Contributions by Georgiana Banita, Lan Dong, Ann D'Orazio, Kevin C. Dunn, Alexander Dunst, Jared Gardner, Edward C. Holland, Isabel Macdonald, Brigid Maher, Ben Owen, Rebecca Scherr, Maureen Shay, Marc Singer, Richard Todd Stafford, and Oyvind Vagnes The Comics of Joe Sacco addresses the range of his award-winning work, from his early comics stories as well as his groundbreaking journalism Palestine (1993) and Safe Area to Gorazde (2000), to Footnotes in Gaza (2009) and his most recent book The Great War (2013), a graphic history of World War I.First in the series, Critical Approaches to Comics Artists, this edited volume explores Sacco's comics journalism, and features established and emerging scholars from comics studies, cultural studies, geography, literary studies, political science, and communication studies. Sacco's work has already found a place in some of the foundational scholarship in comics studies, and this book solidifies his role as one of the most important comics artists today. Sections focus on how Sacco's comics journalism critiques and employs the "standard of objectivity" in mainstream reporting, what aesthetic principles and approaches to lived experience can be found in his comics, how Sacco employs the space of the comics page to map history and war, and the ways that his comics function in the classroom and as human rights activism. The Comics of Joe Sacco offers definitive, exciting approaches to some of the most important-and necessary-comics today, by one of the most acclaimed journalist-artists of our time.

Over the years, the companies have deployed an arsenal of schemes in an attempt to outmaneuver the competition, whether it be stealing ideas, poaching employees, planting spies, ripping off characters or launching price wars. Sometimes the feud has been vicious, at other times, more cordial. But it has never completely disappeared, and it simmers on a low boil to this day. This is the story of the greatest corporate rivalry never told. Other books have revealed elements of the Marvel-DC battle, but this will be the first one to put it all together into a single, juicy narrative. It will also serve as an alternate history of the superhero, told through the lens of these two publishers.

There's this guy we know--quiet, unassuming, with black hair and thick glasses. He's doing his best to fit in, in a world far away from the land of his birth. He knows he's different and that his differences make him alien, an outsider--but they also make him special. Yet he finds himself unable to reveal his true self to the world. . . .

For many Asian Americans, this chronicle sounds familiar because many of us have lived it. But it also happens to be the tale of mild-mannered reporter Clark Kent, better known as Superman. And the parallels between those stories help explain why Asian Americans have become such a driving force in the contemporary comics renaissance as artists, writers, and fans.

Yet there's one place where Asians are still underrepresented in comics: between the four-color covers themselves. That's why, in "Secret Identities," top Asian American writers, artists, and comics professionals have come together to create twenty-six original stories centered around Asian American superheroes--stories set in a shadow history of our country, exploring ordinary Asian American life from a decidedly extraordinary perspective. Entertaining, enlightening, and more than a little provocative, "Secret Identities" blends action, satire, and thoughtful commentary into a groundbreaking anthology about a community too often overlooked by the cultural mainstream.

First with his magisterial fantasy Bone to his mind-bending, time-warping sci-fi noir RASL, Paleolithic-Set fantasy Tuki: Save the Humans, arthouse-styled superheroic miniSeries Shazam!, and his latest children's book Smiley's Dream Book, Jeff Smith (b. 1960) has made an indelible mark on the comics industry. As a child, Smith was drawn to Charles Schulz's Peanuts, Carl Barks's Donald Duck, and Walt Kelly's Pogo, and he began the daily practice of drawing his own stories. After writing his regular strip Thorn for The Ohio State University's student paper, Smith worked in animation before creating, writing, and illustrating his runaway success, Bone. A comedic fantasy epic, Bone focuses on the Bone cousins, white, bald cartoon characters run out of their hometown, lost in a distant, mysterious valley. The self-published Series ran from 1991 to 2004 and won numerous awards, including ten Eisner Awards. This career-spanning collection of interviews, ranging from 1999 to 2017, enables readers to follow along with Smith's development as an independent creator, writer, and illustrator.

