Luo Xuanmin, Ph.D., is Junwu Chair Professor and Dean of the School of Foreign Languages and Literatures at Guangxi University, China and Director of the Center for Translation and Interdisciplinary Studies of Tsinghua University. His publications include books and translations with various publishers and journals at home and abroad. His monograph Translation and Chinese Modernity (2017) is being translated into four languages (Russian, English, Spanish, and Korean) under a translation project supported by the Chinese Fund for the Humanities and Social Sciences. Hu Zhengmao, Ph.D., is associate professor at Guangdong University of Foreign Studies, China and five-time winner of Han Suyin National Translation Competition and champion of the First Cankao Xiaoxi National English Translation Contest (2009). His publications include English Journalistic Reading (2009), "Etymology and Sememe Analysis in Translation" (Babel 55:2), Libra (2015), and Loanwords in the Chinese Language (Routledge, 2021).

This work offers a novel and interdisciplinary approach to Translation Studies by connecting this discipline with the oral history on communism. Following the collapse of the communist regime in the Eastern bloc (1989-1991), oral history interviews became the research method par excellence, providing an alternative version to the distorted public discourse. This book addresses the challenges posed by the translation of transcribed historical interviews on communism. The author's translation from Romanian into English of an original corpus helps formulate a methodological framework nonexistent, up to this point, within Translation Studies. Additionally, drawing on research in conversation analysis and psychology, the so-called fictive orality of the data is defined according to an innovative tripartite paradigm: vividness, immediacy, and fragmentation. Inscribed in the current call for translators' activism and visibility, the work draws on oral history terminology to reflect on the translational experience as a 'dialogic exchange' whereby listening assumes central importance. The descriptive and prescriptive paradigms work in concert, facilitating the understanding of translation strategies and of the mechanisms animating historical interviews. However, beyond these theoretical insights, what gains prominence is the argument of the affectivity steeped in the interviews, which alerts translators to the emotive cadence of oral history. Translation is understood here not only as a linguistic and cognitive exercise but rather as a subjective and necessary undertaking in which translators become co-creators of history, illuminating the way knowledge about the past has been and continues to be formed and mediated.

Trends in E-Tools and Resources for Translators and Interpreters offers a collection of contributions from key players in the field of translation and interpreting that accurately outline some of the most cutting-edge technologies in this field that are available or under development at the moment in both professional and academic contexts. Particularly, this volume provides a wide picture of the state of the art, looking not only at the world of technology for translators but also at the hitherto overlooked world of technology for interpreters. This volume is accessible and comprehensive enough to be of benefit to different categories of readers: scholars, professionals and trainees. Contributors are: Pierrette Bouillon, Gloria Corpas Pastor, Hernani Costa, Isabel Duran-Munoz, Claudio Fantinuoli, Johanna Gerlach, Joanna Gough, Asheesh Gulati, Veronique Hoste, Amelie Josselin, David Lewis, Lieve Macken, John Moran, Aurelie Picton, Emmanuel Planas, Eric Poirier, Victoria Porro, Celia Rico Perez, Christian Saam, Pilar Sanchez-Gijon, Miriam Seghiri Dominguez, Violeta Seretan, Arda Tezcan, Olga Torres, and Anna Zaretskaya.

While his memory languished under Nazi censorship, Franz Kafka covertly circulated through occupied France and soon emerged as a cultural icon, read by the most influential intellectuals of the time as a prophet of the rampant bureaucracy, totalitarian oppression, and absurdity that branded the twentieth century. In tracing the history of Kafka's reception in postwar France, John T. Hamilton explores how the work of a German-Jewish writer from Prague became a modern classic capable of addressing universal themes of the human condition. Hamilton also considers how Kafka's unique literary corpus came to stimulate reflection in diverse movements, critical approaches, and philosophical schools, from surrealism and existentialism through psychoanalysis, phenomenology, and structuralism to Marxism, deconstruction, and feminism. The story of Kafka's afterlife in Paris thus furnishes a key chapter in the unfolding of French theory, which continues to guide how we read literature and understand its relationship to the world.

"A model of academic praxis." - Public Books Elena Ferrante as World Literature is the first English-language monograph on Italian writer Elena Ferrante, whose four Neapolitan Novels (2011-2014) became a global phenomenon. The book proposes that Ferrante constructs a theory of feminine experience which serves as the scaffolding for her own literary practice. Drawing on the writer’s entire textual corpus to date, Stiliana Milkova examines the linguistic, psychical, and corporeal-spatial realities that constitute the female subjects Ferrante has theorized. At stake in Ferrante’s theory/practice is the articulation of a feminine subjectivity that emerges from the structures of patriarchal oppression and that resists, bypasses, or subverts these very structures. Milkova’s inquiry proceeds from Ferrante’s theory of frantumaglia and smarginatura to explore mechanisms for controlling and containing the female body and mind, forms of female authorship and creativity, and corporeal negotiations of urban topography and patriarchal space. Elena Ferrante as World Literature sets forth an interdisciplinary framework for understanding Ferrante's texts and offers an account of her literary and cultural significance today.

In this book, Akos Bertalan Apatoczky offers a complete reconstruction of the Chinese-Mongol vocabulary of the 17th century comprehensive Chinese military work called Lulongsai lue ( , LLSL), a document of key importance containing one of the last Sino-Mongol glossaries without proper critical reconstruction until now. The work has resulted in a clarification of the earlier sources the compilers of LLSL used in the bilingual part. The author argues that contrary to what scholars have thought of it until now, the linguistic corpus of the glossary is not homogeneous and does not represent a single linguistic status; it does, however, shed some light on chronological and philological questions concerning the earlier works incorporated in it.