The English language is a battlefield. Since the age of Shakespeare, arguments over correct usage have been acrimonious, and those involved have always really been contesting values - to do with morality, politics and class. THE LANGUAGE WARS examines the present state of the conflict, its history and its future. Above all, it uses the past as a way of illuminating the present. Moving chronologically, the book explores the most persistent issues to do with English and unpacks the history of 'proper' usage. Where did these ideas spring from? Which of today's bugbears and annoyances are actually venerable? Who has been on the front line in the language wars? THE LANGUAGE WARS examines grammar rules, regional accents, swearing, spelling, dictionaries, political correctness, and the role of electronic media in reshaping language. It also takes a look at such niggling concerns as the split infinitive, elocution and text messaging. Peopled with intriguing characters such as Jonathan Swift, H. W. Fowler and George Orwell as well as the more disparate figures of Lewis Carroll, Buffy the Vampire Slayer and Lenny Bruce, THE LANGUAGE WARS is an essential volume for anyone interested in the state of the English language today or intrigued about its future.

First published in 1984, this book was designed to benefit the foreign learner who wishes to grasp the essential basis of English stress so that he or she can go on to predict stress patterns in new words. It is aimed at teachers of English as a foreign language and helps them to communicate English stress effectively to their students. The book bridges the gap between books that are mainly anecdotal or abstract, practical or theoretical, or made up of lists or principles.

English Sentence Constructions departs from a usage-based theoretical perspective in which all language units -- which we refer to as constructions -- have both a meaning and form, and context is all-important in determining the function and form of these constructions. As a starting-level module, English Sentence Constructions guides students of English or Language at tertiary level through different levels of analysis at the sentence, clause, phrase, and word level. The book starts with an explanation of different sentence types and structures (Chapters 1 and 2), zooms in on the verb phrase as the central component of any sentence (in Chapters 3 and 4), before zooming in even closer, discussing word classes (Chapter 5) and phrases (Chapter 6). The next two chapters explicate the intricacies of sentence constituents that function as clauses (Chapter 7) and aid students in integrating all chapters by discussing sentence analysis at all levels (Chapter 8). The last chapter (Chapter 9) shows how knowledge about sentence constructions can be applied to effective writing in English. English Sentence Constructions can be used in teacher-led modules, but the many exercises in each chapter, the clearly worked out answer keys, and a comprehensive glossary of terminology also make it suitable for self-study. For each chapter, there is an online test in which students can check their understanding.

This compact, clearly organized, yet inexpensive series can be used as stand-alone or bundled with any mid level reading book where more vocabulary coverage is desired. Designed for independent student use, the book focuses on enriching general and academic vocabulary, as well as strategies, through the use of varied practice and engaging nonfiction readings. The package will include MP3 files so the student can hear words properly pronounced and used in context.

Increasingly, writing handbooks are seen as over-produced and overpriced. One stands out: The Broadview Guide to Writing is published in an elegant but simple format, and sells for roughly half the price of its fancier-looking competitors. That does not change with the new edition; what does change and stay up-to-date is the content of the book. The seventh Canadian edition brings a substantial re-organization of the contents under three headings: Writing Processes, Writing Mechanics, and Writing Contexts. Coverage of the MLA, APA, Chicago, and CSE styles of documentation has been substantially revised to reflect the most recent updates, including the 2020 APA and 2021 MLA changes. As in earlier editions, the Broadview Guide offers wide ranging coverage of academic argument; of writing and critical thinking; and of writing about literature. Coverage of personal and informal writing is included for the first time-as is a sample literary essay in MLA style (in addition to the sample MLA interdisciplinary essay). The 'How to be Good with Words' chapter (on issues of gender, race, religion etc.) has been extensively revised, as has the material on electronic etiquette.

Die Funktion, die im Leben des Menschen der angeblich prosaischen, aber fur seine Existenz notwendigen Tatigkeit - dem Essen - beigemessen wird, bleibt nicht ohne Einfluss auf die Sprache. Ein bemerkbares Forschungsfeld aus der Schnittstelle des Kulinarischen und der Linguistik bilden kulinarische Namen, die einerseits als Verkoerperung diverser Aspekte des menschlichen Lebens und andererseits als Manifestation menschlicher Denkweise und Aktivitat gelten. UEberdies sind sie ein Zeugnis der kulturellen und gesellschaftlichen Entwicklung. In dieser Monografie wird ein UEberblick uber diverse linguistische Zugange zu kulinarischen Namen prasentiert. Das Ziel ist es dabei, kulinarische Namen aus der sprachwissenschaftlichen Perspektive moeglichst holistisch und komplex zu beschreiben.

