The French Revolution remains one of the crucial events of modern European and world history. The changes wrought in French society, politics, and the church have been commemorated and debated for more than 200 years. This book introduces students to the French Revolution through an historical and cultural overview, as well as the contextual framing of primary documents of ordinary people's experiences in the dramatic conflicts of 1789-1799. Most of the documents are first translations into English for a North American audience. While a majority of sources on the French Revolution provide excerpts from formal documents, this volume reveals the deeper human level, offering immediate insight into everyday life. This is the perfect introduction to the Revolution, with many added-value features, including period illustrations, timeline, glossary, study questions directed toward the Advanced Placement European History exam, and a practical resource guide.

In 1917, the French poet Guillaume Apollinaire predicted the "death" of books in one or two centuries and their replacement by film and sound. In the early sixties, Marshall McLuhan proclaimed the end of the "Gutenberg Galaxy." Neither of these predictions has yet happened. Nonetheless, the development of computer science and the spread of the Internet have already changed the landscape of the media and affected the fields of book publishing, journalism, cinema, and television. In his new book, Hoveyda, who was involved with cinema and literature for many years, scrutinizes the relationship between the different forms of media and art. Drawing on his varied experience as well as on his knowledge of the arts and media, he explains how "cinema" literally existed before literature or articulate language, and that all other forms of communication stem from this innate capability to think cinematically. Looking at the extraordinary technological developments in the fields of cinema, television, and communications, Hoveyda finds a "hidden purpose" behind them; a kind of "common thread" that illustrates and explains the quest of humans for communication. As far back as one can go, Hoveyda finds that humans were always preoccupied with the question of how to communicate what was going on in their minds. They tried--and found--ways of transmitting to one another the impressions and ideas churning in their heads. Prehistoric cave drawings, hieroglyphs, literature, and canvas paintings were and are part of such attempts. This progression of inventions seems to pursue a linear path toward "externalization" of their people's thoughts and dreams. The pinnacle of this "externalization" will be reachedwhen it becomes "automatic" and foregoes the use of heavy equipment. Bunuel once told the author and his friends that he dreamt of the day when he would sit in a darkened room and project on a wall the film he was concocting in his head. This is exactly the goal of the technological progress we witness. Hoveyda's survey also includes a description of the evolution of modern cinema as he witnessed it; some new and revolutionary remarks about film appreciation and filmmaking; discussion of television and how it differs from cinema; and observations on the impact of media on one another as well as the influence of the more recent technologies on "narration" styles. A provocative account that will be of interest to scholars, researchers, students, and anyone involved with the development of communications.

From concerns about juveniles' "incorrigibility" at the turn of the century to school violence in the 1990s, adults have attempted to understand, control, and prevent juvenile violence. Yet, juvenile violence takes many forms, including both violence by juveniles and violence against juveniles, and has various causes and consequences. Since juvenile violence cannot be understood without examining the social context of a given time, this comprehensive encyclopedia provides a historical overview of many significant time periods and offers entries about many types of juvenile violence. It covers competing theories of youth violence; issues such as gender, race, and educational status; and the criminal justice system's methods for dealing with both victims and offenders over time. Additionally, several topics that receive little attention in traditional volumes about juvenile violence, such as hazing, systemic violence in schools, peaceable schools, are covered in these pages. Each entry utilizes current sources, making the book as up-to-date as possible. The front and back matter offer important information, including a chronological list of significant events related to juvenile violence and book and Web resources. Authors represent many different fields, including Sociology, Psychology, Education, History, Social Work, Political Science, Policing, and English. This offers readers a diversity of perspectives and information from a variety of sources. Confronting a difficult and often-misunderstood subject, this encyclopedia is essential to a better understanding of juvenile violence.

