The volume explores the body part 'eye' as a source domain in conceptualization and a vehicle of embodied cognition. It includes in-depth case studies of languages situated in different cultural contexts in Europe, Asia, Africa, America, and Oceania. It also provides insights into cross-linguistic comparison of conceptualization patterns and semantic extension of the term 'eye' on various target domains. The contributions in the volume present a range of cultural models associated with the visual organ which take into account socio-cultural factors and language usage practices. The book offers new material and novel analyses within the subject of polysemy of body part terms. It also adds to studies on metaphor, metonymy and cultural conceptualizations within a cognitive linguistic paradigm.

The stories of the Cherokee people presented here capture in written form tales of history, myth, and legend for readers, speakers, and scholars of the Cherokee language. Assembled by noted authorities on Cherokee, this volume marks an unparalleled contribution to the linguistic analysis, understanding, and preservation of Cherokee language and culture. Cherokee Narratives spans the spectrum of genres, including humor, religion, origin myths, trickster tales, historical accounts, and stories about the Eastern Cherokee language. These stories capture the voices of tribal elders and form a living record of the Cherokee Nation and Eastern Band of Cherokee Indians' oral tradition. Each narrative appears in four different formats: the first is interlinear, with each line shown in the Cherokee syllabary, a corresponding roman orthography, and a free English translation; the second format consists of a morpheme-by-morpheme analysis of each word; and the third and fourth formats present the entire narrative in the Cherokee syllabary and in a free English translation. The narratives and their linguistic analysis are a rich source of information for those who wish to deepen their knowledge of the Cherokee syllabary, as well as for students of Cherokee history and culture. By enabling readers at all skill levels to use and reconstruct the Cherokee language, this collection of tales will sustain the life and promote the survival of Cherokee for generations to come.

This volume presents a comprehensive study of Arabic morpho-phonology with its basics and intricacies, by making available a wide range of material from the 8th century A.D. until our days and exploring the main topics that arise. It uses as its point of departure an unused source: the end of the 13th century Marah al-arwah by Ah mad b. 'ali Mas'ud, which is critically edited and provided with an introduction, an English translation and an extensive commentary. It offers an analysis of many grammatical theories, paradigms, qur'anical citations, verses of poetry, dialectal variants and Semitic words and concludes with various indices that make the enormous body of information easily accessible.

Bringing together scholars from a range of disciplines to assess the use and meaning of language in the South, a region rich in dialects and variants, this comprehensive edited collection reflects the cutting-edge research presented at the fourth decennial meeting of Language Variety in the South in 2014. Focusing on the ongoing changes and surprising continuities associated with the contemporary South, the contributors use innovative methodologies to pave new pathways for understanding the social dynamics that shape the language in the South today. Along with the editors, contributors to the volume include Agnes Bolonyai, Katie Carmichael, Phillip M. Carter, Becky Childs, Danica Cullinan, Nathalie Dajko, Catherine Evans Davies, Robin Dodsworth, Hartwell S. Francis, Kirk Hazen, Anne H. Charity Hudley, Neal Hutcheson, Alex Hyler, Mary Kohn, Christian Koops, William A. Kretzschmar Jr., Sonja L. Lanehart, Andrew Lynch, Ayesha M. Malik, Christine Mallinson, Jim Michnowicz, Caroline Myrick, Michael D. Picone, Dennis R. Preston, Paul E. Reed, Joel Schneier, James Shepherd, Erik R. Thomas, Sonya Trawick, and Tracey L. Weldon.

Meaning change in grammaticalization has been variously described in terms of decreasing semantic weight and increasing generality, abstraction, (inter)subjectivity or discourse orientation. The author shows that all these trends are subsumed by the notion of scope increase along a precise hierarchy of semantic and pragmatic layers of grammatical organization such as endorsed by Functional Discourse Grammar. The scope-increase hypothesis is immune from the exceptions and veritable counterexamples to all the aforementioned generalizations and has the decisive advantage of being more objectively measurable, given its direct bearing on actual linguistic structure. The extremely rare exceptions to this generalization are also addressed and found to always result from a type of change independent from grammaticalization - the merger of two separate speech acts.

