While his memory languished under Nazi censorship, Franz Kafka covertly circulated through occupied France and soon emerged as a cultural icon, read by the most influential intellectuals of the time as a prophet of the rampant bureaucracy, totalitarian oppression, and absurdity that branded the twentieth century. In tracing the history of Kafka's reception in postwar France, John T. Hamilton explores how the work of a German-Jewish writer from Prague became a modern classic capable of addressing universal themes of the human condition. Hamilton also considers how Kafka's unique literary corpus came to stimulate reflection in diverse movements, critical approaches, and philosophical schools, from surrealism and existentialism through psychoanalysis, phenomenology, and structuralism to Marxism, deconstruction, and feminism. The story of Kafka's afterlife in Paris thus furnishes a key chapter in the unfolding of French theory, which continues to guide how we read literature and understand its relationship to the world.

Luo Xuanmin, Ph.D., is Junwu Chair Professor and Dean of the School of Foreign Languages and Literatures at Guangxi University, China and Director of the Center for Translation and Interdisciplinary Studies of Tsinghua University. His publications include books and translations with various publishers and journals at home and abroad. His monograph Translation and Chinese Modernity (2017) is being translated into four languages (Russian, English, Spanish, and Korean) under a translation project supported by the Chinese Fund for the Humanities and Social Sciences. Hu Zhengmao, Ph.D., is associate professor at Guangdong University of Foreign Studies, China and five-time winner of Han Suyin National Translation Competition and champion of the First Cankao Xiaoxi National English Translation Contest (2009). His publications include English Journalistic Reading (2009), "Etymology and Sememe Analysis in Translation" (Babel 55:2), Libra (2015), and Loanwords in the Chinese Language (Routledge, 2021).

This work offers a novel and interdisciplinary approach to Translation Studies by connecting this discipline with the oral history on communism. Following the collapse of the communist regime in the Eastern bloc (1989-1991), oral history interviews became the research method par excellence, providing an alternative version to the distorted public discourse. This book addresses the challenges posed by the translation of transcribed historical interviews on communism. The author's translation from Romanian into English of an original corpus helps formulate a methodological framework nonexistent, up to this point, within Translation Studies. Additionally, drawing on research in conversation analysis and psychology, the so-called fictive orality of the data is defined according to an innovative tripartite paradigm: vividness, immediacy, and fragmentation. Inscribed in the current call for translators' activism and visibility, the work draws on oral history terminology to reflect on the translational experience as a 'dialogic exchange' whereby listening assumes central importance. The descriptive and prescriptive paradigms work in concert, facilitating the understanding of translation strategies and of the mechanisms animating historical interviews. However, beyond these theoretical insights, what gains prominence is the argument of the affectivity steeped in the interviews, which alerts translators to the emotive cadence of oral history. Translation is understood here not only as a linguistic and cognitive exercise but rather as a subjective and necessary undertaking in which translators become co-creators of history, illuminating the way knowledge about the past has been and continues to be formed and mediated.

This book develops interdisciplinary and comparative approaches to analyzing the cross-cultural travels of traditional Chinese fiction. It ties this genre to issues such as translation, world literature, digital humanities, book culture, and images of China. Each chapter offers a case study of the historical and cultural conditions under which traditional Chinese fiction has traveled to the English-speaking world, proposing a critical lens that can be used to explain these cross-cultural encounters. The book seeks to identify connections between traditional Chinese fiction and other cultures that create new meanings and add to the significance of reading, teaching, and studying these classical novels and stories in the English-speaking world. Scholars, students, and general readers who are interested in traditional Chinese fiction, translation studies, and comparative and world literature will find this book useful.

Literary Translation and the Making of Originals engages such issues as the politics and ethics of translation; how aesthetic categories and market forces contribute to the establishment and promotion of particular "originals"; and the role translation plays in the formation, re-formation, and deformation of national and international literary canons. By challenging the assumption that stable originals even exist, Karen Emmerich also calls into question the tropes of ideal equivalence and unavoidable loss that contribute to the low status of translation, translations, and translators in the current literary and academic marketplaces.