***NATIONAL JEWISH BOOK AWARD WINNER***
Visually and emotionally rich, "MetaMaus" is as groundbreaking as the masterpiece whose creation it reveals.
In the pages of "MetaMaus," Art Spiegelman re-enters the Pulitzer prize-winning "Maus," the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago.
He probes the questions that "Maus" most often evokes--Why the Holocaust? Why mice? Why comics?--and gives us a new and essential work about the creative process.
"MetaMaus" includes a bonus DVD-R that provides a digitized reference copy of "The Complete Maus" linked to a deep archive of audio interviews with his survivor father, historical documents, and a wealth of Spiegelman's private notebooks and sketches.
Compelling and intimate, "MetaMaus" is poised to become a classic in its own right.

Bill Peet tells his life story, including his years with Disney, with illustrations on every page.

Alois Derso (1888-1964) and Emery Kelen (1896-1978) were remarkable cartoonists who became internationally renowned, particularly for their depictions in the 1920s of efforts to build a better world following the establishment of the League of Nations; of the rise of fascism in the thirties; and of the world cooperation through the United Nations that emerged in the forties. Their sequence of cartoons, imbued with humour, wit, gentle satire, artistry and vision, captures the Zeitgeist of a period of history that resonates today. Surprisingly, no comprehensive account of their work and lives has been published before.  The authors analyse and discuss the extraordinary political insights revealed in the cartoons, which contribute to our understanding of those years. Drawing on original research, this overdue book delves into all aspects of Derso and Kelen’s careers, including the unusual, if not unique, technical nature of their artistic collaboration and Kelen’s additional gifts as a writer. It will inform the non-expert of the history of the time and the often overlooked role of cartoons as historical evidence. So memorable and informative are the images, it will also be a useful supplement to the literature on modern history, international relations and art.

A step-by-step guide to all aspects of comic book creation--from conceptualization to early drafts to marketing and promotion--written by two of the industry's most seasoned and successful pros.
Every aspiring comic book creator wants to know: what separates the beloved comics of major publishers like Marvel, DC, Valiant, and Image from all the rest? Fan-favorite comic book writers Greg Pak and Fred Van Lente reveal the secrets of comics' top talents in "Make Comics Like the Pros." The authors take readers step by step through the comics creation process from idea to finished work, and along the way offer examples and insights from their own careers as well as their collaborators'. Not only that, but Pak and Van Lente also join forces with Eisner Award-winning cartoonist Colleen Coover to produce an original comic inside the book With its unprecedented level of insider access, "Make Comics Like the Pros" gives comic book hopefuls the tools they need to reach the next level of sequential arts stardom.

With this latest book in the SCAD Creative Essentials series from the esteemed Savannah College of Art and Design, comics writer and instructor Mark Kneece gives aspiring comic book writers the essential tools they need to write scripts for sequential art with confidence and success. He provides a practical set of guidelines favoured by many comic book publishers and uses a unique trial and error approach to show would-be scribes the potential pitfalls they might encounter when seeking a career in comics writing. The Art of Comic Book Writing strips away the mysteries of this popular artform and provides real-world advice and easy-to-follow examples for those looking to write for the comics medium.

In 1947, Bill Gaines inherited EC Comics, a new venture founded by his legendary father M. C. Gaines, who was responsible for midwifing the birth of the comic book as we know it during his tenure at All-American Comics, bringing the likes of Wonder Woman and Green Lantern to the world. Over the next eight years, Bill Gaines and a "who's who" of the era including Al Feldstein, Harvey Kurtzman, and Wally Wood would reinvent the very notion of the comic book with titles like Tales from the Crypt, Crime SuspenStories, Weird Science, and MAD. EC delighted in publishing gory, morbid horror and crime comics that had snap, ironic endings-but they also pioneered the first true-to-life war comics, the first "real" science-fiction stories, and a series of tales about such then-taboo subjects as racism, bigotry, vigilantism, drug addiction, police corruption, and anti-Semitism. Too good to last, they were eventually caught up by various 1950s guardians of morality, who were convinced that EC's often over-the-top content was causing juvenile delinquency. A year or so after a full inquiry investigating horror and crime comics, the incredible EC Comics were no more. TASCHEN presents the full, fascinating story of this fabled company, written and expertly curated by EC-authority Grant Geissman. Even the most die-hard EC Fan-Addicts will find something new within these pages, with the Gaines family archives providing more than 100 rarities that have never seen print. Many of the cover images are reproduced from Gaines File Copies, which are widely regarded as the best surviving copies of the EC Comics. Gathering more than 1,000 illustrations that include the rarest and most notorious covers, interior pages and panels, photos, vintage original artwork, and some of the most celebrated stories ever to be printed in four colors for a dime, this is the ultimate EC Comics compendium and a must-have for any comics enthusiast or pop culture historian.

