It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as "Little Nemo in Slumberland" and "Felix the Cat" were animated for the silver screen. Representing diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies, Comics and Pop Culture presents more than a dozen perspectives on this rich history and the effects of such adaptations. Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from Modesty Blaise to Black Panther. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture.

An engaging look at the philosophical underpinnings of Earth's Mightiest Heroes

Avengers assemble Tackling intriguing dilemmas and issues that no single great philosopher can withstand, this powerful book enlists the brainpower of an A-list team of history's most prominent thinkers to explore the themes behind the action of Marvel Comics' all-star superhero team.Arms you with new insights into the characters and themes of "The Avengers"Deepens your appreciation both of "The Avengers" comics and the Joss Whedon movie adaptationAnswers the philosophical questions you've always had about Earth's Mightiest Heroes, including: Can a reformed criminal become a superhero? Can an android love a human? If a hero beats his wife, is he still a hero?Helps you think differently about the members of the superhero team--Captain America, Iron Man, Thor, and the others

This thought-provoking book will help you understand this band of superheroes better, whether you've followed the Avengers for years or are a Joss Whedon fan just getting to know them.

A long overdue look at the famed "fumetti" work of Emanuele Taglietti, a legendary comic book cover artist known for his outrageous artwork In the course of his acclaimed career in the 1970s and 1980s, Emanuele Taglietti painted more than 500 covers for such books as "Zora the Vampire," "Sukia," "Mafia," and "44 Magnum." Taglietti was one of most outstanding artists of the golden age of Italian comics, and crime and horror were his specialties. His iconic work, overflowing with violence and eroticism, is unforgettable. This highly visual biography displays dozens of his amazing full-color paintings, explores his fascinating life and career, and takes a look behind the scenes at his exacting technique. A must-have for comic book fans, artists, and popular culture aficionados alike, the book features never-before-seen photos and art. A unique collection of retrospective of the work of one of the greats of the golden age of Italian comics, this book will appeal to pulp art, comic, and illustration fans.

One of the most beloved characters in all of comics, Tintin won an enormous international following. Translated into dozens of languages, Tintin's adventures have sold millions of copies, and Steven Spielberg is presently adapting the stories for the big screen. Yet, despite Tintin's enduring popularity, Americans know almost nothing about his gifted creator, Georges Remi--better known as Herge. Offering a captivating portrait of a man who revolutionized the art of comics, this is the first full biography of Herge available for an English-speaking audience.
Born in Brussels in 1907, Herge began his career as a cub reporter, a profession he gave to his teenaged, world-traveling hero. But whereas Tintin was "fully formed, clear-headed, and positive," Assouline notes, his inventor was "complex, contradictory, inscrutable." For all his huge success--achieved with almost no formal training--Herge would say unassumingly of his art, "I was just happy drawing little guys, that's all." Granted unprecedented access to thousands of the cartoonist's unpublished letters, Assouline gets behind the genial public mask to take full measure of Herge's life and art and the fascinating ways in which the two intertwine. Neither sugarcoating nor sensationalizing his subject, he meticulously probes such controversial issues as Herge's support for Belgian imperialism in the Congo and his alleged collaboration with the Nazis. He also analyzes the underpinnings of Tintin--how the conception of the character as an asexual adventurer reflected Herge's appreciation for the Boy Scouts organization as well as his Catholic mentor's anti-Soviet ideology--and relates the comic strip to Herge's own place within the Belgian middle class.
A profound influence on a generation of artists such as Andy Warhol and Roy Lichtenstein, the elusive figure of Herge comes to life in this illuminating biography--a deeply nuanced account that unveils the man and his career as never before."

One of the most beloved characters in all of comics, Tintin won an enormous international following. Translated into dozens of languages, Tintin's adventures have sold millions of copies. Yet, despite Tintin's enduring popularity, Americans know almost nothing about his gifted creator, Georges Remi--better known as Herge.
Timed to coincide with Steven Spielberg's long-awaited film The Adventures of Tin Tin: Secret of the Unicorn, here is the first full biography of Herge available for an English-speaking audience, offering a captivating portrait of a man who revolutionized the art of comics. Granted unprecedented access to thousands of the cartoonist's unpublished letters, Assouline gets behind the genial public mask to take full measure of Herge's life and art and the fascinating ways in which the two intertwine. Neither sugarcoating nor sensationalizing his subject, he weighs such controversial issues as Herge's support for Belgian imperialism in the Congo and his alleged collaboration with the Nazis. He also analyzes the underpinnings of Tintin--how the conception of the character as an asexual adventurer reflected Herge's love for the Boy Scouts as well as his Catholic mentor's anti-Soviet ideology--and relates the comic strip to Herge's own place within the Belgian middle class.
For all his huge success--achieved with almost no formal training--Herge would say unassumingly of his art, "I was just happy drawing little guys, that's all." A profound influence on a generation of artists such as Andy Warhol and Roy Lichtenstein, the elusive figure of Herge comes to life in this illuminating biography--a deeply nuanced account that unveils the man and his career as never before.
"Highlights yet again that all-too-common divide between the flawed private man and the admirable creative genius.... Those fascinated by the strange lives of creative geniuses may want to read Assouline's fine, if somewhat disillusioning, biography."
--Michael Dirda, Washington Post
"Will inform and edify America's Tintin devotees."
--San Francisco Chronicle"

