A Teacher's Calendar for 2021 from teacher and creator of the popular Facebook page, When's it Hometime? The Teacher's Life Desk Calendar contains cartoons that hilariously capture the ups and down of life as a teacher. Filled with funny observations of classroom antics, it will have teachers smiling in sympathy and laughing out loud throughout the school year. It is the perfect 'Thank You' present for every teacher.

Embark on an amazing adventure through more than 80 years of DC Comics history! Explore the evolution of DC Comics from Superman first taking to the skies in 1938 to the Rebirth of the DC multiverse and the final countdown of the Doomsday Clock. Comics, characters, and storylines are presented alongside background information and real-world events to give readers unique insights into the DC Universe. Now fully updated, this spectacular visual chronicle is written by DC Comics experts and includes comic book art from legendary artists such as Bob Kane and C.C. Beck to latter-day superstars like Jim Lee and Tony Daniel, and many more of DC's finest talents. Includes two stunning prints. Previous Edition: 9780241181287 (TM) & (c) DC Comics. (s19)

Conflict and trauma remain among the most prevalent themes in film and literature. Comics has never avoided such narratives, and comics artists are writing them in ways that are both different from and complementary to literature and film. Harriet E. H. Earle brings together two distinct areas of research-trauma studies and comics studies-to provide a new interpretation of a long-standing theme. Focusing on representations of conflict in American comics after the Vietnam War, Earle claims that the comics form is uniquely able to show traumatic experience by representing events as viscerally as possible. Using texts from across the form and placing mainstream superhero comics alongside alternative and art comics, Earle suggests that comics are the ideal artistic representation of trauma. Because comics bridge the gap between the visual and the written, they represent such complicated narratives as loss and trauma in unique ways, particularly through the manipulation of time and experience. Comics can fold time and confront traumatic events, be they personal or shared, through a myriad of both literary and visual devices. As a result, comics can represent trauma in ways that are unavailable to other narrative and artistic forms. With themes such as dreams and mourning, Earle concentrates on trauma in American comics after the Vietnam War. Examples include Alissa Torres's American Widow, Doug Murray's The 'Nam, and Art Spiegelman's much-lauded Maus. These works pair with ideas from a wide range of thinkers, including Sigmund Freud, Mikhail Bakhtin, and Fredric Jameson, as well as contemporary trauma theory and clinical psychology. Through these examples and others, Comics, Trauma, and the New Art of War proves that comics open up new avenues to explore personal and public trauma in extraordinary, necessary ways.