texts, as well as instances of cultural mediation by translators and editors. Abridgement, adaptation, and alteration by translators have often been viewed in a negative light, yet a closer examination of historical translators' prefaces reveals a far more varied picture than that of faceless conduits or wilful censors. From William Caxton's dedication of his translated History of Jason to young Prince Edward in 1477 ('to thentent/he may begynne to lerne read Englissh'), to Edgar Taylor's justification of the first translation into English of Grimms' tales as a means of promoting children's imaginations in an age of reason, translators have recorded in prefaces and other writings their didactic, religious, aesthetic, financial, and even political purposes for translating children's texts.
In this book, Jeremy Munday presents advances towards a general theory of evaluation in translator decision-making that will be of high importance to translator and interpreter training and to descriptive translation analysis. By 'evaluation' the author refers to how a translator's subjective stance manifests itself linguistically in a text. In a world where translation and interpreting function as a prism through which opposing personal and political views enter a target culture, it is crucial to investigate how such views are processed and sometimes subjectively altered by the translator. To this end, the book focuses on the translation process (rather than the product) and strives to identify more precisely those points where the translator is most likely to express judgment or evaluation. The translations studied cover a range of languages (Arabic, Chinese, Dutch, French, German, Indonesian, Italian, Japanese, Russian, Spanish and American Sign Language) accompanied by English glosses to facilitate comprehension by readers. This is key reading for researchers and postgraduates studying translation theory within Translation and Interpreting Studies.
Legendary publisher and writer John Calder said of Barbara Wright that she was "the most brilliant, conscientious and original translator of 20th century French literature." Wright introduced to an English-speaking readership and audience some of the most innovative French literature of the last hundred years: a world without Alfred Jarry's "Ubu," Raymond Queneau's "Zazie," and Robert Pinget's "Monsieur Songe" scarcely bears thinking about. This wonderful collection of texts about and by Barbara Wright -- including work by David Bellos, Breon Mitchell, and Nick Wadley, as well as a previously unpublished screenplay written and translated by Wright in collaboration with Robert Pinget -- begins the work of properly commemorating a figure toward whom all of English letters owes an unpayable debt.
*The first textbook to guide translation students through the process of translating change in language and society, with a clear focus on developing and honing practical translation skills *A fresh and pedagogically developed textbook for all courses focusing on specialised translation and translation as a profession and meets a need for trainee and practising translators to adapt and refine their skills *unlike other texts, it covers a really broad range of areas, is highly topical with examples drawn from the Covid-19 pandemic and Brexit and is addressed to both students and translators, who need to develop their analytical and transferable skills to work in a changing market.
In this book, Jeremy Munday presents advances towards a general theory of evaluation in translator decision-making that will be of high importance to translator and interpreter training and to descriptive translation analysis. By 'evaluation' the author refers to how a translator's subjective stance manifests itself linguistically in a text. In a world where translation and interpreting function as a prism through which opposing personal and political views enter a target culture, it is crucial to investigate how such views are processed and sometimes subjectively altered by the translator. To this end, the book focuses on the translation process (rather than the product) and strives to identify more precisely those points where the translator is most likely to express judgment or evaluation. The translations studied cover a range of languages (Arabic, Chinese, Dutch, French, German, Indonesian, Italian, Japanese, Russian, Spanish and American Sign Language) accompanied by English glosses to facilitate comprehension by readers. This is key reading for researchers and postgraduates studying translation theory within Translation and Interpreting Studies.
"Seldom have careful scholarship and book design combined to make a work as attractive as David Quint's new translation of Poliziano's Stanze per la giostra." . . . Quint's facing translation is excellent, conveying the tone and content of the poetry in prose paragraphs which reflect the ottave of the original; he manages an effect which is wholly satisfying.. . . an outstanding contribution belonging on every scholar's shelf." -Italica "In his unique translation of Angelo Poliziano's The Stanze, David Quint reveals in English for the first time the pagan love story of the ill-fated Giuliano de Medici and the bewitching Simonetta--a theme that has inspired painters and poets for generations. The English prose is rich, vibrant and rhythmic, while at the same time accurate and natural. It captures the fragile and fugitive beauty of the original Italian verses, emulating the complex models of Latin and Greek literature. The English version, with copious explanatory notes, faces the Italian on the opposite page. The introduction locates the poem in its historical framework, examines the mythological symbolism, and interprets the so-called neoplatonic philosophy of love guiding the poet." -Choice "Those who know the intricacies of translation should be the first to praise Professor Quint. . . His book cannot fail to cast new light on the Italian Renaissance in general, and on Poliziano in particular." -Forum Italicum David Quint is Professor of Comparative Literature and English at Yale University. His books include Epic and Empire: Politics and Generic Form from Virgil to Milton (Princeton, 1993) and Origin and Originality in Renaissance Literature: Versions of the Source (Yale, 1983).
Electronic texts and text analysis tools have opened up a wealth of opportunities to higher education and language service providers, but learning to use these resources continues to pose challenges to scholars and professionals alike. Translation-Driven Corpora aims to introduce readers to corpus tools and methods which may be used in translation research and practice. Each chapter focuses on specific aspects of corpus creation and use. An introduction to corpora and overview of applications of corpus linguistics methodologies to translation studies is followed by a discussion of corpus design and acquisition. Different stages and tools involved in corpus compilation and use are outlined, from corpus encoding and annotation to indexing and data retrieval, and the various methods and techniques that allow end users to make sense of corpus data are described. The volume also offers detailed guidelines for the construction and analysis of multilingual corpora.
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