Mainstream narratives of the graphic novel’s development describe the form’s “coming of age,� its maturation from pulp infancy to literary adulthood. In Arresting Development, Christopher Pizzino questions these established narratives, arguing that the medium’s history of censorship and marginalization endures in the minds of its present-day readers and, crucially, its authors. Comics and their writers remain burdened by the stigma of literary illegitimacy and the struggles for status that marked their earlier history. Many graphic novelists are intensely aware of both the medium’s troubled past and their own tenuous status in contemporary culture. Arresting Development presents case studies of four key works—Frank Miller’s Batman: The Dark Knight Returns, Alison Bechdel’s Fun Home, Charles Burns’s Black Hole, and Gilbert Hernandez’s Love and Rockets—exploring how their authors engage the problem of comics’ cultural standing. Pizzino illuminates the separation of high and low culture, art and pulp, and sophisticated appreciation and vulgar consumption as continual influences that determine the limits of literature, the status of readers, and the value of the very act of reading.

Best known for her Eisner Award-winning graphic novels, Exit Wounds and The Property, Rutu Modan's richly colored compositions invite readers into complex Israeli society, opening up a world too often defined only by news headlines. Her strong female protagonists stick out in a comics scene still too dominated by men, as she combines a mystery novelist's plotting with a memoirist's insights into psychology and trauma. The Comics of Rutu Modan: War, Love, and Secrets conducts a close reading of her work and examines her role in creating a comics arts scene in Israel. Drawing upon archival research, Kevin Haworth traces the history of Israeli comics from its beginning as 1930s cheap children's stories, through the counterculture movement of the 1970s, to the burst of creativity that began in the 1990s and continues full force today. Based on new interviews with Modan (b. 1966) and other comics artists, Haworth indicates the key role of Actus Tragicus, the collective that changed Israeli comics forever and launched her career. Haworth shows how Modan's work grew from experimental mini-comics to critically acclaimed graphic novels, delving into the creative process behind Exit Wounds and The Property. He analyzes how the recurring themes of family secrets and absence weave through her stories, and how she adapts the famous clear line illustration style to her morally complex tales. Though still relatively young, Modan has produced a remarkably varied oeuvre. Identifying influences from the United States and Europe, Haworth illustrates how Modan's work is global in its appeal, even as it forms a core of the thriving Israeli cultural scene.

The master of mayhem, Matt Groening, will drive you berserk with this crazy collection of crackpot comics. Find out what bizarre secrets lie in the bowels of the Kwik-E-Mart, but beware the effects of the Squishie brain freeze. Witness the outrageous events that take place when Bart manages to have all the teachers deported at Springfield Elementary and they are replaced by substitutes -- Lisa and Martin. Watch Krusty the Clown turn the town upside-down with his new Krustyburger spokesman. See Bart go from zany to brainy as he attempts to outwit, outlast, and outlive both the dramatic return of his arch-nemesis Sideshow Bob and a near-fatal fling into the future. Then, it is Homer's turn to put his life on the line in the most dangerous game show ever invented. Simpsons Comics Madness will have you bouncing off the walls with insane fits of laughter.

See the world differently... 'Paperboyo sees things other people don't see, in places they wouldn't dream to look ... He's ace!' - Rankin, British portrait and fashion photographer 'Fabulous little book' - Daily Mail Around the World in Cut Outs is a bright, fun and beautiful collection of the talents of the Instagram star, Rich McCor or Paperboyo as he is better known. Setting out one day to photograph the world around him a little differently, Rich's playful vignettes have taken the Internet by storm as he totally transforms familiar landmarks into works of art, simply by cutting out paper. In this stunning collection, including exclusive specially commissioned images, Rich takes us on a globe-trotting tour as he makes the familiar world his playground, taking the sites we know and love and injecting a bit of fun into the everyday. Features exclusive specially commissioned unseen images, behind-the-scenes photographs and interactive cut-outs to explore yourself!