Superman, Donald Duck, Mickey Mouse and others helped fight World War II via comic books and strips, single-panel and editorial cartoons, and even ads. Cartoons for Victory showcases wartime work by cartoonists such as Charles Addams (The Addams Family), Harold Gray (Little Orphan Annie), Harvey Kurtzman (Mad magazine), Will Eisner, and many others. Most of the cartoons and comics in this book have not been seen since their first publication. Editor Bernard gathered them over years of unstinting research through private collections and the obscure holdings of public sources. This is the most comprehensive collection ever assembled of World War II era cartoons, reflecting the indefatigable spirit of the time."

It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as "Little Nemo in Slumberland" and "Felix the Cat" were animated for the silver screen. Representing diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies, Comics and Pop Culture presents more than a dozen perspectives on this rich history and the effects of such adaptations. Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from Modesty Blaise to Black Panther. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture.

The complete story of Marvel Comics, illustrated with artwork from the official Marvel archives. The Marvel Museum gives readers the experience of a fascinating exhibition from the pages of a beautiful book. This stunningly curated collection includes rarely-seen artwork from the Marvel archives. Includes The Avengers, Black Panther, Black Widow, Captain America, Captain Marvel, Guardians of the Galaxy, Spider-Man, X-Men and more! Chronicling the history of the legendary Marvel Comics, this book is a must-have addition to any collector's shelf. (c) 2019 MARVEL.

One of the most beloved characters in all of comics, Tintin won an enormous international following. Translated into dozens of languages, Tintin's adventures have sold millions of copies, and Steven Spielberg is presently adapting the stories for the big screen. Yet, despite Tintin's enduring popularity, Americans know almost nothing about his gifted creator, Georges Remi--better known as Herge. Offering a captivating portrait of a man who revolutionized the art of comics, this is the first full biography of Herge available for an English-speaking audience.
Born in Brussels in 1907, Herge began his career as a cub reporter, a profession he gave to his teenaged, world-traveling hero. But whereas Tintin was "fully formed, clear-headed, and positive," Assouline notes, his inventor was "complex, contradictory, inscrutable." For all his huge success--achieved with almost no formal training--Herge would say unassumingly of his art, "I was just happy drawing little guys, that's all." Granted unprecedented access to thousands of the cartoonist's unpublished letters, Assouline gets behind the genial public mask to take full measure of Herge's life and art and the fascinating ways in which the two intertwine. Neither sugarcoating nor sensationalizing his subject, he meticulously probes such controversial issues as Herge's support for Belgian imperialism in the Congo and his alleged collaboration with the Nazis. He also analyzes the underpinnings of Tintin--how the conception of the character as an asexual adventurer reflected Herge's appreciation for the Boy Scouts organization as well as his Catholic mentor's anti-Soviet ideology--and relates the comic strip to Herge's own place within the Belgian middle class.
A profound influence on a generation of artists such as Andy Warhol and Roy Lichtenstein, the elusive figure of Herge comes to life in this illuminating biography--a deeply nuanced account that unveils the man and his career as never before."

Mainstream narratives of the graphic novel’s development describe the form’s “coming of age,” its maturation from pulp infancy to literary adulthood. In Arresting Development, Christopher Pizzino questions these established narratives, arguing that the medium’s history of censorship and marginalization endures in the minds of its present-day readers and, crucially, its authors. Comics and their writers remain burdened by the stigma of literary illegitimacy and the struggles for status that marked their earlier history. Many graphic novelists are intensely aware of both the medium’s troubled past and their own tenuous status in contemporary culture. Arresting Development presents case studies of four key works—Frank Miller’s Batman: The Dark Knight Returns, Alison Bechdel’s Fun Home, Charles Burns’s Black Hole, and Gilbert Hernandez’s Love and Rockets—exploring how their authors engage the problem of comics’ cultural standing. Pizzino illuminates the separation of high and low culture, art and pulp, and sophisticated appreciation and vulgar consumption as continual influences that determine the limits of literature, the status of readers, and the value of the very act of reading.