Superhero adventure comics have a long history of commenting upon American public opinion and government policy, and surge in the popularity of comics since the events of September 11, 2001, ensures their continued relevance. This critical text examines the seventy-year history of comic book superheroes on film and in comic books and their reflections of the politics of their time. Superheroes addressed include Batman, Wonder Woman, Spider-Man, Superman, the Invisible Woman and the X-Men, and topics covered include American wars, conflicts, and public policy.

In the same easy to understand and fun to experience style as Perspective Made Easy, Robbie Lee shows readers, step by step, the basic drawing skills they need to build a successful base on which to build any style of drawing expertise. With a fun robot as their guide, readers will experience immediate success as they follow along with more than 20 step-by-step demonstrations and 30 lessons on topics such as the drawing process, perspective, drawing people, and drawing scenes. The book also broaches the differences in drawing methods: spontaneous drawing, drawing from observation, and drawing from your imagination. The simple language and graphic novel approach makes it all fun and easy.

Chibis, Mascots, and More covers the popular genre of Chibis - wild, highly expressive characters and their faithful but volatile friends. With lessons on the body construction, expressions, and character types that are unique to the chibi genre, as well as demonstrations that teach how to draw their critter friends, this book covers everything readers need to go from chibi fans to chibi artists. After an introduction to these elements, readers will have a chance to follow along Hart's in-depth step-by-steps, and will even be invited to draw on their own, right in the book's pages.

From the influential work of Los Bros Hernandez in Love & Rockets, to comic strips and political cartoons, to traditional superheroes made nontraditional by means of racial and sexual identity (e.g., Miles Morales/Spider-Man), comics have become a vibrant medium to express Latino identity and culture. Indeed, Latino fiction and nonfiction narratives are rapidly proliferating in graphic media as diverse and varied in form and content as is the whole of Latino culture today. Graphic Borders presents the most thorough exploration of comics by and about Latinos currently available. Thirteen essays and one interview by eminent and rising scholars of comics bring to life this exciting graphic genre that conveys the distinctive and wide-ranging experiences of Latinos in the United States. The contributors' exhilarating excavations delve into the following areas: comics created by Latinos that push the boundaries of generic conventions; Latino comic book author-artists who complicate issues of race and gender through their careful reconfigurations of the body; comic strips; Latino superheroes in mainstream comics; and the complex ways that Latino superheroes are created and consumed within larger popular cultural trends. Taken as a whole, the book unveils the resplendent riches of comics by and about Latinos and proves that there are no limits to the ways in which Latinos can be represented and imagined in the world of comics.

Master the basics of the most popular style of cartooning with "The Manga Artist's Workbook" by Christopher Hart, a bestselling author in the field of art instruction. You'll learn the fundamental proportions of the manga face and figure, how to draw those large sparkling eyes, and how to create hairstyles and costumes that make each character unique. A sketchbook and art tutorial rolled into one portable journal, this workbook contains tracing paper, blank practice pages, and exercise to help you become a true manga artist.

A Captain America crossover years in the making, with both Sam Wilson and Steve Rogers wearing the flag!

Bucky Barnes, the newest player in a nefarious game that spans all of civilization, makes his most deadly move yet ― teaming up with Sam Wilson’s nemesis, Hunter, the White Wolf! When Steve Rogers’ adoptive son Ian, A.K.A. Nomad, is abducted by someone Steve thought a friend, he suspects Bucky’s hand at work, and calls upon the people who know Ian best ― Sam, Sharon Carter and Misty Knight ― to help him get to the bottom of the attack. Why has Nomad been taken, and what does it have to do with a portal to Dimension Z opening over a secret battleground in Alaska? Has Bucky finally gone too far? And when Black Widow joins the fray, whose side is she on?

It is 1936 in Berlin, Nazi Germany. A Japanese reporter named Sohei Tohge is covering the Berlin Olympic Games for the Japanese press. As he sits in the Japanese press box watching the many track and field events of the day, he receives a call from his younger brother Isao, who has been studying in Germany as an international student. The two make plans to meet as Isao mentions he has something of importance to share with his sibling. While Sohei initially thinks his little brother may have found a young frau, Isao's tone is clearly that of one who is troubled by topics much heavier than romance.
When Sohei arrives at Berlin University, he finds his brother's room has been through some sort of violent ordeal. A mysterious message was left on a note pad and a window was left wide open. And tangled in the branches of a tree directly below Isao's window rested his dead body. Isao was murdered.
Sohei would immediately launch an investigation to the murder, but almost instantly all traces of information regarding his younger brother's study in Germany has vanished. The police were of no help. Isao's room was also cleared and rented out to another person. Even his building manager feined ignorance. It was as if he had never existed.
Investigating the matter, it is later learned that this murder is connected to a document he mailed to Japan with information regarding Adolf Hitler. As events progress, the lives of three Adolfs, each from distinct origins, intertwine and become more and more tangled as Sohei Toge searches for his brother's murderer.

