Published annually, this 29th edition brings together a unique combination of the latest data on, and detailed analysis of, a vast region. Scrupulously updated by Europa's experienced editors, the volume also includes contributions from regional specialists. General Survey Essays written by acknowledged experts on the area provide an impartial overview of the region. Country surveys Individual chapters on each country, comprising: - essays on the geography, recent history and economy of each country - a statistical survey - a full directory section - a select bibliography. Regional Information A directory of research institutes and bibliographies of books and journals covering Latin America and the Caribbean.

Contemporary Europe is in the midst of a cultural and social crisis. Debates over how European societies should respond to their changing ethnic profile lie at the heart of this crisis, whilst the issues raised have been given sharper focus by nationalist political parties espousing an anti-immigration agenda. This book examines the relationship between gender and ethnicity in Europe, viewed from within an immigration framework. To date, much of the research on Europe has treated gender and ethnicity in isolation. The contributors to this collection rectify this. They make the links between these two areas thus giving ethnic minority women greater visibility within the European context. They consider the relationship between gender and ethnicity from a number of thematic perspectives including the feminization of migration, political mobilization by ethnic minority women, women and Islam and the formation of identity. The case studies examine Islamic cultures in Italy, Turkish identity in Germany, the political experience of South Asian women in the UK, migrant women in Spain, challenges to the social reputation of Muslim women in the Netherlands, evolving perceptions in Post-Communist Russia and political activism in France. The book also considers white women's identity and questions whether or not a service caste, drawn from contemporary migrant women, is emerging in today's Europe. Throughout, we learn about the new and different forms of 'Europeanness' that these women are forging.

"Pride goeth before destruction, a hoaughty spirit before a mighty fall." As the biblical fall of Satan suggests, pride as a defining symptom of self-preoccupation follows a paradoxical route at which end lies self-destruction. Dyson explores the fate of pride from Christian theology to the social responsibilities of self-regard and regard for the society as a whole. Pride is also vain glory, or the inordinate obsession with one's existence, body and intellect, which becomes the playground for human vanity. Dyson examines how pride, within black communities, becomes a necessary and ironic defense against a culture that at once formally rejected it in their vreligious beliefs but embraced it in their social realtions. As a result, blacks were ensconced, implicated, even embroiled, in the West's schizophrenic views of the deadly sin. Dyson will explore all these moments of pride, attempting to probe the contradictory facets of a vice that in some instances became a celebrated virtue, and a virtue among some cultures that ultimately became a vice.

A century after the first wave of Hispanic settlement in Houston, the city has come to be known as the "Hispanic mecca of Texas". Arnoldo De Leon's classic study of Hispanic Houston, now updated to cover recent developments and encompass a decade of additional scholarship, showcases the urban experience for Sunbelt Mexican Americans.

De Leon focuses on the development of the barrios in Texas' largest city from the 1920s to the present. Following the generational model, he explores issues of acculturation and identity formation across political and social eras. This contribution to community studies, urban history, and ethnic studies was originally published in 1989 by the Center for Mexican American Studies at the University of Houston. With the Center's cooperation, it is now available again for a new generation of scholars.

Mosler and Catley show Australia as migrant Americans see it, warts and all! They begin with an examination of the evolution of the United States as a major dominant power in the international system, emphasizing the duality of its external power coupled with its troubled and variegated society--the greatest wealth coexisting with some of the world's most difficult cities. But, as they point out, very few people emigrate from this melting pot, and many of those that do leave go to Australia. They are seeking employment, adventure, and, for some, a refuge from the difficult aspects of American life. The more than 250,000 Americans who have gone to Australia since WWII are mostly well-qualified professional people who have developed good life styles and contribute significantly to many aspects of Australian life. But some, particularly women, are also dissatisifed and describe varying degrees of anti- Americanism, despite Australia being among the most receptive of societies to American ideas and culture. Americans also tend to bring their political orientations with them. Many are now becoming Australians whose children want to stay. Australia is only a bit further than California and it brings its own surprises. Relying on survey data, interviews, and their own experiences, Mosler and Catley provide answers to many questions about the American-Australian connection.