Master the basics of the most popular style of cartooning with "The Manga Artist's Workbook" by Christopher Hart, a bestselling author in the field of art instruction. You'll learn the fundamental proportions of the manga face and figure, how to draw those large sparkling eyes, and how to create hairstyles and costumes that make each character unique. A sketchbook and art tutorial rolled into one portable journal, this workbook contains tracing paper, blank practice pages, and exercise to help you become a true manga artist.

This critical compilation introduces the cartoonist Daniel Clowes's award-winning comics and provides those familiar with his work new ways of appreciating his visual and literary achievement by organising 10 Clowes narratives into 3 thematic sections and supplying each story with an introduction and annotations.

'Blab World' defies description - neither book nor magazine, it is simply a work of art. Over the last decade, 'Blab ' has accrued countless design awards and honours. Founded in 1986 by acclaimed Chicago-based graphic designer and art director Monte Beauchamp, it has evolved from a comic into a printed keepsake.

500 Portraits collects for the first time over two decades of portrait work by the beloved and award-winning creator of Drinky Crow s Maakies, Sock Monkey and Billy Hazelnuts. Tony Millionaire s gorgeous fountain pen illustrations, which mingle naturalistic detail with strong doses of the fanciful and grotesque, include the famous (Bob Dylan), the infamous (Abu Ghraib soldier/model Lynndie England), the fictional (Yoda), the animal kingdom (a cockroach), and everything in between. Literary figures (Hemingway), literary characters (Don Quixote and Sancho Panza), Hollywood legends (Steven Spielberg), comics icons (Herge) and historical figures (Hitler) also figure prominently. Millionaire s impeccable linework resembles that of Johnny Gruelle (creator of Raggedy Ann and Andy), whom he cites as one of his main sources of inspiration along with Ernest Shepard and all those freaks from the 20s and 30s who did the newspaper strips. Many of these 500 portraits were created for The Believer, the magazine founded by Dave Eggers that Millionaire has helped define visually with his signature portraits of interview subjects in every issue since the magazine started. But it also includes dozens if not hundreds of illustrations from various other publications, including The New York Times, The New Yorker, Ephemera Press Historical Maps, The Wall Street Journal, and others.

Superhero comics reckon with issues of corporeal control. And while they commonly deal in characters of exceptional or superhuman ability, they have also shown an increasing attention and sensitivity to diverse forms of disability, both physical and cognitive. The essays in this collection reveal how the superhero genre, in fusing fantasy with realism, provides a visual forum for engaging with issues of disability and intersectional identity (race, ethnicity, class, gender, and sexuality) and helps to imagine different ways of being in the world. Working from the premise that the theoretical mode of the uncanny, with its interest in what is simultaneously known and unknown, ordinary and extraordinary, opens new ways to think about categories and markers of identity, Uncanny Bodies explores how continuums of ability in superhero comics can reflect, resist, or reevaluate broader cultural conceptions about disability. The chapters focus on lesser-known characters-such as Echo, Omega the Unknown, and the Silver Scorpion-as well as the famous Barbara Gordon and the protagonist of the acclaimed series Hawkeye, whose superheroic uncanniness provides a counterpoint to constructs of normalcy. Several essays explore how superhero comics can provide a vocabulary and discourse for conceptualizing disability more broadly. Thoughtful and challenging, this eye-opening examination of superhero comics breaks new ground in disability studies and scholarship in popular culture. In addition to the editors, the contributors are Sarah Bowden, Charlie Christie, Sarah Gibbons, Andrew Godfrey-Meers, Marit Hanson, Charles Hatfield, Naja Later, Lauren O'Connor, Daniel J. O'Rourke, Daniel Pinti, Lauranne Poharec, and Deleasa Randall-Griffiths.