Contributions by Ofra Amihay, Madeline Backus, Samantha Baskind, Elizabeth Rae Coody, Scott S. Elliott, Assaf Gamzou, Susan Handelman, Leah Hochman, Leonard V. Kaplan, Ken Koltun-Fromm, Shiamin Kwa, Samantha Langsdale, A. David Lewis, Karline McLain, Ranen Omer-Sherman, Joshua Plencner, and Jeffrey L. Richey Comics and Sacred Texts explores how comics and notions of the sacred interweave new modes of seeing and understanding the sacral. Comics and graphic narratives help readers see religion in the everyday and in depictions of God, in transfigured, heroic selves as much as in the lives of saints and the meters of holy languages. Coeditors Assaf Gamzou and Ken Koltun-Fromm reveal the graphic character of sacred narratives, imagining new vistas for both comics and religious texts. In both visual and linguistic forms, graphic narratives reveal representational strategies to encounter the sacred in all its ambivalence. Through close readings and critical inquiry, these essays contemplate the intersections between religion and comics in ways that critically expand our ability to think about religious landscapes, rhetorical practices, pictorial representation, and the everyday experiences of the uncanny. Organized into four sections-Seeing the Sacred in Comics; Reimagining Sacred Texts through Comics; Transfigured Comic Selves, Monsters, and the Body; and The Everyday Sacred in Comics-the essays explore comics and graphic novels ranging from Craig Thompson's Habibi and Marvel's X-Men and Captain America to graphic adaptions of religious texts such as 1 Samuel and the Gospel of Mark. Sacred Texts and Comics shows how claims to the sacred are nourished and concealed in comic narratives. Covering many religions, not only Christianity and Judaism, this rare volume contests the profane/sacred divide and establishes the import of comics and graphic narratives in disclosing the presence of the sacred in everyday human experience.

Operating out of a tiny office on Madison Avenue in the early 1960s, a struggling company called Marvel Comics presented a cast of brightly costumed characters distinguished by smart banter and compellingly human flaws. Spider-Man, the Fantastic Four, Captain America, the Incredible Hulk, the Avengers, Iron Man, Thor, the X-Men, Daredevil - these superheroes quickly won children's hearts and sparked the imaginations of pop artists, public intellectuals, and campus radicals. Over the course of a half century, Marvel's epic universe would become the most elaborate fictional narrative in history and serve as a modern American mythology for millions of readers. Throughout this decades-long journey to becoming a multibillion-dollar enterprise, Marvel's identity has continually shifted, careening between scrappy underdog and corporate behemoth. As the company has weathered Wall Street machinations, Hollywood failures, and the collapse of the comic book market, its characters have been passed along among generations of editors, artists, and writers-also known as the celebrated Marvel Bullpen. Entrusted to carry on tradition, Marvel's contributors-impoverished child prodigies, hallucinating peaceniks, and mercenary careerists among them-struggled with commercial mandates, a fickle audience, and, over matters of credit and control, one another. For the first time, Marvel Comics reveals the outsized personalities behind the scenes, including Martin Goodman, the self-made publisher who forayed into comics after a get-rich-quick tip in 1939; Stan Lee, the energetic editor who would shepherd the company through thick and thin for decades; and Jack Kirby, the World War II veteran who'd co-created Captain America in 1940 and, twenty years later, developed with Lee the bulk of the company's marquee characters in a three-year frenzy of creativity that would be the grounds for future legal battles and endless debates. Drawing on more than one hundred original interviews with Marvel insiders then and now, Marvel Comics is a story of fertile imaginations, lifelong friendships, action-packed fistfights, reformed criminals, unlikely alliances, and third-act betrayals - a narrative of one of the most extraordinary, beloved, and beleaguered pop cultural entities in America's history.

This introduction to studying comics and graphic novels is a structured guide to a popular topic. It deploys new cognitive methods of textual analysis and features activities and exercises throughout. * Deploys novel cognitive approaches to analyze the importance of psychological and physical aspects of reader experience * Carefully structured to build a sequenced, rounded introduction to the subject * Includes study activities, writing exercises, and essay topics throughout * Dedicated chapters cover popular sub-genres such as autobiography and literary adaptation