The Cameroon Grassfields, home to three ethnic groups - Grassfields societies, Mbororo, and Hausa - provide a valuable case study for the anthropological examination of identity politics and interethnic relations. In the midst of the political liberalization of Cameroon in the late 1990s and 2000s, local responses to political and legal changes took the form of a series of performative and discursive expressions of ethnicity. Confrontational encounters stimulated by economic and political rivalry, as well as socially integrative processes, transformed collective self-understanding in Cameroon in conjunction with recent global discourses on human, minority, and indigenous rights. The book provides a vital contribution to the study of ethnicity, conflict, and social change in the anthropology of Africa.

Based on extensive fieldwork and documentary research in China, this book is a chronicle of the musical history of Lijiang County in China's southern Yunnan Province. It focuses on Dongjing music, a repertoire borrowed from China's Han ethnic majority by the indigenous Naxi inhabitants of Lijiang County. Used in Confucian worship as well as in secular entertainment, Dongjing music played a key role the Naxi minority's assimilation of Han culture over the last 200 years. Prized for its complexity and elegance, which set it apart from "rough" or "simpler" indigenous Naxi music, Dongjing played an important role in defining social relationships, since proficiency in the music and membership in the Dongjing associations signified high social status and cultural refinement. In addition, there is a strong political component in its examination of the role of indigenous music in the relation of a socialist state to its ethnic minorities.
The first in English on this rich musical tradition, this book is also unique in providing a complete history of the music in a single region in China over the twentieth century. It integrates individual, local, and national histories with musical experience and musical change. Ethnic music in China provides a vivid example of the tremendous cultural changes over the past century, and the tradition continues to evolve as China encourages ethnic diversity within a unified socialist nation. The book includes a case study of China's tourist trade and its policies toward minorities.

This book uses political process theory to examine the three most successful cultural movements that have mobilized around Christopher Columbus, a figure whose surrounding myths have served many interests. The author examines the religious, ethnic, and anti-colonial movements that were most successful in rewriting national origin myth, providing a clear application of the political process model while telling the story of how a powerless public mobilized to rewrite its past.

This book explores the role of horizontal inequalities - inequalities that exist between ethnic, religious or racial groups - as a source of violent conflict. This study shows how political, economic and cultural status inequalities have contributed to conflict, drawing on econometric evidence and in-depth studies of West Africa, Latin America and Southeast Asia. It points the way to policies which would reverse inequality and thus reduce the risk of conflict.

In "This Bridge Called My Back," Gloria Anzaldua wrote: "A woman who writes has power. A woman who writes is feared. In the eyes of the world this makes us dangerous beasts." Her statement marked a moment of collective self-recognition. "Radical Chicana Poetics" considers this moment as a point of entry into Chicana writings. Offering a transdisciplinary analysis of works by Anzaldua, Cherrie Moraga, Ana Castillo, Emma Perez, Alicia Gaspar de Alba, and Sandra Cisneros, this book explores how radical Chicanas deal with tensions that arise from their focus on the body, desire, and writing. Delving into the subtle differences between the authors, Ricardo F. Vivancos Perez sheds new light on contemporary cultural production and feminist activism, and reflects upon positionality and ethics in Chican@ and Latin@ scholarship.

Perry argues that racism in America has moved into a new phase--post-intentional For a nation that often optimistically claims to be post-racial, we are still mired in the practices of racial inequality that plays out in law, policy, and in our local communities. One of two explanations is often given for this persistent phenomenon: On the one hand, we might be hypocritical-saying one thing, and doing or believing another; on the other, it might have little to do with us individually but rather be inherent to the structure of American society. More Beautiful and More Terrible compels us to think beyond this insufficient dichotomy in order to see how racial inequality is perpetuated. Imani Perry asserts that the U.S. is in a new and distinct phase of racism that is "post-intentional": neither based on the intentional discrimination of the past, nor drawing upon biological concepts of race. Drawing upon the insights and tools of critical race theory, social policy, law, sociology and cultural studies, she demonstrates how post-intentional racism works and maintains that it cannot be addressed solely through the kinds of structural solutions of the Left or the values arguments of the Right. Rather, the author identifies a place in the middle-a space of "righteous hope"-and articulates a notion of ethics and human agency that will allow us to expand and amplify that hope. To paraphrase James Baldwin, when talking about race, it is both more terrible than most think, but also more beautiful than most can imagine, with limitless and open-ended possibility. Perry leads readers down the path of imagining the possible and points to the way forward.

