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Books > Arts & Architecture > Industrial / commercial art & design > Graphic design
This book seeks to establish the meaning of design research, its
role in the field, and the characteristics that differentiate
research in design from research in other fields. The author
introduces a model to explain the relationship between the
components of the ontological reality of design: the designed
object, the designer, and the user. Addressing design research
across disciplines, the author establishes a foundational
understanding of research, and research paradigms, for the design
disciplines. This will be crucial for the emerging field of design
research to find its own identity and move forward, building its
own knowledge base as it finds its positioning between science and
art. The book will be of interest to scholars working in design
history, design studies, graphic design, industrial design,
interior design, architecture, fashion design, and service design.
Jost Hochuli has been working as a freelance graphic designer since
1959. Although book design forms only a small part of his activity,
he has become well-known particularly through this work. Besides
his book designs, several of his commercial artwork pieces and
typefaces are pictured in this volume. The book is thus the
ultimate synthesis of Hochuli's works. It is structured in three
thematic blocks "Commercial Graphic Design", "Typefaces Cut in Wood
and Linoleum" and "Books" which are accompanied by theoretical
texts while generously documented by numerous examples from
Hochuli's work.
Years of technological advancements have made it possible for the
smallest of trades to develop their companies to sell their
products all over the world. Global marketing initiatives allow a
business to adapt its services and products to nations outside of
its origin, increasing its annual earnings and success. However,
companies must first implement worldwide marketing programs that
consider cultural dimensions and customs. Localizing Global
Marketing Strategies: Emerging Research and Opportunities is a
collection of innovative research on trends and strategies that are
necessary to ensure the success of global marketing and identify
the means of global market entry. While highlighting topics
including branding, consumer management, and joint ventures, this
book is ideally designed for administrators, marketers, managers,
executives, entrepreneurs, industry professionals, researchers,
academicians, and students seeking current research on establishing
long-lasting global marketing plans for a variety of industries.
Delving into the rationale behind influential communication, The
Power And Influence Of Illustration helps you understand how to
work with a message to create convincing illustrations for your
audience. Alan Male explains how illustrative imagery can lampoon,
shock, insult, threaten, subvert, ridicule, express discontent and
proclaim political and religious allegiance. He explores how its
tools have been used in the past, and looks at how contemporary
illustrators can use their own work to persuade - and discusses
where the line between persuasion and propaganda lies. These issues
are explored using hundreds of full colour images from
international artists, both contemporary and historical.
Design Elements: Form and Space provides students with an aesthetic
understanding of form in the context of ordering space. The book
employs a highly academic approach in providing readers with
objective criteria to effectively evaluate the strengths and
weaknesses of a composition. Students learn the principles of
spatial forces, visual aesthetics, color structure, spatial
structure, and ordering strategy. The text presents spatial
organization as a visual language in which the graphic elements of
point, line, plane, and volume, along with their visual attributes,
form its structure. Through this lens, the book discusses the logic
of placement, grouping, alignment, visual flow, and divisions of
space, as well as color harmonies. Students are provided with
progressive visual demonstrations of these concepts from basic
concept layouts to attractive, complex compositions. The second
edition features new images and illustrations, as well as updated
content to ensure the text is timely and relevant. Serving as a
practical example of the very concepts and principles it teaches,
Design Elements is an exceptional resource for students of graphic
design and an enduring reference book for professionals in the
discipline.
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