Comics and cartoons are ingrained in American life.

One critic has called comic books "crude, unimaginative, banal, vulgar, ultimately corrupting." They have been regarded with considerable suspicion by parents, educators, psychiatrists, and moral reformers. They have been investigated by governmental committees and subjected to severe censorship.

Yet more than 200 million copies are sold annually. Upon even casual examination BLONDIE, ARCHIE, MARY WORTH, THE WIZARD OF ID, and SHOE--among the many comic strips--will be found to support some commonly accepted notion or standard of society.

Why do comics both amuse and arouse controversy? Here is an attempt at an answer in a sharp-eyed comic-book lover's probing look at this step-child genre. He finds comics both loved and hated, relished and sneered at. In their relying on dramatic conventions of character, dialogue, scene, gesture, compressed time, and stage devices, he finds the comics close to the drama but probably closer kin to the movies.

500 Portraits collects for the first time over two decades of portrait work by the beloved and award-winning creator of Drinky Crow s Maakies, Sock Monkey and Billy Hazelnuts. Tony Millionaire s gorgeous fountain pen illustrations, which mingle naturalistic detail with strong doses of the fanciful and grotesque, include the famous (Bob Dylan), the infamous (Abu Ghraib soldier/model Lynndie England), the fictional (Yoda), the animal kingdom (a cockroach), and everything in between. Literary figures (Hemingway), literary characters (Don Quixote and Sancho Panza), Hollywood legends (Steven Spielberg), comics icons (Herge) and historical figures (Hitler) also figure prominently. Millionaire s impeccable linework resembles that of Johnny Gruelle (creator of Raggedy Ann and Andy), whom he cites as one of his main sources of inspiration along with Ernest Shepard and all those freaks from the 20s and 30s who did the newspaper strips. Many of these 500 portraits were created for The Believer, the magazine founded by Dave Eggers that Millionaire has helped define visually with his signature portraits of interview subjects in every issue since the magazine started. But it also includes dozens if not hundreds of illustrations from various other publications, including The New York Times, The New Yorker, Ephemera Press Historical Maps, The Wall Street Journal, and others.

'Blab World' defies description - neither book nor magazine, it is simply a work of art. Over the last decade, 'Blab ' has accrued countless design awards and honours. Founded in 1986 by acclaimed Chicago-based graphic designer and art director Monte Beauchamp, it has evolved from a comic into a printed keepsake.

What does every aspiring comic artist REALLY want to draw? Action, of course Learn how to render all aspects of adrenalin-filled movement, from jaw-dropping superhero antics to kick-ass fistfights.

• Techniques for drawing every dynamic action are explained, from body contact and flying through to fistfights, group rumbles and full-on battles
• Clever exercises show how to achieve convincing movement, from dynamic standing poses, to running, swinging, flying and fighting
• An Action File of comic character drawings in dynamic poses forms an invaluable resource for practice and reference

Hoping to break out of a sales slump at Marvel in the early 1960s, veteran comic creators Stan Lee and Jack Kirby hit on the idea of doing a super team. Kirby, who thought superheroes were due for a revival after 15 years of being pushed aside by romance, horror, and war comics, saw it as smart business. Lee just once wanted to "do the type of story I myself would enjoy reading." The Fantastic Four forever changed their careers, their lives, and the comic book industry. Some of the most iconic moments in Marvel history are here, starting with Reed Richards, his girlfriend Sue Storm, his best friend Ben Grimm, and her little brother Johnny Storm crash landing their rocket after it has been hit cosmic rays and discovering they have been transformed into Mr. Fantastic, the Invisible Girl, the Thing, and the Human Torch in issue No. 1. They were emotionally complex characters, who weren't always sure whether their powers were a benefit or burden. Stories were set in New York City, not some fictional stand-in, and Marvel heroes regularly crossed over into each other's books. The art was dynamic and the writing conversational and engaging. Lee and Kirby were like the Lennon and McCartney of comic books. Where the talents of one ended and the other began was not always clear, but together one plus one equaled three. Collected here in an XXL-size volume are the first 20 issues reproduced from the most pristine pedigreed original comics, which were cracked open and photographed in close collaboration with Marvel and the Certified Guaranty Company. Featured alongside the comics is an in-depth essay by acclaimed Marvel writer Mark Waid, a foreword by former NASA astronaut Mike Massimino, and original art, photographs, and other rarities. Welcome true believers to the Marvel Age of Comics. (c) 2022 MARVEL About the series MARVEL COMICS LIBRARY is an exclusive, long-term collaboration between TASCHEN and Marvel. The rarest classic comics, including Spider-Man, Avengers, and Captain America are meticulously reproduced in their original glory, in extra-large format. The library offers collectors a once-in-a-lifetime opportunity to lay their hands on the world's most desirable comics. Each volume includes an essay by a comic book historian along with hundreds of photos and artifacts, including rare original comic book artwork.

