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Books > Arts & Architecture > Industrial / commercial art & design > Graphic design
Take it, make it, lose it, have it, kill it, spend it, save it,
forget it, break it, set it, repeat it, keep it: time flies and
time crawls. This may be your first time or your last time, or you
may be stuck in a routine. How we experience time shapes our
relationships, memories, dreams and ambitions. And only with time
can possibility become reality. From the acclaimed illustrator and
author of Paris Versus New York comes a visual memoir, inspired by
Vahram Muratyan's journeys across four continents, that all of us
can relate to. Warm, funny, stylish, thought-provoking and
beautifully produced, About Time is a meditation on and celebration
of how we spend our lives.
This stunning book showcases the bold and original work of Royal
Designer Tony Meeuwissen. The artist also writes about his life at
the drawing board and the inspiration and ideas behind his imagery.
From the foreword by Peter Marren: Welcome to this gallery of the
work of a most individual and lovable artist. Many will have seen
Tony Meeuwissen's work without knowing the artist, for it has
appeared in so many decorative forms from books to playing cards,
from magazine and sheet music covers to postage stamps. His work
was described by the designer Mike Dempsey as 'inventive, intensely
detailed and full of wit and beauty'. Penguin Books art director
David Pelham praised him as an artist with the eye of an
illustrator and the mind of a designer, one able to solve visual
problems with 'remarkable originality, skill and panache.' To my
eye Tony's work is always affi rmative even in its darker moments.
It is playful but not saccharine, clever but not conceited. It
always wears a wry smile. Tony learned his craft in the market
place of commercial art. He learned how to handle a wide range of
media to develop graphic ideas while also discovering the beauty of
typefaces. In the process he evolved his very distinctive artistic
language, his own way of seeing the world: colourful, eye-catching,
beautifully executed, his work is a product of his unique vision.
He loves drawing animals, birds, insects and natural phenomena, but
usually with a characteristic twist: shape-changing fantastical
animals, a nuthatch hatching from a nut, a praying mantis in
bishop's vestments saying grace over a butterfly. On the memorable
Christmas stamps he designed for the Royal Mail in 1983, the Three
Kings are represented by chimney pots and the continents of the
world by melting snow slipping from an umbrella. His is a universe
where nothing is quite what it seems, where proverbs morph into
pictures and names turn out to have diff erent meanings. Words and
rhymes increase this pleasurable sense of an alternate world with
its own logic and rules. Tony Meeuwissen eschews computer-aided
methods preferring his drawing board, his pencils and his paintbox.
He has managed to inhabit the world of commercial art for more than
half a century without ever becoming commercial himself. His work
is always uncompromisingly his own: the product of a unique
imagination coupled with the skills and standards of a
perfectionist. Here for the fi rst time the full range of his work
is presented. Like the door to the magical garden in Alice, turn
the golden key and enter.
Magnificent compendium of the finely detailed plant images from the Victorian era-all identified with Latin and common names and arranged alphabetically by family. Hundreds of plant species-from lilies, lichens, poppies and palms to mushrooms, mosses, marigolds and maples-supplemented by specialized appendices on edible foods, medicinal herbs, plants used in decoration and in graphic design. Indispensable source of inspiration and copyright-free graphics for designers and artists; a captivating compendium for botanists, gardeners, and collectors of old engravings.
It's everywhere, including the moon (on the commemorative plaque
left by Apollo 11 astronauts), Nike sneakers, Barbara Kruger, Ed
Ruscha, and Jenny Holzer artworks, 2001: A Space Odyssey credits,
Domino's Pizza boxes, Absolut Vodka bottles, and Red Bull cans.
Richard Nixon used it for his presidential campaign, as did Hillary
Clinton. Indeed, Futura is one of the most-used fonts in the world
today-the typeface of modern design-more so even than Helvetica.
This fascinating book explores the cultural history and uses of a
face that's so common you might not notice, until you start
looking, then can't escape it. Douglas Thomas traces Futura from
its Bauhaus-inspired origin in Paul Renner's 1924 design, to its
current role as the go-to choice for corporate work, logos, motion
pictures, and advertisements. Never Use Futura is illuminating,
sometimes playful, reading, not just for type nerds, but for anyone
interested in how typefaces are used, take on meaning, and become a
language of their own.
Multiple answers to the question of what design can be and achieve
today. Not at Your Service: Manifestos for Design brings together
the broad spectrum of beliefs, subjects and practices of designers
at Zurich University of the Arts. It offers different approaches
and insights on the present-day role and impact of design. It is
not conceived as a finished project, but as a fluid document of its
time. Collaborative design, interaction within complex systems,
attention economics, the ecological shift, visual literacy,
gender-neutral design, "quick and dirty" design ethnography, social
responsibility, the value of ugliness, death futures, immersive
technologies, identity and crises, design as a transformative
discipline - all of these topics are presented for debate with
passion, conviction and professional expertise. A compact
collection of discursive texts on the many roles and functions of
design. Contributions to the current debate on the social role of
design. Statements by experts from one of the leading universities
of design. All texts are in German and English.
Strategies for the design process considering emotions. How does
design make the indestructible character of a drill tangible? Why
does a brand become a trusted friend? And what emotions should
intelligent gardening tools actually radiate? The accurate
communication and design of emotional worlds remain one of the
greatest challenges for companies and professional design.
Designing Emotion offers practical support here. Based on current
research from neuroscience and psychology, the book presents tools
for systematically analysing emotions and controlling them through
precise use of form, colour and material. In addition to case
studies and interviews, this edition offers insights into the
design practice of successful companies. Provides professional
design instruments for influencing emotions Includes a folding
poster for the use of "emotion grid" With illustrative product
analyses
TYPOGRAPHIC PROJECTS TO SHARPEN YOUR CREATIVE SKILLS &
DIVERSIFY YOUR PORTFOLIO Whether you're a seasoned pro looking to
brush up your portfolio, or a novice with a laptop full of design
software you haven't yet mastered, this book has you covered. In
dozens of projects, the authors guide you through the nitty-gritty
details of book design, magazine layout, poster production, and all
manner of print projects, from start to finish. The Type Project
Book is loaded with tips and insider knowledge that will help you
hone your design skills, deepen your type knowledge, and nerd out
on the history of graphic design. Each section is a deep dive into
real-world design projects from working designers: a cookbook; a
letterpress gig poster; an animated web banner; an infographic;
even the humble business card is explored. Along the way, wisdom is
offered, tips and time-saving tricks are shared, the secrets of
working graphic designers are revealed-all with the requisite doses
of wit one expects from seasoned professionals with decades of
experience. THE TYPE PROJECT BOOK PROVIDES: A wide variety of
typography-focused projects ranging from a single letter to a book
of several hundred pages An understanding of the design principles
involved in creating impactful graphic design Immersion into the
wider world of type and lettering and its use for artistic
expression Tips and techniques for the most efficient working
practices
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