A bona fide publishing phenomenon, Lynne Trussas now classic #1 "New York Times" bestseller "Eats, Shoots & Leaves" makes its paperback debut after selling over 3 million copies worldwide in hardcover.

We all know the basics of punctuation. Or do we? A look at most neighborhood signage tells a different story. Through sloppy usage and low standards on the Internet, in e-mail, and now text messages, we have made proper punctuation an endangered species.

In "Eats, Shoots & Leaves," former editor Truss dares to say, in her delightfully urbane, witty, and very English way, that it is time to look at our commas and semicolons and see them as the wonderful and necessary things they are. This is a book for people who love punctuation and get upset when it is mishandled. From the invention of the question mark in the time of Charlemagne to George Orwell shunning the semicolon, this lively history makes a powerful case for the preservation of a system of printing conventions that is much too subtle to be mucked about with. BACKCOVER: Praise for Lynne Truss and "Eats, Shoots & Leaves":
"Eats, Shoots & Leaves" amakes correct usage so cool that you have to admire Ms. Truss.a
aJanet Maslin, "The New York Times"
aWitty, smart, passionate.a
a"Los Angeles Times Book Review," Best Books Of 2004: Nonfiction
aWho knew grammar could be so much fun?a
a"Newsweek"
aWitty and instructive. . . . Truss is an entertaining, well-read scold in a culture that could use more scolding.a
a"USA Today" aTruss is William Safire crossed with John Cleeseas Basil Fawlty.a
a"Entertainment Weekly"
aLynne Truss has done the English-speaking world a huge service.a
a"The Christian Science Monitor"
aThis book changed my life in small, perfect ways like learning how to make better coffee or fold an omelet. Itas the perfect gift for anyone who cares about grammar and a gentle introduction for those who donat care enough.a
a"The Boston Sunday Globe"
aLynne Truss makes [punctuation] a joy to contemplate.a
a"Elle"
aIf Lynne Truss were Roman Catholic Iad nominate her for sainthood.a aFrank McCourt, author of "Angelaas Ashes"
aTrussas scholarship is impressive and never dry.a
aEdmund Morris, "The New York Times Book Review"

"Plain Style" is an amusing and instructive guide to written English by the late Christopher Lasch, author of "The Culture of Narcissism," "The True and Only Heaven," and many other memorable works of American history and social criticism. Written for the benefit of the students at the University of Rochester, where Lasch taught from 1970 until his death in 1994, it quickly established itself in typescript as a local classic--a lively, witty, and historically minded alternative to the famous volume by William Strunk and E. B. White, "The Elements of Style." Now available for the first time in published form, "Plain Style" is fundamentally a clear, readable, practical guide to the timeless principles of effective composition. At the same time, however, in ways that Stewart Weaver explains in his critical introduction, it is a distinctive and revealing addition to the published work of an eminent American thinker. No mere primer, "Plain Style" is an essay in cultural criticism, a political treatise even, by one for whom directness, clarity, and honesty of expression were essential to the living spirit of democracy. As the teachers and students who have for years benefited from its succinct wisdom will testify, "Plain Style" is an indispensable guide to writing and, indeed, Christopher Lasch's least-expected but perhaps most serviceable work.

LEARN HOW TO LIFT YOUR CREATIVE WRITING BY EMPLOYING A GOOD WRITING STYLE. Do you want to write more effectively, correctly and in a manner which is appropriate for this brave new world of text speak and blogging? Whether you are a professional writer, or writing for your profession, a journalist, non-fiction writer, or simply a would-be blogger, you will find essential guidance and the latest style rules in this book. It contains firstly a detailed breakdown of both the rules of grammar, punctuation and spelling and, secondly, a guide to making your work readable, structured and well-paced. Unlike any other style guide, it also sets out the new and evolving rules for 21st century writing such as blogging, chatrooms, and even PowerPoint presentations. ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children's books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.

This absorbing book introduces the reader to some of the main facets of words as they make their presence felt in everyday use. The author discusses what words are, how we use them, how they originate and change their meaning, how new words are created, as well as their use in speech and literature and many other aspects of these building blocks of language. His purpose is to stimulate, to get the reader to look more closely at the ways of words and to provoke a re-examination of what is often taken for granted. A fascinating insight into an endlessly intriguing subject.