"Culture and Customs of Guatemala" proffers a well rounded portrait of the people of the land known for breathtaking highlands, brilliantly colored Mayan textiles, generations of ruthless dictators, and violence against the Mayas since the Spanish conquest. This Central American hotspot is the home to a majority of Mayas, their coexistence with Ladinos--the non--Mayas, and the issue of land ownership provide the framework for understanding contemporary society. The blend of Mayan and Ladino cultural identities that shape Guatemala today permeates Shea's discussion of history, religion, social customs, media, literature, cinema, performing arts, and contemporary art. Students and other interested readers will come to understand how the traditions and reforms are shaping Guatemala in the 21-first century.

After an overview of Guatemalan history, geography, and demographics, a chapter on religion reveals the prevalent mixture of Catholic/Spanish and indigenous influences. In the Social Customs chapter, customs and festivals, many related to Catholic saints' days, the importance of Mayan weaving, and Guatemalan cuisine are emphasized. The recent lessening of censorship is a factor in the discussions of the status of broadcasting and print media and a small but emerging film industry. In the Literature chapter, Shea portrays a rich centuries-old literary tradition influenced by pre and post conquest indigenous texts and contemporary experimental trends whose themes are saturated in the country's social conflicts. Coverage of performing arts and contemporary art is evocative of the vibrant mixtures of cultures in Guatemala, with notable artists introduced and a description of architecture and housing. A chronology and glossary enhance the text.

This book presents a comprehensive overview of Black leadership in every aspect of American life, including movements for social justice, education, business, and politics. In the quest for human rights and social advancement, African-American leaders have emerged to lead the fight to overcome racial and economic barriers. This struggle has influenced the exercise of Black leadership in many other areas and the author uses an interdisciplinary approach to reveal the changes, continuities, and variety of African-American approaches to effective leadership. The book also suggests a theoretical framework for future research on the impact of Black leadership in America. A wide range of issues are considered in this volume, beginning with the definition of leadership and the concept of Black leadership. Gordon then considers outstanding examples of Black leadership in contemporary America in a variety of fields. Scholars and students in history, political science, and ethnic studies will find this an important resource for understanding Black leadership and its impact on American life.

'Judah paints another Europe with tense and dramatic detail' - Andrey Kurkov 'Will make you lurch between fascination, laughter and tears' - Sophy Roberts _____ What does it now mean to call yourself European? Who makes up this population of some 750 million, sprawled from Ireland to Ukraine, from Sweden to Turkey? Who has always called it home, and who has newly arrived from elsewhere? Who are the people who drive our long-distance lorries, steward our criss-crossing planes, lovingly craft our legacy wines, fish our depleted waters, and risk life itself in search of safety and a new start? In a series of vivid, ambitious, darkly visceral but always empathetic portraits of other people’s lives, journalist Ben Judah invites us to meet them. Drawn from hours of painstaking interviews, these vital stories reveal a frenetic and vibrant continent which has been transformed by diversity, migration, the internet, climate change, Covid, war and the quest for freedom. Laid dramatically bare, it may not always be a Europe we recognize – but this is Europe. _____ Praise for Ben Judah’s This Is London: ‘An epic work of reportage’ -The Guardian ‘Eye-opening’ - The Sunday Times ‘Opens readers’ eyes to the hardships experienced by many and ignored by most’ - Independent ‘Shares Orwell’s appetite for documenting parts of society that are easily overlooked’ - Spectator ‘Full of nuggets of unexpected information about the lives of others’ - Financial Times

