This book explores the impact that high-profile and well-known translators have on audience reception of translated theatre. Using Relevance Theory as a framework, the book demonstrates how prior knowledge of a celebrity translator's contextual background can affect the spectator's cognitive state and influence their interpretation of the play. Three canonical plays adapted for the British stage are analysed: Mark Ravenhill's translation of Life of Galileo by Bertolt Brecht, Roger McGough's translation of Tartuffe by Moliere and Simon Stephens' translation of A Doll's House by Henrik Ibsen. Drawing on interviews, audience feedback, reviews, blogs and social media posts, Stock examines the extent to which audiences infer the celebrity translator's own voice from their translations. In doing so, he adds new perspectives to the long-standing debate on the visibility of the translator in both the process of translating and the reception of the translation. Celebrity Translation in British Theatre offers an original approach to theatre translation that sheds light on the culture of celebrity and its capacity to attract new audiences to plays in translation.

For the past ten years, the well-received first edition of this introduction has offered readers a way to look at scriptural texts that combines historical, narrative, and contemporary interests. Carter explores Matthew by approaching it from the perspective of the "authorial audience"--by identifying with and reading along with the audience imagined by the author. Now an updated second edition is available as part of a new series focusing on each of the gospel writers as storyteller, interpreter, and evangelist.
This edition preserves the essential identity of the original material, while adding new insights from Carter's more recent readings of Matthew's gospel in relation to the Roman Imperial world.
Four of the seventeen chapters have been significantly revised, and most have had minor changes. There are also new endnotes directing readers to Carter's more recent published work on Matthew. Scholars and pastors will use the full bibliography and appendix on redaction and narrative approaches, while lay readers will appreciate the clear and straightforward text.

The chapters of this volume address a variety of topics that pertain to modern readers' understanding of ancient texts, as well as tools or resources that can facilitate contemporary audiences' interpretation of these ancient writings and their language. In this regard, they cover subjects related to the fields of ancient Hebrew linguistics and Bible translation. The chapters apply linguistic insights and theories to elucidate elements of ancient texts for modern readers, investigate how ancient texts help modern readers to interpret features in other ancient texts, and suggest ways in which translations can make the language and conceptual worlds of ancient texts more accessible to modern readers. In so doing, they present the results of original research, identify new lines and topics of inquiry, and make novel contributions to modern readers' understanding of ancient texts. Contributors are Alexander Andrason, Barry L. Bandstra, Reinier de Blois, Lenart J. de Regt, Gideon R. Kotze, Geoffrey Khan, Christian S. Locatell, Kristopher Lyle, John A. Messarra, Cynthia L. Miller-Naude, Jacobus A. Naude, Daniel Rodriguez, Eep Talstra, Jeremy Thompson, Cornelius M. van den Heever, Herrie F. van Rooy, Gerrit J. van Steenbergen, Ernst Wendland, Tamar Zewi.

This is a book about languages, what languages can and what they cannot do.

In this dialogue between a Nobel Laureate and a leading translator, provocative ideas emerge about the evolution of language and the challenge of translation.

Language, historically speaking, has always been slippery. Two dictionaries provide two different maps of the universe: which one is true, or are both false? Speaking in Tongues - taking the form of a dialogue between Nobel-Laureate novelist J. M. Coetzee and eminent translator Mariana Dimópulos - explores questions that have constantly plagued writers and translators, now more than ever. Among them:

• How can a translator liberate meanings imprisoned in the language of a text?
• Why is the masculine form dominant in gendered languages while the feminine is treated as a deviation?
• How should we counter the spread of monolingualism?
• Should a translator censor racist or misogynistic language?
• Does mathematics tell the truth about everything?