In this succinct overview of the evolution of human society, career diplomat Carl Coon argues that the 21st century will witness a crucially important and difficult transition for the human race. Blending the disciplines of anthropology and evolutionary psychology with the experience of over thirty years in the diplomatic corps, Coon makes a persuasive case that no time in the history of the planet has been more critical since the emergence of language, some fifty thousand years ago.

Today, race seems to be both everywhere and nowhere. There still exists a general abhorrence about discriminating between people according to their race. And yet, people are continually categorized according to their race--Afro- Caribbean, white, Jewish--though we often have difficulty in defining just what race is. Everything from criminality to the entrepreneurial spirit is given a racial connotation--witness stereotypes of black muggers or Asian shopkeepers. The Meaning of Race argues that the social meaning of race in modern society emerges from the contradiction between an ideological commitment to equality and the persistence of inequality as a practical reality. Kenan Malik here follows the development of racial ideology over the past two hundred years, tracing the different forms it has taken, from biological theories of race to the relationship between race and culture. Specific attention is focused on the impact of the break up of the postwar order and the end of the Cold War and the concomitant repoliticisation of the notion of racial difference. Malik goes on to critique the poststructuralist and postmodern theories of difference which have become the backbone of contemporary antiracist discourse, and to examine the possibility of transcending the discourse of race. Kenan Malik is a freelance journalist, lecturer, and broadcaster specializing in issues of race, politics, and the Third World. He has been a regular contributor to such newspapers as The Guardian and Independent.

No American city's history better illustrates both the possibilities for alternative racial models and the role of the law in shaping racial identity than New Orleans, Louisiana, which prior to the Civil War was home to America's most privileged community of people of African descent. In the eyes of the law, New Orleans's free people of color did not belong to the same race as enslaved Africans and African-Americans. While slaves were "negroes," free people of color were gens de couleur libre, creoles of color, or simply creoles. New Orleans's creoles of color remained legally and culturally distinct from "negroes" throughout most of the nineteenth century until state mandated segregation lumped together descendants of slaves with descendants of free people of color. Much of the recent scholarship on New Orleans examines what race relations in the antebellum period looked as well as why antebellum Louisiana's gens de couleur enjoyed rights and privileges denied to free blacks throughout most of the United States. This book, however, is less concerned with the what and why questions than with how people of color, acting within institutions of power, shaped those institutions in ways beyond their control. As its title suggests, Making Race in the Courtroom argues that race is best understood not as a category, but as a process. It seeks to demonstrate the role of free people of African-descent, interacting within the courts, in this process.

The South African case of Harris v. (Donges) Minister of the Interior is one familiar to most students of British constitutional law. The case was triggered by the South African government's attempt in the 1950s to disenfranchise non-white voters on the Cape province. It is still referred to as the case which illustrates that as a matter of constitutional doctrine it is not possible for the United Kingdom Parliament to produce a statute which limits the powers of successive Parliaments. The purpose of this book is twofold. First of all it offers a rather fuller picture of the story lying behind the Harris litigation,and the process of British acquisition of and dis-engagement from the government of its 'white' colonies in southern Africa as well as the ensuing emergence and consolidation of apartheid as a system of political and social organisation. Secondly the book attempts to use the South African experience to address broader contemporary British concerns about the nature of our Constitution and the role of the courts and legislature in making the Constitution work. In pursuing this second aim, the author has sought to create a counterweight to the traditional marginalistion of constitutional law and theory within the British polity. The Harris saga conveys better than any episode of British political history the enormous significance of the choices a country makes (or fails to make) when it embarks upon the task of creating or revising its constitutional arrangements. This, then, is a searching re-examination of the fundamentals of constitution-making, written in the light of the British government's commitment to promoting wholesale constitutional reform.