'This book is a not-so-small joy in itself.' NIGELLA LAWSON 'Parkinson has the gift of making you look with new eyes at everyday things. The perfect daily diversion.' JOJO MOYES 'Always funny and frank and full of insight, I absolutely love Parkinson's writing.' DAVID NICHOLLS 'I loved this book . . . Parkinson's writing transports you to unexpected places of joy and comfort . . . these pages contain happiness.' MARINA HYDE 'The twenty-first century feels a lot more bearable in Parkinson's company.' CHARLOTTE MENDELSON Drawn from the successful Guardian column, these everyday exultations and inspirations will get you through dismal days. Hannah Jane Parkinson is a specialist in savouring the small pleasures of life. She revels in her fluffy dressing gown ('like bathing in marshmallow'), finds calm in solo cinema trips, is charmed by the personalities of fonts ('you'll never see Comic Sans on a funeral notice'), celebrates pockets and gleefully abandons a book she isn't enjoying. Parkinson's everyday exaltations - selected from her immensely successful Guardian column - will utterly delight. FEATURES BRAND NEW MATERIAL 'A compendium of delights.' OBSERVER 'Delightful . . . a love letter to those little moments of bliss that get us through the daily grind.' RED

Despite John Lennon's immense popularity, little attention has been paid to his work apart from the Beatles. Yet his solo artistry not only illuminates what he gave to the Beatles, but also constitutes a significant contribution to popular music in general. Lennon was able to fuse experiments in technology, instrumentation, lyrics, and musical form into recordings that were both artistically and commercially successful. Few singer-songwriters have been his equal. In this long overdue investigation, authors Ben Urish and Ken Bielen give Lennon's artistry the opportunity to speak for itself. After a brief biographical introduction, chronologically arranged chapters discuss his incredible body of work album-by-album and single-by-single. A discography and annotated bibliography conclude the book. Despite John Lennon's immense popularity, little attention has been paid to the overall efforts of his work apart from the Beatles. Yet his solo artistry not only illuminates what he gave to the Beatles (and what the Beatles experience gave to him), but also constitutes a significant contribution to popular music in general. Lennon was able to fuse experiments in technology, instrumentation, lyrics, and musical form into recordings that were both artistically and commercially successful. Whether expressing emotions, explaining philosophies, protesting social situations, or ruminating on the joys and pains of personal entanglements, few singer-songwriters have been his equal. In this long overdue investigation, authors Ben Urish and Ken Bielen give Lennon's artistry the opportunity to speak for itself. After a brief biographical introduction, chronologically arranged chapters discuss his incredible body of work album-by-album and single-by-single. A discography and annotated bibliography conclude the book. Although he is often lauded as a spokesperson for his generation, this praise, however intended, is far too limiting. Lennon was able to transform the intensely personal into the deeply universal (as well as the reverse), often with humor and pointed insight. At their core, his songs are simultaneously humanistic and transcendent. And as such, they-and he-continue to be relevant, and will certainly remain a valuable part of our cultural heritage for a long time to come.

A penetrating anthropological inquiry into remote areas as understood by their inhabitants and by the outsiders who encounter them This groundbreaking book is the first sustained anthropological inquiry into the idea of remote areas. Shafqat Hussain examines the surprisingly diverse ways the people of Hunza, a remote independent state in Pakistan, have been viewed by outsiders over the past century. He also explores the Hunza people’s perceptions of British colonialists, Pakistani state officials, modern-day Westerners, and others, and how the local people used their remote status strategically, ensuring their own interests were served as they engaged with the outside world.

This final work in John Lent's series of bibliographies on comic art gathers together an astounding array of citations on American comic books and comic strips. Included in this volume are citations regarding anthologies and reprints; criticism and reviews; exhibitions, festivals, and awards; scholarship and theory; and the business, artistic, cultural, legal, technical, and technological aspects of American comics. Author John Lent has used all manner of methods to gather the citations, searching library and online databases, contacting scholars and other professionals, attending conferences and festivals, and scanning hundreds of periodicals. He has gone to great length to categorize the citations in an easy-to-use, scholarly fashion, and in the process, has helped to establish the field of comic art as an important part of social science and humanities research. The ten volumes in this series, covering all regions of the world, constitute the largest printed bibliography of comic art in the world, and serve as the beacon guiding the burgeoning fields of animation, comics, and cartooning. They are the definitive works on comic art research, and are exhaustive in their inclusiveness, covering all types of publications (academic, trade, popular, fan, etc.) from all over the world. Also included in these books are citations to systematically-researched academic exercises, as well as more ephemeral sources such as fanzines, press articles, and fugitive materials (conference papers, unpublished documents, etc.), attesting to Lent's belief that all pieces of information are vital in a new field of study such as comic art.