This volume descibes, in up-to-date terminology and authoritative interpretation, the field of neurolinguistics, the science concerned with the neural mechanisms underlying the comprehension, production and abstract knowledge of spoken, signed or written language. An edited anthology of 165 articles from the award-winning Encyclopedia of Language and Linguistics 2nd edition, Encyclopedia of Neuroscience 4th Edition and Encyclopedia of the Neorological Sciences and Neurological Disorders, it provides the most comprehensive one-volume reference solution for scientists working with language and the brain ever published.

This ambitious study of all proper names in the Chanson de Roland is based for the first time on a systematic survey of the whole geographical and historical literature from antiquity to after 1100 for the Geographica, and on working through (almost) the entire documentary tradition of France and its neighbouring regions from 778 to the early 12th century for the personal names. The overall result is clear: the surviving song is more tightly and profoundly structured, even in smaller scenes, than generally assumed, it is also richer in depicting reality, and it has a very long prehistory, which can be traced in outline, albeit with decreasing certainty, (almost) back to the Frankish defeat of 778. Here are some individual results: for the first time, a detailed (and ultimately simple!) explanation not only of the 'pagan' catalogue of peoples, but also of the overarching structure of Baligant's empire, the organisation of North Africa, the corpus of the Twelve Anti-Pairs as well as the 'pagan' gods are given, and individual names such as Bramimunde and Jurfaret, toponyms such as Marbrise and Marbrose are explained. From Roland's Spanish conquests (v. 196-200), the course of the elapsed set anz toz pleins is reconstructed. Even the names of the weapons prove to be a small structured group, in that they are very discreetly adapted to their respective 'pagan' or Christian owner. On the Christian side, the small list of relics in Roland's sword is also carefully devised, not least in what is left out: a relic of the Lord; this is reserved for Charlemagne's Joiuse. The author explains for example, why from the archangel triad only Michael and Gabriel descend to the dying Roland, whereas 'the' angel Cherubin descends in Rafael's place. Munjoie requires extensive discussion, because here a (hitherto insufficiently recorded) toponym has been secondarily charged by the poet with traditional theological associations. The term Ter(e) major is attested for the first time in reality, namely in the late 11th century in Norman usage. For the core of France, the fourth cornerstone - along with Besancon, Wissant and Mont-Saint-Michel - is Xanten, and its centre is Aachen. The poet's artful equilibration of Charles's ten eschieles and their leaders is traced. The "Capetian barrier" emerges as a basic fact of epic geography. Approximatively, the last quarter of the study is devoted to the prehistory of the song, going backwards in time: still quite clearly visible is an Angevin Song of Roland from around 1050, in which Marsilie, Olivier, Roland, Ganelon, Turpin and Naimes already have roles similar to those in the preserved Song. Behind it, between about 970 and shortly after 1000, is the Girart de Vienne from the Middle Rhone, already recognised by Aebischer, with the newly invented Olivier contra Roland. Finally, in faint outlines, an oldest attainable, also Middle Rhone adaptation of the Roland material from shortly after 870 emerges. For the Chanson de Roland, Gaston Paris and Joseph Bedier were thus each right on the main point that was close to their hearts: the surviving song has both the thoroughly sophisticated structure of great art that Bedier recognised in it, and the imposingly long prehistory that Paris conjectured.

In The Sequential Imperative William Edmondson explains how deep study of linguistics - from phonetics to pragmatics - can be the basis for understanding the organization of behaviour in any organism with a brain. The work demonstrates that Cognitive Science needs to be anchored in a linguistic setting. Only then can Cognitive Scientists reach out to reconsider the nature of consciousness and to appreciate the functionality of all brains. The core functionality of the brain - any brain, any species, any time - is delivery and management of the unavoidable bi-directional transformation between brain states and activity - the Sequential Imperative. Making it all work requires some general cognitive principles and close attention to detail. The book sets out the case in broad terms but also incorporates significant detail where necessary.

The Studies in Japanese and Korean Historical and Theoretical Linguistics and Beyond presented in honour of Prof. John B. Whitman includes contributions by a range of mid-generation to senior scholars among his closest colleagues and collaborators representing the front line of contemporary research in the areas of historical and theoretical linguistics of Japanese and Korean as well of Chinese, Turkish, and Russian. Particularly, in all these areas it deals with still ongoing debates about the important issues in historical and theoretical linguistics concerning these languages that are reflected in articles often representing opposing points of view. This book can serve as a good introduction to the current state-of-art and the most essential problems in the fields it covers.