Put your editing skills into practice with this new companion to the handbook on every copyeditor's desk. The Copyeditor's Workbook-a companion to the indispensable Copyeditor's Handbook, now in its fourth edition-offers comprehensive and practical training for both aspiring and experienced copyeditors. Exercises of increasing difficulty and length, covering a range of subjects, enable you to advance in skill and confidence. Detailed answer keys offer a grounding in editorial basics, appropriate usage choices for different contexts and audiences, and advice on communicating effectively with authors and clients. The exercises provide an extensive workout in the knowledge and skills required of contemporary editors. Features and Benefits Workbook challenges editors to build their skills and to use new tools. Exercises vary and increase in difficulty and length, allowing users to advance along the way. Answer keys illustrate several techniques for marking copy, including marking PDFs and hand marking hard copy. Book includes access to online exercises available for download.

Twelve schools in Wales have taken part in a project aimed at raising the standard of pupils' performance in speaking a modern foreign language. In this text, teachers, pupils and observers reflect on the lessons learned and give some practical advice on what worked, and why. The partners for the project are: National Comenius Centre of Wales; WOED; OHMCI; and CILT.

Pedantic about punctuation or scrupulous about spelling? You'll love this hilarious and definitive guide to 21st century language from grammar-guru Gyles Brandreth 'Brandreth excels . . . in all his linguistic joie de vivre' Guardian Don't know if it's, like, okay to say 'like'? Are your apostrophe's in the wrong place? Want to make fewer not less grammatical mistakes? Then do not despair, Have You Eaten Grandma? is the definitive (and hilarious) guide to punctuation, spelling, and good English for the twenty-first century. Self-confessed grammar guru Gyles Brandreth pokes fun at the linguistic foibles of our time, tells us where we've been going wrong (and how to put it right), and reveals his tips and tricks to make every one of us better, more confident users (not abusers) of the English language. End of. Is 'End of' alright? Wait, is 'alright' all right? You'll find out right here . . . This hilarious companion to 21st century language is perfect for anyone pedantic about punctuation or scrupulous about spelling. 'A laugh-a-lot, spanning everything . . . great book, I'm loving this' Chris Evans, BBC Radio 2

Gelungener Wissenstransfer und gelungene Popularisierung setzen eine zielgruppenorientierte Aufbereitung von Informationen voraus. Die Beitrage eroertern die Problematik einer verstandlichen Informationsubermittlung aus verschiedenen Perspektiven. Im Mittelpunkt stehen einerseits unterschiedliche Wissensdomanen wie Linguistik, Naturwissenschaften, Medizin und Sport. Andererseits beschaftigen sich die Autorinnen und Autoren mit verschiedenen linguistischen Beschreibungsebenen wie der lexikalischen und der textuellen Ebene. Hierbei stellen sie unterschiedliche Medien in den Fokus der Betrachtung.

One of the most difficult tasks confronting the English speaker learning German is that of finding exactly the right German word to translate an English word in a particular context. Many common English words have several, sometimes a bewildering number of German equivalents. Thus it is all too easy to find yourself saying the equivalent of Have you extinguished the rubbish? instead of Have you put out the rubbish? Bilingual dictionaries list equivalents, but give little or no information about their use. The articles in this practical dictionary are much longer than those to be found in a bilingual dictionary, and the number of words treated is fewer, with a concentration on those which cause particular difficulties for speakers of English. The complexity of the relationship between English words and their German equivalents is attributable to two factors. Firstly, frequently used English words often have more than one meaning, and each of these meanings likely to require a different German equivalent. Secondly, any one of the English meanings may be expressed by more than one German word. Such words will be at least partial synonyms, but the field of meaning is likely to be divided up in a way that is different from English. Each article in the book starts by separating out the different meanings of an English word, and then explains the meaning and use of the German equivalents for each, with numerous examples. The book will be an essential reference work for advanced language learners and for teachers of German at all levels, offering a uniquely detailed insight into the structure of word meaning in German as well as practical advice on usage.

'At last, a book that tells you exactly where to stick your apostrophe ... funny and useful, the perfect stocking filler.' David Marsh, Guardian Apostrophes are a pain. The rules about how to use them are complicated, and have evolved haphazardly. Originally written as advice by a copywriter for designers - wont to insert and remove apostrophes at will, for visual effect - this is a light-hearted pocket-sized guide to getting the things right. Simon Griffin lets off steam so that we don't have to, showing precisely why 'Rhianna and Jennifer's photos were all over the internet' is quite different to 'Rhianna's and Jennifer's photos' or what words apostrophes are replacing in sentences such as 'He'd like you to buy him some cocaine', or 'They've got it all on camera.' Elegantly produced, this is the perfect gift for any pedant, as well as an indispensable guide in all our moments of grammar-related frustration.