Adoption and foster care is a new and burgeoning area of historical and interdisciplinary research. Too often, however, birth parents, adoptive parents, foster parents, social workers, and the children themselves have either been ignored or demonized. This comprehensive introductory resource provides an authoritative, yet accessible, examination of adoption and foster care as it has been practiced in the United States. Within the pages of this volume, the reader will find a complete view of the many individuals and groups involved, as well as a thorough understanding of the various social and economic forces that have contributed to the perceptions of what children are in need of care. Also discussed is the role of orphanages, once the primary institution for children without parents as well as a stopgap measure for poor children needing temporary care. Divided into three major sections, original essays review the practice of adoption, orphanage placement and foster care from the colonial period to the present day. Selected primary documents, including materials by children, as well as an in-depth bibliographic section, provide crucial information and insight for high school and college students. Social workers, journalists, and others will also find much value in this historical overview and guide. Contributors include Elizabeth Bartholet, Marilyn Irvin Holt, Martha Satz, and Claudia Nelson. Adoption and foster care is a new and burgeoning area of historical and interdisciplinary research. Too often, however, birth parents, adoptive parents and foster parents, social workers, and the children themselves have been either ignored or demonized. This authoritative and accessible work is the first comprehensive introductory resource that gives a fuller portrait of the many individuals and groups that have contributed to the perceptions of what children are in need of care. Also discussed is the role of orphanages, the primary institution for children without parents as well as a stopgap measure for poor children needing temporary care. Divided into three sections, original essays review the practice of adoption, orphanage placement, and foster care from the colonial period to the present day. Selected primary documents, including materials by children, as well as an in-depth bibliography section, provide crucial information and insight for high school and college students. Social workers, journalists, and others will also find much value in this historical overview and guide. Star contributors include Elizabeth Bartholet, Marilyn Irvin Holt, Martha Satz, and Claudia Nelson.

This work explains an increasingly popular view dubbed the Consistent Life Ethic, which holds that all life deserves reverence, so all social support for actions that destroy life should be withdrawn. The call is for opposition to abortion, capital punishment, euthanasia and other forms of killing to be consistent. Supporters of this view, shared widely in these pages, include figures from the Dalai Lama and Nobel Peace Prize winner Malread Corrifon Maguire to actor Martin Sheen and Village Voice columnist Nat Hentoff. It is at once an ethical, religious and political ideology, explored here in its application to actions from treatment of unborn humans to infants, the disabled, the poverty-stricken, war combatants, and animals. In the work at hand, contributors explain the history of the pro-life movement, its growth and expansion, how these types of seemingly disparate killing are all linked, why a Consistent Life Ethic is needed, and how individuals can take steps to assure this ethic is more widely accepted.

This volume introduces the concept of Perpetration-Induced Traumatic Stress (PITS), a form of PTSD symptoms caused not by traditionally expected roles, such as being a victim or rescuer in trauma, but by being an active participant in causing trauma. Sufferers of PITS may be in the roles of soldiers, executioners, or police officers, where it is socially acceptable or even expected for them to cause trauma, including death. Scattered evidence of PITS is consolidated, its implications are explored, and exciting potentials for future research are suggested.

Compared to the more widely understood PTSD, there appears to be greater severity and different symptom patterns for those affected by PITS. Obvious differences to be explored for those who kill include questions of context, guilt, meaning, content of dreams, and sociological questions, leading to special implications for therapy, research into the causality of PTSD, and violence prevention efforts. Disciplines including sociology, public policy, history, philosophy, and theology will also find applications for this groundbreaking material.