Comic Books Incorporated tells the story of the US comic book business, reframing the history of the medium through an industrial and transmedial lens. Comic books wielded their influence from the margins and in-between spaces of the entertainment business for half a century before moving to the center of mainstream film and television production. This extraordinary history begins at the medium's origin in the 1930s, when comics were a reviled, disorganized, and lowbrow mass medium, and surveys critical moments along the way-market crashes, corporate takeovers, upheavals in distribution, and financial transformations. Shawna Kidman concludes this revisionist history in the early 2000s, when Hollywood had fully incorporated comic book properties and strategies into its business models and transformed the medium into the heavily exploited, exceedingly corporate, and yet highly esteemed niche art form we know so well today.

Sophie Crumb's startlingly expressive drawings track her development as an artist from age two to twenty-eight. Sifting through dozens of their daughter's remarkable sketchbooks, our generation's most celebrated graphic artists have, with their only child, Sophie, now selected more than three hundred paintings and drawings that depict her artistic and psychological maturation. Revealing how an original artistic sensibility is both innate and nurtured, the book features six separate developmental stages, including Sophie's earliest drawings, the elaborate fantasy world of her childhood, her late adolescent rebellion, and her coming of age in the milieu of the Paris circus world and New York's "seventh circle of hell." The drawings from her early twenties of tattoo artists, dangerous men reflect a personal anguish that finally ends with her becoming a mother and creating a family of her own. Illuminating and intimate, this book is a dramatic yet subtle statement on the evolution of personality as seen through art."

Four days after the September 11, 2001, terrorist attacks, Pulitzer Prize--winning cartoonist Joel Pett of the "Lexington (Ky.) Herald-Leader" chided President George W. Bush for having declared that America would "punish any state that harbored or trained terrorists." In one of his cartoons, Pett asked if this included the state of Florida, where the terrorists had lived and taken flying lessons. When Pett followed with other criticisms of Bush, readers canceled subscriptions, demanded that Pett be fired, and left profane messages on his voice mail. "One elderly woman spat into the phone that I 'should have been in the World Trade Center, 'Pett said. "Such is the power of the cartoon when it is unleashed."

Unrestricted by journalistic standards of objectivity, editorial cartoonists wield ire and irony to reveal the naked truths about presidents, business leaders, and other public figures. Indeed, since the founding of the republic, cartoonists have both made an important contribution to and offered a critical commentary on our society.

This book demonstrates the limits of cartooning from the courtroom to the newsroom. Chris Lamb examines the reasons for the declining state of the art and the implications for all of us. Most newspapers today publish relatively generic, gag-related, syndicated cartoons. They are cheaper and generate fewer phone calls than hard-hitting cartoons. Lamb charges that they are symptomatic of the foundering newspaper industry and reflect a weakness in the newspaper's traditional watchdog function. If a newspaper wants to fulfill its function in society, maybe it should find ways to make the phone ring more -- not less!

Fast facts, illuminating info, and tantalizing trivia about the heroes and villains of the whole DC Comics Universe. The latest title in a bestselling series, DC Comics: Absolutely Everything You Need To Know has the lowdown on everyone's favorite DC Comics Super Heroes and Super-Villains, including Superman™, Batman™, Wonder Woman™, The Flash™, Green Lantern™, Aquaman™ and The Joker™. The infographic design of each illustrated, double-page feature gives readers a totally new slant on the DC Comics Universe and its super-powered heroes and villains, fantastic weapons, futuristic technology, strange planets, exotic places and alternate worlds. The punchy, accessible text, incorporates key data, fun facts, lists, quotes and amazing stats, spanning 80 years of DC Comics Super Hero thrills. Information is presented in exciting box styles and illustrated with DC Comics artwork.

Themed boxes capture the essence of characters or topics by pinpointing their most unforgettable aspects. Discover Superman's strangest powers and Batman's top death-defying escapes! Find out who wins when Wonder Woman and The Cheetah™ go head to head. Check out The Joker's best and worst days! Learn the greatest secrets of Aquaman's undersea kingdom Atlantis! Explore the darkest corners of Arkham Asylum and Apokolips! These and many more eye-popping revelations and strange, intriguing insights await readers of DC Comics: Absolutely Everything You Need to Know-a book that will inform, delight and enthral DC Comics fans of all ages.

TM & © DC Comics.