The Politics of Speech in Later Twentieth-Century Poetry: Local Tongues in Heaney, Brooks, Harrison, and Clifton argues that local speech became a central facet of English-language poetry in the second half of the twentieth century. It is based on a key observation about four major poets from both sides of the Atlantic: Seamus Heaney, Gwendolyn Brooks, Tony Harrison, and Lucille Clifton all respond to societal crises by arranging, reproducing, and reconceiving their particular versions of local speech in poetic form. The book's overarching claim is that "local tongues" in poetry have the capacity to bridge aesthetic and sociopolitical realms because nonstandard local speech declares its distinction from the status quo and binds people who have been subordinated by hierarchical social conditions, while harnessing those versions of speech into poetic structures can actively counter the very hierarchies that would degrade those languages. The diverse local tongues of these four poets marshaled into the forms of poetry situate them at once in literary tradition, in local contexts, and in prevailing social constructs.

This volume showcases a range of different approaches to strangers and strangeness across medieval western Europe. It focuses on how communities responded to the arrival of strangers and to different ways in which individuals and groups were constructed as estranged. Further, it reflects on different forms of border-crossing, from lived experience to literary imagination and from specific journeys in precise contexts to the conceptualisation of the shift from life to death. In the range of its contributions - applying linguistic, historical, archaeological, architectural, archival, literary, and theological analyses - it seeks to bring together disciplines and geographical areas of study that are too often strangers to one another in medieval studies. Contributors are Sherif Abdelkarim, Anna Adamska, Adrien Carbonnet, Wim De Clercq, Florian Dolberg, Joshua S. Easterling, Susan Irvine, Marco Mostert, Richard North, James Plumtree, Euan McCartney Robson, Beatrice Saletti, Simon C. Thomson and Gerben Verbrugghe.

This work offers a new perspective on the work of Confucius, the great reference of classical Chinese thought. In general, relatively little work has been done on Confucius' linguistic concerns, which nevertheless did have an impact in his time and afterwards. The author starts from a sociolinguistic approach, based mainly on the ethnography of communication, to analyze the role played by language in Confucius' texts and its links with the ethical program proposed therein. It is, therefore, a considerably novel perspective which, moreover, allows us to cover a very relevant number of interests. The pages of this work concern sociolinguists, but also historians of linguistics, philosophers, and cultural scientists in general. In short, it provides a different vision of one of the great cultural references of humanity.

Despite apparent interest in defining francais regional since as early at the nineteenth century, we have been left wondering about the precise origins and changing nature of contemporary regional varieties of French, particularly in the south of France. Through an examination of linguistic transfer, in a situation of bilingualism, and of levelling and diffusion during dialect contact, this study examines the hypothesis that regional French pronunciations have resulted from contact with France's minority languages, and challenges the received view that young Southerners are abandonning their regional lilt in favour of a more cosmopolitan Parisian accent. The differential mechanisms of linguistic change active during the genesis and evolution of both northern and southern regional French, as well as broader questions concerning the interface between language and dialect contact, are also discussed.

The authors consider new views of the classical versus vernacular dichotomy that are especially central to the new historiography of China and East Asian languages. Based on recent debates initiated by Sheldon Pollock's findings for South Asia, we examine alternative frameworks for understanding East Asian languages between 1000 and 1919. Using new sources, making new connections, and re-examining old assumptions, we have asked whether and why East and SE Asian languages (e.g., Chinese, Manchu, Mongolian, Jurchen, Korean, Japanese, and Vietnamese) should be analysed in light of a Eurocentric dichotomy of Latin versus vernaculars. This discussion has encouraged us to explore whether European modernity is an appropriate standard at all for East Asia. Individually and collectively, we have sought to establish linkages between societies without making a priori assumptions about the countries' internal structures or the genealogy of their connections. Contributors include: Benjamin Elman; Peter Kornicki; John Phan; Wei Shang; Haruo Shirane; Marten Soederblom Saarela; Daniel Trambaiolo; Atsuko Ueda; Sixiang Wang.