In the late 1930s and early 1940s, European Jews traveled east to seek refuge in the West. Three thousand refugees transited Japan and China, and more than 21,000 spent the war in Japanese-occupied Shanghai. Japanese diplomats in Europe were caught off guard by the flood of visa applicants, and the Foreign Ministry belatedly confronted a refugee problem. Unexpected visitors became uninvited guests. Vice Consul Sugihara Chiune might have faded into history as a minor diplomat in Lithuania had he not issued thousands of transit visas to refugees, including those who fulfilled few visa requirements. Sakamoto demonstrates how he helped thousands escape Europe; in the end, as she points out, a number of Japanese diplomats saved Jews by issuing visas, but very few issued visas to save Jews. Sakamoto focuses on the extensive archives of the Ministry of Foreign Affairs, which have not been treated at length before. By examining the cable traffic between diplomats and the ministry headquarters, she reveals the uncensored reactions of Japanese diplomats to Jewish refugees. Through the files of Jewish organizations and the American government, she presents the dimensions of the crisis as Germany's emphasis on emigration changed to extermination. Interviews with former diplomats, refugees, and those who knew Sugihara give human dimensions to a fascinating and little-known episode of the war.

More and more couples are choosing not to have children. While much attention has been paid to this trend from a woman's point of view, men are often seen as having a secondary role in this choice, as ready to accept whatever their partners decide. In an age when men are expected to be caregivers as well as breadwinners and encouraged to take on more parental responsibilities, this volume argues that they need to be active participants in this crucial, life-altering decision. Based on in-depth interviews with 30 American and British childless men, this is the first book to explore the motives and consequences of voluntary childlessness from a man's perspective.

The interviewees explain the reasons for their choice and explore its impact on their freedom, relationships, job opportunities, and finances. They also discuss their mixed feelings, their family background, and their concern over the world's ever-growing population. The picture that emerges challenges the stereotype of men who decide against parenthood as immature, selfish, and irresponsible. Although each man provides several reasons, the author identifies nine main types of childfree men, including workaholics, lifelong learners, early retirees, stress reducers, and men who don't want to repeat the mistakes of their parents.

A high-profile murder can function as a mirror of an era, and attorney and crime researcher Virginia McConnell provides a fascinating view of Connecticut in Victorian times, as glimpsed through the unrelated, but disturbingly similar murders of two young women near New Haven in the late 1800s. The colorful characters involved in the commission, investigation, and prosecution of these crimes emerge as real, vibrant individuals, and their stories, compelling in themselves, reveal much about Victorian sex and marriage, drugs from arsenic to aphrodisiacs, early forensic medicine, and 19th-century courtroom procedures.

Both victims in these sensational killings were young women from the New Haven area. The first, Mary Stannard, was a 22-year-old, unmarried mother who worked as a domestic and believed herself to be pregnant for a second time. The man accused of her murder, Reverend Herbert Hayden, was a married lay minister whose seduction of Mary was fairly common knowledge. Upon hearing from Mary of her pregnancy, he assured her he would obtain some quick medicine for an abortion and they agreed to meet in the woods. Mary's body was found clubbed and poisoned, her throat slit; chemical tests revealed she had been given 90 grains of arsenic. Hayden's wife perjured herself on the witness stand to protect him (subsequently becoming a darling of the press) and despite convincing forensic testimony from Yale professors, the minister ultimately went free.

Three years later, another woman of relatively low social stature was found floating face-down in Long Island Sound off West Haven. This strikingly pretty 20-year-old daughter of a cigar-maker came to be known as The Belle of New Haven, and though she had been seen frequently in the company of young people of questionable character, had never been a loose girl. The autopsy of Jennie Cramer revealed that she had not drowned, but had been savagely raped and poisoned with arsenic just before her death. Three people were put on trial for her murder: two scions of the wealthy Malley department store family, and their prostitute friend from New York. It was believed that the victim was killed to prevent her disclosure of the date rape by one of the young men, but they were likewise acquitted. "Arsenic Under the Elms" meticulously reviews the evidence, the personalities involved, and the society that produced them, resulting in a mesmerizing contribution to the literature of true crime.

