This work offers a novel and interdisciplinary approach to Translation Studies by connecting this discipline with the oral history on communism. Following the collapse of the communist regime in the Eastern bloc (1989-1991), oral history interviews became the research method par excellence, providing an alternative version to the distorted public discourse. This book addresses the challenges posed by the translation of transcribed historical interviews on communism. The author's translation from Romanian into English of an original corpus helps formulate a methodological framework nonexistent, up to this point, within Translation Studies. Additionally, drawing on research in conversation analysis and psychology, the so-called fictive orality of the data is defined according to an innovative tripartite paradigm: vividness, immediacy, and fragmentation. Inscribed in the current call for translators' activism and visibility, the work draws on oral history terminology to reflect on the translational experience as a 'dialogic exchange' whereby listening assumes central importance. The descriptive and prescriptive paradigms work in concert, facilitating the understanding of translation strategies and of the mechanisms animating historical interviews. However, beyond these theoretical insights, what gains prominence is the argument of the affectivity steeped in the interviews, which alerts translators to the emotive cadence of oral history. Translation is understood here not only as a linguistic and cognitive exercise but rather as a subjective and necessary undertaking in which translators become co-creators of history, illuminating the way knowledge about the past has been and continues to be formed and mediated.

This volume provides a comprehensive overview of the key issues shaping the language industry, including translation, interpreting, machine translation, editing, terminology management, technology and accessibility. By exploring current and future research topics and methods, the Companion addresses language industry stakeholders, researchers, trainers and working professionals who are keen to know more about the dynamics of the language industry. Providing systematic coverage of a diverse range of translation and interpreting related topics and featuring an A to Z of key terms, The Bloomsbury Companion to Language Industry Studies examines how industry trends and technological advancement can optimize best practices in multilingual communication, language industry workspaces and training.

This book explores the impact that high-profile and well-known translators have on audience reception of translated theatre. Using Relevance Theory as a framework, the book demonstrates how prior knowledge of a celebrity translator's contextual background can affect the spectator's cognitive state and influence their interpretation of the play. Three canonical plays adapted for the British stage are analysed: Mark Ravenhill's translation of Life of Galileo by Bertolt Brecht, Roger McGough's translation of Tartuffe by Moliere and Simon Stephens' translation of A Doll's House by Henrik Ibsen. Drawing on interviews, audience feedback, reviews, blogs and social media posts, Stock examines the extent to which audiences infer the celebrity translator's own voice from their translations. In doing so, he adds new perspectives to the long-standing debate on the visibility of the translator in both the process of translating and the reception of the translation. Celebrity Translation in British Theatre offers an original approach to theatre translation that sheds light on the culture of celebrity and its capacity to attract new audiences to plays in translation.