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Books > Language & Literature > Literary & linguistic reference works > Usage guides
The volume contains a selection of papers given at a workshop
organized in 1994 on major lexical categories. The seven articles
in this volume take a variety of viewpoints concerning problems of
distinguishing major categories in general, as well as problems in
connection with specific categories, namely nouns, verbs,
prepositions, and conjunctions.
The only style manual to ever appear on a bestseller list now
refreshed by one of our most beloved illustrators
Every English writer knows Strunk and White's "The Elements of
Style." The book's mantra, make every word tell, is still on point.
This much-loved classic, now in its fourth edition, will forever be
the go-to guide when in need of a hint to make a turn of phrase
clearer or a reminder on how to enliven prose with the active
voice. The only style manual to ever appear on bestseller lists has
explained to millions of readers the basic principals of plain
English, and Maira Kalman's fifty-seven exquisite illustrations
give the revered work a jolt of new energy, making the learning
experience more colorful and clear.
'What grammarians say should be has perhaps less influence on what
shall be than even the more modest of them realize ...' No book had
more influence on twentieth-century attitudes to the English
language in Britain than Henry Fowler's Dictionary of Modern
English Usage. It rapidly became the standard work of reference for
the correct use of English in terms of choice of words, grammar,
and style. Much loved for his firm opinions, passion, and dry
humour, Fowler has stood the test of time and is still considered
the best arbiter of good practice. In this new edition of the
original Dictionary, David Crystal goes beyond the popular
mythology surrounding Fowler's reputation to retrace his method and
arrive at a fresh evaluation of his place in the history of
linguistic thought. With a wealth of entertaining examples he looks
at Fowler's stated principles and the tensions between his
prescriptive and descriptive temperaments. He shows that the
Dictionary does a great more than make normative recommendations
and express private opinion. In addition he offers a modern
perspective on some 300 entries, in which he shows how English has
changed since the 1920s. ABOUT THE SERIES: For over 100 years
Oxford World's Classics has made available the widest range of
literature from around the globe. Each affordable volume reflects
Oxford's commitment to scholarship, providing the most accurate
text plus a wealth of other valuable features, including expert
introductions by leading authorities, helpful notes to clarify the
text, up-to-date bibliographies for further study, and much more.
Este volumen se centra en el tema de la fraseologia y consta de dos
apartados. En el primero se exponen cuestiones de morfosintaxis y
un balance sobre el estudio de las colocaciones, principalmente del
espanol. La inclusion o exclusion de las colocaciones del ambito de
la fraseologia, su potencial sintagmatico combinatorio, su uso y
frecuencia en el lenguaje juridico, medico y coloquial, asi como su
tratamiento lexicografico, son otros de los aspectos tratados. En
el segundo apartado del libro se abordan temas de fraseografia
desde una perspectiva teorica y practica, especialmente en cuanto a
las tecnicas especificas para la elaboracion de diccionarios
idiomaticos monolingues y bilingues. Asimismo se muestran los
avances en la macro y microestructura de estos diccionarios gracias
a la linguistica de corpus.
In diesem Sammelband finden sich Beitrage, die aus
unterschiedlichen Perspektiven einen funktionalen
Sprachbeschreibungs- und -vermittlungsansatz diskutieren. So werden
im ersten Teil an Beispielen der deutschen und russischen Sprache
theoretische Fragen des feldergrammatischen Konzepts behandelt.
Ausgewahlte grammatische Themen, Einzelfelder und Textsorten stehen
im Mittelpunkt des zweiten Teils, wobei die Blickrichtung
komplementar ist. Es werden grammatische Einzelerscheinungen
strukturell-formal und semantisch-pragmatisch beschrieben, zugleich
wird ihrem Vorkommen in Textsorten und ihren textuellen Leistungen
nachgespurt. Textsorten bilden aber auch den
Untersuchungsausgangspunkt, um charakteristische Textfunktionen wie
Sprachhandlungen und entsprechende Verbalisierungsmuster deutlich
zu machen. Den Moeglichkeiten des feldergrammatischen Ansatzes als
Konzeptbaustein fur einen handlungs- und lernerorientierten
Fremdsprachenunterricht widmen sich die Beitrage des dritten Teils.
With this "impeccable" (BBC History) chronicle, acclaimed popular
historian Ruth Goodman reveals a Renaissance Britain particularly
rank with troublemakers. From snooty needlers who took aim with a
cutting "thee," to lowbrow drunkards with revolting table manners,
Goodman's "gleeful and illuminating" (Booklist, starred review)
portrait of offenses most foul draws upon advice manuals, court
cases, and sermons. Wicked readers will delight in learning why
quoting Shakespeare was poor form, and why curses hurled at women
were almost always about sex (no surprise there). "Accessible, fun,
and historically accurate" (Publishers Weekly, starred review), How
to Behave Badly is a celebration of one of history's naughtiest
periods, when derision was an art form. "Oh, how I wish Ruth
Goodman could be my tutor. But settling in for one of her history
lessons is better than second best." - Alicia Becker, New York
Times Book Review
Do you "know" that posh comes from an acronym meaning "port out,
starboard home"? That "the whole nine yards" comes from (pick one)
the length of a WWII gunner's belt; the amount of fabric needed to
make a kilt; a sarcastic football expression? That Chicago is
called "The Windy City" because of the bloviating habits of its
politicians, and not the breeze off the lake?
If so, you need this book. David Wilton debunks the most
persistently wrong word histories, and gives, to the best of our
actual knowledge, the real stories behind these perennially
mis-etymologized words.
In addition, he explains why these wrong stories are created,
disseminated, and persist, even after being corrected time and time
again. What makes us cling to these stories, when the truth behind
these words and phrases is available, for the most part, at any
library or on the Internet?
Arranged by chapters, this book avoids a dry A-Z format. Chapters
separate misetymologies by kind, including The Perils of Political
Correctness (picnics have nothing to do with lynchings), Posh, Phat
Pommies (the problems of bacronyming--the desire to make every word
into an acronym), and CANOE (which stands for the Conspiracy to
Attribute Nautical Origins to Everything).
Word Myths corrects long-held and far-flung examples of wrong
etymologies, without taking the fun out of etymology itself. It's
the best of both worlds: not only do you learn the many wrong
stories behind these words, you also learn why and how they are
created--and what the real story is.
This study makes an important contribution to the theory of
language change by analyzing the evolution of the French modal
system from its origins in Late Latin through francais classique,
based on newer textual corpora and using the framework of a modal
semantic approach. These developments are compared to those of
other Romance languages, with the Italian modal system serving as a
foil to emphasize contrast."
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