Irish women writers have a large following, and their works are attracting large amounts of scholarly and critical attention. Through roughly 75 alphabetically arranged entries written by more than 35 expert contributors, this reference overviews the lives and works of Irish women writers active in a range of genres and periods. Each entry includes a brief biography, a discussion of major works and themes, a survey of the writer's critical reception, and a list of works by and about the author. The volume closes with a selected, general bibliography. Ireland has an especially lively literary tradition, and works by Irish writers have long been recognized as interesting and influential. While male writers have received the bulk of the critical attention given to Irish literature, contemporary women writers are among the most widely read Irish authors. This reference overviews the lives and works of Irish women writers active in a range of periods and genres. Included are roughly 75 alphabetically arranged entries written by more than 35 expert contributors. Among the writers discussed are: ; Elizabeth Bowen ; Mary Dorcey ; Lady Isabella Augusta Gregory ; Anne Hartigan ; Norah Hoult ; Paula Meehan ; Iris Murdoch ; Edna O'Brien ; Katharine Tynan ; Sheila Wingfield ; And many more. Each entry includes a brief biography, a discussion of major works and themes, a review of the writer's critical reception, and a list of works by and about the writer. The volume closes with a selected, general bibliography.

The Eliot Tracts collects for the first time a series of 11 documents published in London between 1643 and 1671 that describe missionary work by the British among the Indians in New England. Written by John Eliot, Thomas Shepard, and other intellectual and political leaders among the colonists, these tracts constitute the most detailed and sustained record of missionary activity by the English in the New World in the first century of settlement. They are also one of our richest sources of ethnographic information about the Indians of Southern New England in the 17th century as recorded by the British settlers. In addition to the tracts, the volume contains two letters written by John Eliot that argue for the millennialist significance of the missionary work and so situate the missionaries' project within one of the most important theological debates of the time.

The introduction establishes the historical and theological context in which the tracts were written and published. The text of the tracts and letters is that of the original 17th-century publications, including interlinear English/Algonquian translations. Functional variations in relative font size and spacing have been retained to reproduce the visual organization of the original documents, though simplified and regularized across all the tracts to give the volume a visual conformity and coherence. An index allows readers to trace the record of particular towns and individual proselytes and missionaries across the 30 years covered by the tracts, and to follow the contributions of the different authors as they recount their experiences over that period.

This authoritative reference work presents a full image of the Prince of Darkness as he appears throughout traditional theology, mythology, art and literature, and popular culture. This nonsensationalist encyclopedia examines contemporary images of the devil and sorts out the many different forms these images take. Although much of the myths relating to Satan derive directly or indirectly from the Christian tradition, the key sources of diabolical images today are horror movies, heavy metal music, and conservative Christian literature. This encyclopedia gives a brief overview depicting the history and transformation of the meaning of the Prince of Darkness, and 300 entries cover subjects like the angel of death, backward masking (messages revealed when songs are played backward), neopagan witchcraft, UFOs, and The Satanic Bible. Extensive appendixes include the l992 FBI study of satanic ritual abuse, the most influential document ever written on the subject, as well as sample satanic scriptures and a satanic wedding ceremony. Satanism Today also includes a chronology, bibliographies, and references.