In Chicano/a popular culture, nothing signifies the working class, highly-layered, textured, and metaphoric sensibility known as "rasquache aesthetic" more than black velvet art. The essays in this volume examine that aesthetic by looking at icons, heroes, cultural myths, popular rituals, and border issues as they are expressed in a variety of ways. The contributors dialectically engage methods of popular cultural studies with discourses of gender, sexuality, identity politics, representation, and cultural production. In addition to a hagiography of "locas santas," the book includes studies of the sexual politics of early Chicana activists in the Chicano youth movement, the representation of Latina bodies in popular magazines, the stereotypical renderings of recipe books and calendar art, the ritual performance of Mexican femaleness in the quinceañera, and mediums through which Chicano masculinity is measured.

This book celebrates the bicentenary of Schleiermacher's famous Berlin conference "On the Different Methods of Translating" (1813). It is the product of an international Call for Papers that welcomed scholars from many international universities, inviting them to discuss and illuminate the theoretical and practical reception of a text that is not only arguably canonical for the history and theory of translation, but which has moreover never ceased to be present both in theoretical and applied Translation Studies and remains a mandatory part of translator training. A further reason for initiating this project was the fact that the German philosopher and theologian Friedrich Schleiermacher, though often cited in Translation Studies up to the present day, was never studied in terms of his real impact on different domains of translation, literature and culture.

Claiming Diaspora explores the thriving contemporary musical culture of Asian/Chinese America. Ranging from traditional operas to modern instrumental music, from ethnic media networks to popular music, from Asian American jazz to the work of recent avant-garde composers, author Su Zheng reveals the rich and diverse musical activities among Chinese Americans and tells of the struggles and creative searches by Chinese Americans to gain a foothold in the American cultural terrain. In doing so, she not only tells their stories, but also examines the transnational and racialized experiences of this musical culture, challenging us to take a fresh look at the increasingly plural and complex nature of American cultural identity. Until recently, two intersected models have dominated studies of Asian American cultural expressions. The notion of "claiming America" has been a fundamental political strategy for the Asian American movement; while the Americanization model for European immigrants has minimized the impact of the "old country" on immigrant life and cultural expression. In Claiming Diaspora, Zheng critically analyzes the controversies surrounding these two models. She unveils the fluid and evolving nature of music in Chinese America, discussing current cultural struggles, while acknowledging an unavoidable connection to a history of Asian exclusion in the U.S. Furthermore, Zheng breaks from traditional approaches which have portrayed the music of non-Western people as rooted and immobile to examine the concept of "diaspora" in the context of Asian American experiences and cultural theories of space, place, and displacement. She calls into question the contested meaning of "Asian American" and "Asian American cultural identity" in cultural productions, and builds a comprehensive picture of community and cultural transformation in Chinese and Asian America. Zheng taps unpublished historical sources of immigrant narrative songs, extensive fieldwork in New York City and China, in-depth interviews in which musicians narrate their life stories and music experiences, and her own longstanding involvement as community member, musician, presenter, and cultural broker. The book delineates the introduction of each music genre from its homeland and its subsequent development in New York, and explains how Chinese Americans express their cultural longings and belongings. Ultimately, Zheng reveals how Chinese American musical activities both reflect and contribute to local, national, and transnational cultural politics.

The Making of the Cape Verdean is a book written about Cape Verdeans who migrated from the Cape Verde Islands in the late 1800's to the 1970's to New Bedford Massachusetts. The book is based on the historical facts about the Portuguese colonization of the Cape Verde islands and its people located off the West Coast of Africa. The author provides the history of colonization under Portuguese rule of Salazar and how the Cape Verdean people survived famine, imprisonment, torture, politcal unrest and the abandonment of the Portuguese government. In addition, the author gives you a voyeuristic view of what life was like growing up in the Cape Verdean community in New Bedford after they migrated to the United States. This book is a powerful recap of of Cape Verdeans from this period and location. There is no other documentation that captures the Cape Verdeans the way "The Making of the Cape Verdean" does in this book.