Much is known about scientists such as Darwin, Newton, and Einstein, but what about lesser known scientists - people who have not achieved a high level of fame, but who have contributed greatly to human knowledge? What were their lives like? What were their struggles, aims, successes, and failures? How do their discoveries fit into the bigger picture of science as a whole? Overlooked, sidelined, excluded, discredited: key figures in scientific discovery come and take their bow in an alternative Nobel prize gallery. Antoine Lavoisier: the father of French chemistry who gave oxygen its name, Lavoisier was a wealthy man who found himself on the wrong side of a revolution and paid the price with his life. Mary Anning: a poor, working-class woman who made her living fossil-hunting along the beach cliffs of southern England. Anning found herself excluded from the scientific community because of her gender and social class. Wealthy, male, experts took credit for her discoveries. George Washington Carver: born a slave, Carver become one of the most prominent botanists of his time, as well as a teacher at the Tuskegee Institute. Carver devised over 100 products using one major ingredient - the peanut - including dyes, plastics and gasoline. Alfred Wegener: a German meteorologist, balloonist, and arctic explorer, his theory of continental drift was derided by other scientists and was only accepted into mainstream thinking after his death. He died in Greenland on an expedition, his body lost in the ice and snow. Nikola Tesla: a Serbian American inventor, electrical engineer, mechanical engineer, physicist, and futurist best known for his contributions to the design of the modern alternating current (AC) electricity supply system. A competitor of Edison, Tesla died in poverty despite his intellectual brilliance. Jocelyn Bell Burnell: a Northern Irish astrophysicist. As a postgraduate student, she discovered the first radio pulsars (supernova remnants) while studying and advised by her thesis supervisor Antony Hewish, for which Hewish shared the Nobel Prize in physics while Bell Burnell was excluded. Fred Hoyle: an English astronomer noted primarily for the theory of stellar nucleosynthesis - the process whereby most of the elements on the Periodic Table are created. He was also noted for the controversial positions he held on a wide range of scientific issues, often in direct opposition to prevailing theories. This eccentric approach contributed to him to being overlooked by the Nobel Prize committee for his stellar nucleosynthesis work. Any one of these figures could have been awarded a Nobel prize. Not every scientific discoverer was lauded in their time, for reasons of gender, race, or lack of wealth, or (in the case of Lavoisier) being too wealthy: in the 21st century, there are many more reparations and reputations to be made.

Using images from a wide variety of international wartime magazines, newspapers, books, postcards, posters and prints Mark Bryant tells the history of World War I from both sides of the conflict in an immediate and refreshing manner that brings history alive. The book contains more than 300 cartoons and caricatures, in colour and black and white, many of which are published here in book form for the first time. Artists featured include such famous names as Bruce Bairnsfather, H.M.Bateman, F.H.Townshend, Alfred Leete, E.J. Sullivan, Lucien Metivet and Louis Raemaekers, with drawings from the Bystander, London Opinion, Daily Graphic, Punch, Le Rire, Simplicissimus and Kladderadatsch amongst many others.

100 Marvel comics that built a universe. Which comic books have helped define Marvel Comics and make them the pop-culture phenomenon they are today? Find out in Marvel Greatest Comics, a compelling showcase of some of the most trailblazing and inspiring comic books ever created. From the groundbreaking original Human Torch and his aquatic adversary Namor, the Sub-Mariner in 1939 to the game-changing 1960s Super Hero icons such as Spider-Man, the Avengers, and the Fantastic Four, to smart modern makeovers in the 21st century like Guardians of the Galaxy and Squirrel Girl, Marvel have set the pace. This book's specially curated and expertly appraised selection is a stunningly illustrated and insightful assessment of Marvel Comics and its legacy through the comics that made the company great. These are the comics that changed the face of an industry. These are Marvel's greatest comics. (c) 2020 MARVEL