Using new case data from South American, Australian, and Papua New Guinean societies, the authors explore how cultural ideas for humanity are reflected in seemingly universal understandings of our potential for anthropophagy. Whether or not a society actually practices cannibalism, these conceptions are often articulated at the level of folklore and myth, where flesh-eating is imbued with symbolic meanings centered on ideas about regeneration after death, the equivalence between human flesh and food, and the morality of social exchange in and between groups. Thus, cannibalism emerges at once as a resource for political agendas that perpetuate ethnic stereotypes of exotic others; a cultural practice capable of expressing violent suppression as well as transforming death into a life-sustaining process; and a theme whose horrific potentiality engenders baleful monsters and myths for public delectation as well as child control. Cannibalism exists in folklore traditions as the definition of the antithesis of socially accepted morality, as well as something that in practice was a conduit for the regeneration and reproduction of positive values. Cannibalism is seen as bound up with the commerce of exchange between people intent on defining their economic and political worlds in and through symbols. This book is a major milestone, providing a valuable set of correctives for both the academic discourse on cannibalism as well as the wider conventional beliefs about the topic.

One of Choice's Significant University Press Titles for Undergraduates, 2010-2011 A necessary cultural and historical discussion on the stigma of fatness To be fat hasn’t always occasioned the level of hysteria that this condition receives today and indeed was once considered an admirable trait. Fat Shame: Stigma and the Fat Body in American Culture explores this arc, from veneration to shame, examining the historic roots of our contemporary anxiety about fatness. Tracing the cultural denigration of fatness to the mid 19th century, Amy Farrell argues that the stigma associated with a fat body preceded any health concerns about a large body size. Firmly in place by the time the diet industry began to flourish in the 1920s, the development of fat stigma was related not only to cultural anxieties that emerged during the modern period related to consumer excess, but, even more profoundly, to prevailing ideas about race, civilization and evolution. For 19th and early 20th century thinkers, fatness was a key marker of inferiority, of an uncivilized, barbaric, and primitive body. This idea—that fatness is a sign of a primitive person—endures today, fueling both our $60 billion “war on fat” and our cultural distress over the “obesity epidemic.” Farrell draws on a wide array of sources, including political cartoons, popular literature, postcards, advertisements, and physicians’ manuals, to explore the link between our historic denigration of fatness and our contemporary concern over obesity. Her work sheds particular light on feminisms’ fraught relationship to fatness. From the white suffragists of the early 20th century to contemporary public figures like Oprah Winfrey, Monica Lewinsky, and even the Obama family, Farrell explores the ways that those who seek to shed stigmatized identities—whether of gender, race, ethnicity or class—often take part in weight reduction schemes and fat mockery in order to validate themselves as “civilized.” In sharp contrast to these narratives of fat shame are the ideas of contemporary fat activists, whose articulation of a new vision of the body Farrell explores in depth. This book is significant for anyone concerned about the contemporary “war on fat” and the ways that notions of the “civilized body” continue to legitimate discrimination and cultural oppression.

Motion pictures have been one of the forces that have both shaped and reproduced adolescent femininity. Films not only reflect culture--they help to create it. So it is worth looking at films to see what messages they gave girls--and adults--about what girls were and should be like. Scheiner uses film as a window into the cultural meanings of female adolescence, and explores how those meanings changed over time. She looks at how female adolescence has been constructed in film, focusing on the period from 1920 to 1950. She contextualizes representations of female adolescence by looking at the actual experience of adolescence in each period and by examining the material conditions and film industry processes that contributed to these portrayals.

As Scheiner makes clear, historical interpretations of film messages must be expanded to determine what conclusions girls themselves reached from film images. Girls are hardly passive consumers of film. Rather, they choose how to respond to the films they see. This is perhaps best illustrated by fan activities, where girls actively define what is important about films and film stars, and create their own understandings of female adolescence. Scheiner also looks specifically at adolescent girls as fans to decode their responses to filmic representations of adolescence. She uses some nontraditional sources such as fan columns in fan magazines, fan publications of various stars, reviews in young women's literature, fan mail, and letters to film companies to find evidence of audience reception. Scheiner opens up a world often at odds with the actual experience of female adolescents, and she makes clear that films about adolescent girls are not only a formative part of the nation's history in the early 20th century, but a formative part of becoming a girl. Scholars, students, and other researchers of American film and women's studies, popular culture, and 20th-century history will find this study of particular interest.

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